The incredibly multifaceted and complex sculpture by artist Sterling Ruby is in a realm between veins filled with dripping blood and stalagmites forming inside a cave. Sterling creates massive and intricate installations using ceramic, paint, collage, and urethane to form his uncomfortably oozing sculptures. Although the striking reds combined with the system of lines used primarily in his work resemble veins and arteries, they possess an attractive quality that draws the viewer in. It’s seemingly endless drips demand your constant attention as it keeps your eye moving across the entirety of the installation. Often installed along with his sculptures are red drops referencing blood created from Formica, wood, spray paint and fiberglass.
This Germany born artist, currently based out of Los Angeles, has a wide range of influences that are apparent in his all-encompassing body of work. Influenced by graffiti and street art, many of Sterling’s sculptures are purposely defaced with “graffiti” by the artist himself. He also pulls inspiration from the punk movement, accounting for the chaotic and bold nature of his work. Sterling has a wide range of style, as he does not always create dripping installations. Many of his sculptures are modeled after soft, plush items resembling everyday objects such as a stack of pillows. His soft sculptures are no doubt the influence of infamous and controversial artist Mike Kelley, who Sterling worked under during his graduate studies. His unique take on installation allows him to completely transform a space, taking the viewer into another world. Sterling’s talent has made him widely successful as he continues to exhibit his work both nationally and internationally in galleries, festivals, and biennales.
Meet Issei Sagawa, a 4 foot 9″, Japanese, college educated, and self professed pornographer, cannibal, and necrophiliac. This insane nut killed a young girl, ate her flesh for 48 hours, was caught red handed, fully confessed, and then was set free. Now he’s making money off of his story. Crazy right? Watch this mind blowing documentary and find out how he did it!
The Star Wars Millenium Falcon doesn’t exist in real life, but you’d never know it by looking at Finnish artist Vesa Lehtimäki (aka Avanaut)’s photographs. In his work, you can spot a Y-Fighter parked among trees, a clear view of ships in outer space, and action shots of some of your favorite characters . Lehtimäki borrowed his son’s toys to photograph and later Photoshop them into their own believably unbelievable situations. They look so life-like you’d think that these small objects are actually a 1:1 reproduction.
The artist has been a life-long fan of the Star Wars franchise. In an interview with Wired, he talks recalls the impact it had on him. “Two of the great moments of my childhood were the first two original Star Wars movies,” says Lehtimäki. “As a kid I wanted to become a movie director. I made some Super 8 movies but it did not work out that well.” He’s an illustrator and designer, and sees these photographs as a way to explore an unfulfilled career path. (Via Gizmodo)
Our acquaintance has been only a short time, But our time spent is so gentle on my mind. How is it that we become so full of certain people? Like a ray of warm sunshine that goes on and on never to end…. Never wanting it to end!! Feelings so full of warmth. Smiles so easily crossing lips. What a WONDERFUL ACQUAINTANCE!!!
Oh yeah! Bon Voyage Monroe and thanks again for all your help! (View some of his artwork after the jump!)
Set up by the BBC and the Arts Council of England, The Space is a non-profit platform to explore exciting new art and design. Through a series of regular open calls and partnerships The Space invites users from all over the world to submit projects to be funded by them.
So by now you’re thinking “hey I’m super talented and have lots of great ideas. How can I get a commission through The Space?” Well here is you’re chance.
The space is currently looking for the great digital artists of the future who are pushing boundaries and furthering our understanding of digital art. Starting now until Friday November 14th anyone in the world over the age of 18 can submit original and groundbreaking ideas that exist on the internet and can be experienced on mobile and tablet devices.
Just shoot over your idea to The Space for a chance to be one of the winners to have your project funded and published. Funding isn’t where it stops. They also will help creatives with training and mentorship to help develop their expertise.
Don’t let this incredible opportunity pass you by. Submit your project to The Space and get your innovative project funded and published today!
Join in on the conversation on Twitter using the hashtag #TheSpaceOC
….the art & fashion of getting caught in a dangle, featuring works by Kime Buzelli and designers Show Pony. I love Kime’s girly-sketch watercolor drawings, they look like magnified classroom love note doodles. Opening this Friday at Gallery Space. Should be fun!
Self Portrait in Black Lingerie with Camera and Mirror, 1955
Bettie Page Reclining on Sofa at Coral Gables, FL, 1954
Self Portrait in Polka Dot Bikini with Rolleicord Camera, 1963
Original personal and behind the scenes photographs of infamous pin-up models Bettie Page and Bunny Yeager are now on view at the art gallery Gavlak, in Los Angeles as part of the exhibit How I Photograph Myself. You may think this is a strange title, but it actually refers to a book that Bunny Yeager herself wrote during her lifetime. Born in 1929, Yeager was not only a wildly successful pin-up model, but also a photographer herself who very often took her own photographs. She came into modeling after meeting actress Bettie Page shortly after studying photography at Lindsay-Hopkins Technical College. Bettie Page asked Bunny Yeager to photograph her, and Yeager eventually began modeling herself. She was not only an accomplished photographer and model, but also a scriptwriter and author, publishing How to Photograph Nudes and How I Photograph Myself, hence the exhibition title. These books went on to influence such well-known photographers as Cindy Sherman and Diane Arbus.
What is so interesting about these photographs, besides the obvious appeal and seductiveness of the pin-up style clothing and curvy women, is that Bunny Yeager was able to become so successful both as the photographer and model; the artist and the muse. Her femininity and beauty was laid out on a silver platter as a model, yet she could be taken seriously in a time when men dominated almost any scene. To portray yourself in such a sexual way and also sought after as a woman in your craft would still be an accomplishment today, let alone in the 1940s and 50s. Bunny Yeager was able to work against the traditional male gaze, and create her own photographic style that is both delicate and alluring. How I Photograph Myself will be on view at Gavlak from July 25th to August 29th.
Good morning, dear readers. Remember that one nightmare you had when Book 2 was sold out online? Now you can wake up to a bright new day, because we restocked our online store. So feel free to head on over, and if you feel like it, purchase a copy of Book 2: What A Mess. Please keep in mind – only 1500 copies were printed… so grab one while it’s still available! We love you.