Feel free to blame Canada for the fun artwork of Toronto-based photographer Sara Cwynar. The above image is a ‘fictional manifestation of paranoia’. The cluttered composition and mischievous raccoon makes me a bit paranoid, even though I enjoy it. Sara was even featured in The New York Times magazine, and she’s still in school! You can also see Sara’s work on her Tumblr page.
I’ve known El Kamino for more than 15 years having shared many memories of painting graffiti during our youth. He’s a hard character to pin down as he rarely makes public appearances and prefers lurking in the shadows than using technology to promote his work. That’s why I was blown away when he made this very rare appearance on camera to discuss his work and his process. Enjoy!
I found Yujean Park’s images on our Creative Pic Pool. Her work caught my eye for their haunting stillness. Many feature tableauxs of seemingly vacant, or recently vacated domestic spaces that seem subtly concerned with their own transience…Even when there is a figure in the frame, they seem ghostlike….or is it just me?
A couple of weeks ago, we featured Mark Licari on the B/D blog, and the response was so positive that we decided to catch up with the man himself and ask him some questions about his work, squids, and life in LA. Licari’s world is full of sea creatures, crawling bugs, exploding volcanoes, and the degenerative force that turns a clean room into a big fat mess. In addition to his vibrant works on paper, elaborate lithographs, and hilarious sculptures, he also creates dramatic wall drawings that will make you ‘ooh’ and ‘ahh’ like a little kid. His show at the Monterey Museum of Art is on view through February 14th, so go check it out!
Well, not literally, but in Hasan Elahi’s project, “Tracking Transience,” he lays bare an almost overwhelming amount of personal information on the internet. Inspired by an intensive FBI investigation (brought on by false accusations of a misinformed neighnor), Elahi records and makes available everything from his exact whereabouts in the world via Google maps, his bank statements & history, photographs of every meal he eats on planes, etc. The result is a Kafka-esque experiment that examines a post 9/11 Orwellian world with a kind of depressing humor. Elahi’s excercise in self-disclosure seems both dangerous in its honesty, but also symbolic of our information-overload and the question of privacy in the digital age.
Jordi Pages morphing, slipping, and sliding video called Mass is the perfect way to slip right in to Tuesday!
The artwork of Justin Bryan Nelson has this folk-like quality with minimum colors and symbolic imagery that not much is needed in the drawings to appreciate its symbolic and rather mysterious illustration. What I like about them, it’s just how delicately done the pencil and ink marks are on the illustrations but also how the artwork revolves around one main subject, without cluttering the audience.
Taylor McKimens is one of my favorite artists, ever since finding his comic book “The Drips,” his work has been on my radar. So, using my new blogging gig here at Beautiful/Decay as a good reason to see his studio – I went over to Taylor’s studio at Deitch Projects in New York. I had to ask the perfunctory question about what was happening with Deitch Projects, and he said things depended on several variables – and didn’t go into any details. His work in progress completely blew me out of the water, and I walked around with my mouth open like a tween at a Jonas Brothers concert.