One of the best things about publishing a magazine is having packages from distant lands (Canada) show up in our PO Box. You never know what you’re going to get. Sometimes we get complete junk…. but once in a while, we hit the jackpot with something that you want to hang on to. Case in point: this cool mini ‘zine by T. Reilly Hodgson called C inical Depression. Not only is this a great example of what a few bucks and some time at your local copy center can create, but I also love getting packages with hand written notes. Even our address is tricked out on the envelope! Reminds me of B/D’s humble beginnings when we hand wrote notes to subscribers. Maybe we should go back to that?
Darin Shuler just got one of the final Xeric Grants, and with it he is publishing Castle and Wood, his ongoing comic involving some grotesque, yet cute, anthropomorphic individuals. He has a lovely command over black and white. He’s got a great website, he tumbles, he flicks, and sells his comics.
Canadian artist Drew Mosley paints vivid scenes of anthropomorphic animals on layers and layers of resin. Being an artist and a carpenter, his work contains layers of resin that sit inside custom made wooden frames. Being surrounded by incredible nature in his hometown of Ontario, he draws inspiration from the breathtaking beauty of the wild. The little forest creatures he depicts in his artwork are no doubt animals that he has come across on hikes or in daily life. Drew Mosley’s furry friends look like characters from a storybook, with lots of personality and quirky qualities. Although the critters are wild, they act somewhat like humans by carrying objects such as traveling packs and flags.
Drew Mosley creates in depth atmospheres by painting on individual layers of resin. Each animal almost seems to be popping out of its lush habitat, appearing three-dimensional. Even the feathers of the owl seem to be standing straight up, creating a very real sense of volume and shape. By using this technique, the artist renders extremely realistic textures of fur, feathers, twigs, and leaves. Many of his dioramas include found objects that sit right in the resin, jutting out from the piece. In Mosley’s work titled The Egg Thief, a real quail egg is included in the composition, making the entire piece look all the more realistic. The artist also being a carpenter, he creates sculptures and installations of his wild critters. (via Colossal)
Jean-Pierre Roy’s insanely gorgeous luminescent paintings might just combine all of my favorite topics. Painted like translucent homages to Romantic pastoralism, they appear to instead catalog mystical scenes of revelation, post-2012 apocalypse. Grand, cinematic, magical, laced with the alien race, these glowing, transcendent Titian-esque tableaus are haunting and inspiring all at once.
If you’re in NYC, his exhibition at Rare Gallery opens Sept. 9 and runs until October 7. I wish I could see these in person!
Artist Sun K. Kwak paints with tape. She had begun her career as a painter but had felt disconnected with the medium. After experimenting with black masking tape Kwak had found her choice medium. Speaking of her first experience working with the tape, she says, “It felt like black ink pouring out over my fingers. It was very fresh, alive, and free.” The large installation pictured here is found at the Brooklyn Museum and is titled Enfolding 280 Hours – a reference to the amount of time needed to install the work.
Yumi Okita uses her amazing artistic skills to create colorful and large sculptures of moths and butterflies, along with other insects. This North Carolina based artist uses various techniques in textiles and embroidery to form her soft and colorful creatures. Each insect is made up of an extremely eclectic group of materials including fabric, embroidery, feathers, fabric paint, cotton, fake fur, and wire. The amount of materials, time, and skill needed to create each piece is apparent as you examine each soft and stunning creation. Not only are Okita’s moths and butterflies brightly colored to perfection, but are also much larger than life! Including wingspan, many of them measure up to nearly twelve inches.
The color of the thread used in the embroidery involved in Okita’s process may or may not be true to nature, containing bright magentas, brilliant blues, and deep greens, but create extremely eye-catching pieces none-the-less. Entomology, the study of insects, has long been popular as many people collect and display butterfly and moth specimens. Okita uses this concept and takes it to a whole new level. Instead of being pinned in a display case under glass, her “specimens” of butterflies and moths are larger than life, inviting to be touched. These fun and remarkably crafted insects can be found on Yumi Okita’s etsy sight, where you can buy one of these gorgeous specimens for yourself! (via Booooom)