Inka Järvinen is an illustrator/designer from Helsinki. Järvinen works mostly in detailed collage’s, her output is dark, as she draws inspiration from the old sci-fi aesthetic of the future in the 1960’s and 1970’s. I love her illustrations and simple use of color.
Photographer Jackson Eaton is a Denmark born, unmarried and one of a two-part twin duo. The titles of his series speak volumes about his work: “new portraits for no-one”, “were never married”, “the lugubrious expat”. The one he was never married to is Hasisi Park. Both are young, bright and talented photographers who capture the tenderest and sometimes most inappropriate of moments…
New York-based artist Cal Lane combines traditional metal work with flourishes and delicate motifs. She handcuts lace and other patterns in weathered I-beams, shovels, trash cans, large storage containers, and more. The result is work that references dichotomies: industrial and domestic life; strong and delicate; practical and frivolity; ornament and function. “There is also a secondary relationship being explored here, of lace used in religious ceremonies as in weddings, christenings and funerals,” Lane writes in her artist statement.
She continues, writing about what we can understand by this surprising pairing:
The metaphor of lace further intrigued me by its associations of hiding and exposing at the same time; like a veil to cover, or lingerie to reveal. It also introduces a kind of humor through the form of unexpected relationships. Like a Wrestler in a tutu, the absurdity of having opposing extremist stances is there for reaction and not rational understanding; the rational discussion arises in the search for how one thing defines the other by its proximity. (Via L’Acte Gratuit)
Robert Mapplethorpe, the timelesss American photographer most active in the 1980’s, was mainly known for his highly stylized black and white flower series. However, his most iconic and prolific works, various series of photographs dealing with homoeroticism and sadomasochistic BSDM acts between men of diverse cultural backgrounds, fuelled national debate in the NSA over the public funding of controversial artworks.
Some of these photographs, made visible by The Mapplethorpe Foundation, were part of his first solo gallery exhibition, ‘Polaroids’, at the Light Gallery in 1973.
Mapplethorpe quickly found satisfaction taking Polaroid photographs in their own right and indeed few Polaroids actually appear in his mixed-media works. Two years after his Polaroids exhibition, he acquired a Hasselblad medium-format camera and began shooting his circle of friends and acquaintances—artists, musicians, socialites, pornographic film stars, and members of the S & M underground. He also worked on commercial projects, creating album cover art for Patti Smith and Television and a series of portraits and party pictures for Interview Magazine.
The story of photographer Rebecca Bathory’s traveling to the ruins of the old Soviet Union reads like an adventure tale. As she and her guides were in the midst of exploring abandoned buildings and monuments, they were discovered by authorities. She explains:
Not many explorers travel to Russia where the rules are very different, locations are heavily guarded and a strong military presence exists everywhere. There are serious consequences for getting caught. We managed to stay hidden for all of the trip, we maximised our stealthiness, ducking and diving into bushes and sneaking past sleeping security. But on day three our good fortune ran out as we visited a top secret radar installation. After walking through the forest, mosquitoes attacking us from all directions, we saw the radar and made our way towards it, but just metres away suddenly we were joined by military and they weren’t happy…
Bathory risked radiation exposure, experienced arrest and interrogation, and was accused of espionage as she shot this series of stunning photographs. They depict areas of abandonment – forgotten monuments, peeling paint, a places where nature has taken over. The photographer offers many haunting sights never seen before by western eyes.
These images were comprised into a book entitled Soviet Ghosts. They were all taken by Bathory, while essays and articles by Professor Owen Evans and Neil Cockwill from Edge Hill University and Tristi Brownett.
B/D head of security, Ziggy, models the “Art Works Every Time” t-shirt, which will be given away to the first 100 people to arrive at our opening tomorrow night, June 12 from 8-11!
The shirt features Colin Strandberg’s award-winning design (which you have seen on our exhibition flyer) and super-shiny metallic gold and silver ink! (Shiny!) I’m only exaggerating slightly when I say that this shirt is badder then fixed gears and cigarettes COMBINED. So come early! Details and more of Ziggy vogue-ing it after the cut.
Here’s a quick look into the Barry McGee exhibit at the Berkley Art Museum. It’s been up since the end of August, but you’ve only got one more month to check it out, since it closes December 9th.
You may know him as Ray Fong, Lydia Fong, Bernon Vernon, P.Kin, Ray Virgil, or Twist, but whatever moniker he’s creating under, McGee is an incredibly talented artist. Trained as a painter and a printmaker at the San Francisco Art Institute, McGee is now one of the most influential names in graffiti and street art. During his time in college, he began to take what he was learning to the streets off the Mission District, tagging under different pen names and switching up his styles. Now, he’s brining the streets he knows so well into gallery spaces, creating imaginary urban worlds in his installations. These new landscapes are filled with paintings, sketches, graffiti and sculptures, and visiting them feels a bit like walking around in McGee’s own mind.