Make sure to come early to grab a seat as this event will fill up!
The Marc Jacobs & Louis Vuitton documentary kicks off a month long series of free outdoor screenings at Space 15 Twenty, hosted by Beautiful/Decay Magazine.
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!
We kick off with Loic Prigent’s behind-the-scenes documentary, “Marc Jacobs & Louis Vuitton” (2007) delving into Marc Jacobs’ busy creative life, and featuring appearances by Victoria Beckham, Uma Thurman, Demi Moore and Sofia Coppola and other fashion-forward Hollywood starlets. This documentary is not to be missed if you are a fan of fashion.
Drinks, Snacks and Popcorn are available at SnackBar.
Marc Jacobs & Louis Vuitton – Wednesday May 6th
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
It’s time for our weekly exclusive artist feature in partnership with premiere website builder Made With Color. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Made With Color is a website builder that helps artists create gorgeous mobile/tablet optimized websites and allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the work and website of Janet Decker Yanez.
Nashville, Tennessee based artist Janet Decker Yanez latest series of paintings “Unwinding Sheets” is a psychedelic exploration of portraiture, color, and abstraction. Using furniture moving pads and spray food coloring, Yanez’s experiments have taken her on a hallucinogenic ride full of colorful possibilities.
Discussing this body of work she states:
There’s a death that happens in the moving process: death of the physical space once occupied, of relationships with people and of things that break or don’t have a place in the new home. There’s also new life that happens while unpacking, as demonstrated in this series called “UnWinding Sheets.”
After unpacking my whole house and giving away all the boxes and most of the paper—for the second time in less than a year—I was left with roughly 20 large furniture paper pads, “economical, multipurpose, and reusable 3-ply recycled paper.” Some days I just wanted to wrap myself up in one of those blanket-sized sheets and hide away in some old box. As an alternative, I brought them to the studio.
Using food coloring and spray-painting techniques, I began creating non-representational heads/portraits. Starting with the basics of facial anatomy, ephemeral, shroud-like faces emerged from these lifeless, linen-like materials approximately 4 feet by 6 feet. Features developed as the coloring puddled or ran depending on whether I was working on a flat surface or vertically and as I used a layering process that included several spray applications and airbrushing.
A cast of characters unfurls from this paper that once wrapped and protected all my fragile household items. Through the title process I found some have names, some speak of their past with terms used to describe the condition of the objects they once wound around, while others merely echo precautionary statements.
Designer Bilge Nur Saltik creates stunning objects that magnify beauty by playing with light and geometry. Featured here is Op-vase, a series of glass vessels crafted in Istanbul that are cut to produce kaleidoscopic effects. Once a flower is placed inside, its image is dispersed across the concave, faceted surfaces; a single rose is transformed into an illusory bouquet that shimmers and proliferates behind the glass. With human perception as the catalyst, each angle produces a unique and subjectively experienced pattern. Watch Dezeen’s video above and see how the flowers magically change as the vessel turns.
Saltik’s fascinating oeuvre includes similar works that create enchanting effects by distorting and multiplying reality. In 2014 she created a wall light containing layers of textured panels that reflect light and warp patterns as they rotate; similar to the Op-vases, Saltik also crafted a collection of glass objects carved with geometric surfaces that trigger optical illusions as they move. With a keen eye for contemporary design and a knowledge of the seemingly limitless capacities of human perception, Saltik’s work unfolds worlds of mystery and hidden beauty.
Imagine a recorder made of a hollowed-out carrot, a guitar carved from celery. Using knives and drilling machines, the one-of-a-kind Vegetable Orchestra constructs their instruments entirely from fresh and dried vegetables, mimicking the sounds of everything from bass drums to airy flutes. Because the Vienna-based band works with organic materials that perish or dry out after a single performance or recording session, they must continually create and reinvent the tools of the medium.
The group currently has thirteen members. Since its inception in 1998, The Vegetable Orchestra has been dedicated to incorporating the talents of musicians, visual artists, writers, and designers, all of whom have equal say and contribute to a unique multimedia experience. The aesthetic figures prominently into the work, and the rich colors of the fresh instruments is given much thought. With their unusual instruments, orchestra hopes to draw out and make visible the vitality and potential of the natural world.
The Vegetable Orchestra travels around the world, creating immersive artistic spaces; at concerts, they play music, screen video performances, and offer audience members a fresh bowl of tasty vegetable soup that they charmingly refer to as the edible “encore.” The orchestra’s sound is certainly unlike anything we have ever heard. Though many instruments—like the pepper horn and the pumpkin drum— nearly replicate the sounds of familiar instruments, others sound entirely foreign. Inspired by seemingly discordant styles like house music, dub, electronic, and free jazz, the orchestra draws inspiration from diverse sources, composing syncopated pieces that are both chaotic and restrained. (via Juxtapoz and Lost at E Minor)
Japanese art photographer FUKE P-San transforms his photographs into emotional experiences by applying expressive color palettes. In FUKE’s photographs, color and light becomes the subject of the work, as opposed to an objective characteristic. FUKE photographs the world around him, then uses digital color and light effects to give the photograph a painterly aesthetic, one that mirrors the beauty he sees and feels when experiencing the scenery he encounters. He says, “There is so much beauty in our everyday life that goes unseen simple because we develop a different sense of how we value beauty often influenced by our every day life routine.”
FUKE’s color palette and composition evokes the work of artists like Edvard Munch, Egon Schiele, Vincent van Gogh, and Claude Monet, and registers an emotionality not frequently seen in photographic work; this is largely due to his work’s painterly qualities. He hopes his images enhance viewers’ perceptions of the world, and influences the way they perceive beauty.
“Open new windows in your mind and heart, notice and catch the beauty of ordinary small things, watch them well and find a way to make this beauty even bigger. Find the mystery in everything; feel it and this will open your heart to new worlds that you previously thought they never existed. Art can give us Happiness, and help us communicate with ourselves and others to a higher level.” (via cross connect and life treasure collector)
A nod to the passing of prodigious asinine youth culture documenter, Dash Snow, who reportedly fell victim to the same choice of poison as his photographic subjects. Most of his images are too gnarly (snorting cocaine off a penis, sexual escapades, general urban debauchery) to post on this blog but I’m sure you’ll find them very well & easily if you just Google him. Here’s some of tamer ones after the jump…