Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.
Aaron Johnson’s sunny Brooklyn studio is full of riotous, colorfully undulating, larger-than-life monsters. He’s getting ready for a show that opens next week. Luckily, he had some paintings in progress so we can see how he puts his paint on. Known for making paintings that are both incredibly gorgeous and politically aggressive, Johnson continues to develop and has upped the ante with his new work. Now he’s including Old-Master appropriations, political satire, religious abominations, gender-benders, and personal references, all played out in monstrous iconography.
Jessica Ward has a brilliantly dark mind. The majority of her work is black and white, which really helps to maintain her macabre aesthetic. The nature of her drawings feel sexual and violent, while tempting and frightening the viewer. She has an interesting series of drawings that depicts deities of various eating disorders. According to her bio, Jessica has struggled with eating disorders herself, so the diety series comes from a very personal place.
Celeste Byers is currently an Illustration major at Art Center College of Design and has some really kickass work. We used to be roommates together so I can say first hand that this girl works really hard, loves what she does and is going to to be famous. Keep an eye out for her!
Young Icelandic designer, Hrefna Sigurðardóttir has a graphic sensibility that is bold and bright. Originally spotted via The Fox is Black, her portfolio is an eclectic mix of illustrative typography and design to art direction and styling, including several collaborations with photographer Magnus Anderson.
We have images of PJ Richardson‘s submission for the Diesel x Keystone Design Union (KDU) “Only The Brave” Exhibition, which opened on April 30th in NYC. I love how he juxtaposes gentle greens, salmon pinks, and loud reds with equally vibrant, downright playful monsters and type. All of these visual elements make this piece particularly mesmerizing!
Everyone knows i’m a fan of simple yet effective videos. This probably wasn’t easy to make but the concept is so simple that it leaves me feeling like like “why didn’t I think of that.” Video by Korb, music by Mario Basanov & Vidis Featuring Jazzu.
Sasha: Gladys Rodriguez won my heart when she gave Mr. Zigglez a knitted sweater, with a hoodie and fur. He really looked like a sensitive little guy in it. In a good way. However, puppy clothes aside, Gladys is also an amazing designer who has contributed above and beyond to B/D in the last 3 months. I remember in her interview I was particularly struck by one of her advertisements for a new phone that basically positioned the phone as a sensual soul-mate. I mean, what woman doesn’t want a sexy man(/phone) presented to you on beds of luscious crimson silk, or eagerly awaiting tucked inside a box of decadent chocolates. Genius! Gladys, we’ll REALLY miss your help. I kind of won’t miss your keyboard with Hello Kitty stickers blocking all the letters and number though. Too hard to use. JK! Thanks again!
Fei: PS, You’re leaving too soon…I just started to master your keypad & the laptop track pad! Gladys, please keep us updated with what you’re doing, come by in a UHAUL art gallery if you do that again!