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Shail Shah

I usually don’t post this many images, but I am having a difficult time deciding which illustrations I like the best. Triangular softcore and elvis awaits you, and an illustration style that should make you smile, at least a little.

 

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Dennis McNett

Dennis Mcnett

Is that an amazing relief print I spy? I do believe it is!! Dennis McNett puts his impressive carving ability to work, making striking woodblock prints that tend to include mythical animal imagery. McNett, who teaches printmaking at the Pratt Institute in New York, has also designed killer graphics for Vans, Anti-Hero skateboards, Volcom and Adidas, so you could say that he’s got the serious skills to pay the bills.

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Kelsey Dake

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I tend to be drawn towards imagery that confuses me; where I can’t quite tell what is going on. I find I ask myself that very question with many of illustrator Kelsey Dake’s drawings. But more than that, I am digging on the concentrated, black lines that feel as though gravity is getting the best of the ink… there’s a nice mix of humor in the work as well.

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Saddo

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Saddo is an insanely detailed illustrator from Berlin, Germany. He graduated from the University of Art and Design in Cluj Napoca, Romania, and currently specializes in bright, intricate, and surreal characters. His mediums include acrylic paint, watercolor, pencils, and marker pens while his canvas of choice is white paper, but  has been known to work on street surfaces and wood.

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Bill Davenport: My Collection of Thrift Store Paintings

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Recent Artadia Awardee Bill Davenport collects thrift Store Paintings. Davenport also has a Treasury of Macrame Owls, and makes his own Yarn Works, among other practices. Originally posted HERE

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The Mangled Wooden Figures Of Aron Demetz

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Aron Demetz‘ newest work shows him to be extremely adept at sculpting in wood.  His figures seem stand atop stumps, perfectly carved from tree trunks.  However, their sanded smooth skin is in stark contrast to parts of their figure that seem mutilated and mangled.  While the figures’ faces are peacefully inexpressive, there is an underlying violence to the sculptures.  The bare wood of the pedestals hint at the natural world and the sculptures at human’s often turbulent interaction with it.  [via]

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Gregor Gaida’s Powerful Sculptures Depict Humans And Animals In States Of Violence And Vulnerability

Der Dornenauszieher (2013). Acrylic resin, acrylic glass, wood.

Der Dornenauszieher (2013). Acrylic resin, acrylic glass, wood.

Attaboys (Edition of 3 + 1 AP) (2012). Aluminium.

Attaboys (Edition of 3 + 1 AP) (2012). Aluminium.

Attaboys (Edition of 3 + 1 AP) (2012). Aluminium.

Attaboys (Edition of 3 + 1 AP) (2012). Aluminium.

Polygonal Horse (2011). Wood.

Polygonal Horse (2011). Wood.

Gregor Gaida is an artist based in Bremen, Germany, who is known for his sculptures of earth-shattering and bone-breaking power. Aggression, pain, and vulnerability permeate throughout his works as humans and animals engage in mysterious battles, writhe in torment, and stagger alone into defeat. “Attaboys” (2012), for example, features two hooded boys carving a deep line into the surrounding brick, as if marking territory; “Swog” (2013) displays two alien-like, fanged mouths locked together in a violent dual of equal power; “Canis Major III-I” (2014) shows a wounded dog lying on its side, its hind legs dismembered and sides cracked open. In these scenes of violence and passion, Gaida provides a complete story: each sculpture figuratively embodies a driving force, a moment of passion, the falling action, and the pain left behind.

As discussed in this article by Colossal, Gaida derives his figures from book and magazine imagery:

“The found footage is often no more than an impulse that is no longer discernible in the further development of the shape. Analogous to photography, my objects are three-dimensional snapshots. The characters are frozen in movement and often cropped along imaginary image borders. I transport the fragmented character of photos into the third dimension. Simultaneously, when dealing with color and options of shaping, painterly characteristics appear. Thus, the life-sized special interventions are formally attributed to sculpture but are equally part of painterly and photographic categories.” (Source)

These “fragmented” characters that Gaida adapts from print media have a strangely mythological-yet-contemporary appearance. Shattered, tortured torsos are reminiscent of the stone busts of Greek and Roman antiquity (see “Rest von Schwarz”); in “Polygonal Dog,” a Cerberus-type creature has been reimagined as a horrific laboratory mutant, five heads gnashing together instead of three. The multiplicity and fragmentation, however, is what lends Gaida’s sculptural “collages” a sense of power and beauty; they are grotesque and frightening, but look beyond the rage and wounds and there lies vulnerability, strength, and survival.

Visit Gaida’s website to view more of his spectacular work.

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Marcel van Eeden

-1 I am really enjoying Marcel van Eeden’s work.  I am particularly amused by his A Cutlet Vauderville Show in which he depicts two pieces of meat performing song.  Marcel van Eeden was born in 1956 in The Hague, Netherlands.

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