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B/D Movie Time this Wed: “Who the #$&% Is Jackson Pollock?”

urban_jacksonpollock

We continue our month long series of free outdoor screenings at Space 15Twenty this Wednesday, May 20th, with “Who the #$&% Is Jackson Pollock?”

 

The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!

 

“Who the #$&% Is Jackson Pollock?” takes a more tongue-in-cheek look at the inner workings of the stuffy art elite than last week’s screening, “Basquiat.” “Who the…” is seen through the eyes of a beer-drinking, sailor-mouthed woman who may have accidentally purchased a Pollock from a thrift store- and the ridiculous rigamarole she must go through to have it verified.

 

Drinks, snacks and popcorn as usual are available at Snack Bar!

 

“Who the #$&% Is Jackson Pollock?”- Wed, May 20
8:00pm
Space 15twenty
1520 N. Cahuenga Blvd
Los Angeles, CA 90028

 

See more Beautiful/Decay Movie Times for the month of May after the jump!

 

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Paintings That Explore Classical And Contemporary Myth

Laura Krifka - Painting

03Baptism Laura Krifka - Painting

Laura Krifka’s work feels both classical and contemporary– a collection of myths that transcend time, stuck on the spin cycle from one era to the next. There is a soft religious quality in each face as he or she slowly responds to pending doom, lurking out of view. Such off stage suspense, feels exactly this way– theatrical.

The dramatic cliche breathes with familiarity, reminding us of our own cyclical head space in relation to history, story archetypes, life, and to our own animalistic emotions or neurotic human obsessions. It’s why we make art and why we repeat ourselves generationally and artistically.

Of her paintings, Krifka states, “I create a world populated with naive and innocent figures acting out their own legend, blind to the dangers around them or those that exist within themselves.  In my work the fantasies and clichés of our own world combine and breed, creating a hyperbolic landscape populated by a society lost in their own myth.” 

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Interactive Music Video by Champagne Valentine

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Champagne Valentine, an Amsterdam based digital new media creative boutique, recently created this amazing interactive music video for Placebo’s “The Never-Ending Why.” The video takes viewers on a fanciful, creature-filled trip. Sort of a mix between Tibetan-mandalic psychedelia and French turn of the century daguerreotypes. Stunning! And the best part is that you can control the scenery and monsters by pointing and clicking your mouse! I am constantly amazed by the breaking of boundaries between viewer/media, and I feel like this video bridges the gap in a playful fashion….fitting for the performative aspect of a rock band. Click here to interact with the video- some stills after the jump!

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Documentary Watch: Julian Schnabel

When I think of Julian Schnabel I think of many things but inspiring artist mentor is not what comes to mind. However after watching this half hour documentary I just may have changed my mind. Created by HBO and non-profit YoungArts, this video documents a day of intimate mentorship with the notorious painter and filmmaker where he discusses his working process, various bodies of work, and how his flims and paintings inform one another. One of the most memorable parts of the documentary comes towards the end when Schnabel tells the teenage artists “If you’re scared, You’re fucked.” This piece of advice may seem a bit harsh but I have to admit that I’ve warmed up to Schnabel after seeing how generous he is with his advice and time without sugarcoating the harsh realities of being an artist. The students walked away from the experience excited about creating and experimenting and I think I may have as well. Watch the full documentary posted above and remember whatever you do… don’t be scared!

 

 

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INSA – Looking For Love In All The Wrong Places

Protein presents a major new London installation and exhibition by INSA, in association with IAM1 and Nike Sportswear.

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Hypercolor People

hypercolor

The world is constantly changing so we must change with it.

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CANADA (NSFW)

CANADA is a trio of filmmakers, Luis Cervero, Nicolás Méndez & Lope Serrano. Located in Barcelona, they bump out mysteriously sexy music videos that feel like a mix between an Alejandro Jodorowsky film and an American Apparel ad. According to their info page on their website, “…CANADA has pursued excellence in different projects, advertising, fashion, music promotional videos, television and cultural events.” On top of all that fun, they were also guest writers and did an interview with Its Nice That, which helped to shine a bit of light on their interests and personalities. So far, I haven’t seen a video created by them that wasn’t worth watching, but my heart will always belong to the first one I ever saw, El Guincho’s Bombay. You’ll find El Guincho, along with Scissor Sisters, Battles, and other music videos below. Feast.

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Brandi Strickland’s Inner Space Collages

Brandi Strickland - Mixed Media

 

Brandi Strickland - Mixed Media

Brandi Strickland - Mixed Media

Brandi Strickland’s collages are a mixture of photographs, painting, and drawing. Exploring different themes, Strickland fills her compositions with people and textures, utilizing a lot of old, faded papers, and National Geographic-like magazines. Inner Space is a series about the galaxy and our world, examining topics such as overcrowding, our relationship to our planet, and our perception of space.

Strickland combines a dizzying amount of black and gray tones, playing with scale of stars and fractured light. Each work in Inner Space seems to illustrate a different aspect of space. In one work, The Duat, (directly above) the artist has included pair of eyes, signifying fear of intergalactic exploration. In that same piece, Strickland has a woman diving, as if you say we should embrace these fears.

The piece titled Inner Space (below) focuses more specifically on Earth. It is a visual magpie; Strickland has collected shiny, colorful, manmade, and natural imagery to represent a world that’s focused less on the great unknown and more about ourselves. The sphere takes up most of the composition, too – it’s just all about Earth. Amulet (also below) has the same thematic considerations that Inner Space does, but it recognizes that we are just a very small but valuable part to the greater universe. Scale-wise, the Earth that was so large in Inner Space is significantly smaller by comparison. An amulet’s most important characteristic is its alleged power to protect from evil, so the title suggests that we are either in need of one or we are one.

Strickland describes her work, stating, “For me, collage begins with collecting, saving, acquiring, searching; then, as if they were memories, I meticulously sort, separate and organize them into something new, something that is both happily accidental and tediously arranged.” The series demonstrates a meditation on this theme, and I’d be curious to know what conclusions she drew.

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