pro snowboarder and filmmaker ANDREW HARDINGHAM is a fun-crazy-wild rider who likes to get weird… and I love it. This video is what I like to call as a bio on his life. From first discovering fire to boobs, Andrew went through some changes…
Destroy Paint with Ifo Skateboards.
Roxanne Jackson creates some fantastically creepy ceramic work.
We just moved to our new amazing office and unfortunately our internet isn’t set up so excuse the lag in blog posts.We’ll try to post as much as we can during breaks from unpacking millions of boxes but in the meantime enjoy some fun animations by Pellet! We’ll be back up and posting in a day or two!
Joel Galvin, or Ventral Is Golden (origin: late Middle English : from Latin venter, ventr- ‘belly’ + -al . Thanks Dictionary.) uses a plethora of different medium. Wonderfully, they all seem to correlate with each other. Perhaps it’s just how odd and familiar they are.
Sarah St. Clair Renard‘s website is divided into “Fashion,” “Portraits” and “Stories.” I love that last section, as all the photographs have no captions. We’ll never really know what stories she refers to. Her photographs capture a etheral feeling, be it fashion spreads, intimate portraits or seemingly snapshots of a high school football game. Also check out her blog, she posts more pictures from her day to day life there.
Beautiful/Decay recently had the opportunity to go behind-the-scenes at Mark Moore Gallery while artist Cordy Ryman was installing his latest exhibition, “Hail to the Grid.” As the show title implues, Ryman both riffs off the conceptual frameworks of minimalism and abstraction, and simultaneously playfully transgresses some of the movements’ core philosopies. While minimalism delights in the precision and rationality of its more reductivist tendencies, at the very core of Ryman’s sensibility is an opposing sense of spontaneity and free-form creation. Many of his works are self-referential, responding to their own materials or processes as sources of inspiration and thematic vocabulary. For instance, the cast off remnants of Velcro used to install a piece to the wall are later integrated into a grid-like abstracted collage, which, in turn, becomes the subject matter for a painting. Ryman delights in the elegance of distilled form, though instills a sense of sincerity in their physicality: hand-cutting, painting and fashioning his constituent parts with an affectionate hand. While a minimalist like Stella, for example, savored the steely finality of his imposing black paintings, Ryman in contrast frequently re-works his pieces, allowing chance and flexibility to enter into the work at any time. Even the installation of works are constantly in flux–shortly after Beautiful/Decay snapped up photographs of Ryman’s installation in process, Ryman called to inform us that one of the pieces was now on the wall and the entire exhibition looked different! Be sure to visit Ryman’s exhibition, opening this Saturday and running until Dec. 21 to see the final results! Full interview with Ryman, including his process for creating works, installation and outlook on art, below.