The people of the United States alone toss out millions of plastic bottles every hour, and in a year, enough plastic film to shrink wrap Texas (which would be both a hilarious and horrifying feat.) Everyone knows it’s important to recycle, but it’s often hard to realize the consequences of forgetting about one little bottle; maybe we should consider not buying this stuff in the first place. (I drink out of the tap all the time, heck, I’d drink out of the hose.) Without getting on a soapbox, the following artists have made powerful statements about the ways in which we waste…. by re-using materials that would otherwise be thrown away, and removing paper and plastics completely from the recycling loop…. as even the act of recycling uses massive amounts of energy.
20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)
Ryan Swanson digitally manipulates images to create neon-techno-funky-retro-futuristic collages. If you enjoy juxtaposition, take a look at his work.
The Adventures of SuperM is a three part spoof film by Lithuanian filmmaker Arunas Eimulis inspired by Turkish trash movies of the 70s. Watch SuperM beat up graffiti vandals, fight car thieves, and battle the Army of Barefoots! All three videos are posted after the jump for your viewing pleasure.
Robert Jackson is a contemporary still life painter. But don’t let the genre often associated with morbid colors, candles, skulls and wine bottles leave the wrong impression. This painter’s canvases are littered with bright colors, clean compositions and a healthy amount of humor. Jackson’s comical paintings feature assemblies of cakes, water balloons, candies, apple boxes, toy dinosaurs, cactus plants, and balloon dogs.
Jackson actually assembles his scenes in his studio, and is then able to accurately capture the playfulness of the mood – creating something that looks like it came from the Toy Story movies. He paints moments where we sneak a look in on the action figures setting up traps for each other, or skateboarding around the room, crashing into the other toys.
Eager to create moments full of narrative, Jackson develops a simple idea that will either pique your interest, or at the very least being a smile to your face. His balloon dogs go fishing for lobsters; the panda bear toys set up daring tight rope adventures for each other; the dinosaurs all fight over a slice of chocolate cake; and apples mischievously balance water balloons on their head, waiting for the impending disaster.
Jackson uses his whimsical, absurd and post-pop paintings as a tool for people to expand their imagination. He says by using mundane objects as stand ins for people, he can talk about deeper subjects without being too confrontational.
It’s like Star Trek addresses racism, but the audience doesn’t realize that until after the show is over. I have a couple of apples fighting and it’s not until a couple minutes after looking, that the viewer realizes that ‘Oh! This is talking about war!’ (Source)
(Via Faith Is Torment)
Choreographer, Willi Dorner, brought together a group of artists in New York to participate in his performance piece, Bodies in Urban Space. The artists go around to different parts of Manhattan to confine themselves together into architecturally specific shapes, conveying the idea of the restrictions we face physically, emotionally, and spiritually living in such a structure dominant space.
[ via fecal face ]
Artist Jennifer Presant is a painter with training in figurative realism and a background in graphic design. Her multifaceted works are a combination of indoor and outdoor spaces. Bedrooms look like they’re in a park, statues are on beaches, and French doors open onto ice. “Thematically, my paintings address the complexity of memory, by blurring the lines between recollection, projection, and reality,” Presant writes in an artist statement. “Each painting becomes a psychological landscape or waking dream, reinforcing the fluid relationships between time, memory and place.”
The contemporary media has a huge impact on the content of Presant’s images. She says:
By merging both real and fictitious images in these painted fictional documentaries, I explore the conflation of our media-saturated lives and our lived reality; we live among images and in many ways as images. Our memories of events have become distorted. With media today, we have grown accustomed to watching ourselves and living from a voyeuristic standpoint. With these paintings, the viewer’s imagination plays an important role in the piece, while also being implicated in the voyeurism depicted. (Via Feather of Me)
Kitty Von-Sometime is an Iceland-based (England-born) filmmaker who creates beautifully strange and empowering performance art videos celebrating women of diverse backgrounds, ages, and body types. Titled The Weird Girls Project, Kitty’s art pieces are visual experiments aimed at releasing the participants from inhibitions and insecurities by exploring fun and unconventional forms of identity.
As a child born of the digital world, I have a compulsive hunger to record what I do. My inspiration comes from childhood dreams, from synchronicity, from public participation, in freeing those from their constraints, and a personal obsession with spandex.
In each episode, a group of women — many of whom have never met — are assembled and briefed on the secretly planned video shoot that Kitty has carefully planned. The results are inspiring: in “Secret Garden,” for example (shown below), women walk among the trees, unveiling both body and soul under the moonlight. In “Castle of the Apocalypse,” filmed in an abandoned fake Disneyland theme park in China, a shadowy crew dances amidst the ruins of greed and corruption. Taking a turn towards the humorously absurd, “Bunny Revolution” features a cast of rabbit-masked ladies who violently battle before throwing down their weapons and humping vigorously. In each of the videos, we see women improvising, playing, and morphing into expressive extensions of themselves, exploring their individual strengths and beauties while also working together as a supportive group. I had the opportunity to speak with Kitty about her project.