Just like you shouldn’t trust everything you read on the internet, you shouldn’t believe everything you see. L.A based special effects artist Ari Fararooy‘s latest photographic series is a perfect example of this. Using a tripod, mirrors, a self timer and ‘a few digital manipulations’ he has created a very surreal, and futuristic set of self portraits. He went to Joshua Tree National Park wanting to carry on his creative twists on the latest ‘selfies’ craze.
The goal was to experiment with reflections and explore the various ways I could creatively photograph myself. (Source)
He also had this aim in mind while attending the Burning Man festival in 2014. After he found himself in the strange environment that is the desert, surrounded by many creative people, he began clicking his shutter and coming up with some very inventive camera tricks, involving glow sticks, long exposures, strange perspectives and wide angles. You can see that series here.
His photographs are just as surreal as a Dali painting, but he uses modern technologies and a different set of skills. Be sure to see the extent of his talents to transform the ordinary into the extraordinary on his Facebook and Instagram pages. (Via Fubiz)
What do you get when you combine thousands of toothpicks, glue, and ingenious craftsmanship? You get the work of artist Scott Weaver, who has created a model of San Francisco out of these materials after thirty-five years of creative determination. Nothing more than these two simple materials, toothpicks and glue, forms the intricate layers of this concrete jungle. Scott Weaver began this structure, titled Rolling Through the Bay, in 1974, but has been building sculptures out of toothpicks since he was eight years old. His early work began as abstracts formation, much smaller than his San Francisco masterpiece.
As if constructing such a complex, detailed, city replica out of miniature objects was not impressive enough, Weaver’s piece Rolling Through the Bay is interactive! The structure is kinetic, as it navigates ping pongs balls like tourists through the many infamous sites and neighborhoods that make up San Francisco’s lifeblood. You can see city attractions like the Golden Gate Bridge and Chinatown in his mass of toothpicks, but much more is to be seen. The delicate intricacy of this astonishing sculpture speaks volumes to Scott Weaver’s skill and patience. It is not surprising to know that the artist is a San Francisco native, as is many generations of his family before him. The love and pride of San Francisco can be seen in the time and care that Rolling Through the Bay took to create.
(via Colossal) All Photography by The Tinkering Studio
Chinese artist Li Hongbo’s sculptures are quite bizarre. Walking up to them you may think that they are made out of delicate porcelain but as you examine it further you’ll see that it in fact is made out of thousands of sheets of paper manually glued together. As you pull the paper apart the figures twists, turns, bends and abstracts creating stretched out imagery that is at once horrifying and exquisite. (via)
Maurizio Bongiovanni’s paintings look like the effects of the past, or perhaps the future making its stamp on the present. But what makes Maurizio’s imagery even more effective is his choice of mundane subjects. Birds – sweet, chirpy, perched – suffering the effects of having fallen through refractive cracks… or their existence stretched as they fall toward some unforseen black hole?
Katherine Sherwood creates sumptuous paintings that visualize, in a lyrical and esoteric fashion, the age old metaphysical concerns of the body, life after death, and the tenuous relationship between art and science. Sherwood’’s works exhibit a Buddhist, Zen-like approach to color, form and composition, elegantly balanced and unafraid of both dense areas of joyous, swirling patterns and passages of silent, empty space. Just below the seemingly abstract planes is a latent structure of corporeal diagrams, such as angiograms, brittle tree-like linear nerve endings, and mystical Solomon’s seal, lending the paintings a religious, even ecstatic talisman-like quality.
Tamaryn performing on Friday Nov. 23, 2012 at the Echo in Los Angeles.
Just before 11:30pm, I walked into a darkened Echo to find a very packed house waiting for Tamaryn to take the stage. Within moments, the swirling guitar sound of Rex John Shelverton and the soft voice of Tamaryn had me in a trance. They of course played new songs from their recently released record, Tender New Signs out on Mexican Summer which sounded amazing live. The set was short, but sweet with nary a word uttered from Tamaryn except at the beginning when she asked to turn the lights up a bit on stage complaining it was too dark. Hmmmm, not very “shoegazey”, but hey if you can’t see…
Their North American tour just ended on Saturday with a show at the Independent in San Francisco, but you should definitely pick up a copy of their new record and check out the video for The Garden below directed by Miko Revereza. Beautiful music!