Shannon Richardson‘s photographs have a “presented without comment” feel to them, documenting the signage and structures of American countryside with the intent to preserve. In addition to the observational and timeless sights of Texas, Richardson’s book, Route 66 American Icon, is a compilation of scenes from along the historic Route 66 highway.Richardson is an Amarillo, Texas-based photographer.
Matt Siber’sUntitled Project is rooted in an underlying interest in the nature of power. With the removal of all traces of text from the photographs, the project explores the manifestation of power between large groups of people in the form of public and semi-public language. The absence of the printed word not only draws attention to the role text plays in the modern landscape but also simultaneously emphasizes alternative forms of communication such as symbols, colors, architecture and corporate branding. In doing this, it serves to point out the growing number of ways in which public voices communicate without using traditional forms of written language.
The reintroduction of the text takes written language out of the context of its intended viewing environment. The composition of the layouts remain true to the composition of their corresponding photographs in order to draw attention to relative size, location and orientation. The isolation of the text from its original graphic design and accompanying logos, photographs and icons helps to further explore the nature of communication in the urban landscape as a combination of visual and literal signifiers.
Stumbled onto some delightfully curious paintings by Cassandra Simon last night that have the smoothly detailed qualities of a perfectly executed relief print. Robust with color, these images seem to be a mix of mystery and folklore.
Through an intensive process, Shannon Finley applies numerous, translucent layers of acrylic paint and industrial polymers onto canvas with specially designed palette knives. The results offer prism-like surfaces whose subtle nuances chronicle the build up of the material itself. This process draws from the history of geometric abstraction in painting as much as the reductive language of early computer graphics. But Finely eschews any simple opposition between the hand and the pixel, exploring instead the optics of the picture plane while constantly emphasizing the limits of the edge, which provide an unexpected archive of his painterly layers. Ultimately, these compositions remain suspended between the immaterial and the concrete, and are best apprehended as passageways into indeterminate spaces. In this, Finley invokes traces of sacred geometries and religious architecture within a technocratic context, but only as an alternate mode for engaging the unseen. (via)
Vancouver resident Dina Goldstein’s “Fallen Princess” series makes us both laugh, cringe and wonder if Disney princesses were thrown into today, what their lives would be like (minus that Enchanted movie…).
Did you just awake from a twenty year coma? Then youre probably wondering where you can pick up a current issue of .info, a magazine dedicated to Mac computers way back when they were called “Amigas“. Sorry dude. The nerds are dead, we killed all of them. But hey, cheer up! You can still see some knee slappin’ episodes of .info magazinesBryce: one of the first comic strips created digitally.