There is an unnerving quality to Shi Mohan‘s paintings, as though they are capturing daydreams, complete with all the surrealness and subconscious metaphors that come with the territory.
According to Art Seasons, a gallery in Singapore and Beijing that has previously shown her work, “Shi Mohan jocularly calls herself a life Illustrator. Pleasantly and sensitively, she documents the nity-gritty of her own life, portraying many bizarre and outlandish thoughts and desires on the canvas.”
There is a certain playfulness to Mohan’s art, though the off-kilter imagery can make it seem more sinister. Her paintings are snapshots of a more innocent yet stranger time: the weird days of youth. (via Supersonic Art)
Leland Bobbé, a New York based photographer, has compiled a series of stunning and complex images that further examine the drag queen persona, what it consist of, its controversies, and multifaceted physical aspects.His ongoing project, ‘Half-Drag . . . A Different Kind of Beauty’, has made a huge impact. Consequently, landing the photographer several awards and features in international art fairs.
The collection provides the viewer with an interesting perspective. These photographs, composed and stylized through the power of hair and makeup, are captured in one snap, and are not digitally composed- which is a lot to take on, knowing that the process could have been much easier having used Photoshop or other editing programs.
I think that Bobbé artistic choices say a lot about the points he is trying to convey with this collection of images. Moreover, there would only be this much vulnerability and honesty if the images were captured this way, and in this way only. Having his sitters pose with their two identities up-front and exposed is one hell of a statement. The sincerity, humble approach of the photographer and sitter alike, lets us in on the queens’ little secret and questions gender constructs, current law, human right initiatives and the possible lack-there-of.
When I walk down the aisle someday, I don’t think I would mind my constricting, and stuffy wedding dress to blow up like a grenade… just like the installation of artist E.V. Day has put together. E.V. enjoys using delicate, fragile materials and transforming them into visions of war, sex, and violence. An act towards the exploding of sexual stereotypes.
Have you ever loved a color so much that you wish you could paint everything in it? Well, artist Benedetto Demaio has immersed his entire photography in a color that he so deeply enjoys. The brilliant artwork of Italian artist Benedetto Demaio completely engulfs you in a world of specific color. Photographing simple subjects like deflated balloons and crayon shards, he transforms the ordinary into a perfectly constructed photo, complete with a curated palette. Although his images include a wide variety of subjects, they all hold a certain, cool blue that ties them all together in a way that is unmistakably intentional by Demaio. This hue is the artist’s signature. It is amazing how many different ways a color can be expressed, in so many different textures. Demaio’s blue is shown in soft, puffy material, in torn paper, and in places that are true to nature, like an ocean wave.
Each photograph, carefully constructed and thought out, contains beautiful compositions of an inviting, cohesive color palette. The artist’s sense of playfulness is apparent in his experimental use of color, as he often applies his favorite color in places that it may not normally be found, like in color swatches on the beach. Still, you cannot help to be charmed by the repetitiveness of the blue hue. There is a fun, triumphant spirit of creativity in Demaio’s work that is such an irresistible breath of fresh air. (via Honestly WTF)
Zhe Chen‘s confessional photographic series “The Bearable” has spanned a few years (2007 – 2010) and is a deeply personal journey of her own experiences with self harm. Her frank photos are very confrontational as she forces us to examine our own comfortability with such a terse subject. The close ups of bruised and battered skin, weeping nipples, bloodied and soiled sheets are not easily digestible images. In fact they are so hard to ignore, and are so powerful, that they immediately break down the taboos of any open discussion surrounding this subject. She says this about her work:
‘I hope my photographs inquire upon society’s prejudice and preconception towards this community, and not become illustrations or pictorial evidence for the topic at hand: every subject is an individual, not just ‘one of them’ – his or her life cannot be predicted or dictated by any constructed social code or notion. Depression plants the seed of introspection. I hope a first glance of my work conveys the idea of secrecy and sentiments, under which lies information awaiting exposure and recognition: like an index page pointing towards all the unanswered questions.’ (Source)
The L.A. based, Chinese artist teamed “The Bearable” series of her own self-mutilation with another, titled “The Bees“. Approaching the same subject from a different angle, she features a marginalized group of people in China who are so downtrodden and alienated that they feel the need to express their emotional oppression outwardly on their own bodies. Understanding the need for self-harm is such a complex story that most people tiptoe around, Chen wants to put it directly in front of us and see how we react.(Via Feature Shoot)
Women always say that men think with their crotch so Cuban artist Yoan Capote decided to create a series of work replacing the male genitalia with a giant brain. All of Yoan’s smart and witty conceptual sculptures mix a dash of irony with a dose of comedy such as the ladder with rocking chair legs or a pair of pristine running shoes carved out of pure marble.
I’m absolutely loving these explosive junk portraits and sculptures by Tom Deininger. Comprised of found objects each piece is created with various plastic and metal debris that the artist finds. The work reminds me a little of Vik Muniz but Tom still gets a pass in my book.
Jason Bard Yarmosky’sElder Kinder pays homage to the idea that age is not a deterrent to living fully, but rather a springboard for exploration. His paintings examine the relationship between the limitations of social norms and the freedom to explore, particularly the juxtaposition between the young and old. The carefree nature that is associated with youth often gives way to borders and boundaries placed on adult behavior. As we transition from adult to elderly, these raw freedoms often reemerge. As a child you learn to walk; later in life we learn to unwalk, literally and metaphorically. However, the dreams of the young, often sublimated by the years, never really disappear.
“I choose to explore this theme with two people very close to me, my eighty-four year old grandparents. The process of aging has always intrigued me. The lack of permanence in life and the inevitability of aging has always been on my mind growing up. I am also interested in how people, in both mind and body, respond to the passage of time. As Madeleine L’Engle said, “The great thing about getting older is that you don’t lose all the other ages you’ve been.”
The resulting paintings capture the intersection of the battered body and the vibrant soul. The images in this series can be seen as either humiliating or empowering. The pessimist sees the images through the lens of shame and vulnerability, weighed down by social convention. The optimist sees a sense of liberation, where an adolescent’s playfulness and the freedom to dream complement the wisdom of old age.”