Roe Ethridge’s Double Santa and many other photographs can be seen at the Sutton Lane website.
For twelve months, artists Victoria Lucas and Richard William Wheater collaborated on a series of neon signs that borrow snippets from well-known love songs. 12 Months of Neon Love fittingly began on Valentine’s Day 2011, atop Neon Workshops, and continued through the year — a sight to passers-by who no doubt Instagrammed the shit out of these. The public exhibition culminated in March of this past year but the images live on forever in a compilation.
Swiss based Sandrine Pelletier creates amazingly dark sculptures and installations. Check out the death metal kinetic diorama, lace skeletons, and broken mirror skate ramp after the jump.
Itching for new source material? The British Library has a public Flickr account that showcases over a million images sourced from books published centuries ago. This account not only gives anyone digital access to a wide range of obscure drawings, photographs, etchings, and others of the likes, it also allows the public to manipulate and make use of them anyway they chose. The Library released a statement;
“We have released over a million images onto Flickr Commons for anyone to use, remix and repurpose. These images were taken from the pages of 17th, 18th and 19th century books digitised by Microsoft who then generously gifted the scanned images to us, allowing us to release them back into the Public Domain. The images themselves cover a startling mix of subjects: There are maps, geological diagrams, beautiful illustrations, comical satire, illuminated and decorative letters, colourful illustrations, landscapes, wall-paintings and so much more that even we are not aware of”
The images span such a large array of topic areas and media that the librarians aren’t fully aware of what many of the images are. By allowing the public access to these images, the library not only shares them with the masses, but also hopes to collectively acquire knowledge about the content. The Library is planning to release a tool that will allow willing participants to offer information about the images with the aim to create a sort of referential guide.
This is a really amazing resource for artists, illustrators, graphic designers, and just anyone who is in to that sort of thing. Check out the full collection here, or just the highlights here (again, there are over a million).
When walking towards a painting by Anoka Faruqee your eyes refuse to settle. Turquoise, formed into an elongated triangular band, is pinched between two golden curves. The turquoise is misbehaving. Instead of sitting still it appears to flex and blend into the yellow. As you get closer the painting changes, and at arm’s length another dramatic shift occurs, the previous turquoise and gold bands of color atomizes into narrow, serpentine, overlapping lines with several more colors, no longer just turquoise and gold. Looking across the room your eyes settle on another painting. This square shaped canvas is a warm gray that seems to dance. Upon closer inspection the pleasantly worked surface transforms into a swirling design of forest green and cherry red lines. Faruqee calls this series of paintings the Moiré series, after the illusion with the same name. The history of Modern art is often told as a race towards extremes, but will that be true of 21st century art? Anoka Faruqee’s work seems to place less emphasis on ‘pureness’ than other abstraction. Faruqee’s work suggests that we can be more complex, and where artists over the past sixty years searched for the strongest statement, maybe our searches will lead in different, more nuanced directions.
Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the illustrations of Kelley Hagemes.
Savannah, Georgia based artist and illustrator Kelley Hagemes creates mixed media works that reference various religious and mythical iconography. Imagery of the sublime is mixed with rich symbolism of life, regret, death, and the unknown.I
When I was a kid I had to go to Catholic school for a period of time, and my parents made were quite the Catholics. I feel like I was always surrounded by these images of the Sublime, dripping with symbolism and encased in ornament. Images of things that were supposed to be beautiful but also strike some sort of fear or uneasiness in you.
More broadly Kelley’s work is about dealing with lifes demons, finding happiness after sadness, transformation and strength while having to find beauty in some pretty ugly places throughout the process.
In collaboration with microbiologists, the English artist Anna Dumitriu has honed her unique talent for working with bacteria as a means of staining fabric; her high-art fashions feature organic patterns made by microorganisms. In her most recent installation project, The Romantic Disease, she works with a more dangerous type of bacteria: Mycobacterium tuberculosis, the organism responsible for Tuberculosis.
In combining now-killed TB DNA with found and altered relics of late 19th and early 20th century technologies, Dumitriu creates a vivid medicinal—and often foreboding— landscape. Before the invention of antibiotics, TB patients were taken to “sanatoria,” hospitals built at high altitudes (then thought to be beneficial to sufferers), where they were confined to bed and given extreme treatments. For a piece titled “Rest, Rest, and Rest!” Dumitriu constructs a model sanitarium bed; for another piece, she carves the pattern of lung tissue onto an actual Pneumothorax Machine, once used to collapse patients’ lungs.
The Romantic Disease is neither a historical or scientific tour of old hospital machinery; on the contrary, is is an emotionally dangerous and poignantly subjective exploration of the disease. Although the exhibit avoids mention or representation of actual sufferers, individual pieces are imbued with a distinctly human touch. The sanitarium bed and curtain are small and delicate as dollhouse pieces; beside the larger pieces, they appear lonesome and afraid. Similarly, a group of miniature woven felt lungs, each containing sterilized Mycobacterium tuberculosis, appear to flutter like tiny, fragile birds beside the Pneumothorax Machine.
A maternity dress, dyed with supposed TB cures like safflower and madder root, hangs loosely on a dress form; this piece becomes all the more heartbreaking with the knowledge that at a time when the disease was thought to be spread genetically, pregnant women underwent forced abortions. The historical reverence and tender craftsmanship with which Anna Dumitriu presents The Romantic Disease serves to humanize those who suffered at the hands of this politically and socially fraught disease. The work is currently on display at West London’s Waterman’s. (via Smithsonian Magazine and Anna Dumitriu)
Open your eyes and clean out your ears, kids. Connie Wong has some fresh artwork to accompany your Wednesday morning. Ear wax and boogers have never been cooler.