Common movie scenes are showing us police mug shots, incognito faces in crowds and wanted killer posters. None of these seem unnatural or chocking anymore, we are tamed by cyberculture and technology. We could not imagine having to go through an identity check other than with our passport, signature or a police officer physically present in front of us. Yet, we’ve already left those ancient methods and engaged with facial, retina and odour recognition; fingerprints and hand geometry. We’ve entered the biometric data era. Not always conscious of how fast the world evolves around us, Tony Oursler has set a mission to “invite the viewer to glimpse themselves from another perspective that of the machines we have recently created”. He has been exploring the link between the growth of our technological dependance and its effect on our psychology.
The artist has created magnified face images, some of them coated with a stainless steel panel embeded with video screens and others marked with geometric patterns of algorythmic facial recognition mapping. He is embarking us with a dash of humor into the disturbing technology’s effect on the human mind. Tony Oursler plays with the face. Starting with the eyes and going down into the neck, he is suggesting that technology will use every bit of skin and organ to study the daily behavior, emotions and rituals of humans in order to categorize them. The viewer when facing those giant profiles is left with the strange feeling of being watched. The artist wants to highlight how uncanny is the process of teaching machines how to observe only the external appareance and to pretend, from there, to understand human’s true nature.
Safwat Saleem’sBunch of Crock project is a response to the current public discourse and the political landscape in the US. Being a Pakistani immigrant living in Arizona, Safwat has been inspired by both by his location and his experiences as an immigrant. His body of work includes beautifully designed prints, video installations, audio installations, and a game (aptly titled Fling Some Shit Game) . For more info visit his site and help him raise awarness about the absurdities of the political system and the unfortunate role of minorities.
Victor Timofeev literally fell into drawing a few years ago after a horrid skateboarding accident and began using art to pour out frustrations that were simmering inside. Since then he has developed an amazing vocabulary incorporating perspectival, architectural and geometric patterns that engulf a space with sharp precision and confounding visual illusions. Where his earlier work incorporated obsessive and repetitive text as the base for color and form, he now builds a platform where physical and architectural objects plunge into geometric abstraction and the two forces coerce into infinite and poetic narrative.
Beautiful/Decay and Synchronicity Gallery are teaming up to present a one of a kind book release party & silent art auction tonight!! Join us as we celebrate the release of Book 2: “What a Mess,” and Synchronicity’s first year in business! This will be your first chance to buy Book 2, as well as pick up unique Beautiful/Decay holiday gift packages for the art lover in your life! We’ll be offering special discounts as well as free gift wrapping. 100’s of other works of art will be on display and for sale during the event. Live performances and music as well!
Date: Saturday, December 19th 2009
Time: 7PM – 12AM
Location: 4306 Melrose Ave, Los Angeles CA 90029
We all need a bit of inspiration every once in a while. Whether you’re having a bad day in the studio or looking to add some art into your life the Beautiful/Decay Book series is the ultimate collection of art & design curated by us for you to enjoy. So get creative, get inspired, and join us in our mission to document, promote, and share the best creative minds from around the world. In other words join the cult of decay and subscribe now!
Argentinian collective DOMA (Julian Pablo Manzelli, Mariano Barbieri, Orilo Blandini, Matias Vigliano) have a long track record putting on absurdist installations, performances, “happenings”, etc. They also run Turbo Gallery in Buenos Aires. They design characters and toys, and direct videos as well. Insane. Even with such extraordinary output, DOMA doesn’t seem to have overly serious ideas about their work. Even worksfeaturing severed limbs or raw meat and blood splatters take on an air of fun, creative freedom. Check out some of their previous projects below (furry dudes, robots, futuristic machines- all the good stuff). (via)
While Kiel Johnson constructed an entire magnified twin lens camera out of cardboard (which actually works, amazingly but not surprisingly), Theo Jemison artfully captured the endeavor on another medium, film. It’s more than just a time-lapse video, it’s beautiful and captures the fun and tediousness that was involved in making this gigantor camera. Click here to see photographs the camera actually took! They’re eerie and gorgeous, just in time for Halloween.