The paintings of Korean artist KwangHo Shin are most certainly portraits. Though they depart from many of the elements of typical portraits they’re instantly recognizable as such. Shin uses charcoal to build the underlying structure – parts resembling hair, neck, shoulders, and ears. The faces aren’t so much painted as formed by gobs of oi paint. Hints of facial features such as eyes and noses may be ambiguously implied in each piece. However, its really the inner person Shin is after, the echoes of which linger for a moment on the face.
Often in our daily lives, something needs to be taken out of it’s normal context to be seen with renewed appreciation. In Arnaud Lajeunie‘s recent photoseries Water meets colour, colour meets water, the Paris-based photographer explores new waves of seeing the constant ebb and flow of ocean waves by making them more visible, through the use of biodegradable, sugar-based dyes. Arnaud’s interventions tint the surging water with a plethora of colors, which are captured using an extremely fast shutter speed, which produces photos of violent, colorful takes of traditional landscape photography. Taken out of a normal context, one can see more clearly the natural beauty and fury.Says Arnaud, “Here, colour is seen as a raw material, as are the waves and the rocks. Colour adds density and thickness to transparent water, thus enhancing the flux fixation process.”
As writer Eugenia Lapteva notes in an essay on the series, Colours of Absence, “As the colours bleed into the sea, the texture of the water thickens and the motion of the waves is (re)defined, revealing its hidden course and complex networks. The crashing waves, which are carefully contained within the camera frame, pull the viewer into a vortex of frozen shapes and novel configurations that are otherwise indiscernible to the human eye.”
In his own words, the photographer explains, “I rely on the camera as a device with technical features that can give tangible shapes to ever-moving fluxes, in this case the waves. The high shutter speed transcends the human reflex of persistence of vision: it reveals existing shapes that the ‘mortal eye’ cannot perceive on its own.” (via mymodernmet)
Matthew DiVito, also known as mr. div, is a motion graphics designer and aspiring game developer. Using a cocktail of software DiVito produces these hypnotic gif images. A popular file type in the 1990’s, gifs are experiencing a resurgence in popularity. DiVito’s images certainly retain a retro sensibility. However, gone are the blocky appearance and wonky movement typical of the first wave of gifs. His work has a certain cosmic precision and elegance making each file slightly mesmerizing.
Have you ever wondered what you would look like without your head? Artist pepedsgn has been asking himself the same question: his most recent series #Losingmymind consists of a collection of colorful photographs depicting people, whose heads have been edited out. The result is both frightening and beautiful all at once and t forces you to reflect on the importance we give to the head and, the face, and the eyes in our everyday lives.
Pepedsgn plays with the double meaning of “losing your head” both in the literal and figurative senses in this decapitation series. The idea that the pressures of living in a modern world full of overstimulation, paired with the flood of human emotion we live with on a daily basis, paint a background for the loss of self depicted in these photographs. The depiction of headless subjects gives both a playful irony and, a certain thoughtfulness to the series by physically showing subjects without their heads.
The uncanny beauty of seeing people without their eyes, faces, or mouths makes the series all the more fascinating in the sense that their heads ,which govern all emotions and most non verbal communication are gone. Pepedsgn leaves it up to the public to imagine the possible emotions of the subjects and takes the notion of “brainspace” to a beautifully explicit level which allows us to reevaluate the way we read emotions.
We all want to change the world to make it a better place. That’s why last summer Dassault Systemes asked over 550 thinkers from around the world for submissions of world changing dreams as part of their “If We” contest. Pulled from various social networking venues such as Twitter, Facebook, 3ds.com and an assortment of blogs they received brilliant ideas from every corner of the globe proving that progress and innovation can happen if we simply look and ask for it. From the initial pool of submissions they gathered the top 85 ideas and contacted the authors to get more details about their dreams.The above video sponsored by Dassault is a compilation of the top 10 ideas pulled from those 85 contestants. With so many brilliant, quirky and out of the box ideas it’s hard to choose favorites but one that particularly jumped out at us comes from Geoffrey Cooper from Canada: “IF WE designed a rolling tree planting robot, we could send them out to replant forests and restore deserted lands. Let’s make it happen!”
Join in on the conversation and share your ideas with the world today!
What can I say, the recurring imagery of the Luck Dragon from Neverending Story is enough to make me die for Matt Furie’s work. There’s also a series of scary characters that are holding/comforting frail and unthreatening rabbits & children, I don’t know. Amazing.