Charles Avery‘s artistic practice is centered around a fictional island. Everything he creates has some connection to either the history of this place, or specimens and relics that are found there. Since 2004 Avery has been building the story of this place through intricately detailed drawings, sculptures, installations, and texts.
The gateway to the Island is the town of Onomatopoeia – once the stepping off point of the pioneers who first came to the place, turned colonial outpost, turned boom town, bustling metropolis, depression ravaged slum, to regenerated city of culture and tourist destination. (Source)
Avery builds on his own personal history as a starting point to this Island. Born on the Isle of Mull off the West Coast of Scotland, it seems as if he is commenting on the influence the British Monarchy has had over his home country, and also on numerous other countries and islands. His oeuvre is concerned with the progress of a nation – from rags to riches, and back again. The retelling of this folklore is a complex one. His work includes samples of the flora and fauna found there (different types of tree branches and birds), the fashions worn (a lot of different headpieces) and also studies of the local’s behavior. He creates a full anthropological study.
His past projects include “The Island” – concerned with the same place, just with the information organized differently. His attention to detail is so great, he even shows us the type of creature that we would encounter in the Island’s pantheon: a strange hybrid of dogs joined at the head, engaged in battle. Judging from these animals and the frenzied activity he depicts in his studies of the town square, this Island is definitely one I am glad to visit theoretically. (Via HiFructose)
Robbie Rowlands is a Melbourne based artist whose work explores notions of stability and vulnerability through the manipulation of objects and environments. His repetitious and precise cuts and the resulting distortions reflect the inescapable passing of time that affects everything around us. Rowlands’ works have been described as“spotlighting the history, humanity and function” of his subjects. His manipulated objects and spaces blur the boundaries between our fabricated world and the natural world.
C.W. Moss, the Unicorn behind such B/D blog posts as “5 Reasons to Subscribe” and “Godspeed, Unicorn Riding Fei,” will be in a group show opening tomorrow, June 11 at WWA Gallery.Curated by Industrial Squid, “I Believe in Unicorns” assembles a group of optimistic talents who fearlessly employ rainbows, joy, candy-colors, and yes, even the shining beacons of hope and goodness that are unicorns. I’m sick of self-deprecating hipster irony, bring on the celebration! Word on the street is that Unicorn may be paying a visit and you might even be able to take photos with him. (You can also be his friend on facebook.) Flyer after the jump!
Illustrator Jesse Auersalo updates his portfolio with a brand new grouping of jaw dropping work. If you’re a fan of Jesse’s work make sure to purchase Beautiful/Decay Magazine Issue: Y which features an exclusive interview with Jesse as well as original cover art.
Sort of in the same vein as cultural greats like Cindy Sherman, Korean artist Jo Seub explores self portraiture. But he often gives the effect that Ren & Stimpy had on me as a child who had yet to find humor in the grotesqueness of human (animated mangy animals) condition. An article by art critic Moon Young-Min on the artist’s website explains the “reason for his aesthetics of the frivolous, for his use of comedy as an art form; today’s younger generation understands comedy. Jo demonstrates clearly that one can communicate seriously while at the same time being funny…Jo Seub is not only skeptical about the ideology and religion that he is satirizing but he is also rebelling against the excessive weight and seriousness of the doctrinarian teaching and its rigid methodology. In fact, anti-Communism under the military dictatorship in South Korea, which took place in the context of South-North confrontation, is not much different from the anti-imperialism inculcated in North Korea.”
How To Dress Well performing at the Echoplex, December 4, 2012
It’s late Tuesday night… VERY late, well it’s actually almost 1am on Wednesday morning when Whitney Houston sings out from the speakers and Tom Krell aka How To Dress Well makes his way onto the Echoplex stage. Ten candles burn at his feet and beautiful video projections illuminate him and his backing band when his voice, a beautiful haunting falsetto hits my ears and my head starts thumping to the beat.
Playing songs from Total Loss, his newish record out now on Acéphale and a few from his debut album Love Remains, the heartbreaking, but beautiful set highlighted not only his voice, but his talent as a songwriter. When he sang the song Set It Right, it rang out like an R&B version of the late Jim Carroll‘s, People Who Died with the names of friends and family who have passed or not in his life anymore.
Not only does Black Moth Super Rainbow make amazing music, they also brought their music videos to a whole new level with interactivity for this Dark Bubbles piece. Like, what? Just move your mouse around from right to left (the webcam activated one doesn’t seem to be working…). The concept is really simple-just a guy jumping up and down on a trampoline, but smart at the same time. I kind of wish there was more variation though.