When looking through photographer Caroline Mackintosh‘s visual archive, the themes are immediately evident: beauty, youth, adventure. Using her lens, she paints a vivid storyline of an endless summer, stretched out over empty streets, swimming holes, and desert air. The sun-soaked quality of the colors, and slight dip in and out of focus give her work an air of honesty, as though she’s invited the viewer to casually sifting through a box of snapshots.
Sean Norvet is an LA-based artist who paints grotesquely amusing mash-ups that represent the mania and excess of contemporary culture. Food and flesh are his two main ingredients; shattered jawbones, melting eyes, raw meat, and fast food collide in unholy, humanoid altars. Norvet punctuates his pieces with eroticized body parts, mixing desire and beauty ideals with mass consumption. Despite the gruesome subject matter, his work is surprisingly humorous—and there’s a lot to digest.
In an Artist Perspective video with the Stay Gallery, Norvet describes today’s technology-saturated world as an all-you-can eat buffet. From dawn until dusk, we are inundated with arbitrary connections and information—whether we consent to them or not. With intense talent and keen social observations, his paintings reveal this cultural chaos in shameless and visceral ways, provoking self-reflection through imagery that is fun, insightful, and revolting.
My good buddies at Two Rabbits Studios have recently updated their site and online store. If you haven’t heard of these fellas, you should put your ears to the ground more often. Though they may be named after a small gentle animal, they are a stampeding herd of buffalos who will trample you with their design and printing skills. They’ve done concert posters for all of your favorite musicians and probably your mother’s favorites as well. (P.S. They silk screened one of the inserts in Book 2).
Rachel Domm is an illustrator living and working in Brooklyn, New York, with great work for clients such as The New Yorker and The New York Times. We received her new zine “The Best” in the mail, and it is full of colorful and detailed lighthearted illustrations.
“Bela Lugos’s dead, undead undead undead…” sang Peter Murphy to the first of two sold out shows at Los Angeles’ Fonda Theatre a couple of weeks ago celebrating thirty five years of Bauhaus with the Mr. Moonlight Tour. While I would have liked to have seen Bauhaus perform, I wasn’t going to pass up the chance to see Peter Murphy and his band perform an all Bauhaus set.
Opening the show with King Volcano and playing songs like Stigmata Martyr, The Passion of Lovers and of course Bela Lugosi’s Dead, it was definitely a sing-a-long with Peter Murphy kind of night. Peter Murphy looked as cool as ever dancing around stage with his trademark moves. Of course the show wouldn’t have been complete without them ending with the Bauhaus versions of T. Rex‘s Telegram Sam and David Bowie‘s Ziggy Stardust.
The US tour has ended, but he’ll be in Mexico at the Teatro Metropólitan tonight Thursday, August 8th and will follow with shows in Chile, Argentina, Uruguay, and ending in Sao Paolo, Brazil on Wednesday, August 14th at the Carioca Club
Do you control your desire? Or do you allow it to control you? The elusive devil can be a sensory – and involuntary – appetite starting with a gleam in the eye. So when a leather-clad Dougray Scott walks out of a dimly lit diner, temptation of course awaits.
The Scottish actor aspired to make billions as Ethan Hunt’s nemesis in Mission Impossible 2 and he’s been both Dr. Jekyll and Mr. Hyde. He’s played at being a sadistic killer (New Town Killers), a chef falling in love (Love’s Kitchen), and is scheduled to be Dr. Godfrey in the soon to be released goth-horror Hemlock Grove. In this short video directed by Antony Hofman, we find Scott behind a gleaming Mercedes-Benz SLS AMG.
And he’s not resisting, of course, to harnesses the power and beauty of a 1695 kg amalgamation of precision design, performance, and aesthetics being fed by a V8 engine and controlled by a DCT 7-speed sports transmission, charging you up to 317 km/h. As the machine sparks over the dark streets of Los Angeles, the attraction ultimately rests on the drive you get.
LAPP-PRO, headed by Jan Wöllert and Jörg Miedza, brings the concept of light painting to another level. The situations captured in the photos seem to have broken any holds tethering them to reality. LAPP claim that “the pictures are one single photo, not a result of working on the computer.” Not to dispute the validity of their procedures or anything, but the photos so good that they stopped looking real. I’ve seen some cool light graffiti, but LAPP just brings the art form to a whooole other level. Maybe it’s because they look like characters from X-men battling evil at the cusp of apocalypse? Take a look and decide for yourself!