Will Ainley is bringing weird back! His illustrations are all about creatures with spindly arms, crazy teeth, and funky personalities. You have to wonder what a conversation might be like with one of them; they seem like they could be friendly, maybe just misunderstood, but sweet. His portfolio consists mainly of pencil illustrations and vector work, sometimes together, sometimes separate; Ainley’s Prog Rock Monster is a cool example of how he drafts and produces his creatures, down to the last detail. He’s got a great sense of color, and adds a lot of character to his illustrations by exploring line theory, texture, and distortion. More after the jump!
Sandy Kim’s images feel like an ode to twenty-somethings; nearly breathless, as they walk that tightrope between self-discovery and madness. Looking at her images gives me that same excitement for the wildness of possibility that you feel when you’re young and hitting the road with a new pair of sunglasses and a cooler full of Hot Pockets and Miller Light. Anything can happen.
Artist Yoon Ji Seon crafts her collection of self-portraits by intricately stitching photographs with a sewing machine. It’s an ongoing series titled Rag Face, and her facial expressions change with every piece. While they appear to us as similar-looking individuals, Seon changes it up with different colors and hairstyles. Despite these idiosyncrasies, each portrait has the same features. Most notably, these are hanging threads that mimic hair or tattered rags. The multiple layers of colors and stitches give these works a painterly effect, as if they are gestural and loosely handled; Seon obscures her images by working with her materials in this way.
In 2015, the artist will have a show at the Yossi Milo Gallery in New York City. They describe the her underlying concepts:
By sewing the photograph, a second image is generated on the back that is both a reflection of the front and a completely new image. The two images, combined with the original photograph as a third representation, recall the Buddhist theory that an object exists in many forms and there is no true form. Yoon Ji Seon’s work addresses Buddhist ideology deeply rooted in contemporary Korean society and confronts issues such as plastic surgery and suppression of speech. (Via My Amp Goes to 11)
Australian born, Tokyo based illustrator Antisant has a nice collection of drawings on his sites of people vomiting various patterns,worms, and other gross yet beautifully patterned stuff. If pattern vomit isn’t enough to get you over to his site there’s also some cool typographic treatments for the design nerds and customized kicks for the sneaker heads.
Osman Granda is a designer and animator working out of Barcelona, Spain. He has some kickass detailed illustrations that are just flat out fun.
These amazing sculptures are unbelievably crafted entirely out of wood, then painted. Tom Eckert uses traditional processes to create these works, mostly out of basswood, linden, and limewood, then applies waterborne lacquer using paint brushes and spray guns. Concealment and mystery form a large part of his work, indicated by his portrayal of shrouded items. Eckert: “Since childhood, I have been curious about and amused by mistaken impressions of reality presented as part of my visual experiences. One of my earliest recollections, on a car trip, was my perception of the wet, slick highway ahead that turned out to be an illusion, a mirage. The revelation that I was fooled, visually and intellectually tricked, stuck with me. This visual deception is now the basis for my creative direction.”
Bianca Stone’s poetry comics are funny, raw, and endearingly sad. Because You Love You Come Apart, her latest collection of surreal illustrations are born from and combined with her own original poetry, published by Factory Hollow, an indie press out of Hadley, MA.
Stone’s blunt tethering between youth and adulthood travels by waves of sorrow and astute blitheness into our darkest nights. For instance, her lines of poetry range from “The crazy, absent fathers, all breaking wind in a fire” to “but this is also your life made with your clumsy hands” and merge with a messy scratch of passionate drawings to gutturally expose a ripcord above our own tired hearts. With each image/text juxtaposition, the need to tug grows harder and tougher, encouraging more half-wounded narratives to release.
It’s hard to pigeonhole Frederik Heyman as a photographer, installation artist, or sculptor. Employing every medium and genre from drawing to fashion photography, Frederik is the Swiss Army Knife of creativity using anything and everything to create his quirky, layered, and complex images to life.