Lauren DiCioccio uses a simple needle and thread on cotton muslin to mummify and honor an endangered artifact– the printed newspaper. In each piece, as The New York Times’ text fades, its correlating cover portraits puncture the surface with pockets of strung together color, reminding us of a certain tactile human unraveling as we adaptively wave goodbye to the Industrial Age.
Of her craft, DiCioccio states, “The tedious handiwork and obsessive care I employ to create my work aims to remind the viewer of these simple but intimate pieces of everyday life and to provoke a pang of nostalgia for the familiar physicality of these objects.”
This is The Doggie Gaga Project, Jesse Freidin’s brainchild, in which canines of all shapes, sizes, and creeds are dressed up like the iconic Lady Gaga and photographed for our enjoyment. Kind of like if those weimaraners were around the day that Glee went Gaga, Freidin has created something almost too good to be true, but more importantly, when does the calendar come out?
Ben Venom aspires to become the “visual commentator” of the culture found in Southern United States. Having grown up in the South, Ben finds himself immensely inspired by not only the culture, but the politics, history, and identity of his roots.
In his third solo show at Team Gallery in New York, Ryan McGinley continues his exploration of youth. Known for capturing spectacular and adventuresome moments, McGinley shifts his focus in “Everybody Knows This Is Nowhere” to stark, intimate portraits. Photographed in his New York studio over 2 years, the hand-picked subjects are shown bare in black and white portraits.
From subliminal messages to product placement, advertising is no stranger to double meanings, and this is just what the Aid to Children and Adolescents at Risk Foundation (ANAR for short) had in mind when they teamed up with Grey Spain to create a new cutting-edge campaign which speaks directly to children suffering from abuse– even in the presence of their abusers.
Just how is this possible?
Well, using “outdoor lenticular” technology, a dualistic message is transmitted. Adults see a simple clean awareness message while children see a slightly bruised variation on the advert, directing them to a help crisis line.
Hundreds of small metal balls covering the surface of the sculpture series created by Korean, Berlin based Artist Haegue Yang. ‘Sonic Figures’ are geometric abstract creatures that come to life when they’re shaken by a human hand.
Haegue Yang speaks her own language. She has come up with her own vocabulary through abstraction. She doesn’t need the viewers to understand the meaning and influence of her work. She is offering an experience. The Sonic sculptures were created while she was working on another project during her residency in Glasgow. While listening to music, she imagined developing a piece that will ring in unison when moved around.
The artist is used to working with random household items. From that starting point, she produces sculptural assemblage. By playing with the vibrations and the chimes of the bells, she explores what it is to be human. She defies human basic senses such as sight, sound, smell, and touch. A multi sensory and mobile environment where the viewers can appreciate through her art their body and intellect. Focusing on sensory experiences, Haegue Yang not only liberates charming sounds and subtle chills from basic elements, she also triggers the viewer’s will to interact and experiment.
As part of Milan Design Week 2014, Citizen teamed up with Paris-based architect Tsuyoshi Tane (DGT) to create “LIGHT is TIME,” an immersive installation of 80,000 watch base plates. The result is a shimmering space, golden and ethereal, delicate and glowing.
“We envision a space-orchestration where light will fill the space, composing, through sound and vision, a sense of light and time never experienced by humanity before. In this exhibition, we have created a space of light and excavated within it three primary volumes to exhibit everything from CITIZEN’s first pocket watch as the company’s origin, through to the latest satellite watches.”Suspended from the ceiling, the golden watch base plates, the basic component of watches, are reminiscent of droplets of suspended rain. The sense of suspended animation conveys the idea of time and timelessness. It’s when time stops that you become most conscious of it.
“LIGHT is TIME” won “Best Entertaining” and “Best Sound” in the Milano Design Award Competition, and was so successful that a reconfigured version was brought to Japan and shown at The Aoyama Spiral in Tokyo.
“Time is light. If there were no light, then there would be no time. In the 20th century mankind digitized time, measured it and continued to economize our time, until eventually we forgot about its relationship with essence of light. Without light we never would have had the wonders of the universe, the richness of our planet or the joy and pleasure of our life.” (Via demilked)
“Extemporaneous human sculptures” is one description of Bora’s latest co-lab with art/design studio UFEX.
Personally, I love this sorta thing, although I might never get used to the flux between live people and seemingly stationary sculptural artifact. Maybe its the live-action/still-life combo that makes these pieces so great, maybe its an abstract sort of foreshadowing of an apocalyptic future. Dont ask me, Im addicted to benzedrine.