Ryan Dooley recently finished a video that discusses immigration and it’s affect on life as it relates to experience. Incorporating many different elements into the animation, Mr. Dooley work playfully questions the value of material and line in almost every incredible frame.
Artur Birkle is a German photographer with an eye for the candid and playfully suggestive. He shoots across many fields, including editorials, portraits, and reportage photography. His style is always distinct: high flash, casual poses, and accentuated body parts. Skillfully capturing the energy of his models and their intimate gestures, Birkle’s works allude to eroticism, rather than overtly display it.
Two series from his portfolio are shown here, Fruit Salad and Personal. The former features fruit in erogenous situations: a banana anointed with a thick, creamy liquid; apples strategically placed over breasts; a plum resting on someone’s tailbone. The sexual imagery of fruit has been explored before in art (and our imaginations)—i.e., the phallic resemblance of a banana—but Birkle does an excellent job accentuating the eroticism in a clean and simple manner. The skin texture and individual hairs of his models lend the images an honesty that heightens the viewer’s curiosity.
The Personal series has the same lighthearted tone, but with a softer, more sensual edge. These images are like viewpoints into private moments, buzzing with the after-burn of intimacy. Events such as twilight window-gazing and partially dressed bodies are documented in his fragmentary style, enticing us with a piece of the story and allowing our imaginations to fill in the rest. Birkle captures the nuances of physical expression in clever and unique ways.
In 1888, Vincent van Gogh severed his left ear with a razor blade—an act that would solidify his reputation in art history as a tortured genius. Last year, in a grim-but-fascinating project titled Sugababe, Dutch artist Diemut Strebe recreated the lost “artifact” as a living replica. She created it using 3D printing and genetic material derived from Lieuwe van Gogh, the great-great-grandson of Vincent’s brother Theo. The ear has been sustained in a nutrient solution, and remarkably, it can hear you; using a microphone, visitors can speak to it, and the sound is processed by a computer that simulates real-time nerve impulses.
The purpose of the project is part science, part literature, part theory. It is an investigation into human replication—can the artist’s essence be reborn, or replaced? Drawing on the Theseus paradox from Plutarch, the ear invokes questions about bioengineering and authenticity. The project’s description on Strebe’s website goes into more detail:
“In the late 1st century Plutarch asked in The Life of Theseus whether a ship, which was restored by replacing all its parts, remained the same ship. In the course of time, many variations of the principle have been described. One of these variations refers to the title of the project. The famous paradox is carried out with biological material making a particular form of human replication, from historical or synthesized material, a central focus of this project. The ear is one of a series of a limited edition, made of different scientific components referring in various ways to the same principle of replacement.” (Source)
Visitors wishing to view this curiosity and “speak” to the deceased artist will be able to see it at the Ronald Feldman Fine Arts’ show Free Radicals, which runs November 7th-December 5th, 2015. (Via The Creators Project)
Final mourning of the end of summer. Aerial photos of beaches and beach people from California-based photographer Gray Malin. These are part of a series entitled À La Plage, À La Piscine. Malin shot the pictures from the open door of a helicopter flying over beaches and pools from the U.S. to Brazil, to Australia. Reducing us to our tiniest, the photographs reveal patterns that would’ve been otherwise undiscovered. (via)
German photographer Frank Bauer takes celebrity portraits. It’s an interesting conundrum, capturing a famous face on film. The picture is taken because the audience wants to see that well-known (if not loved) face, but the resulting image is of a sight we’re used to seeing. How, then, to make the ubiquitous new again?
In Bauer’s skilled hands, the celebrities seem to relax. The inner sanctum opens a bit, and the person behind the celebrity peeks out. Actress Tilda Swinton, known for her androgynous fierceness, softens. Cool, coture-wearer Cate Blanchette smolders. Clearly not camera ready, director Steve McQueen stifles a yawn. Musician Iggy Pop looks stripped of artifice in his rear-view mirror shot.
For all the personal exposures in his work, Bauer is remarkably hard to find. His website is neatly organized, with a news section that documents his recent work, but there’s no “I” there, no personal commentary or gossip. Same with his Facebook page: friendly-seeming and public and absolutely impersonal. Perhaps it’s his way of creating a void, one that these performers will want to fill. Maybe he’s seen what it means to reveal oneself. It could be a business decision, an unconscious choice, a cautious reticence. Whatever the reason, Frank Bauer, unlike his famous subjects, is a bit of a cipher, one who lets his intimate and beautiful work speak for him. (Via It’s Nice That)
Katie Scott is an illustrator and printmaker from England. Her works are equal parts 19th century science illustration and tarot card mysticism. Once you look at them long enough, all plants, and living organisms in general, start looking like inspired sculptures. Check out everything on her website, then go to the park and look at the plants!
Have you heard the news? Beautiful/Decay Book 1 is almost sold out! There are only 75 copies of this limited edition bad boy left. After Book 1 sold out on the online shop, we felt sorry for all you readers who didn’t get a chance to snap up your very own copy! So, out of the goodness of our hearts, we put the last 75 copies of Beautiful/Decay left on this earth(!) for sale again! You get a real bang for your buck- at just $20 a pop, you get an original artwork by Kyle Thomas, a one-of-a-kind sticker, and of course, 165 pages of glossy artist interviews and spreads!
Don’t miss out this time- pick up your copy on our online shop!
At first glance, media artist Nicholas Hanna‘s installation looks like some kind of DIY gallows. It’s sparsely constructed: just wood and string set before a simple $20 table fan. Below the string, a tray filled with liquid soap — death by Mr. Clean, perhaps?
Then the machine kicks into gear, dipping the string into the soap, drawing it up slowly, and suddenly an iridescent bubble blooms out of nothing. Magic.
Hanna works seem to incorporate one part engineering and two parts childhood wonder. One of his other pieces is a Beijing tricycle that, as the rider pedals, uses water droplets to write Chinese calligraphy in Courier New. Another piece utilizes motion sensors to cause a cascade of light depending on how a candle flame is shielded by a hand. And another still is a long gunmetal trumpet mounted on a toy truck, labeled simply as “Fire Truck #1.” What does the fire truck do? It starts sounding the alarms at 7:30 p.m., of course.
The bubble machine — “Bubble Device #1,” naturally — is another one of these curiosities. It’s unusual to see beautiful bubbles created by something as sterile as Hanna’s spare framed machine, in an environment as austere as a plain white-walled room. But the wonder is still there.