To communicate both weighty (The Irish Famine, racism, war) and frivolous (clandestine love affairs with Bigfoot?) subject matter, Carson Ellis utilizes a subtle color palette and gentle linework. Her art is similar to children’s books in that the dialogue (if any) is limited, but the illustrations and their message speak volumes. And she’s married to Colin Meloy, the lead singer of The Decemberists!
Glen Green set off to document and explore the side of Africa that most people don’t see, things that are typically African but that may soon disappear. Armed with black and white film and a desire to go into the remote, Glen captures powerful images of tribes who keep their ancient traditions while trying to live in today’s modern world.
Premier website builder Made With Color and Beautiful/Decay have teamed up again to bring you exclusive artist features. We show you exciting artists and designers who use Made With Color to create a clean and modern website. But it doesn’t just help artists create a minimal, mobile-responsive website; Made With Color also allows them to do it in only a few minutes without have to know any coding.This week we’re excited to share the work of Made With Color user Francisco Alarcon Ruiz.
In Francisco Alarcon Ruiz’s work one finds a surprising harmony between nature and technology. Ruiz brings digital techniques such as routers, 3D printers, CAD and animation software and seamlessly blends them with wood and other natural materials to create abstractions that look like a futuristic archeological dig. The surface of each piece is carved and scraped by machines exposing a hyper spectrum of color that was once hidden. Using chance and randomness to his advantage he intentionally adds a method that can potentially add errors. These elements of chance don’t hold his work back. In fact they add a playful element to the work that brings about unique elements that might not otherwise appear. The artist states
‘My work oscillates between contingency and control, visualized through material experiments resulting from new techniques that I develop to negotiate with the representation of abstraction.’
London based photographer Julia Fullerton-Batten’s three part project centering around teenage girls tells the surreal story of the transition of teenage girls into womanhood. Each shot captures the lives and feelings of young girls as they change from relative innocence to a heightened awareness of their future adult life. For all of the images Batten chose to street cast girls for her models. Deliberately avoiding the use of professional models. Julia states that the slight awkwardness of her untrained models emphasizes the freshness and naturalness evident in her images.
Photographer Joanne Leah works in “seduction, ritual, and tension”. Her pieces capture relationships, between two people or art and its viewer, as it alternately relaxes and strains. In the series featured in this post the angle of the light is severe recalling the chiaroscuro of baroque painting. The light, though, is cold, almost lonely, emphasizing the solitary figure in each photograph. Whether, the subject holds teeth in her palm or wields a knife a drama is clearly unfolding.
Somewhere In The Fold is an exhibition that recently closed at the San Francisco Gallery The Popular Workshop. The show was curated by Luca Nino Antonucci who is an artist and co-founder of Colpa Press as well as the San Francisco Newsstand turned zine shop Edicola. The exhibition examines the intersection of fine art, design, book making and publishing. From the press release: “There is a broad dialogue between publication and art object, far more complex than the straightforward union of the two into the ‘art book.’ Somewhere in the Fold is a survey of the relationship between the current state of publishing and the art practices of contemporary artists. These disciplines have converged into processes of editing and editioning, making once disparate fields singular. The participating artists and publishers of Somewhere in the Fold approach this conversation by showing work that deliberately confuses the terms ‘publication’ and ‘art object’, while attempting to discover a place where they can exist together both in form and concept.”
These GIFS from David Alexander Slaager, otherwise known as General Dikki, will mess with your eyes (and possibly give you a headache if you don’t quit staring at them). The GIFs use a technique called stereoscopy. Stereoscopic images create the illusion of depth by presenting two images that are very slightly different from each other. Each image is presented to each eye and the brain combines the two images to create a single image that seems three dimensional. Slaagers GIFs quickly alternate between these two images nearly creating the same three dimensional effect.