Fashion photographer Diego Diaz and hat designer Federica Moretti collaborated on this project, “Sickhead,” featuring an all black collection of bold, graphic, and whimsical creations by Moretti. It’s hard to believe that these are actually supposed to be hats, and the photographs seem to suggest sculpture rather than fashion. Either way, these “looks” are exciting and dramatic.
The costliest natural disaster ($285 billion) ever recorded by the world bank, an earthquake called Tokohu and Tsunami in the northeastern prefecture of Japan, is the inspiration behind the behemouth watercolor paintings of Hiroshige Kagawa. Spanning 54 feet across and 17 feet high, the artist began devoting his time and energy four years ago to making these works and remembering that fateful day March 11th, 2011. Prior, Kagawa had spent his time creating large scale canvases of solar systems and enchanted forests. After the disaster he had a clearer vision of where he wanted to go and for the last several years worked on three large scale Tokohu memorial paintings featuring affected areas.
“Fukushima” depicts the now abandoned structure of the Tedco nuclear reactor. Done in an eerily twisted metal hue it peers inside the demolished building. What we don’t see is the meltdown of nuclear waste leaking into the ocean. A solution which has yet to be solved. Next in Kagawa’s series is the skeletal remains of a building in Minamisanriku Miyagi Prefecture a town that got wiped out. The building currently only a metal shell appears to be in an abandoned wheat field where people once lived and worked. Illuminated by an orange hue it eventually turns into something else which might appear on a hot imaginary planet near the sun.
A snowy scene of ruins accounts for the third piece. The part of Japan hit by the disaster is known for long brutal winters and Kagawa’s painting metaphorically references nuclear or atomic winter. The term is usually associated with nuclear warfare, where the fall out from bombs turns into a radioactive soot affecting the stratosphere and sun’s ability to promote the healthy growth of plants. When the earthquake struck the whole island moved 8 feet and the earth itself was moved off its axis by a few centimeters. There is still debris from the Tsunami floating onto US waters today four years later. (via Spoon & Tamago)
At first glance you might write off Gerald Davis as another pervert painting his sick thoughts on canvas but this LA based artist has some serious painting and drawing chops. I recently saw his work in person and was blown away with the richness of his work and his glowing use of light. Gerald is a serious artist taking our funny and dirty thoughts and creating bold and imaginative works out of them.
Sean Fader’s background in performance had a heavy hand on the focus of his photography. His consistently conceptually strong pieces of work usually deal with the identity of his self, and the self perceived by those around him. What originally drew me into his work was his series, I Want To Put You On, where he explores the idea of becoming the people he personally admires.
Beautiful/Decay contributor and photographer Luke Stettner recently created a gorgeous lookbook for Beautiful/Decay Apparel’s Spring/Summer 09 seasons. The concept behind the shoot juxtaposes evocative objects & optical affects with our apparel, to complement the shirts in abstract ways. Still life images of disco balls, prismatic rings, shag carpets and balloons contrast the light, color and texture of the shirt graphics. Check it out and let us know what you think!
Marc-Phillipe Coudeyre’s line, “Black Renaissance,” combines the Rococo-ruffled sensibility of cocoon-puffed panier hoop-skirted volume, the gold-stud, gold leather, feather fur glam-rock aesthetic of Ziggy Stardust, and the morosely black capelets characteristic of Victorian mourning attire. The end result is a collection that is fit for a bizarre, alien Avian-human hybrid from the future. I definitely wouldn’t mind living on one of his planet’s black moons. Hailing from Antwerp, Coudeyre epitomizes the Belgian progressive aesthetic. Courtesy of the Flanders Fashion Institute, he will be showcasing his designs at New York Fashion week, at Showroom Antwerp.
Chen Chen’s products are at once beautiful and repulsive, which is what I love about them. Imagine serving your guests a frosty beverage on his “Cold Cuts” coasters or arranging your Lilies of the Valley in his “Swell” vase.