Luis Camnitzer is a German-born Uruguayan artist who currently lives in New York. A conceptual artist, working mainly in printmaking, sculpture and installation, Camnitzer’s work explores subjects such as social injustice, repression and institutional critique. His work is often witty, if not biting, and generally has political undertones punctuated by the use of language.
With beginnings in the Conceptual tradition of the 1960s and 70s, much of Camnitzer’s earlier works are text-based. Though he has lived in New York for many years, Camnitzer’s work also deals largely with ideas tied to his native homeland. His Uruguayan Torture Series from the early 80s demonstrate his interest in social and political issues regarding an individual in society. Camnitzer juxtaposes images with text containing connotations of violence. Subtle, Camnitzer leaves the viewer to decide his or her role as a spectator to the “disappeared” in Latin America. Leftovers, 1970, consists of several boxes stacked against a gallery wall. Each individually bandaged and stained with red paint, the word “leftovers” is stenciled on the sides. The piece evokes the idea of dismembered body parts and the work as a whole represents the political turbulence and violence that was happening in Uruguay and other Latin American countries during that time.
Some have written about Camnitzer’s work as a kind of poetry whereby Camnitzer has explored the way words function visually rather than verbally. Though Camnitzer denies this interpretation, there is an undoubted rhythm to his work that feels like prose with or without the inclusion of text. His 2001-02 installation of real books cemented into place feels completely lyrical in nature. The books are fortified in place, protected for all time. This piece embodies the part pessimistic, part romantic aspect that runs through much of Camnitzer’s work.
We all know that advertising is an illusion, and built around pandering to our desires. But, it would be safe to say that a majority of us aren’t fully aware of just how far that mirage extends. Russian compositor Ashot Gevorkyan is helping remove the wool from our eyes by exposing the secrets of the industry that he himself works in. In his series of composited GIFS, he demonstrates just how the final image is built up. He shows us the initial shot, and also the steps completed in post production to achieve the end result.
We are able to see how 3 actors in front of a green screen in a studio are eventually placed in a post apocalyptic city, hectically shooting at a crowd of zombies surrounding them. Bodies are unnaturally lengthened; artificial skies added behind groups of people; lighting effects are fabricated; even the color of clothing is transformed.
It is an interesting experiment in raising awareness of just how critical we need to stay of the media around us. Just because we are consuming more media, doesn’t mean we should try what we see and hear any more than in the past. Mocking up these images, Gevorkyan demonstrates just how easily and efficiently it is for professions to advertise a completely make believe world. For more eye opening images, see after the jump.
US-based team of scientists has built a robot that folds itself into an origami-inspired shape starting from a flat sheet. The assemblage of such robot doesn’t require any human intervention. It is made from a polymer material which shrinks when heated, also has electronics and motors attached to it. When the heating elements affect the hinges made in paper, the robot starts transforming into a crab-like machine. The whole process takes about 4 minutes before the robot can start walking.
The team behind the project said their inspiration came from the complex 3-D shapes in origami: like in the Japanese paper art, various three-dimensional shapes are constructed from a single sheet of paper. This robot takes origami a step further. According to the developer team, such self-assembling robots can be greatly employed in construction or rescue works.
“[They could be delivered] through a confined passageway, such as a collapsed building, after which they would assemble into their final form autonomously,” states Marc Lavine, senior editor at Science.
Robot‘s small size makes is what makes it very useful because of the easy transportation and storage. Apart from search-and-rescue missions, a more advanced version of the robot could be easily used construction works, especially in places that are hard to reach. The whole project is said to cost $11,000 but with the initial designs in place, the mass-production robots should cost around $100 each. (via NPR)
Watch a short video about the project after the jump.
Sebastian Wickeroth lives and works in Düsseldorf, Germany. He constructs and partially destroys large imposing sculptures. Some of his installations look as if the structures are buckling under the pressure of an entire room while others look like monoliths that have fallen from the sky. Utilizing color and intriguing geometric shapes Wickeroth commands space with dilapidated forms that explore beauty in decay and comment on man-made structures that are built and inevitably destroyed.
Whether it’s hand painted, collaged, and/or sewn together, Jenny Toth imaginatively entwines colorful drawings of the animal kingdom to meditate on a sometimes humorous, and always surreal study of the female condition.
Of her work, Toth states, “For many years I have been intrigued by the way women artists choose to depict themselves. Like many other artists, my view dramatically differs from a historical approach to the female model. I choose to include elements not traditionally viewed as beautiful—for example, a deformed toe, hairy legs, unkempt hair. However I have no interest in shocking the viewer, but seek to share my honest, uncensored observations. I have always been allergic to pretense and slickness.”
Fresh amalgamation of styles from UK artist Conor Harrington. A little bit of renaissance influence mixed up with some graff inspired strokes, all executed with a masters touch… what’s not to like? Find more of Conor’s work at Kinsey/Desforges in LA.