“My name is Joshua Abelow. It feels great to write my name. I love the way it looks in print. I like the way the “A” at the end of Joshua lines up with the “A” at the beginning of Abelow. Like This: JOSHUA ABELOW” – Joshua Abelow writes about admiring his own name and his preference to use “Joshua” over “Josh”. Abelow writes often. He makes art, and most importantly lives life often. His works are dark, yet whimsical. Part autobiographical and occasionally asserting historical references, Abelow explores the process of making art and living with the pressures to perform as an artist, a friend and a lover. Works often make fun of themselves and thrive on the failure of existing as beautiful hallmarks for all of art history’s future. If his essay “I Don’t Want To Name Name’s” is in fact honest, he started to make art for the right reasons, and will continue to do so for a long time. Another recommended read would be “DOINGDEKOONING” where he asserts the relevance of Paul McCarthy’s “Painter“. The importance of viewing both Abelow’s writings and visual works lies in understanding Abelow’s humble, honest and somewhat naturally naive philosophy on life and the depth that exists within works far more involved than the headlines they announce.
I often wonder if art has benefited or been hurt by the invention of the digital camera. These easy to use machines have made everyone a “photographer”, giving a creative outlet to millions who otherwise would not take the time to learn the craft of photography. This has lead to millions of bad photos plaguing the internet of young hip 20 somethings, having fun, acting, out, getting drunk, and often times getting naked. These images get old after a while (even the nude ones!) but Spanish artist Juan Francisco Casas has managed to take these fleeting moments of excess, debauchery, and irresponsibility and slow them down in his magnificent hyper realistic drawings. By creating these detailed images Casas is asking us to question the very acts that so many of us took part in during our youth and at the same time pay homage to those fun years of reckless abandon. (via)
Minale-Maeda’sInside Out Furniture series is designed specifically to be downloadable in order to reduce enviornmental issues related to transport, costs of stockkeeping, and explore collaborative design and distribution. The concept was to turn pieces inside out to make construction simple, while brackets and structural details become distinctive and attractive features. The connections are 3D printed to suit various sizes of wood, and the crafting is minimal requiring only cutting to length and drilling. Another interesting project by the collaborative duo is the Lego Buffet, a buffet table gorgeously made entirely out of you guessed it, Legos! See more images after the jump!
London photographer Jasper James has visited some international meccas: New York, London and Beijing, trying “to get as high up in the city as possible to give [him] an overview and a sense of scale to the size of the city,” and to to combine the micro with the macro- the individual and the cityscape into one shot. Even though I’m in China right now, I’ve yet to see the beautiful same view as he’s managed to capture in these shots.
In Andy Kennedy‘s Accumulonimbus, natural and man-made objects on a spin cycle accumulate, disintegrate, and multiply. Created by stop motion animating clay on glass, the film is a meditation on motion and the life cycle of matter… Awesome! Check out the making of post here.