B/D pal Lyndsey Lesh recently created a series of illustrations for The Rattling Wall, a literary journal published by the PEN Center USA & Narrow Books. To kick off the books release Lyndsey has teamed up with our favorite alternative art venues Synchronicity Space for a one night show of artworks from the book. Come see a selection of works by Ms. Lesh, get a signed copy of the book, and eat some free Strawberry Chardonnay Ice cream from LA’s best ice cream shop Scoops! If doing all the artwork for the book wasn’t enough Lyndsey decided to add more work to her plate by creating a writing and drawing process blog of her very own called Off Thee Wall. Read more about Off The Wall and see more of Lyndsey’s illustrations after the jump.
LYNDSEY LESH: THE ART OF THE RATTLING WALL
featuring the art pieces from the journal’s second issue. Synchronicity Space | 7-10 PM
713 N. Heliotrope,
Los Angeles, CA 90029
Grégoire Alexandre‘s photographs are full of drama and whimsy. Each piece looks like a snapshot from an insanely epic, Michel Gondry-directed dream. And who wouldn’t want a photo shoot with a life-size origami unicorn?!
Our fine friend Brian Bonus from VIMBY recently did an amazing video profile on us for our anniversary issue Z and art show. It’s a great piece- Amir discusses the very first black and white issues of Beautiful/Decay ever made all the way to our most recent issue! Watch as ten years becomes 4 minutes….
Marco Mazzoni’s work softly drips with an exquisite ease of darkness. From blooming faces where birds gather to a rabbit draining with butterfly wings, each image surrealistically depicts folklore infused with spiritual healing properties that twist and twirl with our own imaginative connections to nature.
To elaborate, Jonathan Levine Gallery notes, “Mazzoni’s imagery references herbalist traditions and Sardinian folklore of mystical seductresses who enchant, curse and cure. His body of work is a tribute to the legacy of female healers throughout history. These women held an important role in medieval communities yet their ancient knowledge of the natural healing properties of medicinal plants was widely feared by the Church, viewed as witchcraft and cause for persecution.”
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ article on Matthew Albanese.
“DIY Paradise” was constructed from cotton, salt, cooked sugar, tin foil, feathers & canvas.
My work involves the construction of small-scale meticulously detailed models using various materials and objects to create emotive landscapes. Every aspect from the construction to the lighting of the final model is painstakingly pre-planned using methods which force the viewers perspective when photographed from a specific angle. Using a mixture of photographic techniques such as scale, depth of field, white balance and lighting I am able to drastically alter the appearance of my materials.—Matthew Albanese
Matthew Albanese is a fine art photographer from New Jersey who specializes in creating and photographing miniatures from common household objects and materials. “New Life I” (pictured above) was constructed using painted parchment paper, thread, hand dyed ostrich feathers, carved chocolate, wire, raffia, masking tape, coffee, synthetic potting moss and cotton.
UK artist Mike Lemanski design style is clean and refreshing. Lemanski work mostly uses primary colors and is mix media. Most commonly using gouache, vectors, pencil and ink. ” I like to live within the idea that design is art”. Very sophisticated design and inspiring.
Half humans, half birds; Sarah Louise Davey’s ceramic sculptures are the symbol of emotional duality. She is blending a woman’s face with a beak and a feathered gaze. The eyes seem so real, they are preventing us from looking away. Insisting that we come closer and try to understand the meaning of it all. The other sculptures are hanging from leather cords and chains. Two arms ending with birds’ feet with rose metal claws. The arms and the faces are covered in wrinkles, leaving us wondering how old these creatures are, and if this is what will happen to us too. It will, in the artist’s imagination.
Looking at the sculptures, it feel like we’re entering the world of the wizard of oz meets the barnyard, fantasy meets reality. Isn’t it what we’re living daily? If we think about it, the result is far from being pretty and perhaps this is Sarah Louise Davey’s purpose. In order to reflect deeper on society, norms and beauty we need to stretch the limits of our understanding. When the artist exhibits those pieces, she is almost questioning if we, as individuals are not all freaks after all. Freaks that need to be analyzed and understood, because underneath the wrinkled skin and the animal features we each have a complicated unique soul giving us an infinity of possibilities. ‘At the heart of these works is the eternal push and pull of the spirit’.
Interesting paintings done in oil on lexan from Brooklyn-based artist Liza Lacroix. Portraits rendered in lush, swimming applications of color, the works maintain a haunting distance and obscurity. Our faces are the most expressive elements of our bodies by far, and somehow Lacroix’s denial of direct access to such expression makes you want to stare at these tormented paintings even more; to try and uncover the meaning that’s hidden in plain sight.
The artist opens Works, a solo exhibition, this Thursday, 7-10 PM at Candamill Gallery, 89 Mercer St. NYC.