Alessandro di Prisco has created a number of beautiful design objects. His latest is Cubico, a multi-functional cube that can serve as a coffee table, magazine rack, stool or as just an objet d’art. Clever design is really all about marrying form and function in an intelligent and beautiful way.
New internet toy of the day! Big Ass Message lets you send big ass messages (though it’s a little bit of a passive aggressive way of letting fellow netizens know how you feel?) such as this one. This is not my personal message…you can customize your message in a variety of ways: magic (this nutty flashy thing I uploaded), Pepsi, etc. Pretty fun. Via Today and Tomorrow.
Edit: Bjorn didn’t make the gif, not sure where it came from! Whoever made it must have really meant it & went through the effort since his program doesn’t generate automatic gifs…
Ellen Jewett is a Canadian artist who creates flowing sculptural fusions of plants, animals and objects. Among her mystical menagerie is a wild boar with shrubs growing from its mane, foxes with tails sprouting into grass, and a deer whose body resembles a tree-shrouded grove. As singular beasts, Jewett’s creatures are beautiful and dynamic, but look closer and you will see that each one is composed of tinier parts, microcosms of flora, fauna, and objects that weave seamlessly together. These layered components infuse each sculpture with multiple narratives, from celebrations of life and growth, to stories of death, decay, and burden in the form of manmade debris. As Jewett explains:
At first glance my work explores the more modern prosaic concept of nature: a source of serene nostalgia balanced with the more visceral experience of ‘wildness’ as remarkably alien and indifferent. Upon closer inspection of each ‘creature’ the viewer may discover a frieze on which themes as familiar as domestication and as abrasive as domination fall into sharp relief. (Source)
Jewett makes the sculptures from the inside out, layering materials and utilizing negative space to create hollowed works that flow into the air around them: dense frames unravel into breezy foliage and empty space, creating habitats for fluttering, sculpted birds. The results of these disentangled bodies are creatures that speak their strengths via expressions of lightness, vulnerability, and emotion. Jewett describes this effect:
Over time I find my sculptures are evolving to be of greater emotional presence by using less physical substance: I subtract more and more to increase the negative space. The element of weight, which has always seemed so fundamentally tied to the medium of sculpture, is stripped away and the laws of gravity are no longer in full effect. In reading the stories contained in each piece we are forced to acknowledge their emotional gravity cloaked as it is in the light, the feminine, the fragile, and the unknowable. (Source)
As part of her creative and flowing artistic practice, Jewett strives to free her work from materials with toxic properties, such as glazes, paints, and finishes. This greatly limits what she can use, but at the same time, incites her imagination and makes her work even more unique. “Where possible I source the natural, the local, the low impact and, always, the authentic,” she writes (Source). Check out Jewett’s website for more beautiful and holistic creations. (Via Lost at E Minor)
South Korean artist Seung Mo Park crafts wire into sculpture and the two-dimensional into the three-dimensional. With his Maya series, he painstakingly recreates photographs into holographic wire sculptures with downright ethereal results.
Using stainless steel wire mesh, Park creates his sculptures layer by layer, snipping away to create the illusion of depth and shading. In some cases, it looks as though an artist’s doodle has popped out of his sketchbook. Park shows his versatility in creating boldly three-dimensional sculptures as well as pieces that perfectly imitate the graininess of a black-and-white photo.
His work is stunningly photorealistic.
Though many of his sculptures are hauntingly evocative, his subjects caught mid-despair or appearing like vengeful steely-eyed angels, Park also has a playful side. In a work called “MAYA MONA LIZA,” he pays homage to the most mysterious smile in the world. In his Object series, he recreates known objects such as a contrabass and famous sculptures like “The Thinker.” With his treatment, they almost seem to emerge out of the static, in some cases only merely suggesting form and function. A piece called “Buddha,” created with bronze wire and fiber glass, looks as though a person is being buried in a sand dune of time. In other works, from his Human series, his subjects spring to life fully formed.
If you gaze at Park’s work for long enough, it almost seems as though he has dialed into some special channel caught between realities. A slight turn to the right and maybe his subject will become a real boy once and for all. A slight turn to the left and these ghostly figures might be subsumed forever.
I recently met David O’Brien through a mutual friend while checking out various openings in the Culver City gallery district of Los Angeles. This type of event draws a specific demographic, and the likelihood that you will end up discussing various aspects of art/the art world is exactly one hundred percent. Often times these discussions involve an exchange of websites, and an eventual glance into the practice of your recently met acquaintance. I would be lying if I said that I am generally impressed by the endeavors of my newly made friends, but this time was a pleasant surprise. Not only is David O’Brien a genuinely funny and nice human being – his work is just as engaging to be around.
In his ongoing series Human Entropy O’Brien continues to build a collection of mass portraits using a series of hyper-collage diagrams that investigate personal relationships in a truly unique way. Much in the same way a painter (in the romantic sense of the word) may have many colors on their palette – O’Brien continues to photograph and amass an array of different people/poses as a personal visual vernacular for composing dynamic large-scale photographs. O’Brien begins establishing the structure of each piece by placing one figure down at a time, and then repeating this process until the work reaches a level of depth and space that serves his aesthetic and conceptual needs. Patterns begin to organically emerge from these localized interactions between individual forces to create some very compelling images.
Nothing is more exciting than opening up your inbox and discovering a great new artist like Alejandro Diaz. His work is playful, layered, technically beautiful, and experimental. Looking forward to seeing what Alejandro produces next!
Starting today I’ll be posting interviews I’ve conducted with artists participating in the live video/performance art show I am curating, presenting itself in it’s entirety and in REAL LIFE 3D SPACE this weekend. Not only are the videos colliding, so are the performers- meeting minds from Berlin, Canada, Colorado, the 310, 818, and 323, holler! This will also give me a great opportunity to showcase (you should really you know… come to the event) everyone’s work because it’s an awesome roster of young artists crazy enough to come and do this. I also want to thank Megan, my partner in this comedy duo, and all the artists as well.