Caroline Achaintre proves that you don’t need a drop of acrylic or oil to make amazing paintings. Achaintre’s hand tufted wool pieces mix abstraction, grotesque imagery, and geometric shapes to create powerful images that make you question what painting can be and should be. (via vvork)
Imagine using your wildest imagination to create your dream fortress. What would it have inside? Scott Hove has taken a fairy-tale, dream-world created entirely out of what appears to be pastel sweets and turned it into an reality. His sickening sweet installation, titled Cakeland, uses sculpture, installation, and paint to construct a dramatic scene of cake-like decoration with a rococo flair, only instead of stucco molding, this sugary paradise is composed of delicately placed oranges, strawberries, and swirling, white icing. His elaborate work completely fills the building that holds it, which is labeled with an appropriate bright, neon sign displaying the word “Cakeland.” I cannot decide if Hove’s work is so alluring because of its fluffy, pastel details or the fact that it looks exactly like it is made up entirely of delicious, edible cake!
Hove explains that his process involves taking dark undertones and transforming them into something inviting and beautiful…and what is more pleasant than a place that surrounds and engulfs you in this never-ending, candy-colored comfort food? Hove’s artistic process uses endless imagination and creativity to allow his ideas of Cakeland to come to fruition.
I walk around my house, and see imaginary pieces on my wall, and then pick out the ones that I would most like to actually see hanging on the wall. Then I use every and any type of material to scratch the piece into existence. So much about making a piece of art is creating problems and solving them.
Photographer Ramona Zordini creates images that tastefully and powerfully channel sexuality and eroticism between lovers and oneself. Zordini is interested in both showcasing pairs of naked bodies floating on murky water as they interact with one another and portraits of single bodies as they emerge from whitish liquids. Although Zordini’s sensual photography carries an undeniable sexual energy, they embody an aesthetic that resembles organic textures and lines, as well as a concepts (of love, sex and self-discovery) that are poignant and relatable.
In her recent series, Changing Time III, Zordini creates images of posing nude couples in a variety of positions that imply imitate moments. A man wraps his arms around a woman who curls up, head down, under water. In another photograph, a man with an undercut wraps his arms around his nude partner who faces upwards and appears to be pushing against a confining force. Their legs intertwine and one feels their desperation, their need to cling and hold on to one another. The aesthetic and composition of Changing Time IIIrepresent a clear development from the Italian artist’s previous engagement with the human form as beauty and sculpture, into a more nuanced interest in the body as communication.
Zordini’s earlier works, on the other hand, feature single bodies and complex colors and compositions; these are more intriguing and less straightforward that the couple shots. In many of these photographs, a single female twists and contorts her body to reveal a breast, hand, or leg above the obscuring smoky surface. (via Hi-Fructose)
This October, Scion launched the fifth installment of its Installation Art Tour. The program is designed to give exposure to both established and emerging artists. Installation 5: Self Portraits highlights a diverse array of artists from around the world.
Artist Matt Nichols takes craftsmanship to a new level by pairing bold symbols with an acute sensibility for surface material. While stunning as photos, the work is best experienced in person. Physically interacting with these sculptures definitely forced me to reevaluate the relationship I had to the familiar iconography he often uses as a point of entry for the viewer. Nichols comes from a serious design back ground, being largely responsible for much of the visual branding associated with the clothing company Neff. While most would remain comfortable in that roll – he needed to push things further by shifting his focus towards a more physical realm. With the closing of an exhibition at Hungryman Gallery just behind him, new work is already on the way. Having recently returned to the Los Angeles area you can expect to see his name popping up in galleries across the SoCal area in the very near future.
This week we’re bringing you another talented artist as part of our partnership with premiere website builder Made With Color. Each Tuesday we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek web sites. Made With Color makes it easy to make a website; MWC websites aren’t just easy on the eyes but feature powerful yet simple backend which allows anyone to take web design into their own hands with just a few clicks. We’re excited to share with you the dense and detailed paintings of Los Angeles artist Michael Alvarez.
At first glance the art of Michael Alvarez may not appear to be specifically about Los Angeles but upon further inspection of each painting you’ll discover hints of the mixed and vibrant subcultures that can be found in the city of angeles. Images of festive parties in parks, graffiti writers wearing Dodger inspired t-shirts, Venice beach muscle heads, skid row heshers and hand painted signs that can be found in small mom and pop shops throughout Los Angeles are sprinkled throughout these narrative paintings. Mixing the everyday, the unusual, and the downright bizarre Alvarez’s paintings create an intoxicating mixture of shaky yet precise paint handling, personal memory, and street corner observation to create work that is simultaneously dysfunctional and celebratory.
Unbelievably, the stunning and incredibly realistic works of artist Robin Eley are not photographs, but meticulously created paintings! The artist uses oil paint to render hyper-real portraits with fragmented hues and picturesque, nude figures. Each figure looks so photorealistic, it is hard to believe that it is a painting. Every last element is executed perfectly, as you can even see every detail in the tattoos on the figures. As if painting realistic nudes with this high level of skill was not impressive enough, Eley displays his figures through fractals of color, as if they are behind stained glass. The geometric shapes cutting through the composition offer us a stark juxtaposition to the organic, soft bodies that are behind them. This sharp pattern dissects the human body into segments so that we may see it in a different light.
Eley not only paints his figures behind brightly colored, intersecting shapes, but also wrapped in materials like plastic. This highly textural element also gives an interesting contrast to the bare skin of the figures. The crinkles and creases in the plastic create a sort of fractured impression, just like Eley’s pieces with the “stained glass.” Originally from Australia, this L.A-based artist has had his work exhibited internationally and also has work in private collections all over the world. If you have the chance to see Eley’s prolific work in person, make sure to take advantage of it and experience every tiny detail of these hyper-real paintings.