Olivia Locher might just be 21 years old but her photography has a level of sophistication that you don’t often see at such a young age. Creating layered and complex narratives Olivia takes us on a surreal journey where young girls are stacked in corners like dolls, marshmallows are stuffed down your pants, and pretty girls and pretty flowers are wrapped in plastic to keep them beautiful for eternity.
The Brazilian duo Bicicleta Sem Freio (‘Bicycles without brakes”) have broken away from murals and are now concentrating on some fine art work. Its two current members Douglas de Castro and Renato Perreira first met while attending art school in Goias, Brazil and started collaborating on large scale outdoor and concert poster projects. This led to a series of street art and other prominent commissions all over the world. They recently had their first gallery exhibit in London at “Just Kids” art space. This allowed visitors to see the work on a smaller scale in a white box environment.
The duo create imagery that combines rock and roll with sexy women and animal hybrids. Their bright colors depict figures drawn in similar likeness to action style figures which reference Wonder Woman and Flash Gordon. Most of the pictures take on a fantastical sensibility where shape and color are used to dramatic effect. The two illustrators aren’t afraid to combine loud off key hues to create a funkiness which strikes you with energy and power. Normally when street art is brought down to a smaller scale it loses some of its grandeur but that doesn’t seem to be the case with Bicicleta Sem Freio. Instead the smaller scale work is even more detailed and at times even borders on abstraction.
Some of their significant campaigns have been for The Life Is Beautiful Festival, Coachella, Nike, SubPop and Absolut. (via booooooom)
In his soulful, surreal paintings, Eddy Stevens imagines a world dominated by intuition and emotion, abandoning the mundane for an ethereal landscape dominated by female sensual power. In his wondrous vision, the woman, a heroine modeled after his wife Sophie, sheds her clothes, forging a primal connection with the natural world. The horse, in his majestic equine glory, mirrors the innocent nakedness of the woman, his massive muscles rippling parallel to her bosom.
In Stevens’s evocative images, raw, exposed sexuality is a source of spiritual strength rather than shame, fueling miracles like levitation and mysterious candle lights. Here, the domestic space of the house cannot contain the divinity of woman, and its walls crumble at her feet; she, like the horse, is free to roam infinite wildness.
Stevens’s cornerstone motifs, the nude female and the white horse, are reminiscent of the work of surrealist master Salvador Dalí, whose 1946 painting The Temptation of Saint Anthony also imagined the gift of levitation. But Stevens’s impressive body of work differs in its treatment of the nude and the equine creature; where Dalí presents them as perverse and frightful temptations, both symbols of the desires of the flesh, Stevens depicts them tenderly, as embodiments of purity and strength. This vision is perhaps most fully realized in “Birth of a Dream,” a painting depicting a trinity of nudes following a horse as he ascends into the clouds above. In a stunning reversal of Dalí’s imagery, the parade is shown from the back; instead of falling to earth, they climb to the holy heavens. Take a look. (via HiFructose)
This beautiful series of portraits is part of Sylwana Zybura aka Madame Peripetie‘s award-winning photographic book project, Dream Sequence. The strange, but intriguing and striking aesthetic derives from Peripetie’s varied influences- from surrealism and film, to ideas of beauty and the sublime, this project covers it all.
It is hard to categorize the project; because of its extensive preparations, it extends itself to Avant- Garde fashion, performance and art photography. The most impressive thing of all here, is that the subjects were shot in-camera with minimal retouching involved during the post-production period. The body painting, prosthetics, wigs, unusual 3D make-up techniques and other props were the characteristics that made this project as special as it is.
The series was initiated in Germany and originally styled and conceptualized as a solo project. I continued the project in London, where I have worked and developed its visual nuances with a regular team who have constituted the core of the project – stylist Stella Gosteva, and make-up artist Marina Keri. In addition, I have collaborated with a variety of eminent up-and-coming designers from the leading Fashion and Art Schools in Europe. It is the involvement and donation of these unusual and beautifully crafted pieces that have crucially contributed to the creation of the final images
The book, Dream Sequence was crowd-funcded through indiegogo– and it was published earlier this year. You can purchase it here. (Via Huff Post)
The subject of Suren Manvelyan is so basic to photography it seems to hardly ever be captured individually. While typically considered as “windows to the soul” in art, Manvelyan’s series considers the beauty of the human eye simply as a biological structure. Eye colors are especially vivid in his images. However, it is the texture of the eye that is especially arresting. The iris seems like an alien terrain or some or some sort of cosmic object contrasting with the black void of the pupil.
Designer Yo Shimada of the firm Tato Architects built this structure in conjunction with students from the Kyoto University of Art and Design. The entire wall is made of post-it notes – 30,000 cells of post-it notes. The brightly colored sticky notes are stuck together to create individual cells which are then stacked. The installation exemplifies both innovative design and architecture. Using a simple material, Yo is able to create a relatively large and sturdy artful structure. [via]
Jim Callahan is a multi-talented creative who lends his bold pop-icon vibrant graphic style to a potty-mouthed vision of vulgar humor and the macabre. His humorously outlandish take on his subjects disarms their gritty gore visuals of exploding skull & brains, guts and the spray of blood. James Callahan also runs his own fledgling deck company: Nowhere Skateboards, and has illustrated comics, such as Strange Detective Tales and Rotting In Dirtville. He is also responsible for the DVD covers to the daybyday films, among art for piles of records, CD’s, shirts, toys, posters, and beyond.. James was interviewed in issue: D of Beautiful/Decay magazine and designed the three-dimensional stunner “Barf 3d” for Beautiful/Decay Apparel- which featured, of course, a three-dimensional skull puking a cacophony of vile beasts. Most recently he contributed the mind-blowing (no pun intended) graphic “Kersplat” that shows someone’s brain literally exploding from reading B/D!