The stark sculptures of Al Farrow are jolting in their simplicity. His Reliquaries series of sculptures are houses of worship and reliquaries (a container for holy relics) built from weapons and ammunition. Stacks of bullets form walls, barrels form steeples, and muzzles form minarets. Farrow’s artistic commentary on violence in connection with religion is a powerful one. Using a provocative medium to create loaded imagery (seriously, pun not intended), Farrow’s work easily elicits strong responses from viewers.
Footage from the installation of Damien Hirst’s painting John, John as part of the exhibition Color Chart: Reinventing Color, 1950 to Today at the Museum Of Modern Art.
Javier Perez is a commercial artist and designer who has been having a blast on Instagram creating quick and simple sketches that combine the 2D world with our own 3D reality. Perez obviously has a lot of fun playing around with different ways to combine the two visual effects and create a hybrid in the photograph, which makes it equally a joy to view. He uses his fingers, or objects like food, matches, toothpicks, and the like as the props for his drawings.
His bio on his website states:
My work is very simple and minimal. I want that the person can take a break of the saturation of the photos in general. I never imagine that the people of the world will love my illustrations. It’s amazing the thousands of messages and fanarts I receive.
“Create every day. No matter your skills.”
He brings up a really great point about saturation. We truly are bombarded with so much imagery, especially through the Internet, and so a great deal of the appeal of Perez’s work comes from its simplicity. It allows the viewer to breath and rest peacefully on the image. Each one is enjoyable and easily understood; there is no ambiguity or doubt as to what is going on. (Via Faith is Torment)
Photographer Florencia Durante’s series uses light to wrap her seated subject in a brilliant spectacle of energy. It appears as fractured, gestural drawings that dances on the floor, up the bald man’s (named Ruso) legs and sometimes around his head or out the door. The white-yellow spirit is erratic and is chaotic.
In addition to having a drawn quality to them, these photographs are sculptural. Durante builds up form and by layering line upon line, taking into consideration the contour of the knees and the head. She creates a halo and a veil around her subject.
The light seems simultaneously helpful and terrifying. Ruso sometimes sits idly as it moves around and throughout him. Other times, he has his head in his hands waiting for impending doom.
Daniel Everett embodies the current technological zeitgeist shared by post dot-com kids, the kids of the dot-com kids, and the relationship we have to our interconnectivity (the internet). His work is jaded, earnest, and self mocking at the same time.
Ana Janssen’s erie hyperrealistic paintings remind me of the calm before a storm. In most of the work young teenagers sit still and stare at the viewer with an intense gaze while various animals sit on their shoulders, lay in their lap, or attempt to take a bite out of the figures hand.
The group Art Against Cuts busted into a recent Sothebys while a Warhol piece was being auctioned with a large banner reading “Orgy Of The Rich” and throwing fake money into the air. the group states that they are “fighting back against the most significant governmental attack on the public sector in living memory. In the arts we are anticipating feeling the full weight of this socially irresponsible policy, especially in terms of funding for arts education. We are in solidarity with the other sectors fighting against the cuts and openly welcome co-ordinated action in creative and innovative ways.”
I think my favorite part about this performance was that so many of the wealthy in the room were actually enjoying the protest and taking photos with their phones. Guess it’s just another great story to tell while out on the yacht over the weekend. Watch the full video after the jump.
In today’s environment, it’s often hard to get noticed if you only do one thing. Even if you do it very well. It seems, sometimes, you just gotta do it all. NYC resident James Moore seems to have his fingers in almost every mode of expression imaginable. And he’s not afraid to get them dirty. Really nice to see a guy who’s bringing as much raditude to his graphic art as he is to mind-blowing sculpture and installation work. Moore is fresh off a great group show at Kunsthalle Galapagos in Brooklyn, and my eyes can’t get enough of his new work.