Wow wow wow, Richard Coleman’s work leans towards the magically mysterious, while exhibiting complex combinations of color and form. He’s part of an impressive list of artists included in the very first show at THIS Gallery which opened this weekend in Los Angeles, so if you are in town go check it out!
Always jazzed to find exceptional young talent like Keegan Mchargue . His color palettes, compositions, and ridiculously healthy body of work are but few of the numerous positive qualities found in Keegan’s product. I was fortunate enough to have a series of exchanges with Mr. Mchargue and gain some further insight into his practice. Word
OK boys and girls, get ready because this next video you are about to watch will no doubt be the best two minutes of your day. Now you might be thinking, “Why on earth would I watch a video about a college hockey team from Alaska?” Well my friends, on any other day that would be sound reasoning, but I assure you that after you watch this your smile will stretch ear to ear. The brainchild of Mike Martinez and his friends over at HiFi3D, this clip gets me so pumped up every time!
Our upcoming Book 3: The Underdogs is a doozy of an issue- compiling over 100 submissions from B/D readers around the world, including a mix of never-before-seen talents and established artists. It’s dedicated to you, dear readers. As we are an independent, ad-free publication, we depend on your support to keep Beautiful/Decay filled with pages of quality work. So, do yourself and us a favor at the same time and SUBSCRIBE (or resubscribe) today! As always, the pages are chock-full of art you need to see, as well as one of a kind collectables, stickers, rare inserts and original artwork. (You don’t want to get left in the dust- Book 1′s already sold out!)
If the still above seems uncannily familiar to you- it’s because it’s from Michael Jackson’s unforgettable music video, “Thriller;” sans MJ, flesh-eating (choreographed) Zombies, or any sign of human life, for that matter. In the video “Untitled #100, (Fantasia),” artist Josh Azzarella took two years to meticulously remove everything but the murky rolling fog of a smoke machine and ominously ambient noises. The full length feature can be viewed on the humorously titled Funk of 40,000 Years. The result is a haunting look at a seeming post-apocalyptic landscape; robbed of its ghoulish face paint and kitsch, the video is a frightening look at what is left behind. The film is certainly imbued with new symbolic meaning now that the prince of pop himself has left the building, so to speak.
Josh will be showing this video at Mark Moore Gallery this Saturday, from 5-7pm. They will also be showing artist Kim Rugg (who has a similarly “systematic” practice of cutting out every single letter from newspapers and arranging them alphabetically). Shown in conjunction, an interesting dialogue regarding notions of truth and fiction within the media ensues between the two artists. If you are in LA, this exhibition is not to be missed!
Jeremy’s been posted on our blog before but I just stumbled across some older (but newer for you guys) work on his Flickr. The usage of color is amazing and it’s really proof that experimentation in volume can prove to be a great thing!
I’m always pleasantly surprised by the great work that artists post to our Flickr Creative Pic Pool. This time around I present the work of Brendan Lee Satish Tang . The images in this post come from Brendan’s Manga Ormolu series which “enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art.” You can read more about Brendan’s work on his site and see a few previous bodies of work.
If you would like to possibly featured on the B/D blog make sure to join our flickr pool. You never know who we’ll pick next!
Here’s to one of my favorite designers Alexander McQueen. He had an unparalleled way of transforming fabric and fashion into uniquely outrageous creatures, seemingly coming into being from a parallel dimension. In McQueen’s world, taxidermied bird feathers become opulent headpieces fit for Marie Antoinette, or Red Riding Hood’s famous scarlet cape is given new life as a shining silk mantle ready to write its own new fairy tale. His shows always shocked and awed, featuring over-the-top performative aspects, whether a life size hologram of Kate Moss wearing flowing fabrics, or recreating the scene of a shipwreck on the runway. McQueen’s cosmic creations pulled from antiquity and the future simultaneously, creating a whole new sensational language all its own. His unique vision will be missed!