Toronto-based creator Alex Fischer seems to prefer images laden with layers. Each image screams with a smashing of cultures and a tearing of borders. Fischer questions ownership in a similar manner to Richard Prince. Each image shows patience with a strident attention to detail, as each pressing of images goes further and further into a world all its own.
I feel like I’m breaking the rules looking at Ukrainian photographer Alexander Alekseenko’s work in the office. Between the girl-on-girl action and the shirtless marauding men, I can’t help but blush. Alekseenko told Mint Magazine “I love spontaneous shots, stories and mostly all of my works are pretty much spontaneous.” Wait, if this is the kind of stuff that just happens in the Ukraine, I think we’ve found the next spring break hotspot. And it looks a whole lot classier than Cabo.
The woodlands, backyards and mountain fields David Hornung paints can feel like elegies for lost friends. Conversely, much of the work is contagiously, imaginatively playful. These paintings can be read in contradictory ways; simultaneously flat and deep, both graphic and luminous. Hornung does this purposefully, because “picture making can be as paradoxical as life itself.” The invented settings evoke “memory, the flow of time, and, for lack of a better phrase, the sheer enigma of existence.” The light breaking on the horizon in “To S.P.” (above) is both beautiful and heartrendingly sad. What does it say about us when a sunset begs to be personified? You can see David’s work at Flowers Gallery in Chelsea from June 30 to July 31.
Image maker Suzy Poling seems to believe in the unreal. Her work breaks the formalities of typical photography, by utilizing many different methods for production. Some of her work has hints of Andreas Gursky, while other parts have the the surreal air of Tim Walker. Her work feels like a documented rapture, where nothing exists where everything once did.
Rose-Lynn Fisher’s Bee is a visual exploration of the anatomy of bees; she used an electron microscope to capture close-ups of honeybees from 10 to 5000x! She first became involved in this project nearly 20 years ago, when she noticed that the hexagonal field of a bee’s eye nearly perfectly mirrored the six-sided pods they created in their honeycomb, leading her to wonder if there was a more profound relationship between vision and action; does the way we see affect the way we construct our world? Her book is a marvel of science and design – as are the bees she shoots – and provides incredible insights to the nature of the insects that so many of us take for granted. It’s an educational read without trying too hard, (you won’t have to try either, it’s mostly pictures). Read it.
I’ve been in need of some inspiration and this morning it came by way of designer Chris Nixon, who, although still only a student at John Moores University in Liverpool, develops his pieces through in-depth conceptual processes; analyzing the content thoroughly and developing forms that create strong and lasting impressions. Although he is certainly adept at taking on just about any objective, its Chris’s work with type – in particular, creating experimental type-forms – that truly captured my attention… and delivered that much needed inspiration!
Bijan Berahimi is a Los Angeles local designer, illustrator, publisher, and more. He has recently updated his website with fresh works from posters, to postcards; web sites to exhibits. His work is light-hearted and welcoming, full of color and suprises. Bijan also publishes an e-zine titled FISK – a growing resource for designers – a platform for discussion & participation.
Benedetta Falugi only recently discovered her love for photography, but in the space of a couple years, she has taught herself how to work with film with incredible results. She prefers an unplanned approach to her work, taking long walks in the Tuscan Maremma in her native Italy and effortlessly letting shots compose themselves.