Richard Amsel (1947-1985) was a commercial artist famous for his movie posters, which include Raiders of the Lost Ark, Chinatown, and more. Having been discovered at 22 (edit: 21) when he made a successful proposal for the poster of Hello, Dolly!, Amsel had a fruitful career applying his hyper-realistic painting style to not only movie posters but album covers, book covers, and TV Guide covers. Amsel passed away in 1985 from AIDS.
D-Barcode is a Japanese design firm which apparently specializes entirely in designing barcodes. I wish I could tell you more, but I don’t speak Japanese and pretty much the only English on their site is their slogan – BIG IDEAS ARE SMALL, DESIGN BARCODE. Can any Japanese readers tell us more?
David Bayus is a painter based in San Francisco currently working on an MFA at San Francisco Art Institute. His awesome collage/painting work almost make both of those previously mentioned techniques indiscernable from each other. Which one is it??
Carolin Reichert’s work deals with an inventory of the human memory as triggered by situations, encounters and objects referring to and rooted in the past, yet recurring and manifesting themselves anew in the present. She is interested in exploring the individual’s perception of reality and the role and capacities of memory and recollection within that process. The images portray brief moments, belonging to the past, frozen, re-framed and deliberately transported to their new context, with which they are at odds or incompatible, therefore ultimately dealing with the attempt, possibility and implications of visualizing ‘absent presence’.
Dutch illustrator/designer Parra has done some seriously cool work. His posters, which he plasters throughout Amsterdam, are apparently highly sought after, as are his limited edition Nikes, shirts, skateboards…you name it, Parra has done an illustration for it. His style is very 1970s, with a hint of sleaze.
Founded by artist Ryder Ripps, Internet Archaeology is a project that “seeks to explore, recover, archive and showcase the graphic artifacts found within earlier Internet Culture.” It’s essentially a repository of imagery from old Geocities and Angelfire sites, including a full few mirrors of some old homepages. This is an important service because, as their mission statement points out, Yahoo will be taking down Geocities in October 2009. I miss the pre-Web 2.0 internet!
Yesterday Los Angeles tagger Buket, aka 26-year old SJSU grad Cyrus Yazdani, was sentenced to nearly four years in prison after pleading guilty to one count of felony vandalism while on probation for 32 prior vandalism charges. Buket is apparently known for daredevil stunts, some of which have popped up in brazen, bravado-filled YouTube clips. One of these clips, which depicts Buket climbing onto a Hollywood Freeway overpass and tagging it in the middle of the day, is embedded in this post after the jump. While this particular stunt is clearly very dangerous to not only Buket but the drivers who were distracted by him, do the severity of his crimes justify the four year sentence?
Tue Greenfort is a Swedish artist who questions the changing nature of….nature. Sort of the timeless question of the human within this strange biosphere-sphere we call earth. I like the above piece, “enclosed biosphere” for its simplicity- reminds me of the mosquito-attracting never-clean the fishbowl “experiments” I did as a kid, much to the chagrin of my parents. I really love the “bio-morphic sausage” strata encased in glass, after the jump- sort of a delicious Physical Impossibility of Death in the Mind of Someone Living riff? Anyways, be sure to check out the link, many of his works kind of require deeper explanation as far as exactly what’s going on (yellow tape sweetened with sugar water that leads armies of ants through a museum, a Coca-Cola condensation cube, a contraption that uses frozen fruit juice to cool water brought up from the point from the gallery’s infrastructure where it enters…..)