This is Laurent Clermont’s latest animation “Heart”. A heartwarming tale about a lonely heart looking for love in an urban city. Does he find love? Check it out! And to see more of Laurent’s animations check out this french fella’s Vimeo.
Sometimes reflection is more powerful than projection. In Shirin Abedinirad’s mirror installations reflection means seeing the sky change into something else or enhancing an ancient setting by expanding scale and perspective. By showing these in a different light an alternate reality is born. In “Evocation” Shirin fills the barren desert with round mirror discs reflecting the sky which become reflected pools of imaginary water. The precious commodity is shown with laser like precision in its alien environment. As the light and environment change at different times so does the liquid mirage depending on how the sand and wind blow over the mirrors.
In “Heaven on Earth” ancient architecture provides impetus to another reflection. It prompts the viewer to recognize shape and its relation to space. The reflective material is placed on a staircase which makes something grander than what it already is. It turns an already spiritual place into more using the mirror’s ability to expand and see upward as a symbol for the great unknown.
Shirin can be considered a conceptual artist since most if not all of her work is steeped in ideas that transport and transform. She’s also a great illusionist by how she uses the real to create something ethereal and imaginary. (via bored panda)
There’s a change happening in a small, rural community in Costa Rica. Latin American satellite company Claro has joined forces with local artists to help housewives advertise and grow their own businesses. In a place where few luxury items can be afforded, every household is certain to have a TV – and also an accompanying satellite dish. So, with the help of creative agency ‘Ogilvy & Mather Costa Rica’, Claro have come up with idea of how to better utilize those dishes for the local residents.
Painted with as many different logos and themes as you can think of, the bright, folksy designs are grabbing all the right kinds of attention. Now, instead of having to rely on word of mouth, or neighbors stopping by occasionally, the women can advertise their goods and services much easier – and to more people. The charming designs advertise making tortillas, ice cream, piñatas, selling flowers, strawberries, eggs, or offering sewing alterations, or haircuts. Now, not only are the women attracting more customers, they are also empowered to think bigger, and to perhaps change their own financial destiny. (Via Lost At E Minor)
Korean illustrator Kim Dong-Kyu gives technological updates to Girl With A Pearl Earring and other iconic works in Art History.
Kyu’s images, although hysterical, are quite critical of the way smartphones/gadgets have dramatically changed today’s social interaction. Themes of alienation, avoidance, self-centerness, and attachment prevail through the series of images. It is interesting to think back on the cultural history of most of these works [mostly the 19th and 20th century works on here]; the juxtaposition of the cultural implications of the scenes of each painting and today’s conception of socialization is quite amusing and very different, yet, at some points, very similar.
For instance, Degas’ The Absinthe Drinker’ from 1876, reveals the increasing social isolation in Paris due to a stage of rapid growth and confinement brought forth by the highly urbanized and elite-driven atmosphere of the new Paris. The woman, actress Ellen Andrée, blankly stares into the walls of a Parisian café. With a glass of absinthe in front of her, she solemnly contemplates the nothingness of what is going on around her. The man, painter Marcellin Desboutin, sits next to her but glaces towards the opposite direction, looking to catch on to something interesting outside of his close quarters. Similarly, on Kyu’s rendition, the woman find herself ignored and in a state of alienation as she is the only one not using a gadget.
These definitely leave us wondering if social interaction has been one of those things that evolve to become more of the same thing. With or without technology, it seems clear to me that the urban, and the elite societies, both rendered in these paintings (with and without Kyu’s additions), look to the outside, and inside, towards their phones, in order to fill some sort of void, and/or escape whatever lies in font of them. If this is true or not…that is up to you to decide.
Josh Greet‘s photography has a European post-punk feel to them that I’m really digging. I especially love the photo of the black metal pet rat funeral after the jump. It’s pretty metal!
Joe Kelly is bringing some Rock n’ Roll with a Comic Book soul. His work has a punk rock attitude served up in a crispy cutty illustration style.
Some of Ann Veronica Janssens‘ work is clearly and singularly about color. For a number of her installations, Janssens’ uses a color film that transforms the light shining through it. She then fills the space with an artificial fog which seems to glow with color. The fog acts as a vehicle to carry the light and spread it into the air of the space; a way to experience color and only color. There is no depth, texture, or line but just color and its saturation. The installations create a dreamy atmosphere when any medium between color and the eye seems to disappear.
Graphic design and illustration studio Violaine & Jeremy create stunning graphite pencil drawings of animals and people merging with wildlife and nature. Surreal illustrations feature wild and domestic critters propped with various attributes of human world: spectacles, patterned scarves and even Victorian waistcoats.
Another humorous venture by the creative duo, Violaine Orsoni and Jeremy Schneider, is to attach lush flowery beards onto humans and wild animals. The unexpected combination of a fiercely looking gorilla sporting a Garden of Eden-like facial hair is beyond humorous. The idea seems to resonate with the latest trend of men adorning their beards with colorful blossoming flora.
Each piece of the collection demonstrates incredible attention to detail. Perfect technique of pencil hatching and shading brings Orsoni and Schneider’s intricate drawings very close to photorealism. Their studio collaborates on a variety of projects: from visual identity, to album covers, to design of the France’s leading innovation magazine, Influencia. (via KoiKoiKoi)