Arielle Coupe creates work that feels as if it were a scene from an avant garde horror film. It’s always a good feeling to be creeped out and intrigued simultaneously.
There’s a city in Arizona that caters exclusively to retirees and where residents must meet be a minimum of 55 years or older. This unique place is called Sun City, and Los Angeles-based photographer Kendrick Brinson documented it in her series titled Sun City: Life After Life. It’s home to 42,500 individuals, with 10,000 of them in their eighties, and has a youthful energy about it. There are dozens of recreational activities including synchronized swimming, cheerleading, dancing, car shows, and much more.
Brinson’s photographs reveal day-to-day life in Sun City. We see that the mood is cheerful and bright, as the clear desert sky makes the bedazzled outfits appear even shinier. Here, it’s an enclave of folks getting old, and they want to keep it that way. Grandchildren under the age of 18 are only allowed to visit for a limited amount of time, as to not disrupt the mood of the place by reminding the residents of their age.
As people enter their twilight years, probably after working for decades and raising kids, it seems that they are encountering a second youth. It’s one that’s filled with experience and wisdom, rather than naivety, but still full of fun and little responsibility. The elderly seem to realize that they aren’t invincible (as so many teenagers do), but that they are entitled to enjoy the rest of their lives however they like. (Via Feature Shoot)
Designer Luis Hernan‘s project, “Digital Ethereal,” captures colorful “spirit photographs” of Wi-Fi signals. Using long exposure photography alongside the Kirilian Device mobile app, an app created specifically for this project that translates WiFi signals into color gradations, Hernan creates stunning photographs that feature ghostly swirls of color and activity. Hernan’s project represents the ways we can thread different kinds of technology together to create something new – something that visualizes a field of energy that is omnipresent, yet eludes our physical sensibilities. Of his WiFi light paintings, Hernan writes, “I believe our interaction with this landscape of electromagnetic signals, described by Antony Dunne as Hertzian Space, can be characterised in the same terms as that with ghosts and spectra. They both are paradoxical entities, whose untypical substance allows them to be an invisible presence. In the same way, they undergo a process of gradual substantiation to become temporarily available to perception. Finally, they both haunt us. Ghosts, as Derrida would have it, with the secrets of past generations. Hertzian space, with the frustration of interference and slowness.” (via laughing squid)
Jean-Francois Fourtou’s photographs go back and forth between miniature worlds for giant people and tiny people living in giant worlds.
South African artist Porky Hefer creates quirky sea creatures that walk the line between furniture and sculpture. Crafted from leather, the giant animals are suspended on rope and hang from the ceiling with their mouths open wide. These fun creatures create a sort of inquisitive space for one to insert themselves, and perhaps relax and read a book. Within he series, titled Deliciosa Volume I, Hefer has developed a series of six designs, each of which has it’s very own personality. For example, Fiona Blackfish, an Orca whale who was born in Cape Town, has a furry tongue, loves animals of all kinds, and hates Sea World. Other characters include Crocodylus Eugenie (a crocodile), M. Heloise (a manta ray), and Dora Esca (an angler fish), Pelicanus Iris (a pelican), and a puffer fish. The artist, who has 16 years worth of experience in the advertising industry and has worked with big wigs such as BMW and American Express, wanted to use this project to step away from foreign manufacturing and product concepts, and instead, display and utilize the traditional processes coming out of his homeland, South Africa. He states, “we have such skilled human beings in this country using techniques not found anywhere else in the world.” This series of aqua inspired seats solely employs the traditional methods of weaving, stitching and splicing of leather and cane. Porky Hefer’s series, both a wink to the environment and his local economy, can be found on display at Southern Guild Gallery in Cape Town until February 5th. (via My Modern Met)
Israeli artist Ronit Bigal transforms the body into a text. For her “Body Scripture II” series, Bigal uses digital photography overlaid with Biblical text (in Hebrew) and floral ornamentation drawn with black Indian ink to create these stunning images of body calligraphy. The body is exposed and abstracted, the text contouring bodily landscapes and capturing hidden textures and unspoken eroticism. Upon close inspection, the text on the bodies is hard to read. It’s small and intricate, but the overall effect creates a visually hypnotic pattern. Bigal places the text so thoughtfully around the curves of the body that it is hard to believe the text was not drawn directly onto the subjects. Her work also leaves me curious about which passages she placed on particular body parts, and if she was deliberate in the placement.
Her Saatchi profile explains that these images “…are almost abstract and enigmatic, arousing the viewer’s curiosity to discover what are the photographed objects, what meanings lies behind the texts; and whether there is a thematic affinity between them or, perhaps are the associations purely aesthetical?” (via my modern met)
Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
Tony Cragg is truly a master of materials. Moving effortlessly between plastic, wood, bronze, glass, and found materials Cragg as been creating groundbreaking formal sculptures since the early 70’s. Perhaps one of the most skilled sculptors of the last Century Cragg is an artist whose work keeps pushing the boundaries even at the age of 63.