Maybe a little exploitative but well done nevertheless, these shots from photographer Allan Teger are done in single exposures. Natural, bodily curves take the place of hilly landscapes as miniature “people” go about their business perfectly naturally. A nice way to celebrate the human form through re-contextualization, or just pretty shots of naked people- what do you think? Whenever I see these little plastic guys being used in such a way, I always think of Slinkachu’s “Little People Project”. I guess this is a common thing now. But Teger’s been doing it for a while. (via)
Canadian brothers and collaborators Carlos and Jason Sanchez‘s dramatic photographs have moved cinematic photography into a new, much darker realm. Staging each piece takes months of production, from constructing sets to casting characters; the result however, is worth the painstaking attention to detail with bold images that explore the underside of society and human desire. Want to see more work from the Sanchez brothers? Why not check out their exclusive article in Beautiful/Decay Issue: N!
Jon Huck‘s “Breakfast” series exhibits portraits of people along with exactly what they ate/drank that morning. Some of these people bear a striking resemblance to their food! I’m fond of these parallels, especially the one between the bald man and his hard-boiled egg.
I headed over to Brooklyn to check out what Ryan Schneider had cooking after not seeing his work for a year. He was painting when I got there; mixing a fleshly color on the big glass palette in the center of the room. Canvases lined the walls, some were finished and some were in progress. He paints all the nouns: people, places and things; and does so in a thoughtful way that reflects life. Still lifes which range from bathtubs to bookshelves, and landscapes which seem to suggest an alternate, more romantic reality.
The paintings are populated with figures, and he had interesting things to say about figure painting. In person, the paintings are very obviously physical. They combine juicy paint, carved-in-words, bold colors, and a funky sense of space. This makes for paintings which flip between pattern and illusion. His new paintings were confident, and maybe even more colorful and spatially complex than his previous work. Schneider recently left Priska C Juschka, his gallery of several years. Besides being a painter, Schneider is also a curator and has organized high profile group shows in locations near and far, and he was at it again. He is behind a show which just opened in Austin, at Champion Contemporary, called “Wild Beasts.” He included a group of artists who share a love of color and admiration for Matisse and the French Fauves. Read some of our discussion after the jump.
Using an iPhone and Instagram, Kalen Hollomon has taken collaging to a new level. Although Hollomon sometimes works in a traditional way, cutting apart images and reassembling them into hybrids, his New York City collages are often made on the fly as he inserts a cutout image into a photo as he takes it. The resulting images are a sly wink to the viewer as pants are replaced with porno magazines nudes and subway riders are given unexpected seatmates. The fact that Hollomon leaves his fingers in the shots is another play on altered reality. How does he compose these impromptu collages in real time?
“I will find an image in a magazine or a book that speaks to me and I’ll cut it out and have it with me. And I’ll usually have between one and five in a folder in my pocket. And when I’m out in the city I wait until I come across a situation that works with one. And I’ll get super excited and pull it out. It’s just waiting for the two worlds to come together.” (Source)
In the most meta of these collages, Hollomon stands holding his phone in an empty bathroom, reflected in the mirror over the sink, holding a picture of a naked, smiling man apparently leaning over the countertop. In the reflection you can see Hollomon holding the cutout and in the photo, you can see Hollomon’s fingers. It plays with the idea of real and unreal, lifting the curtain while obscuring the illusion.
“You can create a powerful image that at first looks nice and maybe is a bit funny but if you look a bit deeper, it also might have something more to say than that. … I am always concerned with what lies beneath the surface. I hope to create conversation that is rooted in questions related to learned social rules, identity, the subtext of everyday situations and perception.”
Old school meets new school in Nunub’s recent animation entitled “The Hulk Hands Theory,” which combines old-fashioned ink, graphite, paper, etc. with rotoscopy. The real treat comes when you pause the reel to reveal the individual frames that make up this short. Enjoy!
Would you eat a blue chicken? What about an unidentifiable purple sauce? In Lawrie Brown’sColored Food Series, dishes are outlandishly unnatural colors that appear unappetizing to some and edible to others. This is the point of Brown’s work, and they explain in an artist statement:
These photographs comment on the social, visual and psychological aspects of food. I am involved in a photographic investigation of what food people eat, what those foods materially consist of, what they look like, and what statements foods make about our society. Of concern to me is what food actually looks like photographically and how it psychologically affects the viewer when isolated within its natural context.
My photographs of typical table settings of food outwardly evoke in the viewer either delight and acceptance or repulsion and rejection. The response that occurs depends on:
The awareness of the viewer to the actual or imagined taste of the subject or to the actual or imagined content of the food.
The individual psychological response to the colors presented.
Although you may look at this and be disgusted, Brown’s foods don’t seem worse than the artificially colored and flavored fruit gummies (for example) on the shelves now. So, if you’re not grossed out by these images, perhaps it’s from years of Gusher’s Fruit Snacks that’s desensitized you. (Via Flavorwire)
The drawings of Dean Sullivan (Flickr moniker A E I O U) could make seriously awesome wallpaper but only if you don’t mind being creeped out once in a while when you get too close to it. The densely meticulous lines create lush eco-systems for drippy hairy demons and caves…I wanna go! He also makes really awesome shirt/sweat shirt graphics and possesses this thing that make me think he’s actually a 5-year old with a more perverse imagination than usual picking up the markers and pencil for the first time and scribbling away. It’s great!