When I first saw the work of Suzanne Sattler, the first words that came to mind were whimsical and desolate. These delicate drawings express many conflicted emotions in such a fragile yet feminine manner. Focused on successful and failed relationships, she manages to incorporate a relationship between the concept of daily life and that of nature. Some of these narrative illustrations are presented in a monochrome landscape with delicately pencil markings, making them mysterious, whimsical and melancholic.
I kind of love Edwin Rostron’s animated short, Morris and the Other. It reminds me of a more horrifying version of The Origin of Love, which I may or may not have played on repeat in my dorm room way back when. Anyway, I have no idea how to explain this video but the artist describes it as, “a hypnotic tale of frustration and desire, lovingly drawn in 2B pencil.” Works for me. Also: which one is Morris? I feel like the Other might be the ethereal floating diamond/kite. Maybe.
At the Joseph Gross Gallery on September 11, 2014, Brooklyn-based artist Ted Lawson will debut his solo show entitled The Map Is Not The Territory. The new series of work will consist of three dimensional wall-mounted pieces and free-standing sculptures made from MDF wood, brass plate etchings, and large-scale drawings rendered in the artist’s own blood. Yes, blood. The bodily fluid will be fed intravenously to a computer numerical control (CNC) machine using a technology similar to a 3D printer.
The idea behind using blood in conjunction with the computer is to challenge the notion that an artist whose practice utilizes technology is somehow disconnected from their work. Afterall, they aren’t crafting it with their hands; a machine is doing it for them in the form of coding, etc. Here, Lawson will give up part of himself for his work, intimately tying the worlds together and making it hard to argue otherwise. (Via Lost At E Minor)
Okay, ladies. You can stop sending us pictures of your bags now. The Trashed Bag = New Bag contest has closed and we officially have a winner! Thanks to all who entered, and sorry to those who didn’t win. We feel bad for you and your gross bags. There was, however, one bag that was the most pathetic, disgusting excuse for a bag ever…
…and that bag belongs to Tammy. Tammy wins a new bag courtesy of Moop. Good job, Tammy. Now throw that filthy thing away. Runners up after the jump.
This week’s images bring us surprising works of beauty, detail, and wit. Sam3 brings a silhouette mural with an innovate use of the fence posts (I’m guessing located in rural Spain) – the piece references the expulsion of the Moors from the Ricote valley in the 16th century. We also have a giant new mural in Poland from Sainer of the ETAM crew. Alexis Diaz also give a new mural, an elephant/octopus creature a week in the making comprised of thousands of detailed brushstrokes. Stenciler DS smartly rebuffs the buffer – after one of his stencils was painted over DS replaces it with a portrait of the “remover man”. David de la Mano‘s is a poetic and carefully detailed mandala-esque piece. Ludo expounds on his theme of contrasting technology and nature with an impressive tulip-rifle mural. Nychos new piece in San Francisco finds a tiger literally jumping out of its skin. Finally, we have an awesome collaboration between artists POSE and Revok that followed their dual exhibit at the Jonathan Levine Gallery.
The installations of Michel Blazy grow, flow, and froth. Like much of his work, Blazy’s latest installation, titled Bouquet Final, makes use of white foam. Inside a French Medieval church, the foam tumbles from high scaffolding to the floor. The pliable, moving, and ever changing foam contrasts with the sense of permanence in the centuries old cathedral. Blazy alludes to a change and mortality by using materials such as foam, an unstable medium in perpetual transformation. The foamy flow could also reference the earth and neglect for its environment. The installation resembles uncontrollable detergent suds – a product that is at once used to clean our homes and also a poisonous pollutant to the earth and its waters.