Anders Oinonen, of Ontario, Canada, just opened “People people”, a solo show at Cooper Cole in Toronto. For a while now, Oinonen has been pushing the features of the face to new bounds in his paintings. The artist has removed familiar eyes, noses, and mouths from their intended plane, and inserted them along the lines of an Expressionist landscape. Such a presentation of the face -associated with communication of our inner life more than any other part of the body- in tumultuous states of despair and incredulity as stimulating blocks of color masterfully applied to canvas arranges a statement which is hard to miss and extensive in depth.
McNabb & Co. is a design studio that is reimagining the urbran landscape. Their “The City” series is a collection of wood sculptures that represent a woodworker’s journey from the suburbs to the city. Each piece depicts the outsider’s perspective of the urban landscape. Made entirely of scrap wood, this work is an interpretation of making something out of nothing. Each piece is cut intuitively on a band saw. The result is a collection of architectural forms, each distinctly different from the next. (via)
Japanese photographer Takehito Miyatake’s images capture darkened compositions with illuminated trails of fireflies and forests. The ethereal works are lyrical in their treatment of light, and we see it dancing throughout fields, streams, and into the night sky. It captures not only the beauty of nature, but of the way that darkness can feel magical.
Miyatake’s work is influenced by two things: the devastating Tohoku earthquake and subsequent tsunami of 2011, and waka, a classical form of Japanese poetry. These types of poems are written in 31 syllables and arranged in five lines, of 5/7/5/7/7 syllables, and they are meant as an expression of the human heart’s response to nature. The photographer considers his work similar to the poetry form, as “snapshots” of the forces that have shaped and destroyed Japan.
In an interview with Mia Tram, Associate Photo Editor at TIME, Miyatake talks about an influential piece of Waka poetry, stating:
The poetry of Kubota represents what I saw and felt when I took these images. When I photograph, a mystic feeling comes over me. I sometimes admire the mysterious legends that are a part of Japanese folklore that express a fear of nature. I believe Waka also intends to capture this sort of fear of the mystic beauty of nature. (via Lightbox)
Artist Lauren Tickle uses an unconventional material for her accessories: US currency. Titled Increasing Value, the objects are made out of bills, silver, latex, and more, formed into intricate pieces that you can actually wear. Tickle has her Master’s degree in jewelry, and the exquisite works don’t immediately strike the viewer as being composed of currency. Instead, the designs take advantage of the bold flourishes we see on money and the green lines appear as a pattern rather than a past president’s face.
Tickle writes about the conceptual meaning behind her work, which is titled based on how much currency was used in its creation.
My work is an experiment in the concepts of value and adornment. The Values Exploration process takes currency of defined value, distills it to graphic elements, then resynthesizes an object of much greater value. How and why are these notes distanced from their face value? Idea, concept, process, and labor create value. Is this new, finished form a microcosm of industrial production? or a parody?
I force wearers and observers to reflect on the concept of adornment in our society. One of the most conscious actions humans undertake is the decision of what to wear or not. My work takes underlying materialism and makes it explicit, imploring evaluation from all sides in each social context. (via Escape Kit)
Food artist Tisha Cherry turns the mundane into magical with the use of simple foodstuffs. She creates art on Oreos with the sweet frosting acting as her “paint.” The results are portraits of Yoda from Star Wars, Snoopy the dog, Mona Lisa’s face, and more. The small, impressive works look impeccable and present a conundrum for those who have a sweet tooth: to eat or not to eat?
Cherry’s food art extends beyond the twistable cookies. On her Instagram, you’ll find food arrangements, portraits, and a love for The Simpsons under the hashtag #ArtintheEats. Her Oreos are the most impressive, however, just based on their 2 inch scale and craftsmanship. The white icing has a luscious texture with subtleties that look like they were applied using a palette knife.
If you enjoy these portraits, check out the work of Judith G. Klausner. She also created relief sculptures on the iconic cookies. Is this a tasty new trend in art? (Via Illusion)
Todd Hale lives and works in Virginia. He is producing an ongoing series of vibrant and grotesque illustrations using nothing but his fingers and an iPad. Eyeballs floating in gloomy waters, skulls fused with dripping watermelons, and a deranged clown with a cherry for a nose are a few examples of what can be found in the drawings. It is refreshing to see a series of work that resembles vector illustration and discover that it was created in the age old manner of “Finger Painting”.
Ryan Bradley’s large, intricately composed pastel paintings of attractive female faces are seductive. The delicate paintings are “unfixed,” which means the pastel is left loose. This creates a surface similar to butterfly wings. If you touched the paintings, some would rub off onto your hands. I can’t help but think there is some relationship between the fragility of the surface and the portraits’ beauty. Like the really ripe moment when someone is at the tops of their looks, you know it can’t last, but you can look away either.
Calling Robin Rhode a ‘street artist’ is a bit misleading. It just so happens that most of his art is made in the street, but this multidisciplinary artist makes his mark in a variety of ways. Much of his work is performance based, not in the traditional sense, but rather through a process in which he acts in a 3D space and at the same time utilizes the illusion of a drawn object… and then the entire process is photographed, leaving the viewer with a consolidated mixture of mediums, spaces, forms and ideas.