Midwestern artist Dave Rowe creates sculptures of time worn structures influenced by American landscapes. His work has developed through a means to “explore history,” as he believes that addressing the change and aging of a landscape reflects not only the passage of time, but also has psychological implications about those who inhabited that change. Memories, ideologies, and personal histories are shaped by one’s surroundings. Therefore, a landscape can serve as a reflection of a collective “personal” experience. By capturing one specific physical moment, the artist allows himself to reflect not a universal or personal truth, but instead, acts as a sort of mirroring of a hyper-specific type of development. The artist re-creates recognizable, yet unspecific buildings that allude to an archival, physical space. His sculptures, focusing on geometrical infrastructures, have been shaped by his own upbringing in the American Midwest and have been influenced by the changes in the American landscape. Specifically, his work focusses on the more rural areas, as the relocation of factories have dissolved the need for industrial buildings. He captures how functionality, or rather, a lack of it, can act as a record of topographical transformation. Even his use of color is a reference to time; he pairs “barn red or tar black” along with “brighter colors evocative of graffiti,” in order to reflect the often seen palette of a forgotten edifice. Rowe creates these structures scaled to hit at eye level, allowing the viewer to enter the space emotionally, and hopes to open a discourse for personal reflection.
Hm, I almost have no words for the demon-clown-spawn’s new video for the song “Miracles” off their latest album. In the vid, the group ponders the simple joys and inexplicable curiosities of life’s treasure trove…lay down their horrorcore antics, and just float through cheesy galactic space, lyrics, and “fucking rainbows.” SNL made their tribute of course, after the jump.
A bright idea is bringing together the talented homeless population of Barcelona and typography lovers from all over the world. Homeless Fonts is an initiative from Arrels Foundation and is a platform for selling the handwriting of these street sleepers to business and individuals. Around 10 fonts are available and all profits made from the sales go towards supporting the 1400 people connected with the foundation.
We all know how much handwriting reveals about a personality; the history of the writer, and this project highlights the talent and the stories of these fascinating individuals. Often overlooked on the street, they all have reasons for living how they do, and share a side of life we usually know nothing of.
Fransisco for example, in a previous life was a graphic designer. Born in Spain, raised in Brazil, he set off to experience the world. After hitchhiking around South America, he returned to Spain an old man. Living years without a permanent address, his days are still full of adventure. He says:
“The experience of the street has taken away my vanity. The only thing I’ve learnt in life is that you have to learn, because if you spend your life without learning, you haven’t lived.”
Argentinian born Guillermo uses cardboard, newspaper, anything lying around to practice his love for art and writing. Born in London, Lorraine found herself stuck in Spain after a thief illegally used her passport to travel on. Ever the optimist, she now enjoys sleeping under the stars with new friends in her adopted home.
The kinks and loops of these fonts are such an immediate and rich art work, they are perfect for making statements with. They are certainly a powerful form of communication.
Beautiful/Decay spent the last three days at the Pool Tradeshow in Las Vagas. Throughout our time, we met a lot of fun and interesting people. For me, the one person that stands out the most was probably the nicest. Sacramento Artist Skinner is one hell of a rad dude. His work is insane and his attention to detail is on point. Skinner continues to pump out amazing piece after piece and before you know it, this guy is going to blow up. Make sure to check out his site for some well priced pieces. Keep it up dude!
Crystal Wagner’s installations are a combination of printmaking, cut paper, and cheap, dollar store objects. Her work has a very organic feel to it, as if we are about to walk through a luscious forest or happen upon a moss patch. This isn’t surprising, as Wagner has spent a lot of time immersed in nature, spending extended periods in Yellowstone National Park and Joshua Tree National Park. The large, site specific works convey the awe-inspiring beauty we experience in places like Old Faithful.
Using items like police caution tape, chicken wire and table cloths, the artist crafts multi-layered and complex forms that occupy walls, floors, and everyday spaces. I’m reminded of green wall technology, in which moss grows decoratively on walls and gardens. It is not only good for the environment, but visually dazzles. This is much like Wagner’s work, which uses what already exists in our world to create a calming, tranquil environment.
Wagner has a formal education in printmaking, and this training works to her advantage. She is able to refine her installations by adding intricate prints of forms that look like vines and petals. It contrasts nicely with her construction, which focuses more on structure and building volume. These are the heart of Wagner’s installation, and tell us the most about the essence of her work.
Berlin-based artist Sebastian Bieniek‘s double-faced girl portraits are a little humorous, but they also provoke a more menacing or unsettling feeling. With an eye pencil and lipstick, Bieniek draws a face onto each side of the model’s face, using one real eye for each face. After her hair has been strategically placed around her face, Bieniek photographs this subject in the context of daily routines, thoughtfully using objects that appear in everyday environments. For this series as well as his other work, Bieniek enjoys creating a narrative that contains absurd elements and surprises viewers. Junk Culture notes, “Bieniek first came up with the idea one morning while playing in the bathroom with his son. He explains, ‘Wet hair covered one of his eyes, soap covered his ear, he looked in the mirror and said, dad look my face moved!'” This creates a manufactured or mannequin like image, with a hint of humanity evoked with one eye.
Bieniek enjoys engaging and provoking responses from his viewers, something his Facebook page of 54,000 fans attests to. He notes, “Art will be consumed differently, the market is constantly changing. Nearly every day, I make an artwork and post it on Facebook. You no longer have to see art in a gallery or see the original.” (via design boom)