Kristian Burford’s art installations meditate on the postmortem state of sexual arousal without a partner present. Nestled in a messy realistic setting, each carefully constructed wax figure seems to sigh inward, recollecting him or herself after an erotic whim has been satiated. However, the intention does not stop there: it seethes and penetrates with primal implications. Encountering each diorama, our own interior worlds are challenged and heightened as we find ourselves cast to confront not so much nudity, but even more so, our own erotic inclinations as possible voyeurs.
Chic & Artistic is a Paris based multi-disciplined creative studio working in a wide array of mediums and styles. Their Panto’ N’ Roll series caught my eye and immediately made me chuckle. Mixing pop culture references, typography and Pantone color chips, they have created a humorous word/image association game for all of us to enjoy. (via)
For Australian photographer Sarah Bahbah, food and sex are intimately tied. Her series is called Sex and Takeout, and it’s exactly what it sounds. There’s nudity and canoodling, all with a greasy side of fries. Or pizza. Or, even Chinese takeout. Bahbah runs the gamut of meals while posting it on her Instagram, @raisebywolvesau.
Subjects are seen sharing meals, eating it while laying in bed, or looking post-coital with their food. And sometimes, takeout boxes are pushed to the side as people get down to business. It’s indulgent, visceral, and at times a little silly. But, above all, Sex and Takeout is strangely satisfying for the viewer/voyeur of these private moments. Food and sex conjure the same pleased feelings and pleasurable experiences, so it’s only natural that the two would be enjoyed in the company of one another. (Via Flavorwire and Design You Trust)
Through Cleon Peterson’s paintings, we encounter a world riddled with anxiety, corruption and savage ferocity, where deviance and violence equal the usual state of affairs. Peterson describes his bedlam as “a gray world where law breakers and law enforcers are one in the same; a world where ethics have been abandoned in favor of personal entitlement.”
Peterson depicts life as war between displaced individuals in a dystopian world. Acts of brutality, abuse and perversion serve as rituals of power, revealing narcissistic indulgences in violence, sex, religion and drugs. In exploring the tension between the individual consciousness and unconscious psyche, Peterson’s paintings bring to light the resulting possibilities when varying moral schemes are personified. When faced with the dilemma of fight or flight, it’s fight. We observe an ongoing struggle in the thick of a contemporary world, where the instinctual desire to survive through primitive actions takes reign.
See the above works and more currently on view in San Francisco at Guerrero Gallery. On view until April 7th, 2012
Dindi van der Hoek has some beautiful underwater photographs that you would swear were paintings.
Carlo Van de Roer‘s Portrait Machine series is a special kind of portrait photography. De Roer’s portraits are of friends, family, and well known personalities (you may have recognized Miranda July in the first photograph) with a Polaroid Aura Camera. Related to spirit photography, Aura photography uses electromagnetic readings to create the “auras” of colors in the photographs as well as a report explaining the reading. Though the process, readings, and reports are hardly scientific, they reveal much about how much we invest in portraiture. We continually attempt to translate an inner person from outer appearances, particular from a person’s face. The aura photography further reveals to what extent each person can be a mystery to another, even between those familiar to each other.
When Elana Pritchard was sent to the women’s division of the Los Angeles County jail for two months in July 2014, she decided to document her experience using only the paper available to her and a golf pencil. She witnessed strange, horrific, even threatening situations, but was able to turn the time into something productive and enlightening for her readers. Even right from the first moment on the bus from the court hearing to the jail, she observed some unbelievable things.
I saw some ugly things on that bus: prostitution, nudity, profanity. A group of male prisoners ganged up on me and thought they could pressure me to show them my breasts — in exchange for crystal meth. I tried telling them to mind their manners, but it didn’t work. I just had to sit there and wait for it to be over. Even though they were all in handcuffs and blocked off by a barrier, they still succeeded in making me feel uncomfortable. I’m not sure if the guards knew what went on in the back of the bus, but I’m pretty sure they didn’t care. (Source)
Subjected to a squat and cough every time upon re-entering the jail, along with 40 other people in the room, Pritchard fast learned to forget about any sort of dignity. Humiliation and verbal abuse were everyday occurrences for the inmates. Hygiene standards were questionable, and the ladies were supplied with used underwear to put on each week.
Every jail has it’s myths and legends, and Pritchard does a good job of accurately confirming or dismissing even the most outrageous ones. Read more about her experience and see more drawings here. (Via LA Weekly)