Once again, the prestigious palace of Versailles has been invaded. After Jeff Koons, Takashi Murakami and Joana Vasconcelos it’s Anish Kapoor’s turn to impress the crowd. And he did.
The artist designed six spectacular installations all meant to impact the history and architecture left by Le Notre, the official Sun King’s gardener.
Anish Kapoor wants to create an opposition: the perfect and rigid site of Versailles versus the idea of chaos and death.
The first two pieces are reflecting the sky and deforming the crowd onto gigantic mirrors. What follows is a little more outstanding: an orifice, like a giant vagina comes out from the ground and faces the palace. A metaphor highly suggesting the cause of the downfall of Marie Antoinette, the King’s guillotined wife. As the viewers randomly walk down onto the next pieces they cannot ignore the phallus shaped organ and the red stones exploding from the grass. Red is Anish Kapoor’s color of choice, it’s the color of the flesh and he is using it repeatedly; he says by using this color he makes the body celestial.
The next two pieces are a dramatic liquid vortex and an informal gelatinous bood-red colored shape. Both installations play with the viewers and their nerves. The whirlpool is intimidating as the sound of the blackened swirl is frightening, the ground shakes under the feet and the strange red organ absorbs the viewer’s bodies as they can penetrate inside.
The provocation goes on with the last piece built inside the Jeu de Paume (at a 5 min walk from the castle). Clearly Anish Kapoor criticizes the French revolution, and condemns the violence of the state against its own citizens. A cannon projects against a white wall red wax and the sexual interpretation which the artist approaches is inevitable: “I am conscious of the controversy this piece could imply. The phallic shape of the cannon and the sexual tension coming from it. Remember that this room was filled with males representing a male dominant State”.