I saw Jacob (one part of the trio? I think who makes up Paper Rad, and half of hip-hop-mashing/electro/idkwhat Extreme Animals) Tuesday night at Wildness and yesterday night at the Family bookstore, two stops on his “2 Blessed 2 B Stressed” tour.
I made a list of the things he “live blogged” about: how he was a fan of the Christian band Paramour’s positive messages, the Eddie Murphy and MJ duet “What’s Up With You“. I also grabbed one of the attitude bracelets that he’s so into right now. David of Extreme Animals also showed a synchronized guitar riff + head banging video piece during the Family show which was painful yet ecstatic everlasting repetition.
Inspired by singularities, LHC and other high science, Ryan Wallace creates complex abstract images based on visual data. Nerdy? Yes. Completely beautiful? Also, Yes. Keep an eye out on this young New Yorker. Upcoming projects include a group show @ Cinders, a solo exhibitions @ Morgan Lehman, and a curatorial endeavor @ Raid Projects LA.
Patricia Eichert, of Denmark, has a colorful, otherworldly way of photography. It took us a split-second (or more..) to determine if the models above were Christmas mannequins from the 60’s or something else, awesomely contemporary. Her very posed images make for conversation, speaking about youth, beauty, situations and to be human.
A mesmerizing, surreal experience awaits anyone entering the Japan Pavilion at this year’s Venice Art Biennale. In a stunning installation called “The Key in the Hand,” artist Chiharu Shiota has filled a room with webs of red yarn. Suspended from the ceiling, the yarn is tied together so densely that it filters out the lights above. Hanging from the mass are over 50,000 keys collected from people all over the world. Like dark, frozen drops of rain, they appear to spill from the stringy red “clouds” into two weathered boats below, creating a dual sense of breathtaking movement and suspended time.
Despite their seemingly simple utility, keys are intimate objects that we all carry to keep ourselves—and the things we love—safe. Invested with our deep trust and passed between hands over time, keys symbolically bind us together. The Curator’s Statement for “The Key in the Hand” eloquently describes this further:
In our daily lives, keys protect valuable things like our houses, assets, and personal safety, and we use them while embracing them in the warmth of our hands. By coming into contact with people’s warmth on a daily basis, the keys accumulate countless, multilayered memories that dwell within us. Then at a certain point we entrust the keys, packed with memories, to others who we trust to look after the things that are important to us. (Source)
The keys represent a collection of human feelings, while the yarn visualizes their immaterial connections across time and space. Furthermore, while far removed from their international owners and original purposes, the keys also embody emotions and memories on a transcultural, transnational scale, as they are webbed together without perceptible distinctions of race, class, gender, or nation. As all the keys fall perpetually into the same ancient boats (which are described as “two hands catching a rain of memories”), Shiota’s installation beautifully visualizes a global form of connection spanning borders and generations. (Source). As the Curator’s Statement movingly concludes:
I look forward to watching as The Key in the Hand, an installation that forges a link between a space made up of keys, yarn, and two boats, and photographs and videos of children, transcends national, cultural, linguistic, and political contexts, and emotionally arouses countless visitors from all over the world. (Source)
Born in Japan, Shiota has been based in Berlin for the last two decades. Visit her website to see more fascinating large-scale installations. (Via Colossal)
Louis Fortier’s works are that kind of fascinating that is all at once grotesque, perhaps even borderline repulsive, and so incredibly bizarre that you can’t look away. Devoted to the head, Fortier has spent the past decade exploring the subject. Using numerous wax or plaster heads, made using his own as a model, Fortier manipulates, deforms, collapses and reconfigures the head’s natural shape. The repetition of the body part reveals a deep fixation with the human face, identity and individuality. Probing into an analysis of genetic manipulation and cloning Fortier’s heads speak to the idea of multiple selves, or the personalities/ lives we might have had.
This idea of numerous variations on a single motif also raises questions about the idea of chance and unpredictability. Removing the casts from their mould before they are solidified, Fortier then allows metamorphoses to occur. Fortier seems to be wondering about the idea of nature versus nurture and where the artist’s hand fits into the equation. Partially directing the manipulation and partially leaving the results to chance, each of Fortier’s heads becomes a different variation of himself. In making these atypical self-portraits, Fortier analyzes the artist’s ability to destroy and create his identity.
Italian based artist team, Carnovsky, unveiled their RGB Fabulous Landscapes during Milan Design Week 2013. Their digital fresco’s were printed using an innovative technique by Italian company graphicreport. In plain light the landscapes, figures, architecture and atmospheres vibrate and the images are tangled with one another.
But when red, blue or green light is applied to the digital fresco’s a whole different series of pictures emerge. In the piece Atmospheric N. 1 the sky seems to be in a flux of sunrise, sunset and storm as the lighting changes.
In Landscape N.1 a room that seems to go back into infinity is taken over by a lush green landscape which then gives way to a centuries old battle scene.
Both the technique and the imagery are compelling and together the juxtaposition creates an ethereal and haunting effect. (via)