Mauro Perucchetti’s amazing work is bright, fun, and socially accurate. Perucchetti’s work unites Pop aesthetics with social comment, addressing some of the most pressing and difficult issues in today’s society in a way that is subtle and accessible, without being trite, shocking or obscure. Mauro is above all an artist who is connected; he sees the bigger picture and world affairs and has his finger on the pulse of contemporary society. Well played Mauro.
Currently showing at our favorite nearby art gallery/Japanese-maid-themed-cafe/store, Royal T in Culver City, CA, is “I Can’t Feel My Face,” curated by New York artist KAWS. As the website says, “I Can’t Feel My Face shares its title with a painting by KAWS and is a centerpiece of the exhibition, which explores the theme of contemporary portraiture as a vehicle of inherent emotive expression.” The show features work from over 25 artists, including Carol Dunham, Misaki Kawai, Hideaki Kawashima, Ted Mineo, and Takashi Murakami.
Icelandic designer Sveinn Davidsson has garnered some much deserved attention as of late, mostly for his work with demolished cars. Although most of his press has stemmed from the signage and promotional work in the ‘Cargate’ project for the ’07 Iceland Academy of the Arts graduation exhibition, I find his typographic work to be the most impressive. Davidsson’s typographic designs and logo designs are all so clean and polished, but not that sterile type of design that lacks the human touch, he adds illustrations to his type showcasing his capabilities with a pen and a mouse.
Japanese designer and all around nice guy Susumu Fukuzaki just sent us a cool little book of us work that he calls his “new anthology” on his blog. Some fairly unusual work…I’m sort of at a loss as for any possible references to describe it. It sort of reminds me the kind of stuff the Church of the Subgenius or Negativland did in the 1990s.
Chicago-based photographer Carrie Schneider has done some lovely work. She often incorporates sculptural/made pieces into a photograph, creating clearly staged moments that carry a lot of emotional resonance. I’m particularly fond of her use of dazzle camouflage, having experimented with it in my own work as well.
You gotta hand it to Joy Kampia- her taste in food is impeccable. Most of her soft sculptures featured crocheted pizza, burgers, ice cream and pie. Talk about a party! Joy brings, eh, new “Joy” to playing with your food! (Wah wah.) The pièce de résistance might have to be the wearable burger, above. Knitted turkey, blueberry pies, sundae dresses and giant donut necklaces after the jump!