Bill Domonkos’ short films remind me of late night double feature screenings of your favorite spacey B-Movie. Using small budgets, experimental techniques, and a bit of creativity Domonkos creates interesting movies full of wit, spooky narratives, and haunting story lines.
Award winning photographer Blake Little completely transforms the classic nude figure into a sleek, sticky, sculptural entity in his series Preservation. Little, known for his skills as a portrait photographer, captures each of his subjects after he pours gallons of honey onto their nude bodies. With its use of honey, this seductive and sticky-sweet series has a unifying element that breaks down the differences in the subjects. Little’s models are extremely diverse with a wide range of body types. However, the honey breaks down the unique and personal details of the person and allows them to become a more universal, timeless figure. They all adopt an ageless beauty that one might see in classic, Greek sculpture.
It is no coincidence that Little has chosen the title Preservationfor a series that takes contemporary subjects and gives them a more classic and traditional look. By transforming a unique body into an archetypal figure, they can withstand the test of time. They are now one of the unforgettable figures in art history such as Venus of Willendorf. Not only does this amazingly transformative honey preserve the importance of the figure, but also it allows the figures to look as if they have been literally preserved as they are encased in honey, not unlike the citizens of Pompeii preserved in ash.
The dripping, glossy texture is palpable in this incredibly intimate and tangible series. Preservation were on view at the Kopeinkin Gallery in Los Angeles from March 7th to April 18th, where the photographer is represented. Blake Little’s book Preservation, containing sixty-eight photographs of his honey-filled nudes, is also available. Here is an excerpt from the Forward of Little’s book, written by Kenneth Lapatin, Associate Curator of Antiquities at the Getty Museum.
Since its invention in the 1800s, photography has been employed as a key tool of archaelogy, caputuring images of not only finds, but also the very processes of recovery. Its capacity to record the details of perishable objects – to preserve them – is evident in historical photographs of now degraded artifacts and of excavation sties, many substantially transformed by the very act of digging them and scarcely recognizable today. But today we are also well aware that photography can be far from objective; that it can be manipulated; that it can create something entirely new, original, and surprising.
Germany based artist Heiko Mueller’ art is like a fairy tale with a dark spin to it. He is fond of the country side, and is fascinated by the dark side of nature, the hidden machinations of the animal kingdom.
New York-based artist Lucas Blalock constructs images that are photographed in film and then uses digital overlapping and editing to distort. The work’s overlapping elements, merging and mutilation of pattern and playfulness of colour show Blalock’s clear experimentation with humour and absurdity. Check more out after the jump.
Hamburg Germany based painter Till Gerhard’s images are psychedelic narratives with dark undertones filled with unsettling atmospheres.
“The scenes he chooses to memorialize—dimly felt moments from that tumultuous decade in 20th Century American history when counter-culture briefly flourished—are rendered with a discreet maleficence that belies their offbeat humor and whimsical color-scatterings. Thus, an otherwise banal preoccupation with “hippy bullshit” is transformed into effectual social commentary.”- David Marcus
Curiosity led photographer James Friedman to cut into his collection of golf balls to see what the cores looked like. To his surprise, he discovered that each golf ball contained a unique interiority, revealing elegant formal qualities and inspiring Friedman to become more enthusiastic about the possibilities of abstraction in his photography, especially as a corollary to his documentary work. His series, entitled Interior Design, captures these surprisingly colorful and distinctive golf ball guts, displaying the inner beauty contained within their homogenized white forms. Friedman has been fascinated with photography since he took his first self-portrait at 5 years old. He does not play golf. (via Lost at E Minor)
Kris Aaron and Andy Walker are slightly modifying the purpose of fine China dishes. It’s now decorated with messages and gay illustrations. “Shit again”, “Cock monster”, “I’m going to fuck you” and pornographic images are hand drawn onto plates and kitsch ceramic ornaments. They either paint slogans or sexual images on small objets such as a tiger or a swan or desert plates. The couple just wanted to check “how cute it would be if they were more gay.”
All the pieces in the Pansy Ass ceramics series are one of a kind. Already collectors of similar items, they redoubled their research in thrift shops and vintage flea markets to find the perfect antique China dishes for their collection. Their intention was to accentuate the kitsch side of plates and objects. “For instance, we have this swan that’s the gayest thing I’ve ever seen,” Aaron says, “and we thought it’d be funny if we painted ‘masc’ (like masculine) on it.” The result is a weird combination of classic patterns and graphic scenarios.
Ideally, the artists would want their embellished dishes to be displayed at Macy’s. From porno chic to porno kitsch there could a part of the market interested in inviting their grandmother to a fancy cucumber sandwich tea party. (via Lost At E Minor).