Jordi Pages morphing, slipping, and sliding video called Mass is the perfect way to slip right in to Tuesday!
I first saw Retro Stefson perform back in 2009 at an off-venue Iceland Airwaves party at a downtown clothing store in Reykjavik. The name of the store escapes me, but not the lasting impression this young band had on me. People were going crazy for this band I had never heard of, so I immediately bought their CD and followed them around wherever they played. Three years later, I’m about to head back to Iceland and low and behold, they have a new record and video out and will most likely be one of the highlights of this years Airwaves festival. I challenge you to not bounce your head up and down while watching the video for their song Glow.
Brendan Danielsson‘s portraits are wonderfully ugly. Though each piece incorporates the image of a sole person, there is plenty of conflict. The pieces easily explore ideas of beauty and ugliness; they are at once sensual and repulsive. While appearing almost alien each portrait is somehow still strangely familiar. Danielsson is able to portray each ‘character’ as clearly part of a larger hidden narrative.
If you can’t pull your eyes away from Brendan Danielsson’s work, make sure to check out the Beautiful/Decay Book: 9. The book features the paintings and drawings of Danielsson along with many other artists, designers, illustrators, and writers.
Stevie Gee is an emerging artist working under Stemagency from London. his use of vibrant color and character based illustrations are characterized as bizarre and witty.
In his third solo show at Team Gallery in New York, Ryan McGinley continues his exploration of youth. Known for capturing spectacular and adventuresome moments, McGinley shifts his focus in “Everybody Knows This Is Nowhere” to stark, intimate portraits. Photographed in his New York studio over 2 years, the hand-picked subjects are shown bare in black and white portraits.
Blinking City is an ongoing project from Instant Hutong that challenges the traditional concepts involved in map making by re-imagining and creating new context around maps of downtown Beijing. Above (and after the jump), are a few images of a stencil piece created in conjunction with Blinking City. Bright colors bleed slightly into one another but maintain their own strength in an orbicular representation of a Beijing neighborhood. The project is awesome and full of good intentions. From the site: “The urban analysis provides the framework for a deeper and street related urban approach involving inhabitants and their lifestyle, in which experience, time, paths, observations, encounters and ideas become eventually as important as the built environment.” The Blinking City webpage, which has details on tons more Blinking City related stuff and other Instant Hutong projects, is really worth a click. (via)
Mischievious paintings by Kristen Keegan.
We love DIY art and design here at B/D, so it goes without saying that home made Strange Cams certainly caught our eye. An ongoing project initiated by Los Angeles artists Aurelia Friedland and Michael Manalo, Stange Cams investigates the affordances of defamiliarized, modified, low technology instruments, and how those instruments can shift a user’s perspective (literally) on the community and environment around them. I love the sketchy approach the artists took in designing these new cameras – who would have thought a good ol’ roll of duck-tape, a can of spray paint, and some CVS brand disposable cameras would lead to a whole new genre of photography? Check out more of the resulting photographs, and some of the Strange Cams themselves after the jump.