The Argentinian street artist known simply as Elian works with a clean and seemingly effortless style rare in street art. While his large abstract murals would be at home on a magazine page, they work to a powerful effect inhabiting entire sides of buildings. Often using colors reminiscent of a graphic designers CMYK color palette, Elian maximizes the simplicity of each mural. A buildings bland blank wall becomes a space for an exercise in composition and color.
Max Boufathal’s gorgeous sculptures. The Fighting Solar Bros pictured above.
The Singh Project is a wonderful, celebratory look at a modern, multicultural Britain and features members of the Sikh community. British photographers Amit and Naroop are exhibiting 35 very different portraits as a visual exploration of faith, style and identity. These intimate images highlight two very important symbols of the Sikh lifestyle – the beard and the turban (Dahar). The turban in particular is a representation of honor, self-respect, courage, spirituality, and piety. Sikh men (and women) wear the turban to cover their long, uncut hair (kesh), and are also seen in this series brandishing a traditional Sikh sword (kirpan).
Originating in South Asia – primarily in India, Singh was a popular middle name or surname for lords and warriors. Meaning Lion (from the Sanskrit word Simha/Sinha), it was later adopted by the Sikh religion, and today is compulsory for all baptized Sikh males. The sense of pride connected with the history of the name Singh is evident on the faces of these men. They obviously are very proud of being Sikh and enjoy their religion outwardly.
“Many religions determine the way their followers look, but none have such a dramatic and definite ‘look’ as Sikhism. And yet, with 30 million Sikhs in the world, there are almost as many ways to wear the turban and beard as there are Sikhs…The men who feature in this project are businessmen, boxers, IT professionals, doctors, fashion stylists, temple volunteers, magicians and a host of other occupations all adapting and interpreting the Sikh traditions in their own way.” (Source)
The appeal of the beard is still proving popular – after successfully raising 10,000 pounds through Kickstarter (see video here), Amit and Naroop are hosting a free exhibition of the prints opening at The Framers Gallery in Central London from 3rd-15th November.
Australian artist CJ Hendry takes the items consumers long for: fashion accessories, high-end labels, designer purses, shoes and luxuriously-packaged perfumes, and spends days recreating them with absolute precision. Although there is precious little information to be found about the artist online (she maintains an active Instagram account, but does not seem to have a website or bio), it is quite obvious that she has an interest in seduction. By using the items which seduce consumers and inspire fashion choices, Hendry in turn makes them more seductive through her large-scale, pen and ink renderings of them, stating “It is all about the object. I am a product person and that is obvious through my obsession with the particular placement of each piece. It starts with the acquisition of the product I am intrigued by or have been obsessing over.” Hatching, shading and intricate line-work are used to entice the eye, an extension of the principles used by the fashion industry, designers, and advertisers to tempt the desires of consumer culture.
When asked to describe her detailed but simplistic rendering style in an interview with Youthedesigner, Hendry stated “There are so many ways to describe my style and I am sure people will have different things to say. I look at finished pieces and feel a strong feeling of simplicity. That might sound strange because most pieces are so detailed in their own right but the intentional use of negative space encourages an uncomplicated reaction with all focus on the object.” (via booooooom and youthedesigner)
Paul Ripke’s eerie photographs of adult kids with baby adults will have you taking a double take and trying to figure out how these seamless and arresting images were created .
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At first glance the work of Vincent Tomczyk appears to be normal ready-made objects. However, each piece is carefully constructed almost entirely from different types of paper. Yeah, paper. You can’t sit on these chairs or slip into those shorts without ripping it. In a way, this seems to be Tomczyk’s intention. Tomczyk and his viewers investigate these objects by painstakingly rebuilding them without their utilitarian properties. He says:
“Although my work can be categorized as realism, my intention is to distill the emotion of an object, then through expression, reconstruct it into my view of its essential self – free of function.” [via]