The Color Blind shirt just might be the craziest shirt we’ve ever released! Designed by Indonesian designer Galih Adi, this shirt features a 4-color printing process that is so detailed that every lens flare, color gradation, and microscopic detail is captured. Even with all the colors large graphic the shirt printing is still butter soft, fooling many people into thinking its a heat transfer. Purchase it on our shop!
Artist Pierre Schmidt constructs surreal worlds filled with the inner horrors of the subconscious, both terrifying and beautiful. Using photo-manipulation, illustration, and collage, he combines both traditional and digital methods to create scenes of people with faces dripping right off their skulls. Many of his disturbing, melting face runs down the composition, only to reveal sudden bouquets of flowers. Using vintage photographs, he collages imagery of 1950’s housewife types lounging about, only to be caught up in a peculiar and fantastic scene. Schmidt’s work is highly psychological, as many of his pieces have titles based on the theories and writings of philosopher Friedrich Nietzsche. His flowing faces crack open the hidden psyche, pouring out its contents for us to examine. The face being a vessel of identity, Schmidt strips his characters of this so that we may look inwards into our own mind.
The Berlin based artist offers us a glimpse into a strange world of bizarre happenings, filled with faceless ladies, lush flora, and silhouettes that contain galaxies. Schmidt’s work is full of emotion and internal awareness, leaving us to sort out his stunning and complicated mash of imagery. We are left to decipher his sliced open heads, melting eyes, and rainbows oozing from faces. Like stream of consciousness, Schmidt melds together his illustrations with a unifying flow, effortlessly forming captivating and magnetic work. (via Hi-Fructose)
Cheryl Archer’s Consumption Society series take a close and personal look at what and how we consume food. These ultra detailed images of food being shoved, licked, and gently placed into hungry mouths makes me crave a burrito and wish I never had to eat again simultaneously.
Our society, by and large, seems to love mashups of popular culture. Adding to the growing list of amusing combinations is Justin DeVine’s illustrations of Muppets as Twin Peaks characters. Kermit the Frog, Miss Piggy, Fozzie the Bear take the roles of Special Agent Dale Cooper, Laura Palmer, and the Log Lady, respectively. DeVine’s watercolor drawings include the clothing, scenes, and quotes from David Lynch’s cult classic television show but whose characters are replaced with the gregarious Muppet clan.
If you aren’t familiar with Twin Peaks, it’s a surreal drama that follows the investigation headed by FBI Special Agent Dale Cooper into murder of homecoming queen Laura Palmer. It takes place in a small town, and explores the facade of small-town values and the seedier layers that lurk beneath it. Pairing this with the happy-go-lucky Muppets creates some strange imagery; not necessarily in the same way as Lynch crafted Twin Peaks, but odd nonetheless.
All of these illustrations are available as prints in DeVine’s InPrnt shop.
I just recently discovered Neil Krug‘s website but I’ve been seeing his work all over the place for years. Neil’s photos and videos combine a perfect mix of vintage, psychedelic, and sex. If I ever start a band this guys getting a phone call.
Boston-based photographer Caleb Cole creates self-portraits that are not so much about himself. Cole’s curiosity about the live (introspective lives) of others inspired him to come up with Other People’s Clothes, a photographic series in which the artist becomes the stranger, the ‘Other’, in order to further understand his desire to know more about the unknown.
“Though I am the physical subject of these images, they are not traditional self-portraits. They are portraits of people I have never met but with whom I feel familiar, as well as documents of the process wherein I try on the transitional moments of others’ lives in order to better understand my own.”
By using scavenged clothing and various themed setting that matched the clothing, the artists creates characters that resembles people in real life – I assume, people by whom he is intrigued by (he fails to portray people of color/other ethnicities, although he does not exclude women). Each photograph evokes a story, which Cole makes possible by arranging and creating the set of each and every one of these images.
The artist’s facial expressions, however, seem static; he seems to hold about the same face, one of despair or discontent, throughout the series. The reason behind that specific characteristic is unknown, however it can be speculated that he might be channeling his own beleifs about the people he is portraying…can all his characters be this unhappy and apathetic about life in real life, or are those just his impressions?
Whatever his reasons may be, there is no doubt that, through his representation of the ‘real people’, Cole is demonstrating an understated sense of empathy. (via Feature Shoot)
With his collection of delightful three-dimensional GIFs, the illustrator Dain Fagerholm creates whimsical universes that are both wondrous and terrifying. Filled with monsters reminiscent of Maurice Sendak’s “wild things,” the precious animations exist in a space caught between childhood nightmares and dreams. The artist draws each by hand, and the illusion of three-dimensionally of the work is expressed by a fast-paced alternating between a few images drawn from similar but differing perspectives.
Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.
These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)