It’s difficult to gauge scale in the work of Petros Chrisostomou. The giant shoes seem so detailed; the galleries look immaculate. If you want to know I’ll spoil it for you…it’s the galleries that are tiny. Chrisostomou uses small mundane objects as the center of his photographs. He places these in the middle of amazingly detailed miniature galleries. Chrisostomou painstakingly gives attention to lighting, scale, perspective, and detail. The realism of his sets force the eye and mind to alternate between small and large scales, doubting each in the process.
Mike Frederiqo is a 23-year-old Dutch illustrator with a healthy dose of talent and humor. You may have seen his other works circulating the internet, including his combinations of BAPE’s fashion logo with Andy Warhol’s Campbell’s Soup Cans, or his images of Sponge Bob as Coco Chanel, Karl Lagerfeld, Terry Richardson, and more. In his more recent series, he has taken his illustrative interpretations of the fashion world a bit further, utilizing the bodies and faces of high fashion icons and their collaborators to recreate famous logos. Among the images you’ll see Lagerfeld and choice model Cara Delevingne completing exaggerated backbends with elongated arms and legs to form Coco Chanel’s interlocking Cs; elsewhere, editor-in-chief Anna Wintour twists into the name “Vogue” (while holding what appears to be a Starbucks coffee). In an interview with Life and Times, Frederiqo explained his inspiration for the series:
“You see so many illustrators taking those famous logos and making fun of them — almost in a negative way. So, I wanted to do something in a positive way with the logos that were recognizable. And what is more recognizable than the Coco Chanel logo?” (Source)
Based in good humor and playfulness, Frederiqo’s stylish logo recreations have a way of grabbing our attention and making us laugh. Logos are a vital part of a brand’s identity, representing their international, high-ranking status and presence. Frederiqo’s illustrations remind us of the real human beings behind these labels; we recognize the logos (and the significance of their names in the fashion world), but when given faces, they become lighthearted, tangible, and funny. Frederiqo’s works poke fun while also nodding in homage.
I recently stumbled upon Pigasus Gallery, a Berlin based shop that specializes in Polish Poster design. I hadn’t really been aware of the specific design genre of Polish poster design, but after poking around I found a few articles stating that beginning with the period right after World War II, the Polish Union of Artists along with support from all the major art universities set rigorous standards as far as poster design, creating a rich environment that bred a plethora of creative posters that exhibited unqiue imagery as well as technical proficiency….an amazing phenomenon creating some great posters! More after the jump…Check out Liza Manelli’s stockinged legs fashioned into a swastika in the “Cabaret” poster– not sure what to make of that, anyone?
Katy Krantz makes magical collage/painting hybrids. They bring to mind the French Surrealists’ favorite quote: “beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella”.*
Brooklyn, NY based illustrator Austin Ansbro’s work is full of humor and playful energy with images of hotdogs falling like the Titanic and astronauts exploring the final frontier of Cacti.
Are you the type of person that’s into color? You’ll probably like this.
Dallas-based artist Gabriel Dawe creates textile installations that manifest themselves as floating gradients of bright color. Like a Post-industrial textile manufacturer with Maya Hayuk sensibilities, Dawe quietly brightens the world one work at a time. See more Plexus installs after the jump. (via)
Jessy Lanza has been quite busy lately. Not only has she just finished up a tour with Cut Copy, she’s about to embark on an even longer headlining tour of the US and Canada along with some festival appearances in Europe.
Still riding high from the great reviews she received from her fantastic debut album, Pull My Hair Back released late last year on Hyperdub, I was lucky enough to catch the Canadian singer perform last week at the Hollywood Palladium. Playing most of her new record, she entranced the early arrivals with her unique electro-R&B tinged sound that had the crowd swaying during her hypnotic set. Her beautiful, breathy voice matched with her catchy beats really strikes a nice balance that once you let in, you can’t help but to let it move you as the growing Cut Copy audience displayed during her set.
Jessy will be heading back on the road at the end of the month playing some Canadian dates, as well as some US dates before she heads to Europe. Any fans of electro-pop or R&B should make it a point to see her incredible live performance. Check out her video for Kathy Lee and grab tickets here for one of her upcoming shows.
The first life size skull hand made from a rare crystallized meteorite ‘Gibeon’. This unique piece has been realized by Lee Downey; an American jeweler artist, whose purpose is the celebrate the mystery of the human skull and its numerous symbols and interpretations. The astonishing piece will be auctioned by Bonhams on November 24th 2015 and has already been estimated at around $400,000.
The process started out by cutting and carving down a block of meteorite (617 lbs) into a 46 lbs skull. The precious artifact is called ‘Gibeon’. A meteorite of 4 million years old, dating from the prehistorical era and founded in the Namibia region. The coveted material is renowned for his crystal structure and its singular ‘Widmanstätten’ pattern. A motif unveiling a repetition of matte and glossy stripes imitating metal.
The intricate work of polishing and washing the carved skull revealed an unexpected insertion on its forehead classified as ‘Tridymite’, a rare component.
Lee Downey, now residing in Bali, through his work, has brought out never seen before features on the texture of this particular meteorite. The reflection of the light onto the multi-faceted inclusions creates a shimmery luxurious aspect. The fact that the surface, including the gold insertion, is pure; confers to the skull an exceptional uncommon value. “Of any material I could think of to fashion an accurate human skull out of, this Gibeon meteorite best embodies the “mystery” most acutely. I call him The Traveler… a true time traveler”. The artist’s intention in presenting the symbol of death with an ageless, immortal material is to focus on spiritual consciousness and the definition of eternity.