The Oscars were a few weeks back but I couldn’t help myself from posting Melissa Di Pasquale’s hilarious photos from her Oscars costume party. The rules stipulated that everyone must come dressed as one of the following: any character from any film that has ever won an Oscar, Or dressed as any character from any film from the past year that has been nominated for an Oscar. The competition was fierce with prizes and bragging rights at stake. I can see this turning into a nationwide contest. You could throw a party in different cities and compare costumes side to side .Would LA beat Chicago, Would NYC lose to Nebraska? I’m not big on costumes but I’d be happy to host the LA party. I only have one question. Did my favorite film, The Lost Boys win an Oscar?
Teale Coco is a Melbourne-based designer, photographer, and international model who has crafted her own dark and fascinating brand of handmade accessories. Inspired by occultism, fetish, and human anatomy, Teale’s designs are characterized by powerful statement pieces influenced by occult symbols — such as the pentagram and sign of the triple goddess — in addition to harnesses that mold to the body in provocative ways. As a synthesis of dark themes and alternative culture, Teale’s work is a holistic approach to fashion, one that melds personal identity with empowering aesthetics.
“Fashion is art,” Teale wrote in a statement provided to Beautiful/Decay. “I don’t have boundaries with what I create, and I set no limitations. […] Human anatomy is one of my biggest influences. The shapes, sizes, lumps, bumps, bone, flesh: everything is derived from a natural source — even our technology today was first inspired by the mystery that is nature.” And, referring to how her “Medusa” full leg harness is an evolution of the garter (a time-honored fashion item), she goes on: “I am expanding these traditions and creating something unearthly.”
At the core of most subcultural fashion is a dissenting spirit that seeks expression beyond societal norms and limitations. The same energy drives Teale’s work as she endeavors to create pieces that foster individual empowerment. Following designer Yohji Yamamoto’s perspective on the seemingly paradoxical beauty of black — a “modest and arrogant” “color” that says “‘I don’t bother you, don’t bother me’” — Teale’s versatile pieces are both assertive and romantic, and can be hidden under clothes or displayed over top (Source). Furthermore, the harnesses are gender neutral and made to adapt to all body types, placing no restrictions on who can wear them. “I want people to love themselves, feel good, wear what they want to wear, and not judge themselves,” Teale wrote, explaining how body positivity was important to her project. “It’s not about what other people think about you, it’s how you feel about yourself — and my designs are here to help liberate you.”
Teale Coco the Brand is a passionate project that is destined to go far. In just over a year, after transforming her Etsy store into its own company, Teale’s work has gained an impressive, international following. All of the styling, designing, editing, creative direction, makeup, and social media are currently done by Teale herself, with a team of artisans sewing the designs. Check out the brand’s website, Facebook page, Tumblr, and Instagram to learn more.
When first seeing Brendan Cass’s paintings, you’ll know you are looking at the work of someone who is very free. Color swoops across huge surfaces, tenuously resolving itself into luminous landscapes. When I dropped by his studio he was freshly back from a trip to Spain. Brendan was laughing in this pic because Bebe, his cat, kept running in front of the camera.
Fable inspired drawings and paintings from LA artist Scott Hassell. Looking at his work puts me in that half-awake-half-asleep, wildly surreal dreamy state of mind that I always enjoy. Reminds me a little of David Jien from B/D Book 1 fame. Scott is also an accomplished printmaker, so be careful if you bring up the subject of oversized etching plates with him.
Jose Romussi creates colorful and elegant embroidery art by stitching thread into old photographs and magazine pages. Embroidering bright colors onto sepia-toned or black and white photography, Romussi designs a sharp contrast that is thoughtful and beautiful. His subjects are often women, the fashion advertisements and models ornamented with floral and other round patterns, the dancers with straighter lines reflecting the strength and precision of form of ballet. For the dancers and ballerinas, Romussi’s embroidered accents highlight movements and bodily forms of the figures. A photograph is of course an inadequate substitute for any live performance, but Romussi’s neatly-placed thread brings a bit more life to these static images. The result is a multi-textured design that becomes immediately more compelling than its previous version.
Romussi has a background in landscape design and didn’t begin experimenting with personal artwork until fairly recently. You can stay current with Romussi’s work by visiting his tumblr page. (via farewell kingdom)
Paul Brainard’s got a healthy libido, there’s no doubting that. He mixes it up with junk food, memento mori, geometric abstraction and political anger to create work that seduces and repels. Dredging into the murky area of what the French psychologist Jacques Lacan called “desire;” defined as: what you want after you’ve got everything you need. Cue the Rolling Stones, I can’t get no (guitar riff) satisfaction. Brainard is bad mofo with a pencil, after the jump there’s some tasty drawings. You can see Paul’s work in SF at Guerrero Gallery, and in NYC at Allegra LaViola for the upcoming group show Pornucopia, which is running from Feb 4th to March 11th.
Richard Hughes is an artist living and working in London. Although there hasn’t been any recent work from him, one of my favorite pieces would have to be Loveseat, 2005. From 2003 to 2008, he has produced a variety of works that one way or another seem to address this methodical juxtaposition between urban decadence of objects and organic matter.
Inner architectural worlds open up in the works of Matthew Simmonds. Beginning his career as a student of art history at the University of East Anglia, the artist gradually moved into sculptural and architectural work, studying stone carving at Weymouth College and later participating in the restoration of several notable monuments, including Westminster Abbey and the cathedrals of Salisbury and Ely. Following these experiences, he began working on his stone sculptures, applying his combined knowledge of history, architecture, and stonework to carve miniature sculptures depicting hallowed interiors.
Simmonds’ works are masterpieces of perception. Despite their small scale, his sculptures absorb the viewer’s imagination with illusions of infinite space; under sunlit arches, through dark corridors, and up monolithic steps, one can almost hear the reverberation of the voice, the lifting of the soul as it passes through deep, sacred spaces. Light plays an important role, warming and chilling the stone and accentuating the finely-hewn details. Invoking architectural styles from ancient and medieval histories, Simmonds visually and emotionally connects us with a Western cultural past; as his artist’s statement compellingly describes, “Drawing on the formal language and philosophy of architecture, the work explores themes of positive and negative form, the significance of light and darkness, and the relationship between nature and human endeavour “ (Source)
Visit Simmonds’ website to see an impressive collection of his work.