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Riusuke Fukahori’s Incredibly Realistic Golfish Sculptures Made Out Of Resin

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Riusuke Fukahori, a Japanese artist with an endearing obsession with goldfish, paints three-dimensional renditions of the fish by using a complex process of poured resin on authentic Japanese household containers.

Fukahori strives to paint the goldfish as realistically as possible. His love for the funny looking fish goes beyond words, and the only way to truly pay homage to his ‘friends’ is through creating these unbelievably real-looking sculptures made out of resin. Fukahori keeps dozens of goldfish in tanks and buckets around his studio, he sits and watches the goldfish when he feels uninspired or simply needs company.

His work can be quite deceiving; the goldfish look so real that when people first see his work they find it impossible not to try to reach into the ‘water’ and touch the ‘fish.’

Each of Fukahori’s resin pieces [the resin goldfish] are contained in a variety of everyday Japanese household items. His usage of these items in his work reflects a personal touch, as many of the containers used were bowls and cups that he himself used for years.

The goldfish resin sculptures entail very complicated, repetitive, and labor intensive steps. He first pours a layer of resin, then lets it dry, then paints a small portion of the fish, then lets it dry, then pours another layer of resin—he patiently repeats these steps until the final product is achieved.

“I didn’t invent resin and not the first to use resin. I am not a resin artist. I am a goldfish artist. I think it’s obvious which pieces are Riusuke Fukahori pieces because the imitators use the wrong containers. They will never understand goldfish the way I do. They are only copying the craft, not the soul.”

The Painted Breath, an exhibition of new resin works and paintings by Fukahori, will be on exhibition at the Joshua Liner Gallery in New York on November 21st,2013 till January 18th,2014.

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Christian Weber

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American photographer Christian Weber‘s work often finds him in the midst of a barren landscape. This can sometimes mean a cold, industrial city or a desolate NASA laboratory. Or, in the more traditional sense of “barren landscape,” it can mean the wide open spaces of Iceland or New Mexico, pictured above. The way he chooses to capture these spaces – in a very straightforward, documentarian/detached manner, is a reflection of the environments themselves.

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Giant cake attacks Tokyo

Kozue Shimada with GwaGwa

Artist Kozoo (featured in our newest B/D Issue!) worked on this giant cake as a member of small creative unit GwaGwa. The towering confectionary and large eating utensil was stationed in a mix-use complex in Roppongi, Tokyo and truly expressed the creative goals of GwaGwa to express the magic of childhood fantasies and everyday curiosities. Highly preferred over Godzilla.

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Studio Visit: Wes Lang

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Headed over to Wes Lang’s Brooklyn studio on Friday.  Daylight filtered in from the street over walls resplendent with tattoo flash, hand-painted jackets, flags, and pics of beautiful women.  Amazing paintings are everywhere you look.  The first thing I said was “there’s a lot of nice tits on the wall.”  Wes relaxed visibly and replied, “everybody likes tits, they’re calming.”  That broke the ice.  His new work emerged after losing several friends in the last year, and goes in a different direction from his well-known and controversial Americana work.  It’s being shipped off this week to Galleri Brandstrup in Olso Norway.

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Will Adler

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Photographer Will Adler‘s charm lies in his easy, laid back shooting style. Not all of his photos are entirely in focus; some are over exposed, others under exposed, but  these imperfections relate his stories all the better. Adler also takes advantage of Santa Barbara, where he lives, by documenting surfers, the coastline, and hilly landscapes.

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Li Hongbo’s Hyper-extended Limbs

Chinese artist Li Hongbo explores the adaptability of his medium by playing with the concept of the children’s toy called ‘paper gourd’. This toy is made from a stack of interconnected sheets of thin paper that can be stretched to form new shapes. Li Hongbo’s paper figures challenge the human form. Resembling human bodies, they rebuild the idea of what the human form can look like. The flexibility of these sculptures allows for a hyper-extension of the limbs, creating abstraction from realism. These elongated limbs, which have the ability to tumble out from the figure’s barely distinguishable core, allow us to find a new, playful and anomalous aesthetic. (via)

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Damien Hirst’s Little Pink Pill

Damien Hirst - Installation

Damien Hirst - Installation

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Damien Hirst is often known for his menagerie of carefully curated animals. You may have seen his cow, somewhat deconstructed, or his 14-foot tiger shark preserved in a tank of formaldehyde. In his new exhibit, “Schizophrenogenesis,” Hirst turns to a different kind of preservative: the kind that humans use to maintain a delicate mental balance or for the good of our health — or so we have been told.

“Schizophrenogenesis” is a tongue-in-cheek homage (or opposite thereof) to the sleek contemporary design of pharmacology. These IKEA-worthy pills are shown in neon prints or as sculptures, much larger than life. “Pills are a brilliant little form, better than any minimalist art,” Hirst says. “They’re all designed to make you buy them… they come out of flowers, plants, things from the ground, and they make you feel good, you know, to just have a pill, to feel beauty.”

Though out of the ground indeed did they come, the modern-day herbs and remedies Hirst depicts are anything but natural. Viewers are asked to contemplate their artificial curves and edges and the distant bold-faced type of a prescription (“Take SIX capsules FOUR TIMES DAILY,” one says urgently). One bubblegum pink capsule declares, “PFIZER.”

“Schizophrenogenesis” is currently on display at the Paul Stolper Gallery in London until November 15th. (via Artsy)

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The Goth-Tinged Sounds Of Los Angeles Band Cold Showers

Photo by Virgina Van Zandt

Check out the smoky, goth-tinged new video by Los Angeles’ own Cold Showers that premiered earlier this week on Noisey. “BC” directed by Brian Davila is “an homage to films such as The Hunger, Society, and Night Of The Comet”. Their debut LP Love and Regret is out now on Dais Records and they’ll be heading out on the road with Veronica Falls starting in March of next year. You can also catch them in Los Angeles with Black Marble at the Echo for Part Time Punks on Feb. 24th, 2013.

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