As a bit of a followup to the previous post on shadow art, here is a video on Kumi Yamashita. Her work is incredibly innovative. After looking at the images and wondering how she made them, watching this video is quite insightful.
Photographer Richard Mosse was recently featured BLDGBLOG, one of my favorite architecture blogs run by Geoff Manaugh. The pictures show the extravagance of Saddam Hussein’s imperial palaces converted to plywood built forts resembling college dorms with all its amenities of “weight sets, flags, partition walls, sofas, basketball hoops, and even posters of bikini’d women have been imported to fill Saddam’s spatial residuum. The effect is oddly decorative, as if someone has simply moved in for a long weekend, unpacking an assortment of mundane possessions. The effect is like an ironic form of camouflage, making the perilously foreign seem all the more familiar and habitable—a kind of military twist on postmodern interior design.” See more of what Mosse has to say about his project after the jump.
minimal, experimental, funny, and weird… these are the ingredients that make Eric Lebofsky‘s portaits of leper’s, birdmans, marathon mans, and Architects.
São Paulo based Dea Lellis’ graphic paintings are steeped in mythology as well as references to movies, terror, music, and fashion.
Bizarre and beautiful describes the work of Barcelona based artist Esteve. Each art piece was created with much attention to detail and personal touch. Esteve’s work is almost like a puzzle which makes your wonder what message he is trying to send. Curiosity is what I feel when I see Esteve’s portrayal of humans and animals, but also excitement, because they are truly unique to see.
Based out of Sydney Australia, Mitch Beige Brown is a young designer with a stunning portfolio of unusual and playful works under his belt. Ranging from ironic/iconic art direction and collaborations for record sleeves, Mitch’s perspective is a breath of fresh air.
San Fransisco’s Eros Hoagland is lucky to have an amazing documentary photographer in their midst. He’s traveled the world to capture stunning images of civil war, drug wars, and natural disasters.
Laura Makabresku is a Polish photographer and visual artist who creates atmospheric images that harness the tragedy and beauty of myths and fairy tales. The photos featured here are from Laura’s more recent posts on her blog. Brimming with a romantic darkness, the images include a pale woman lying in a “garden of wounds,” engaged in a subtly violent and erotic ritual with the flowers and a sharp blade. Set against her white dress, the flower petals resemble blood, turning the woman into a mythical — almost sacrificial — figure. Death blends with beauty in a quiet dream.
In another series, the mythos surrounding death becomes darker: in a dingy room filtered with a hellish green moonlight, a cloaked figure stands in a boat overlooking a nude woman. In some scenes the woman is struggling to escape; in others, she is lying prone, pinned by the boatman’s paddle or with coins resting on her mouth, suggesting the River of Styx — the coin shall pay her entrance into the underworld. Elsewhere are images of women communing in different ways with taxidermied animals such as deer, birds, and foxes. These animals emanate with a sense of attentive care over the women they are protecting — but of course, they are dead, troubling us with their simultaneous beauty and artificiality. Speaking of how her works seek to explore fairy tale imagery by highlighting traces of pain and horror, Laura writes:
“My [photographs] are like screenshots from beautiful but cruel fairy tales. Their narrations are not straight. Images that appear are more like feelings that come during a lecture of an old folk-based story – full of witchcrafts and retributions. The structure of my works is similar to the structure of a dream where natural tendencies of collecting and organizing impulses and motivations coincide with irrational clashes of objects and feelings. Isolation and wounds are closed into patterns, uneasy and artificial orders – visual spells created in order to divide beastliness from humanity and dreams from horror.” (Source)
Poetic, grim, and beautiful, Laura’s photographs are truly spellbinding on several emotional levels. Be sure to follow her blog, Tumblr, and Facebook to see what evocative and dream-like images she composes for us next. (Via Art Fucks Me)