Errors In Production is an ongoing collection of a variety of products with individual manufacturing errors compiled by Berlin based Heike Bollig. These products range from a simple upside down beer bottle label to a marble that is squished into an asymmetrical sphere that will never have the joy of rolling straight. Although Heike actively seeks out these objects friends and sales clerks pass them on as well. Have you found your own error of production? Contact Heike and contribute to the archive! (via strange attractor)
Portia Munson’s latest show at P.P.O.W uses photography, installation, and sculpture to create a vibrant and colorful atmosphere that examines nature, including our own.
Entering the gallery, photographic wallpaper of dandelions reach out from under a series of still life prints or memento mori: images of actual flower blossoms, carefully arranged by the artist as a mandala, inside of which, a woodland creature, formerly found along the roadside, nestles.
Of her imaging process, Munson elaborates, “I use the scanner like a large-format camera. I lay flowers directly onto it, allowing pollen and other flower stuff to fall onto the glass and become part of the image. When the high-resolution scans are enlarged, amazing details and natural structures emerge. Every flower mandala is unique to a moment in time, represents what is in bloom on the day I made it.”
When shown alongside Munson’s other piece: Reflecting Pool, a “congested installation” of heaping blue landfill trash, we are forced to confront our natural instincts– to build and discard with quick irreverence.
Montreal based artist Shelley Miller challenges the rough and gritty world of graffiti with her cake icing graffiti. Instead of the usual tags and throw ups Miller brings to the streets a delicate floral touch more likely to be found on triple decker wedding cake from the victorian era.
What makes Miller’s work even more interesting is that her pieces don’t just look like cake frosting but actually are cake frosting! This adds another layer of interest as these intensely ornate pieces disappear and melt off the walls almost as fast as they go up. See more of her works below and check out this great blog post documenting one of her more elaborate pieces as it fades away due to the elements. (via)
In recent years, the rising popularity of pole dance fitness has probably conjured up images of darkened strip clubs rather than a serious workout. Netherlands-based Bart Erkamp thought the former, but during the summer of last year, his attitude changed. He dated a woman involved in the sport and learned about its inner workings. It’s a physically demanding activity that’s much more than just an erotic dance. His series titled Pole Fitness highlights the strength and talent needed to complete the moves, which are often suspended in air.
After learning about the sport, Erkamp attended a championship pole fitness competition in Amsterdam. The power and agility of the athletes impressed him, and this struck him as comparable to “artistic gymnastics,” that highlights physical prowess and self expression.
In addition to their athletics, Erkamp was enthralled by the dedication of the participants. They’ve installed poles in their bedrooms, living rooms, and even next to their kitchen. Location doesn’t matter. He highlights this in his subjects’ clear, neatly-kept homes. Contorted legs, torsos, and arms are wrapped around bright silver poles.
It’s not all women, either. Erkamp explains that in 2014, several men completed at the World Championships in Rio de Janeiro. And, there’s even a possibility that it’ll be an official Olympic sport in 2016. (Via Feature Shoot)
Husband and wife visual artist team Hillerbrand+Magsamen crafted a series of twists on the traditional mandala. More commonly known through the Tibetan sand mandala, the original, ancient process consists of intricate patterns of sand that are later destroyed. Hillberbrand+Magsamen’s interpretation is similarly meticulous, but has a pop culture twist. Using things like books, Legos, shoes, sippy cups, things that are blue and others green, they arrange these objects in a circular, radiating formation. This light-hearted assemblage has a deeper meaning to the artists, who explain:
Loosely translated to mean “circle,” a mandala is far more than a simple shape. It represents wholeness, and can be seen as a model for the organizational structure of life itself–a cosmic diagram that reminds us of our relation to the infinite, the world that extends both beyond and within our bodies and minds. We have created mandala’s within our own home out of the stuff we have found lying around in our own creative exploration.
So often, we get caught up in the hustle and bustle of everyday life. The act of creating these works is a slow, meditative process. As these objects form a circle, there is consideration to not only placement, but the associations we have to them. It allows us to think about how the things we own are a reflection of who we are. (Via Faith is Torment)
Designer Yo Shimada of the firm Tato Architects built this structure in conjunction with students from the Kyoto University of Art and Design. The entire wall is made of post-it notes – 30,000 cells of post-it notes. The brightly colored sticky notes are stuck together to create individual cells which are then stacked. The installation exemplifies both innovative design and architecture. Using a simple material, Yo is able to create a relatively large and sturdy artful structure. [via]
I’m really enjoying the dreamy, Trapper-Keeper sketchbook-esque fanciful designs by Mexico City-based designer Alejandra Quesada. Loving the layered wide lapels above, they look like construction paper cut-outs held together by glue sticks and secrets!