We’re glad to introduce, via the website building platform Made With Color, new artists weekly. Made With Color is an interactive website builder helping creative people design their portfolio without a complicated set up. The templates are minimalistic in their structure and their colors, allowing the eyes of the readers to focus on the art pieces. This week we’re excited to share the work of Made With Color userEmmett Potter.
Vibrant colors and figurative shapes live in Emmet Potter’s art pieces. The artist uses mid 20th century comic graphics, advertisements, found objects and photography. His subjects therefore become mixed media pieces blending collage and paint. He calls them ‘handmade ready-mades’. Characters in action involving guns, missiles, love and war in a vivid andexpressive environment. The content depicted by Emmett Potter is inspired by Pop culture and Jungian archetypes. A chosen process to help increase communication with the mass and unfold collective consciousness. The rendering takes the form of traditional canvas paintings or unusual sculpture composition.
Emmanuelle Pidoux lives and works in Dunkerque, France and is one of the founding members of the Frederic Magazine drawing collective. Her work frequently features mysterious dark matter. These menacing black masses engulf every scene. Occasionally figures and animals are barely visible within the dingy fog. The drawings reference the grim side of nature as well as man-made air pollution to comment on the power of the universe and our often damaging effect on the environment.
A hermetically sealed canning jar containing a piece of sausage that is shaped into the sign of infinity
Adam Niklewicz creates humorous and poetic conceptual sculptures that reference his Polish heritage, his life long love affair with art ( He ate paint as a high school student), and his enginuity to create everything from an infinity sign to a working recorder out of Polish sausage. These and more projects by Adam can be seen after the jump.
Through the lens of Mona Kuhn, images turn into memories that slip through your fingers. Her photography captures fragmented pieces of time, filled with shameless beauty with an ethereal aura. An enigmatic narrative flows through her series Private, as Kuhn offers us delicate and intimate moments filled with breathtaking nudes and spider webs. Kuhn explains that this particular series is a personal journey of hers, exploring beauty and mysticism. The color palette in Private is serene, airy, and embracing all at the same time. Seeing each photograph of Kuhn’s is like uncovering a clue to a past life, like looking inwards through your memories that have slipped through the cracks of time.
In Kuhn’s equally stunning series Acido Dorado, translating to “acid gold”, the nude also appears often. Kuhn’s nudes represent a timeless sense of self, of all humans, and our direction on this earth. The artist often pushes the nude figure to abstraction, creating new context and meaning. There is a mysterious atmosphere that follows Kuhn’s work that is both seductive and mesmerizing. Both series’ are filled with surreal scenes and abstracted imagery that is like a mirage. Large format nude photography being a reoccurring theme in Kuhn’s work, she explains the draw to this raw form of a person or subject.
“I realized I ought to photograph the human in us, without shame, without regret, free and timeless.”
With spring around the corner I can’t help but think about flowers, which led me to consider Anna Schuleit’s installation Bloom, 2003, a site-specific installation at the Massachusetts Mental Health Center in Boston. Though now over ten years old I feel the idea that art and beauty can heal is a powerful and ever-relevant concept. The installation consisted of over 28,000 flowers, 5,600 square feet of live sod and recorded sound that played over the old public service announcement system. The flowers and sod filled four floors of the historic building and the basement hallways.
The building, which was slated for demolition, had a long and complicated history, having hosted thousands of patients and employees over the years. Struck by the absence of both life and color after visiting the site, Schuleit conceived of BLOOM, reinvigorating the building with an impressive display of flowers and transforming it into a fantasy world for four days. After the installation Schuleit had the flowers donated to half-way houses and psychiatric hospitals throughout New England. As she said of the installation in her interview with Colossal, “I wanted these flowers to continue onward, after the installation. Bloom was a reflection on the healing symbolism of flowers given to the sick when they are bedridden and confined to hospital settings. As a visiting artist I had observed an astonishing absence of flowers in psychiatric settings. Here, patients receive few, if any, flowers during their stay. Bloom was created to address this absence, in the spirit of offering and transition.”
Check out more of Schuleit’s work at her website and read the full interview with her here. All images copyright Anna Schuleit.