David Mach‘s incredible installations spill and pour into the spaces they inhabit with the fluidity of water and the compositional precision of a laser. Created out of discarded magazines and other found objects these larger than life installations take over entire buildings in every shape possible from immense columns to organic round piles of mass that pick up everything in its path. (via)
New York artist Alison Blickle creates interests paintings in which female nudes (which I think are roughly self-portraits) are pictured in the majestic beauty of nature. While this might not sound all that revolutionary on its own, there is an interesting, almost cartoonish aesthetic in the paintings which creates a sort of off-putting sense of abstraction/simplification, as if this reality is very far from the artist’s life.
An unusual, but symbolic and versatile medium, several artists have integrated books into their practice. Sometimes selected for their formal elements, other times for their content, books have a wide-ranging appeal for artists. The five artists listed below have employed books in varied and distinctive ways to create remarkable works of art.
Abelardo Morell is a Cuban artist who incorporates books into his photography in beautiful and creative ways. For example, he used Lewis Carroll’s Alice in Wonderland to create photographs uniquely including the book. Jonathan Callan is drawn to books as a medium and creates amazing, formal sculptures that resemble tree stumps, or other organic forms. Cara Barer is an artist who transforms books by sculpting, dying and then photographing them. About her work Barer says, “Books, physical objects and repositories of information, are being displaced by zeros and ones in a digital universe with no physicality. Through my art, I document this and raise questions about the fragile and ephemeral nature of books and their future.” Robert The is a New York-artist best-known for his Gun Books, which usually play a title cleverly off the book carved into the shape of a gun. Isaac Salazar rescues books that have been discarded and carves words out of the pages.
The figures of Korean artist Wang Zi Won seem above all peaceful. His statues are also machines that perform prayers. He mixes Buddhist imagery with autobiographical depictions to illustrate a futuristic mix of technology and spirituality. It is interesting that Wang’s sculpture’s abandon the physical body – in a sense something Buddhism and visions of the future share in common. Indeed, his vision of the future seems to be a bit of an optimistic one. That is, one in which further harmony between man and machine leads to a more complete existence and identity. [via]
I get a little nostalgic for summer when I see photographer Henry Busby‘s images in his short series Revere Beach. Located in Massachusetts, thousands of beach goers relax along its shores on hot summer afternoons. Busby captures this scene in a style that vaguely reminds me ofRineke Dijkstra’s portraits of swimmers, yet we the viewer are kept more at a distance to observe the subjects as anonymous moments. Check out the work and don’t worry, summer will be here soon.
Photographer Ben Sandler (previously here) has applied his fascination with the desert landscapes outside of Phoenix, Arizona into an unearthly yet oddly remindful new photoseries titled Badlands. Conceived with and digitally constructed by Zeitguised, the photographic images of Sandler are transformed into something otherwordly. According to Sandler’s statement of the Badlands project,“The Painted Desert – as it is known – is a land full of the remnants of a previously lush and fertile environment, now dried up and succumbed to the harshness of the arid atmosphere and unforgiving sun. The sweeping colors, immense spread of land, mountains eroding into flowing waves of sand and pebble – indeed, it seems that it is a glimpse from another world.”
The photoseries, made in collaboration from Arizona, Berlin and Paris, combines simulated digital models which further explore the haunting landscapes, reinterpreting the “the geologic phenomenology of the fantastical land“. This collaborative process seems imperative to both the blended natural and unnatural aesthetic of project, as well as the message developed from it. “Within this process, an aesthetic language is developed – one that interpolates between the inorganic substrates of the prehistoric landscape, with the organic and tectonic structures embedded within. Based on image analysis and observation, the project circumvents the dichotomy of the real and the fake, as it combines the two in imagery that is taking cues from itself – iterating an image transformation based on its original recording.”
Graphic design and illustration studio Violaine & Jeremy create stunning graphite pencil drawings of animals and people merging with wildlife and nature. Surreal illustrations feature wild and domestic critters propped with various attributes of human world: spectacles, patterned scarves and even Victorian waistcoats.
Another humorous venture by the creative duo, Violaine Orsoni and Jeremy Schneider, is to attach lush flowery beards onto humans and wild animals. The unexpected combination of a fiercely looking gorilla sporting a Garden of Eden-like facial hair is beyond humorous. The idea seems to resonate with the latest trend of men adorning their beards with colorful blossoming flora.
Each piece of the collection demonstrates incredible attention to detail. Perfect technique of pencil hatching and shading brings Orsoni and Schneider’s intricate drawings very close to photorealism. Their studio collaborates on a variety of projects: from visual identity, to album covers, to design of the France’s leading innovation magazine, Influencia. (via KoiKoiKoi)