We’re glad to introduce, via the website building platform Made With Color, new artists weekly. Made With Color is an interactive website builder helping creative people design their portfolio without a complicated set up. The templates are minimalistic in their structure and their colors, allowing the eyes of the readers to focus on the art pieces. This week we’re excited to share the work of Made With Color userEmmett Potter.
Vibrant colors and figurative shapes live in Emmet Potter’s art pieces. The artist uses mid 20th century comic graphics, advertisements, found objects and photography. His subjects therefore become mixed media pieces blending collage and paint. He calls them ‘handmade ready-mades’. Characters in action involving guns, missiles, love and war in a vivid andexpressive environment. The content depicted by Emmett Potter is inspired by Pop culture and Jungian archetypes. A chosen process to help increase communication with the mass and unfold collective consciousness. The rendering takes the form of traditional canvas paintings or unusual sculpture composition.
Artist Fabian Oefner has a strange way of painting. For this series a rod is covered in various colors of acrylic paint. The rods is connected to an electric drill which in turn is connected to a sensor that activates a camera flash lasting only 1/40,000 of a second. The moment the paint begins to be flung in all directions off the rod (according to Oefner, one millisecond, to be exact, after the rod begins spinning) is caught by the carefully timed flash. An instantaneous hurricane of color is frozen in midair capturing a structure that only exists for a fraction of a second. [via]
Billelis (Billy Bogiatzoglou) is a digital artist, illustrator, and art director currently living in the UK. With an eye for bold contrasts and colors, complex machinery, and the macabre, everything he produces has a hyperreal and futuristic quality. In the series featured here, Billelis has chosen one of his recurring motifs — the skull — and reproduced it 50 times, digitally engraving each one with “key patterns that influenced humanity through the millennia” (Source). Open up his dark, digital sepulcher and you can see skulls marked with patterns resembling Aztec, Greek, Roman, Celtic, and folk designs, as well as geometric patterns and — on a different note — Space Invaders.
Each skull is uniquely sculpted in 3D. Focusing on texture, geometry, and symmetry, Billelis has perfectly enmeshed skeletal anatomy with complex patterns. The effect is both beautiful and haunting — hollowed eyes and fleshless mouths are framed and flowing with undulating lines, giving the skulls a morbidly antique and museum-like quality. This is not the first time Billelis has combined bones and geometry; check out his fascinating Man vs. Nature project for something similar.
The visual world of Daniel Gordon is complex, colorful, wondrous, and invigorating. He creates rich modern interpretations of still life and portrait oil paintings. Inspired by Matisse and Fauvism, and using modern day technology, he takes compelling photographs of 2D and 3D objects. His practice involves multiple steps to reach these bizarre final images. First he sources different images from the internet, prints them out, rebuilds the object from 2D sheets of paper, crumpling and shaping them to resemble the original object, then finally photographs them using a 8×10-inch view camera. After the scene has been documented, Gordon dismantles the different images and patterned pieces, to use at a later date. His latest show Shadows, Patterns, Pears shows his familiarity with appropriation, reusing and contextualizing images with ease.
He builds compositions from fragmented patterns, colors, perspectives, histories and narratives, resulting in some strange surreal reality. He layers up repeating shapes and silhouettes, creating some sort of modern take on Cubism. Described as a kind of analog Photoshop, Gordon’s work is as equally confusing as it is delightful. Reworking something familiar such as nectarines, oranges, lemons, he turns them into an optical illusion of light where dark should be, shadows on the wrong side of the object, the fruit half blue and half red. He transforms a mundane apple into one from a Dr Seuss land – crumpled, purple, with two stalks.
Calling his work “Screen Selections”, Gordon is alluding to a time of visual over-stimulation in the age of the Internet. Reveling in working with materials so palpable and tactile, Gordon says:
“I’m interested in showing my hand and letting people see the imperfection. “(Source)
Artist Ron English is best known for his bright and playful pop culture aesthetic, and a blending of high and low art cultures, something he refers to as “popaganda.” A multitude of characters and references populate his works, and it’s this accessibility that lends his work its effectiveness. One particular painting – Picasso’s Guernica – represents a modern template for English that he has interpreted over 50 times, and English approaches each interpretation aware and reverent of the original’s cultural significance.
English writes, “[Guernica] is a visual shorthand for the overwhelming and gratuitous horror of modern war. But I argue that the cultural takeaway of Guernica is actually the opposite. It transforms incomprehensible tragedy into a cartoon narrative, something we can more easily absorb. This is part of the human process, to distance ourselves from the immediacy of undiluted, overwhelming emotions by overlaying a narrative that simplifies, and in effect, takes us down from three to two dimensions. And this is the underlying concept that I grapple with in all my many versions of Guernica.”
English’s approach to the Guernica template resonates throughout much of his work; the artist often interprets our visually-saturated cultures, recontextualixing familiar imagery in order to critique or present ideas that can be more easily absorbed. In order to capture particular lighting and angles, English constructs 3D models of some his concepts before painting them. While each interpretation is unique in its imagery, English admits he’s “…always riffing on the same basic message — that cultural bias is embedded in our narrative. [His] Guernicas call attention to the product placement of global corporate culture, using war as entertainment and entertainment as war.” (via huffington post)
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.
On the last day of 2009 we thought we’d pick yet another dedicated B/D Flickr Creative Pic Pool members work to post on the blog. This time we bring you Tom Hudson’s hyperspectrum colored collages displayed on his Flickr page full of tasty illustrations, collages, and other eye candy. Tom is 1/4 of a collective called the ‘Nous Vous’, who create everything from drawings to noise performances. That’s quite the spectrum if you ask me.
Remember to join the B/D Flickr Creative Pic Pool as we are always looking for new ways to promote our readers & members! Here’s to an awesome new year filled with tons of visual stimuli!