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Gavin Worth’s Wire Sculptures Look Like Sketchbook Drawings

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Multimedia artist Gavin Worth uses steel wire and rods to sculpt beautifully minimal forms and figures that look like they were sketched in the air. 3D representations of 2D conceptual drawings, each of Worth’s sculptures portray human forms and silhouettes, with careful attention paid to the details of these “illustrations.” His large scale portraits of faces that depict thirsty visages are perhaps his most detailed and deliberate constructions. For these, Worth sought to convey an emotional anxiety through the sculpted faces. Of his work, Worth writes,

By bending black wire into something of freestanding line drawings, I create sculptures that engage the viewer by involving them in their subtle changes. When the light in the room shifts, so does the mood of the piece. A breeze might softly move an arm. My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful.

(via cross connect)

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Angelo Merendino Photographs His Wife’s Battle With Terminal Cancer

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Five months after being wed in Central Park, while most couples are settling into a new blissful life together, Angelo Merendino and his wife Jennifer received troubling news: Jennifer had breast cancer.

Of this diagnosis, and the journey that ensued, Angelo states, “With each challenge we grew closer. Words became less important. One night Jen had just been admitted to the hospital, her pain was out of control. She grabbed my arm, her eyes watering, ‘You have to look in my eyes, that’s the only way I can handle this pain.'”

Angelo took his wife’s request seriously and his photographs, collected here, document not just her struggle with cancer, but also a certain compassionate way of looking– a presence from behind the lens that is not exploiting nor agenda-driven. Each black and white image from Angelo shows the necessity of bearing witness or being a vulnerable presence that is sharing in the difficult and very human experience of love and loss.

Angelo additionally notes, “We loved each other with every bit of our souls. Jen taught me to love, to listen, to give and to believe in others and myself. I’ve never been as happy as I was during this time.”

For those of us touched by cancer, we can relate to Angelo’s statement — sickness is not just about the disease, it’s about relationships: how we deepen with one another by practicing empathy and how this feeling palpably echoes long after someone passes. Capturing this feeling in art, the way Angelo has, connects not just two people, but many millions more.

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Samantha Schubert’s Optical Tape Drawings

 

At first glance the above image might look like a digital collage where a simple cat doodle is drawn atop a photograph of an interior. But if you look closer you’ll see that the cat image is actually painstakingly drawn with tape in perspective to create the illusion of flatness. See more of Samantha Schubert’s optical tape doodles after the jump!

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Kirk Cheng’s Displays The Cycle Of Life And Death In Full Bloom With Bizarre Sculptures Made Of Flora

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Kirk Cheng invites us to stop and smell the roses at his new solo exhibition “Circle of Life” at the Above Second gallery in Hong Kong. Cheng being a floral artist, he constructs fantastical floral sculptures that appear as if they derive from ecosystems from another planet. Flowers, which are often used as just a decoration, are now in full bloom as the main attraction. Cheng uses striking, vibrant colors with unique plants that are arranged in circles, taking over the gallery space in all their glory. Like every plant, these magnificent flora pieces will start to die, whither, and decay. Although this death is bittersweet, the artist intentionally shows this process, hence the title of the exhibition “Circle of Life.”

An organic beauty can be found in seeing different stages of the lifecycle of Cheng’s floral arrangements. Death is natural, but it always stems from life. The decaying plants have their own unique aesthetic, as their colors are now dark and their texture changed. Seeing the flowers transform into different colors and their pedals turn hard and crispy is both intriguing and interactive, as the exhibition becomes ever changing. No doubt if you saw Cheng’s work at the end of the exhibition, it would look like an entirely different show than at the beginning. Perhaps displaying the dead flowers next to the thriving ones makes the living flowers seem even more full and vivacious. Seeing such an honest example of the cycle of life holds its own tragic beauty, allowing us to experience the magnificence of life. (via Hi Fructose)

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The Darkly Surreal Photographs Of Kyle Thompson

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Kyle Thompson is the artist behind these haunting photographs.  His image are darkly surreal, seemingly caught in the middle of a or sinister or tragic situation.  An autumnal palette adds a slight chill to each scene.  What may be most surprising about the work, though, is its creator.  Thompson’s biography states that he’s only been photographing work since he was 19 years old – the young photographer is now only 21!  Further, Thompson is a self-taught artist with no formal training.

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Artist Interview: Yigal Ozeri

New York based artist Yigal Ozeri will debut a stunning solo show at Mark Moore Gallery this Saturday, October 30. In his latest body of work, he captures rock royalty model/actress Lizzie Jagger, daughter of Mick Jagger & Jerry Hall. Posing in lucious velvets amidst a hauntingly ethereal frozen landscape, Ozeri’s dramatic, rock ‘n’ roll, sumptuously gorgeous portraits call to mind the unparalleled beauty of Pre-Raphaelite painters. Injecting a much needed dose of beauty, depth and complexity to Photorealism, Yigal Ozeri’s works dance between liminal realms of reality and fantasy, imagination and truth, nature and transcendence.

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Uncanny Photographs Explore The Aging Human Body

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For her undergraduate project Young and Old, the freshman photographer Kelsey Duff photographed two models: the first is 18, and the second is 65. By excluding her subjects’ faces from her close frame, she catalogs the aging process as it might apply to an everywoman figure; despite trademark tattoos and painted toenails, each woman is stripped of clothing and other common markers of individual identity. Avoiding the impulse to capture moments of conventional portraiture, she shoots isolated sections of each woman with an imaginative fascination, pulling apart the body and fixing each piece within precise borders.

Despite its repetitive and almost anthropological vantage point, Duff’s camera work avoids any sense of coldness or sterility. The choice of warm natural lighting imbues the series with a romance that highlights tone and shadow. As if the subject of a yellow-filled Baroque landscape, the three-dimensional erosion of flesh through stretch marks, scars, pores, and wrinkles are dramatically and reverently seen. Even the clothing change from black skivvies to white underthings reads as part of a years’ old fading process.

The ever-present backdrop of shifting daylight and plain white bed sheets serve to visually condense years into a single dawn or dusk; as Duff follows her visual narrative, the time-lapse between her two subjects flattens, forming a poignantly timeless archive of the evolution of the female body. Caught at two poles of the same lifetime, young and old woman engage in a physical dialogue, exploring beauty and eternity hand-in-hand. Take a look. (via BUST)

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Bethany Krull’s Dominance and Affection

 

Bethany Krull’s ‘Dominance and Affection’ revolves around the exploration of this duality as it can be seen in the relationship between humans and the rest of the natural world. In today’s increasingly nature-deprived society, our most intimate connection tends to be with plants and animals that we ourselves have drastically altered through the process of domestication. We have turned wild animals into companions, genetically sculpting them into sweeter, cuter, less dangerous versions of themselves. We shower our pets with love at the same time we cage and contain them and it is this affection contradicting complete control that Krull is interested in illustrating in her work. For no amount of love lavished upon these creatures will erase the fact that the success of the relationship lies in our complete domination over all aspects of their existence.

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