T. Reilly Hodgson sent in his ‘zine to the offices today. Another edition of raw photography from the 22 year old Canadian.
Hodgson started taking pictures of graffiti and his friends skateboarding with an old point and shoot in the 6th grade. But it wasn’t until high school when he started taking art seriously. Hodgson uses photography to document his life as a memory building experiment. It seems that he has a very easy going approach to art and doesn’t like to force it out. At the moment he and a friend, Dimitri Karakostas work on a zine called “Blood of the Young Zine” as a means to share the photos and art work with the public.
Prior to opening up this gem, I had no idea what to expect from T. Reilly Hodgson. Especially since this was my introduction to his work. What I found between these covers were shockingly raw, snapshot-esque photos. These are not your everyday photos. The content may offend some, but I feel there’s something magically alluring about the subject and message behind each image. It’s life in its purest form. It just goes to show, that you don’t need the fanciest equipment to make the biggest statement.
I had only one class with Tom LaDuke, but he became was of my most beneficial and most enjoyed professors. Much like his work, Tom is very perceptive; I always felt he was a few steps ahead of us. He inspired many of us to notice aesthetic details, a more clever title, a deeper level of thought – just something more than where our minds stopped at.
Even outside of class, Tom is still encouraging me to be better through his work. He works with challenging mediums, such as, sculpting with graphite, pencil leads, fingernails, eyelashes, and other fragile or unorthodox materials. He is always up to something. You notice this when you start seeing the different layers he puts into all his work, most notably his recent series of paintings where you become very aware of your process of perceiving images.
Married couple, Akiko Ida & Pierre Javalle, use their culinary, photographic, and miniature figurine making skills to create an endearing body of work where food become recognizable landscapes. Not quite the equivalent of my dream for mountains of blueberries, but close enough!
Nina Chanel Abney, a New York based painter, creates these amazingly bold, and politically charged pieces of work. Incredibly blunt with a mix of clever symbolism (such as rubber gloves to represent “dirty work.”)
Jeremy Geddes is an incredibly cinematic painter. His realistically painted images offer an overwhelming amount of drama through the use of not just aesthetic composition and image, but through concept as well. His recent series feature an astronaut exploring Earth. It’s creatures, buildings, landscapes, etc. Hinting towards the idea of the human alienation within our own environment.