German artist Clemens Behr puts his everywhere. Whether it’s illegally installed on the streets, painted on the facade of a apartment complex, or hanging in a gallery his geometric assemblage works bring together a mix of cardboard, wood, metal, and paint to create images that effortlessly move between abstraction and representation.
Stockholm, Sweden based artist Joakim Ojanen works in mediums as diverse as sculpture and zines. His paintings, however, particularly standout. Familiar snippets of cartoon characters, body parts, and shapes congeal as a hallucinatory mass. Normally lighthearted characters appear to be in a paranoid panic or a manic giddiness. Eyeballs peek from oddly placed holes or simply roll on the ground. Ojanen’s portraits don’t seem to depict monsters as much as characters mutated by abstraction.
Russian photographer Ilya Naymushin, based in Krasnoyarsk, has been capturing daily life around Siberia over the past few decades. Starting his passion for photography at the ripe old age of 10, Naymushin has developed quick reflexes and a sharp eye for the unusual. This past December he happened to be passing something that was quite odd indeed – an upside down house in his home village. The house was constructed as an attraction for local residents and tourists. Grabbing the opportunity to record something interesting and historical, he produced a series of images capturing local’s experiences of the unusual installation. Naymushin says of his inspiration:
I like shooting stories about people who belong to the “one in a million” category – unusual people doing unusual things. They can be amateur artists, builders, extreme sportsmen, winter swimmers, or people who live in difficult conditions in the modern world and manage to survive. (Source)
His passion for photojournalism has enabled him to experience and present both the sensational and mundane aspects of life. From snapping pictures of Putin’s tiger crossing the Russian border into China, to an 87-year-old Jewish Red Army veteran of World War Two, to harvests in the fields outside of Svetlolobovo, and now including this upside down house of Krasnoyarsk, he likes to celebrate all sides of Russian life. He says:
I take pictures for people all around the globe. I am one of the few journalists living in the vast territory of Siberia who have the chance to show life here to the whole world – something I have been doing for almost 20 years. (Source) (Via Fubiz)
Darcy Prendergast and the creative team at OH YEAH WOW spent 6 long months creating this epic light animation filled with mysterious characters frolicking in a post-apocalyptic industrial world. Watch the full music video for All India Radio‘s Rippled single after the jump.
We’ve teamed up with Website builder Made With Color to bring our faithful readers yet another exclusive artist feature. Each week we join forces to share some of our favorite creatives working today who use Made With Color to create their clean and sleek website. All Made With Color sites are responsive and come with a built in mobile site, which means that your portfolio looks perfect no matter how it’s viewed- from desktops to smart phones. This week we are happy to present to you the incredible wall drawings/murals of Heeseop Yoon.
Korean born, NYC based Heeseop Yoon is not scared of scale. Her impressive wall drawings cover gallery walls in a manic entanglement of line and form, swaying back and forth between abstraction and representation. From afar the drawings resemble a mass of scribbles weaving through one another but as you get closer you realize that the dense drawings are actually layer upon layer of furniture, clothing, objects, and other household items. What’s even more impressive is that Yoon’s drawings are not created with paint or ink but are in fact “drawn” with hundreds of feet of black tape that are cut into pieces. Other murals are created with cut Mylar layered on top of each other to create ghostly images that resemble X-rays.
Yoon states about her work:
My work deals with memory and perception within cluttered spaces. I begin by photographing interiors such as basements, workshops, and storage spaces, places where everything is jumbled and time becomes ambiguous without the presence of people. From these photographs I construct a view and then I draw freehand without erasing. As I correct “mistakes” the work results in double or multiple lines, which reflect how my perception has changed over time and makes me question my initial perception. Paradoxically, greater concentration and more lines make the drawn objects less clear. The more I see, the less I believe in the accuracy or reality of the images I draw.
The kids in Emily Stein’s photographs of mosh pits at concerts are totally free. It’s fascinating that teens – who we all know are notoriously self-conscious – are able to let go to such a wild extent. At the same time, it is not at all surprising, as when are you wilder than in your teenage years? Stein captures the gamut of experiences: intense energy, happiness, rapture, contentedness, trance and goofiness.
If you’ve ever moshed, you know it’s a one of a kind experience. The energy can become very aggressive, but people are almost always responsible and friendly. You can be shoved violently by the same person who lends you a hand to pull you back up off the floor. It’s a great release of energy and opportunity for expression without judgment. You can flail and hurl yourself any way you want, and no one will call you on insanity, because they’re all in it with you. It’s beautiful to see the teenagers so enrapt in the experience. Stein’s photocomposition is candid and not overly calculated, probably because of the nature of the project. It’s exciting when you find the half-hidden expression of some head-banging preteen thoroughly enjoying their epic Saturday night.
Canadian artist Andre Ethier‘s oil paintings are rich with all the messiness of life. He seems to find and expose more beauty and meaning from the unsavory elements of life than the average person does from generic blue skies and roses. I remember catching some of his works in person a few years ago and each one just glowed with so much power — hobos and monsters leering and searching from behind syrupy glazes. And Ethier’s quasi still lifes, well, they’re practically wall-mounted explosives. See what I mean after the jump.