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Pleasure In Ink: The Erotic Illustrations Of Apollonia Saintclair

Apollonia Saintclair - Illustration Apollonia Saintclair - Illustration Apollonia Saintclair - Illustration Apollonia Saintclair - Illustration

Apollonia Saintclair explores pleasure, intimacy, and sexual expressivity through erotic illustrations. From tangled hair, to parted lips, to the minute contours of the erogenous body, her masterful line work captures desire in detail. Her illustrations go far beyond titillating us in the conventional sense, however; with writhing tentacles and zippers embedded in flesh, many of her images are simultaneously arousing and unsettling. By conflating eroticism with elements of horror and the grotesque, she reminds us that sex and death are familiar lovers, and that desire so often involves a daring venture across boundaries into darkness and radical difference.

For Saintclair, the artistic process begins in her own erotic imagination. “I work compulsively,” she explains. “I depict stories that I myself find very arousing, and I have a strong need to cast my fantasies in a beautiful frame.” Most of her works emerge from images “ingested once and digested over time”; when they finally manifest themselves on a blank page, she infuses them with her own observations and desires. She strongly values graphic quality, treating each drawing as “one more step in a long apprenticeship” towards technical perfection. Her fastidious control of her medium makes her work intimately precise — and subsequently, highly provocative.

The ability to share and connect with others through her work is very important to Saintclair, and she has garnered an impressive following on Tumblr. “The enthusiastic response from an unexpected, unhoped audience made me suddenly realize that I was maybe doing something important [for] others,” she writes. “I’m very pleased to see that most fans — among them many women — have absolutely no doubts that what I do is an artistic approach of sexuality and not blank pornography.” Her art is an intriguing journey into desire, and all curious readers are encouraged to visit her page and check out the rest of the images after the jump.

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Glitz And Pixie Stix- Art Benefit For The Center For The Arts Eagle Rock

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Pop over to Leanna Lin’s Wonderland at 5024 Eagle Rock Blvd. on July 27th from 6-10pm.  On the main gallery wall Leanna Lin’s Wonderland + Rooney Hardwick present Glitz & Pixie Stix “sugar plum dumpling rainbow faces with freckles on top”. 18 artists will be exhibiting whimsical paintings, mixed media art and plush, along with Center for the Arts Eagle Rock (CFAER) student “Clay Jammers” ceramics art! A portion of the art sales will be donated to the CFAER “Imagine Studio”, which is an after school enrichment program bringing arts back into the LAUSD. They currently serve 11 elementary and middle schools in the Northeast Los Angeles.

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Sorry I’m Late

A stop motion short film shot with a stills camera in the ceiling pointing straight at the floor. By Tomas Mankovsky

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Life Magazine Gives Us A Look Back At The Fashionable Teenagers Of The 1960’s

"Corona del Mar High School students Kim Robertson, Pat Auvenshine and Pam Pepin wear 'hippie' fashions, 1969."

“Corona del Mar High School students Kim Robertson, Pat Auvenshine and Pam Pepin wear ‘hippie’ fashions, 1969.”

"Southern California high school students, 1969."

“Southern California high school students, 1969.”

"High school teacher Sandy Brockman wears a bold print dress, 1969."

“High school teacher Sandy Brockman wears a bold print dress, 1969.”

"High school fashions, 1969."

“High school fashions, 1969.”

In fashion, what goes around comes around. What was stylish 20, 30, even more than 40 years ago can still make a comeback and look en vogue. LIFE magazine documented the 1969 trends of American youth culture, and many traces of them are still worn today.

Hippies and disco culture shaped the way people dressed themselves, and these fashions were considered “counter culture” at the time. Fringed vests, bell-bottom jeans, and miniskirts were part of the new trends and attitude towards expressing yourself through clothing. “The latest rule in girls’ high school fashion,” LIFE magazine wrote in 1969, “is that there isn’t any.”

While the same could be said today, these sartorial choices came from a much different place. The world was seeing a cultural transformation and just getting smaller with the growth of global telecommunication networks. The television become a thing in every household. Liv Combe of LIFE also explains, “The vast and near-visionary national highway system had spread across the country in the post-World War II years; more households than ever owned a car (or two); and for the first time, plane travel was becoming a viable option for many American families.

Denim jumpers, Peter Pan collars, and strappy sandals are all things popular back then which are still seen today. They might’ve seemed strange back then, but as with most things, counter culture eventually goes mainstream. With some of these photos, it might take you a moment to realize they aren’t from 2015. (Via Demilked and Time)

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Collapsable Shelters Provide Protection From The Elements On The Go

CHAT TRAVIESO

CHAT TRAVIESOCHAT TRAVIESO

Brooklyn, NY based artist and architectural designer Chat Travieso creates playful and interactive urban interventions that encourage people to question their assumptions of the built environment. His work takes the form of design/build installations that promote resourceful and sustainable strategies with a stress on simplicity, reuse, and making-do tactics. This work acknowledges the social and physical context of a site and often considers the existing spaces and objects in our urban landscape as a resource to be appropriated and repurposed.

Our favorite works by him are the amusing collapsable shelters pictured here.

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Winnie Truong’s Hairy Drawings

Winnie Truong’s drawings are at once intricate, interesting, and funny. Fittingly, she has a lot of people recognizing her talent. Not only is she featured with big beautiful drawings and an interview in our Book 7 humor issue, she has a show at Galerie Trois Points from now until November 10. So, if you’re a fan, i’d suggest an impulsive Montreal vacation and picking up our Book 7 for plane reading. Happy travels!

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aakash nihalani’s Taped Geometry

Aakash Nihalani’s outdoor geometric tape installations highlight the unexpected contours and elegant geometry of the city.

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Daphne Wright’s Morbid Animal Sculptures

Daphne Wright is known for her unsettling yet poignant sculptural installations which use a variety of techniques and materials including photography, plaster, tinfoil, sound, voice and video. She has also worked on larger scale public art projects, collaborating with artists across disciplines; architects, writers and theater professionals to create works which deal with the indescribable.

Stallion (pictured above) is a full size cast of a dead horse. Lying upturned in the gallery space the power and strength of the horse seems to have collapsed with the fall of the animal on the gallery floor. At first sight the composition brings to mind a horse rolling in grass yet, on closer inspection we see the skin of the body has been peeled back revealing sinuous tendons and raw flesh. The familiarity of the animal and its playful association slides into an anatomical study colored by identifiable emotions.

Equally complex in its layering of suggested meaning is another animal cast – the delicate body of a rhesus monkey. Cast at a Primate Research Center Wright’s monkey is sensitively displayed lying on its side. The cast holds the body, permanently capturing the flesh in solid form. Covered in a fine layer of embroidered ‘hair’ its face, hands and chest recall the living animal yet the needlework gives a strangeness to the small figure. The face of the animal has been colored by a painter of religious statues, giving the monkey a touch of the other worldly.

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