You can never have too many of these. Here are a few posters from classic Horror/Cult/Sci-Fi/Foreign B movies. Aliens, robots, vampires, zombies, slashers, babes. All the good stuff right here. If you’re having trouble finding inspiration for a design/illustration project, or just looking for a new stylistic direction, it’s not a bad idea to go over a few of these and loosen up a bit. Do it right, though. We’re not talking about straight copying or even borrowing here. Don’t be boring. And if you’re looking for more of this sort of thing, check out Wrong Side of the Art, a great archive for cult/low budget movie posters and stills.
Portuguese artist Joana Vasconcelos creates a “second skin” for kitschy-looking ceramic figurines. Animals such as dogs, wolves, snakes, and more are concealed in Vasconcelos’ delicately-crocheted coverings, which are reminiscent of a blanket that your grandmother might have worked on. Whatever surface treatment is underneath, the artist’s handiwork is obscured by small-yet-elaborate flowers that fit over her subjects like a glove.
The nature of Vasconcelos’ work is about the decontextualization of everyday objects. Crochet is often seen as a craft, but here she’s removed it from any sort of practical purpose (like providing warmth or being used in the home) and transformed it into an art object. It now occupies two dichotomies, hand-crafted and industrial, in which the former wraps the latter, mass-produced object underneath.
There’s another way to view Vasconcelos’ sculptures, and that’s applying a narrative to them, like they’re characters in a story. In this respect, it’s seems as though she’s creating a protective garment for them and that her subjects are in need of care. The crochet acts as a shell that gives the illusion of protection from the unknown. (Via Fubiz)
We’re keeping the steady stream of amazing artwork coming as a part of our partnership with premiere website building platform Made With Color. Each week we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites. Made With Color sites aren’t just good looking, they are extremely easy to set up with no coding involved and an intuitive user interface that makes building a site a breeze. This week we are delighted to bring you the kooky and humorous celebrity illustrations of Benjamin Grossblat!
Benjamin Grossblat’s illustrations are fanciful, innocent and twisted at the same time. And no more is this evident than in his celebrity portraits. In his portraits Morgan Freeman is almost boyish with his curly lashes, freckles and sparkly eyes while Kim Jong Il is an endlessly wrinkly amorphous blob with mustard yellow teeth. The faces of these famous figures are instantly recognizable, by distorting them, Benjamin manages to capture their essence; the portraits have a certain vulnerability and humor that makes even the scowling Trump more likeable.
I’ve been an avid documentary film watcher for many years now. My favorite documentaries are obscure stories about everyday people doing extraordinary things. I always get excited to share these documentaries with friends but before I know it I forget the title. So in the spirit of archiving my findings I am creating a new category dedicated strictly to documentaries. Below is one of my most recent finds.
A Man Named Pearl tells the inspiring story of self-taught topiary artist Pearl Fryar, whose unlikely journey to national prominence began with a bigoted remark.
Carol Milne fires up small structural sculptures of knitting made entirely of glass. Though there’s no mistake that this is no ordinary yarn — unless it’s the crystalline yarn of some mystical other plane — it’s still incredible to see the amount of detail and the illusion of malleability.
The technique Milne uses involves wax, refractory molds, molten glass (at a startling 1,400 to 1,600 degrees Fahrenheit), and a steady hand; once the initial process is done, Milne has to carefully free her work of art from its mold, piece by piece.
The sculptures are at once whimsical and delicate, poised as though mid-conversation during a most magical knitting club session. Her sculptures, on average never exceeding 12 inches, are also flavored heavily with surrealism; one sculpture pays homage to M.C. Escher who, no doubt, would have appreciated her clean, understated lines.
There are, too, some sociological undertones; Milne says in an artist’s statement:
“I see my knitted work as metaphor for social structure. Individual strands are weak and brittle on their own, but deceptively strong when bound together.” (via This Is Colossal)
Elly Heise is a commercial and fine arts photographer who’s created a series where daughters do their mother’s makeup. Some of the results are close to conventional makeup application, but for the most part the girls were very creative. Children, in art and evidently makeup, are always able to think outside the box. It’s exciting to see what they can come up with.
What’s a bit strange about the series is that the portraits are quite serious. In many the mothers look sad, and in combination with makeup that in some cases resembles bruising, it sends a mixed message.
Heise states of her fine art photography:
“My artistic practice often involves psychological inquiries I make concerning our identities. I see photography as a potential medium that can represent the outer physical identity of a subject while simultaneously expressing their natural drives. I hope that my work will cause my audience to consider the natural and unnatural influences that affect the formation of their own identities. I aspire to make images that give voice to the photographic subject’s realism and the humanity existing behind their masks.”
The #daughterdoesmymakeup series deals with themes of mask and identity. It highlights the absurdity of makeup as a mask with which to hide our natural beauty. It also demonstrates the creativity of a mind not yet strongly influenced by standardized beauty.(Via 123 Inspiration)
Cody Hoyt titled his website ART, and with a wide selection of silkscreen, photo lithography, and etching mixed media projects, as well as siiiiiick album covers and posters, I can’t say it’s an inappropriate title.
Hilarious and ingenius Christmas sleaze, mess and raunch to counteract the bloated saccharine tin carols and pop-punk remixes of all those festive songs you hate. “Stick that chocolate Santa up your butt!” proclaims PauL McCarthy, and ya can’t help but love him for it.