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Astounding Close-Up Photographs Of Animal Eyeballs

husky_dog

Husky Dog

kramers_parrot

Kramer’s Parrott

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Discus Fish

horse

Horse

For his series Animal Eyes, the Armenian photographer Suren Manvelyan captures close-ups of animal eyeballs belonging to diverse creatures, revealing both the complexity and universality of the organ. Beneath his macro lens, these small circular organs appear paradoxically vast; at times, their curved surfaces resemble the entirety of planet Earth as seen from space, cloudy with ribbons of pigmentation. Here, the eyes, considered to be windows to the soul, reflect back a cosmic realm that evokes the metaphysical, but at the same time, they are startlingly material. The pupil, a seeming abyss ascending into the unknown, is cushioned by substantial tissues that ground us firmly within the corporeal world.

Though the species shot here vary immensely, a comforting uniformity emerges from the images; through the changes in iris hue and pupil dilation, there is a shared urgency in each gaze, a sweeping desire simply to see. The horse, his eyes veiled in straw-like lashes, fixes the lens with the same intensity as the hippo, whose wrinkled, fleshy eyelids peel back. Where most photography relies upon the assumption that we may watch without fear of being observed ourselves, Manvelyan’s images inspire within us a sense of being seen; are these opened eyes, these celestial orbs, looking back at us? What do they see? Check out the artist’s photographs of the human eye here. (via Agonistica)

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Ian Strange Crash Lands A Suburban Home In A Museum Courtyard

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Ian Strange’s site-specific artwork injects violent excitement into suburban areas, or drops the suburbs down smack in the middle of the city. With either strategy, his work comments on the drawl and deep isolation of the suburban life through paint and installation. In his most recent project, ‘Landed’ (made for the 2014 Biennial of Australian Art), Strange created a life size installation of approximately half a suburban home, painted entirely black, and made it to look as if it had either been dropped from the sky or was emerging from the ground in the Art Gallery of South Australia’s front courtyard. Details of gravel surrounding the home and a lit porch light add credibility to the realism of the scene.

In his ‘Suburban’ series, Strange uses severe colours like red and the same matte black as he later would for ‘Landed’ to demonstrate the oddity of suburban living, and the isolation he believes is quite present in such neighbourhoods. The dripping skull is jarring, as is the massive red X, but even just the large black circle has a haunting feeling. It is as if the house is there save the one gaping piece, and the viewer is left to wonder what unsettling things might inhabit it. (Via inthralld.)

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Klaus Pinchler’s Macro Photos Of Dust Transform Your Mess Into Beautiful Images

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Pet Shop

Pet Shop

Police Station

Police Station

Tailor

Tailor

When photographer Klaus Pichler was moving out of his old apartment in Vienna, he noticed something peculiar about the dust on the floor. In the living room, dust bunnies were red while the mitesin his bedroom were light blue. This led to something of an epiphany for Pichler, and he realized that dust isn’t always gray like we so often see – there are varieties. Inspired by that experience, the photographer started a years-long series that chronicles the accumulation of different dust particles. Aptly titled Dust, it recently culminated into a book of the same name.

Pinchler’s dust gathering was similar to collecting specimens to study. He retrieved them with tweezers, placed each in their own Petri dish, numbered,  and inventoried them. Photographing the dust proved trickier, and it required Pinchler renting an expensive 120mm macro lense and capturing them all within 24 hours. They were left unaltered and their tiny, exquisite beauty shines in these up-close images.

From police stations to subway stations and pet stores, each gathering of dust has its own idiosyncrasies. The pet shop, for instance, has tiny, brightly-colored feathers and wood chips for the animals. There’s less hair in it than the police station, which has threads, metal, and leaves swirling around in a matted ball.

Dust was published by Anzenberger Edition. It’s available for purchase on Pinchler’s website or through Anzenberger Gallery Bookshop. (Via Slate)

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Dana Oldfather’s Globular Structures

Through an emotive abstraction, Dana Oldfather examines the transitory nature of comfort, power, and security. Globulars and structural forms float and morph, at times propped up, and at times annihilated by something hard and sharp; objects overtake one another. The scene is a dance and a battle as contrasting forms converge and a soft, lyrical, electric spreads. Dana is drawn to the combination of sweet and dangerous, solid and ephemeral, natural and man-made. This combination of diametric elements results in a bio-mechanical environment and organism as one; something that has no birth or death and is beginning to show signs of autonomy.

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Ari Saarto’s IN SITU

Ari Saarto’s IN SITU documents the temporary structures and shelters that the homeless create. These primitive structures are reminders of how fragile life can be and highlights the instinctual need for man to have a place called home, regardless of how basic or unrefined it is.

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Jon MacNair

Jon MacNair

Jon MacNair was born in Seoul, South Korea and grew up in the suburbs of southeast Michigan where he developed a love of drawing. After many years of having people tell him “You should be an artist”, he decided to attend The Maryland Institute College of Art where he earned a Bachelors of Fine Art in illustration. These days Jon can be found doing freelance illustration for many editorial publications. He has also enjoyed success with his fine art, having shown work in galleries across the country.

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B/D LA Movietime This Wednesday!

Make sure to come early to grab a seat as this event will fill up!

 

The Marc Jacobs & Louis Vuitton documentary kicks off a month long series of free outdoor screenings at Space 15 Twenty, hosted by Beautiful/Decay Magazine.

 

The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!

 

We kick off with Loic Prigent’s behind-the-scenes documentary, “Marc Jacobs & Louis Vuitton” (2007) delving into Marc Jacobs’ busy creative life, and featuring appearances by Victoria Beckham, Uma Thurman, Demi Moore and Sofia Coppola and other fashion-forward Hollywood starlets. This documentary is not to be missed if you are a fan of fashion.

 

Drinks, Snacks and Popcorn are available at SnackBar.

 

 

Marc Jacobs & Louis Vuitton – Wednesday May 6th
8:00pm
Space 15twenty
1520 N. Cahuenga Blvd
Los Angeles, CA 90028

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Next Day Flyers Presents: Pencil Vs Camera!

Ben Heine’s Pencil Vs Camera! series combines photographs and Ben’s unlimited imagination to create images where anything can happen thanks to a sharp piece of graphite and a small piece of paper.

 

Provided by the sticker printing experts, Next Day Flyers.

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