Mixed media artist Anila Quayyum Agha has figured out how to decorate an entire room with shadows cast from a box. Laser cutting intricate patterns into a wooden cube, a light within the cube projects an intricate display of shadows that envelope the entire room in ornate design. The results are breathtaking and the philosophy behind her work is fascinating.
This project, titled “Intersections,” combines the patterning of Islamic sacred spaces with architectural aesthetics:
“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. For me the familiarity of the space visited at the Alhambra Palace and the memories of another time and place from my past, coalesced in creating this project. My intent with this installation was to give substance to mutualism, exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewerâ€™s presence within a public space.”
I usually don’t like viral videos that promote products but this is really creative and unique. 36 Freeborders re-create a giant falling block video game down the streets of San Francisco at night. It’s like Gleaming The Cube meets Tetris… Awesome!
Artist Ana Strumpf uses creative color schemes and patterns to redesign fashion magazine covers. In her series Recover, trend-setting magazine like Vogue and Vanity Fair are transformed into whimsical worlds with eye-popping patterns complete with quirky make-up added on to the models. Striking, beautiful women posing for the camera are given pink hair, rosy cheeks, and green eye shadow, turning them into silly, fun characters. The primary colors and simple shapes are reminiscent of childhood and dress up games. Although her clashing patterns and neon colors at first may remind you of doodles, they all somehow look amazing. The interesting color palettes Strumpf chooses to add work beautifully in their own unique way.
Strumpf is a jack of all trades in the arts, as she designs and fabricates chairs, couches, lamps, and pillows on top of being an interior designer. Based out of New York, the artist studied fashion design at the Fashion Institute of Technology, which accounts for her love of high fashion magazines! Her cover redesigns are funky enough to be album covers, with the models now radiating lines and shapes along with the occasional third eye. Her wild stripes and spots form fresh new designs that really look like they belong on the cover of a magazine, like they are the next big trend in fashion. (via Honestly WTF)
Moving artistically into photography as a natural extension of his sculptural practice, Kristian Kozul meticulously builds and then photographs, physical dioramas of extraordinary detail designed to tell metaphoric stories and reconstruct histories. As with his earlier sculptures, where concept meets articulation a kind of fetishized totem results. Each piece is based on a certain historical figure that Kozul leverages in pursuit of his cause. Like Captain Ahab and Moby Dick, or famously Don Quixote and his windmills, the fixations and obsessions of Kozul’s protagonist’s speak to universal themes of mania, obsession, and denial.
The business of death is the subject of Genevieve Blais’ photo essay Funeral. In the series Blais looks at how consumerism dominates our lives even after life. Using a mechanical almost step by step process she captures the funerary procedure from start to finish through an itemized set of rules. In catalog fashion she shows what is needed to accomplish the final step of life; flowers, caskets, makeup, embalming machine, credit cards and waiting room. The photos themselves look dated, perhaps on purpose pointing to the fact there really hasn’t been much advancement in the business of death.
A picture of an embalming machine with the brand name Dodge makes you wonder if the popular car company was thinking proactively when designing their product which accounts for approximately 30,000 deaths per year. Turns out there’s no relation to the two and Dodge the funeral provider has been a family business since 1893. The website advertises their formaldehyde-free products and offers seminars and even a magazine for those interested in this type of work.
In her statement, Blais says when she first embarked on the project she didn’t know what to expect but as she went along she began taking a Marxist attitude towards the whole procedure. However, death is big business and those working in that industry make a comfortable living by a simple fact of nature that is both unavoidable and inevitable.
Welcome to our third offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is Justin B. Nelson whose delicately rendered watercolor , charcoal, and ink drawings have graced the pages of Beautiful/Decay as well as our website many times. For the first time ever we are offering Justin’s original drawings for sale as part of our Click To Collect initiative to bring original works of art to the masses at affordable prices. Read more about Justin’s fantastic work and see more pieces that are available for sale after the jump!