After just a month and a half the eight installment of the Beautiful/Decay Book series is sold out! Beautiful/Decay: Strange Daze as with all other Beautiful/Decay books, will never be reprinted in its entirety turning into a limited edition collectible that will be passed down from artist to artist as the ultimate source of inspiration! If you didn’t get a copy of the book you have one final chance to get one of the highly coveted 1,500 copies. We have 10 copies reserved strictly for subscribers on a first come, first serve basis. Simply subscribe as soon as you read this and during checkout ask that we start your subscription with Beautiful/Decay: Strange Daze and you just might get one the very last copies available. We can’t guarantee that you’ll be one of the lucky ten but those that miss out will start their subscription with our following book set to release next month!
Cara DeAngelis paints found roadkill in “compositions that both pay homage to, and satirize 17th century Hunting Still Lifes”. “The still lifes and portraits of animals on aristocratic laps explore the long-standing confrontations between the domestic and the wild.” But DeAngelis’ black magic goes a little further than that. The artist, who takes care to incorporate the “Tragic and the Infantile” within her work, includes children’s toys and dolls in her compositions to create an “absurd union“- nostalgia vs. violent death, innocence vs. murder. These paintings are done in oil, which somehow seems appropriate for the heavy concept scale within DeAngelis’ work. Ms. DeAngelis received her MFA from the New York Academy of Art in 2011.
Ryan Dooley recently finished a video that discusses immigration and it’s affect on life as it relates to experience. Incorporating many different elements into the animation, Mr. Dooley work playfully questions the value of material and line in almost every incredible frame.
Photographer Cyril Crepin creates an extraordinary, poignant collection of photographs featuring portraits of facial reconstruction patients within the confines of the hospital in which they were operated on.
With the help of Professor Bernard Devauchelle, a leading surgeon at the hospital in which these individuals were in, Crepin photographs these subjects in order to celebrate, but most importantly, accentuate these individuals’ self-respect, playfulness and courage regardless their ‘monstrous’ appearance after surgery.
“They want to be recognized as human beings. Contrary to what people might say about this series, it’s not meant to be obscene or voyeuristic. Obscenity is to ignore their humanity and their extraordinary courage.”
Crepin’s work is emotionally intense and it is by no means easy to look at. It is sad to say, but many people will have a tough time looking at these just because of the deformities. This consequence is tough to acknowledge, but it is true. It is hard to admit that many of us will be disturbed and disgusted by the appearance of these people, but it is this sole purpose that, I think, runs Crepin’s artistic fuel throughout the creation of this series. The rawness of his subjects’ gaze and the fearless aura they portray is powerful and inspiring… their brilliance transcend the normative ideas about beauty. Their humble controbution to Crepin’s work teaches us that everyone, no matter what they went through or how they look like, deserves a little self-praise and respect.
Mike Carr, aka China Mike, has previously been known for his photorealistic paintings, but has since ventured into the realm of abstraction. Using a variety of media such as spray paint, acrylics, oil pastels, and charcoal, Carr’s work captures a particular lack of constraint and fluidity that seems to spill out of the canvas, evoking a whimsical energy. Carr started out as a graphic designer, but embraced the medium of paint to escape the limitations of digital based media. “Process is as important as the end result. I don’t really feel a pressure to create realistically defined images these days. I want there to be a playfulness in my work, to not get bogged down in mechanical routines”. Carr is based in Bristol, England.
If you’re thinking about getting married and want to take your vows under a unique environment you can hop a plane to Shanghai China. There a company called Coordination Asia has designed The Rainbow Wedding Chapel modeled after the inside of a kaledeiscope. It takes the classic idea of this creative toy and proceeds to realize it on a larger scale. Using glass, mirrors, and paint in an array of colors it gives couples an alternative to more traditional nuptial environments. It looks super pretty and signifies many different things that have changed in our culture. For one how artists today are looking to affect on a broader scale and influence many opposed to a few. It also shows how traditions in our time are now flexible.
The chapel definitely has a new age feel. The architecture is circular signifying life’s continuous flow. The beautiful colors make for aesthetic bliss and no wonder someone would think to design it for that special day. You can adjust hue and choose how many of them you want reflected on the walls. Altogether 3,000 glass panels and 65 colors make up the chapel.
Based in Shanghai, China, Coordination Asia continues to be an innovator in glass design. The company recently curated an exhibit entitled “Keep It Glassy” showing large scale installations using the material. (via mymodernmet)
Photographer and grad student Kaija Straumanis has created a playful self-portrait series in which her image is captured right at the moment a random object seems to be thrown at her face. A pumpkin, book, dodgeball, boot, and even a mojito smash into Straumanis’ head, smooshing her face and glasses into an awkward contortion. Despite the impact of the objects, in each photo, Straumanus stares a seemingly unaffected gaze into the camera lens. The collisions are set during everyday tasks and among familiar environments, resulting in a humorous series of striking moments. According to HLN, Straumanis creates the photographs by layering images into a composite and artfully manipulating them until they appear seamless. She practices mashing objects into her face, looking into a mirror to create the perfect pose, then layers images accordingly. “I feel like it’s disappointing that I’m not actually getting beat up,” Straumanis admits. “I’m duping the Internet!” (via bored panda)
Kim Dorland, Painter, Angell Gallery from Canadian Art on Vimeo.I’ve been seeing more and more of Kim’s work at various art fairs and group shows as of late. The videos intro is a tad cheesy but you get a fantastic inside view into Kim’s painting process, subject matter, and technique.