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Ruper Shrive Turns His Paintings Into Masterful Crumpled Sculptures

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Rupert Shrive turns his paintings into sculptures by crumpling, twisting, and sometimes including odd materials to create architecturally evocative works. In some of his works, the three-dimensional elements complement his portraits; in others, they deform the faces of his works, twisting cheeks and lips and replacing noses and eyes to create a patchwork of various styles and colors.
When you look at Shrive’s work, you get the sense that there’s something urgent and almost desperate being communicated. At the very least, you feel a slight wince as you think about how much of a calculated risk he must have taken. In an interview with Michael Peppiatt, Shrive says of his process: “… It is painful and I’m always very scared when I start crushing them and it’s very risky because you only have so many movements you can make before you’ve lost the big dynamic crush that you’re going for.
Risky as it is, that extra third dimension is a crucial element of Shrive’s artwork, enabling him to highlight certain features and create unique landscapes out of his portraits. (h/t I Need A Guide)

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Artist Ann Hoi’s Haunting Hologram Reminiscent 3D Paper Sculptures

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Chinese artist Ann Hoi creates beautifully bizarre paper figurative sculptures. Usually depicting images of children and fantastical animal creatures within an air of melancholia, her work simultaneously achieves an essence of preciousness and unsettlement. Since graduating from Ontario College of Art and Design University in 2010, Hoi has only crafted around a dozen pieces;  each work is made through a long meticulous process. Her sculptures are created with a method that begins with the extremely clever use of a 3D animation software that allows her to develop, edit, and manipulate her characters digitally. She then prints her designs onto paper and has to build her works essentially through a version of intense puzzle piecing. Their monochromatic and literal xerox copied aesthetic allows them to almost exist as a physical representation of a digital hologram. They create a real virtual reality. They seem to exist on a strange border of futuristic and nostalgic — their “digital” quality allows them to be referential of that of a technological manifestation and therefore science fiction, however, the graphics, again, the monochrome palette, as well as the sort of “glitch” like feel, makes them seem like they are that of an old technology, a reminiscent one. Hoi’s work is undoubtedly unique. Each piece has the true ability to draw the viewer into a world that they have yet to experience. However, despite how removed from reality these works are, they some how do not feel out of place. It almost feels voyeuristic, as if the viewer is the one that doesn’t belong. (via Hi-Frustose)

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Joel Galvin

Joel Galvin 

Joel Galvin, or Ventral Is Golden (origin: late Middle English : from Latin venter, ventr- ‘belly’ + -al . Thanks Dictionary.) uses a plethora of different medium. Wonderfully, they all seem to correlate with each other. Perhaps it’s just how odd and familiar they are.

 

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Happy Labor Day America!

It’s not easy flying the Beautiful/Decay spaceship of art but we do our best each and everyday to bring you the best art and design from around the world. Whether it’s our book series, our high quality artist prints, or this very blog that you’re reading right now we put in 110% 365 days a year into inspiring each and every one of you. We’re taking the day off with the rest of America today to celebrate our years of hard work but kick back, relax, and watch a few inspiring music videos after the jump!

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Graphic Designers Embark on Strange 40 Day Dating Project

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40 Days of Dating – All Videos from 40 Days of Dating on Vimeo.

It’s difficult to tell if it is performance art, a design project, or just a weird way to date.  However you classify it, graphic designers Jessica Walsh and Timothy Goodman have flung themselves into the project straightforwardly titled 40 Days of Dating.  Exasperated with the New York City dating scene, the designers turned to each other.  Each deals with the opposite problem – Jessica jumps in too quickly, Timothy’s reluctant to take the plunge.  The two good friends decided to date each other for forty days – the amount of time often thought required to quit a bad habit.  However, the dating project entails a bit more.  First, there are six rules:

  1. We will see each other every day for forty days.
  2. We will go on at least three dates a week.
  3. We will see a couples therapist once a week.
  4. We will go on one weekend trip together.
  5. We will fill out the daily questionnaire and document everything.
  6. We will not see, date, hookup, or have sex with anyone else.

The daily dating adventures of the couple were then uploaded to their in fashionable design style.  Would love and dating be redeemed or their relationship irreparably ruined?  40 Days of Dating was set to find out.

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Light Art Performance Photography

Light Art Performance PhotographyLAPP-PRO, headed by Jan Wöllert and Jörg Miedza, brings the concept of light painting to another level. The situations captured in the photos seem to have broken any holds tethering them to reality. LAPP claim that “the pictures are one single photo, not a result of working on the computer.” Not to dispute the validity of their procedures or anything, but the photos so good that they stopped looking real. I’ve seen some cool light graffiti, but LAPP just brings the art form to a whooole other level. Maybe it’s because they look like characters from X-men battling evil at the cusp of apocalypse? Take a look and decide for yourself!

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Interview: Jason Redwood

Acrylic, cell vinyl, and spray paint on panel 20 5/8”x12”

Acrylic, cell vinyl, and spray paint on panel 20 5/8”x12”

Jason Redwood creates transmogrophic kalleidoscopic explosions of pop culture saturated lucid dreams. With a background in illustration and design, many of his images embody a vibrant, hard-edge pop aesthetic that could almost be digitally generated. In fact- Redwood sites the visual vernacular of advertising, web, television, billboards–the current day image glut–as being woven into his insane tapestries. Childhood memories, strange visions, and humor also play off each other in hypersectra, hypersaturated colors, into a “beautifully perverse mega-meal,” as Redwood describes them. His works are visual feasts of fancy, intensely seductive eye-candy that, if they were allowed to flash and vibrate on a moving screen, would probably induce seizures–but in a transcendant, ecstatic way.

 

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NoLoveLost

garethrice

NoLoveLost, aka Gareth Rice, is an artist, designer, and illustrator based out of New Zealand. His work has been used and featured in print advertising, editorial design, and campaigns for K-Swiss, Oakley, and Redken. His graphics are energetic, and I like how his illustrations organically meld with the photographs they are incorporated with.  The above artwork is part of a new series intended to “give human based subjects a flawed final resolve, rather than a perfect one, which is so common in our industry.” Whether his illustrations are for a shoe company or for himself, you’ll find yourself doing a double take, just to grasp everything going on.

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