Eighteen year old photographer Lucie Malbéqui uses her camera to capture slices of time. She emphasizes her youth and its brevity by using film to record “a piece of atmosphere, a piece of time.” Malbéqui feels that with film, she eliminates some of the artificial elements that are nearly always present in digital photos, instead favoring the raw and imperfect images she can create by allowing the sun’s light to preserve a moment.
Leon Golub is hands down one of the most important political artists from the last century. His brutally painted unstretched canvases bring to light the horrors of war, greed, and torture. Watch this short documentary about Leon that gives insight into the artists process, his studio practice, and hear him discuss his controversial subject matter. Full video after the jump.
Graham Caldwell sculpts intricate organic-like structures from hand blown glass. His artworks mirror natural life forms on a molecular level. He pulls, twists, stretches and blows 2,000 degree glass into all sorts of shapes, arranging them into globular, spiky, prismatic, concave, convex, and densely myopic configurations. Caldwell uses the hard shiny metallic properties of glass in contrast to the forms he is recreating. He references nature – flowers, leaves, tropical fronds, water drops, fly’s eyes and eyebrows, but chooses to present them in a man-made, futuristic, fractured, cubist fashion.
Using mirrors, metals, steel and epoxy he likes us to reflect on the way we see the world around us. His interest lies in the act of perceiving, the function of eyes, the purpose of lenses, and how sight works.
Much of my work focuses on glass as a conduit or modulating agent for light and its parallel in the functionality of the human eye: using a lens to flip an image of the world, upside down and backwards, into the brain where it is reassembled, through illusion and forensics. (Source)
Caldwell is the ultimate advocate for art as science. His process is all about trying to recreate an organic process through a completely manufactured one. He enjoys the tactility of glass and the bizarre shapes they can inhabit.
Imagine the shape that balloons take on when they’re half filled with water; now imagine them flash-frozen and sticking sideways into space. Glass, says Caldwell, “is a slowed-down, meaty version of water.” (Source) (Via Hi Fructose)
Here’s some hand-crafted whimsy for your Wednesday from artist anitabling. from Uruguay. Relief and countour give these geographic, multi-media sculptures a topographical view of a quirky, colorful world. Check out more work on her photo stream.
Kyle Kogut is a recent graduate of the Tyler School of Art at Temple University. His mixed media work often blends technical printmaking techniques with expressionistic, supple applications of paint. Set within a refreshing, distinctive palette, his compositions are full of energy and variation, yet never come off as cluttered or overly busy. This ability to conduct myriad elements within a functioning, harmonious whole works well with his current subject matter- Nature, and organic life. From the artist’s website:
“While impossible to surpass Her, my study of Nature and the phenomenon that is life has been a continuous investigation of organic patterns and forms, stemming both from visual observation and also subconscious mark-making.”
Kogut just closed an exhibition at Philly’s F&N Gallery. Make sure to check out his tumblr.
Alex Valentine is an artist, DJ, teacher, all around awesome guy, and a master of the offset printing medium. Offset printing is a traditionally commercial process somewhere in between digital printing and lithography that uses ink on rubber blankets to transfer images to paper, and is how magazines, cereal boxes, and Red Stripe bottles are produced. Using this process, Valentine creates layered, painterly abstractions that are intuitive and crisp, showcasing his command of color, form and transparency. His recent solo show at Devening Projects + Exhibitions in Chicago, ‘Blonder Tongue Audio Baton,’ borrowed its title from a 1950’s analog graphic equalizer and the title of a Swirlies album. And it makes sense: there’s something about Valentine’s work that indicates a stringent belief in the analog, recalling early 90s record cover design.