The stick figures of Laylah Ali are like no other. In her latest show The Acephalous Series which means “headless” she continues on her path of creating a new population of figures with strange expressions and round heads. Her newest resemble vegetables of the cucumber and celery kind. Whereas her former works have studied race relations, torture and hierarchy her newest seem to comment on the state of farming and the food industry. In a number of pieces there seem to be deformities of sorts which could be alerting to chemicals which are rampant in food that isn’t organic. A hybrid baby figure lurking in some might also symbolize sickness affecting unborn and young things. Its sometimes hard to tell with work of this nature what it all means but that’s what makes it both fun and enjoyable. It’s a challenge the artist gives the viewer by making something entirely original.
Ali has been on the international art radar for sometime. She participated in the Venice Bienniale in 2003 and Whitney Biennial in 2004. Her work as a whole is attributed to various types of art stemming from ancient hieroglyphics to comic book serials. She speaks about social issues affecting men, women and minorities using everyday objects such as gym balls, sneakers and sticks.