Jean Marembert (1904 – 1968) was a founder of the group with Louis Cattiaux – a group of Surrealists of a more decorative nature. His work is also, like Giuseppe Arcimboldo’s work, looks like it was made in this century instead of the last. That just goes to show how our current sensibilities are based off the past. Old aesthetics are recurring and cycled through, even filtered down. That’s why I believe it when people say that nothing is ever original anymore.
Katelyn Reece Farstad is a fine artist currently based in Weimar, Germany studying at Bauhaus University for a semester. She’s got a kooky blog with lots of bizarre collages, gifs, and drawings. Really fun and random.
Michael Dotson’s paintings look like tripped out buildings in another dimension of Second Life. Or in First Life, coated with thick layers of pastel and neon paint. I really like this fanciful approach to architecture.
Disco Party, 2009. acrylic, spray paint on panel. 20 x 16"
Austin Eddy’s works are fascinated with magic, from the faux-scrying joke shop tool of the “Magic 8-ball,” to (seemingly Michael Jackson’s) magician’s sequined gloves, personified wizard hats or rainbow dust emitting bongs/flutes. Multiple painting processes abound, from (real!) glitter, spraypaint and beyond to cast comedic spells of play and fancy. Read the full interview after the jump.
Eastside Angelinos are probably familiar with the dead-end leading to an overpass in Chinatown on Yale Street (I know I’ve made the repeated mistake? miraculous discovery? of turning onto Yale and thinking it was a through street many a times)- but less have probably seen it used for anything not related to shady drug deals (can anyone confirm this assumption?).
Get Rid of White Walls Collective is focused on bringing fine art out of galleries and into non-traditional spaces: public, domestic, industrial, nautical, etc. These events are meant to reveal the unique identity of these sites to the surrounding public, offering a place of public interaction via the provocation of the urban landscape.
The controversial rendition of Richard Wagners Die Walküre is still at the Dorothy Chandler Pavilion for a couple more days. You may recognize scores from Die Walküre, or The Valkyrie from Apocalypse Now, or pretty much any scene from a movie where bombs are getting dropped. The interesting aspect of this otherwise ultra-dated opera is that, aside from the music and singing, everything about this performance is modern. Modern like all the props are made out of neon tubes. And most importantly, Placido Domingo, one of the two remaining Three Tenors, is the leading role.
Usually I try to not post things that are um, over 400 years old considering we are a contemporary art publication. However, I was looking at Giuseppe Arcimboldo’s works this morning and was marveling at how fresh they seem, even today. It’s like that childhood tendency to make vegetable heads taken to a bizarre and grotesque extreme. Be sure to check out “The Admiral” portrait after the jump- made entirely of unknowing fish! In fact I think this kind of playful/derangement continues to be a source of inspiration and lines of exploration for artists even today. What do you guys think?