Amazingly ridiculous neon neo-90’s rave monsters from future primitive fashion line Casette Playa.
If you’re like me, you grew up listenting to A Tribe Called Quest, and loved the shit out of them. Michael Rapaport’s documentary “BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST” takes you back to that magical time in Hip-Hop when guys rapped about daisies, El Segundo and Seaman’s Furniture. It was a time when Hip-Hop was adventurous and Tribe Called Quest made it cool to march to the beat of your own drummer.
“BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST” captures the nostalgia of a time before New York City had caught affluenza and was a hot bed for aspiring artists of all genres. The use of archival footage, vintage photos and clever animation rounded out this thoroughly entertaining journey through the history of one of Hip-Hop’s most seminal groups.
For screenings and locations go HERE.
These aren’t photos of bisected buildings. Rather, they’re the carefully constructed dioramas of artist Marc Giai-Miniet. His little libraries inhabit multi-storied buildings, perfectly suitable for us bookish nerds. However, many of his pieces almost seem to be hiding something sinister. The floors become darker, dirtier, more utilitarian the deeper they are in the building. Soot stained boiler rooms occupy the basement floors along with objects long forgotten. Perhaps the entire structure is a metaphor for the mind in a way: the diligent ego among the book lined floors and the unconscious hidden down in the dingy cellar.
Beautiful/Decay is happy to announce new sizing for our artist prints. You can now buy each of our gorgeous prints, designed by a whose-who cast of international designers, at a new small size of 8″ x 10.6″. Each print is produced on a heavy, high quality, archival stock that’s ready for framing. To celebrate our new small size we are giving all of our prints an extra small price! All prints in all sizes are 20% off until Sunday September 4th at Midnight (PST). Just use discount code “coveryourwalls” during check out and start decorating your home, office, and walls today!
Women at different stages of their lives posing in seductive, awkward and humorous poses. Chanel Von Habsburg-Lothringen, in her series ‘Seduced and Abandoned’, creates photo collages with singular elements and wide close ups of skin and hair. Using her own method, she depicts the theme of abandonment. A testimonial of events from her past and feelings left from a traumatic up-bringing.
Chanel Von Habsburg-Lothringen collects 1970’s National Geographics. She is influenced by the unusual lay out of the ads. She also uses poses from 1980’s magazines archives as inspiration for her shootings. The exaggerated close ups and the appearance of elements such as medical supplies, a doll and a set of false teeth attract the viewer despite the oddity of the pictures. Most of the props were used by the artist’s grandmother and evoke fragility and mortality.
One of the major component of the work is the use of a plastic mask and a wig. Generating an unsettling feeling, it increases the viewer’s curiosity of knowing more about the person hiding behind the mask. The grouped images, piled up in one area of the frame creates a claustrophobic feeling.
It is of course all orchestrated by the artist. Her purpose is to trigger an introspection.
By displaying domestic activities in her work blended with flesh and enticing poses, Chanel Von Habsburg-Lothringen narrates her story as an abandoned child and her reality at home at that time. Wanting to say it all through the collages, the artist seems to install a distance between herself and the viewer. The mask and the wig are a way to progress incognito while she is telling her story.
The grandmother, used a symbol of death and mortality combined to a bright contrasted background blurs the lines of the artist’s intentions to reveal it all through her art. “creating photographs where it is unclear if the subject is reflecting on her own past, looking forward to the future, or trapped somewhere in between.”
I’ve been following the work of Copenhagen based artist Tal R for over a decade and it blows me away how timeless and exciting his works are. He is one of the few painters working today that continuously experiments and shifts his technique and work without ever losing his distinct style.
John Parot, who was featured in our B/D Book 3, and Rachel Niffenegger currently have exhibitions up at Chicago gallery Western Exhibitions./(which, coincidentally enough, also stocks B/D Book 3!) John Parot, with his exhibition “Hobbies,” continues his poetic musings on gay urban living, and focuses in on internet dating to reflect how identity, meaning and love are constructed under the auspices of Web 2.0’s arrow. A multi-hued pie chart displays Facebook-esque likes and dislikes: “hot fudge sundae,” “enough with the man-scarves,” and “no beige!”
Rachel Niffenegger, in Gallery 2, creates sculptures and ephemeral-washed paintings dealing with the grotesque nature of the human body, executed with a hauntingly beautiful hand. Drawing its title from an ancient epitaph, “As you pass by and cast an eye as you are now so once was I,” the exhibition seems to conjure the ghostly spirits from beyond the gravestone she references.