Berlin based Illustrator Katrin Hagen has a healthy sense of humor & she shares that with us through her illustrations. Uncluttered, witty, honest, and a few simply brilliant!
Video and sound artist Maxim Zhestkov presents his latest short film titled Recursion, reminiscent of 1960’s sci-fi both in content and in style – I’m diggin’ it!
Ryan Swanson digitally manipulates images to create neon-techno-funky-retro-futuristic collages. If you enjoy juxtaposition, take a look at his work.
Ben Grasso is wired for telekinesis. Before painting he warms up, surrounded by mystic runes and burning incense, by bending spoons with his mind. Just kidding, but that is what I want to believe. His paintings are filled with magical forces; it’s to do with buildings and de/construction, but there are other characters – namely beer cans, explosions, and scarecrows. It’s entertaining to be presented with something walking the fine line between real and totally illusory, Grasso is making work in that sweet spot.
Tim Navis is a talented photographer and a self-proclaimed ‘professional awesometeer’. Beautiful models and gorgeous landscapes are the main subjects of his imagery. Life must be pretty fun when you’re surrounded by beauty and spend your time professionally awesometizing.
John Dombrowski has a sharp style that slices through your retina. I could definitely envision his aesthetic fitting well in a graphic novel.
The Michelin Man has been given a new lease on life. Thanks to Terry Lawrie, the Michelin Man has evolved from a company mascot to a muse and art model. Terry has ‘re-interpreted’ famous sculptures with the Michelin Man; from the Thinker to the Statue of Liberty. So have a laugh at the expense of the tire spokesman, until you get… tired. Michelin Company does not endorse these sculptures or the previous cheesy pun.
Swiss artist Beni Bischof does not take himself serious, a sense of humor and a humble understanding of the world around him flows effortlessly between paintings, drawings, collages, prints, sculpture and installation. Bischof’s ability to allow each work to shine independently is rooted in his confidence to possibly make mistakes and his ability to approach each day with an honest approach to his varied process of art making. Bischof encourages us to look into the absurdity of our desires. Bricked Castles and Handicap Cars follow our intuition to objectify the flawed ambition to acquire maximum beauty, strength and power. In other works magazine pages are covered with grotesque abstract marks masking the beauty of the subject while offering an alternative channel for a ritualistic performance. In a painting two shapes representing heads confront one another celebrating the banality of our day-to-day confrontations. Enjoy more Bischof after the jump…