Chris Ritson combines ceramics with elemental transformation to create these stunning bismuth sculptures. The smoothness and seeming purity of the ceramic form contrasts with the spontaneous explosiveness of the bismuth that emerges from the heads of his subjects, demonstrating a gorgeous dynamism of form and content.
From his artist statement: “Bismuth is an archival element, that under specific, synthetic conditions crystalizes into a distinct hopper shaped crystal form. This crystalline structure of multicolored lattice of cubes within cubes is utilized to simulate the Tesseract, a 4th Dimensional cube. Imagine the Tesseract is to the cube as the cube is to the square. In our thoughts, as well as dreams, we construct a reality within countless imperceivable dimensions, and the realm of the Tesseract is the first that evades our five senses. As artwork is meant to herald a great movement in the viewer into unknown lands of experience, these works are manifestations of the great mythic beacons of ineffable transmissions: Immortal Gods plucked form our literary tradition, all linked to the bridge that connects humans to the imperceivable truths beyond the body.” (via my amp goes to 11)
Greg Eason of Norfolk, UK, has a hand for drawing very realistic pencil illustrations, to fantastic patterns and sketches that stretch and bend across his sketchbook page. There’s something very comforting in his illustrations, their lifelike feeling, and the vacant page that inhabits the characters of his pieces.
My current work explores the era Anthropocene, working primarily in pencil, and the focus of my current work is driven by the desire to push the physical limitations of scale. I am also interested in the unpredictable nature of pattern; my interest lies in the production of organic linear structures and the suggestion of fluidity through repeated marks.
Eric Shaw creates fractal-filled cosmic psychedelic drawings and paintings that takes both abstraction and figuration to strange, surreal new levels. We’ve actually had the pleasure of doing an in-depth interview with him on the B/D site last year, so it was great to catch up with him! Just a few days away ’til “Art Works Every Time,” and we can’t wait!
Sam Jinks is interested in reality. Well sort of of. The photo realist sculptor creates marvelously lifelike figurative sculptures that will make you take a double, triple, and perhaps a quadruple take to see what they are made of and how. You would swear that these are actual figures frozen in time except for the slight alterations that Jinks has made such as a foxes head on a human figure (pictured after the jump), or tattoos that look as if they were drawn under the skin, or faces without mouths. At times dark, grim, and just a bit surreal these incredible sculptures will make you rethink the beauty in our skin, hair, and pores and be slightly spooked all at once. Reality has never been more frightening. (via jobs wife)
Evan Robarts lives and works in Brooklyn, NY. His playful sculptures are constructed from found objects and industrial materials. Robarts reinvigorates everyday items like brooms, hockey sticks, and bicycle frames when he transforms them into vibrant compositions. In one piece the combination of cake sprinkles and plaster results in a dazzling abstraction that looks good enough to eat. Another body of work utilizes Popsicle sticks and ink to imitate a plane of freshly melted treats. Robarts’ zestful work triggers multiple senses and reminds us that exuberance can be found in all things.
Videographer Rob Whitworth together with city-branding pioneer JT Singh create a stunning flow-motion panorama of the mysterious capital of People’s Democratic Republic Of Korea, commonly known as North Korea. “Enter Pyongyang” is their another collaboration combining the stunning effects of time-lapse photography, HD and digital animation, acceleration and slow motion.
According to the creators, North Korea, which is mostly imagined as a country “immune to change”, is rapidly developing. Besides the uplift in tourism, the whole infrastructure is rising with new railways being planned and special economic zones launched. Whitworth and Singh accurately capture this shift in their video filmed with the help of Koryo Tours, a Beijing-based travel agency who provided the team with exclusive access to the city.
“As is standard for all foreign visitors to the country, we were not allowed to shoot any construction sites, undeveloped locations or military personnel. Other than that we were given relatively free reign.”
North Korean society is highly enclosed and lifting the curtain, especially for a video, is a truly unprecedented behavior. However, “Enter Pyongyang” captures the controversial reality of this multimillion capital: from its high-end golden statues and modern glass skyscrapers, to the humble and earnest citizens. The fast-paced video conveys what is essentially Pyongyang’s biggest wealth – the dynamism and energy driving it to the new heights. (via The Awesomer)
This dream-like mural is the result of two long weeks rubbing clay, mud and dirt, day and night into the walls and floor of Rice Gallery in Houston. Since 2008 Japanese artist Yusuke Asai has been creating these earth paintings. His latest one, titled Yamatane (meaning Mountain Seed in Japanese) was created purely with locally sourced natural materials. With the help of volunteers and the staff of the gallery, Asai collected 27 different shades of dirt from around Houston. His palette is surprisingly varied – the fertile soils of Texas provided him with many tones of yellows, reds and even a rare shade of green. Wanting to form a connection between his visual art and the location he is working in, he says digging for the various samples is an important part of the process. Asai speaks of his fascination with dirt:
I choose to use the earth as a medium because I can find dirt anywhere in the world and do not need special materials. Dirt is by nature very different than materials sold in art stores! Seeds grow in it and it is home to many insects and microorganisms. It is a “living” medium. (Source)
Not formally trained, Asai learned his image making skills from sketching animals in zoos and visiting the museums of his native Japan. Observing different mark making techniques from other cultures and folklore, he has been building his own version of the natural world for some time. His subject matter also echoes those that are fundamental to primitive societies – that of the nature that surrounds us. Asai says:
Imagery of figures and creatures comes to me in the moment. Fox, bird, cat, and sunshine – everything has a role; parts disappear and something is added. I begin each work thinking of the countless small things that come together to make a larger world. (Source) (Via Colossal)