Cardon Copy is an awesome project where lame posters and flyers from around the city are pulled down from bulletin boards and telephones poles to only be redesigned and placed back to there original locations. These wild and fun designs are meant to “overpower their message with a new visual language.” Make sure to check them out!
Stephanie Davidson makes digital collages out of everyday objects. This may sound like an overly simple concept but her selection of objects and their arrangements are both bizarre and humorous. The Cornrow pile after the jump is by far my favorite.
Dear “Psychedelic” Artists: It takes more than neon paint and a strategically placed black light to blow one’s mind. Just ask Larry Carlson, visionary multi media artist! I would describe Carlson’s work as Magritte and Dali’s love child if such a child were conceived after the advent of Photoshop. Beautiful yet jarring, welcoming yet otherworldly, Carlson’s work is a true feast for the eye.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color helps makers build their artists space on the web. Every Made With Color site comes with a built-in mobile site and is totally responsive for smart phones and tablets. This week we’re excited to bring you the exuberant sculptures, paintings, and videos of Made With Color user Emily Silver.
The mixed media work of Los Angeles artist Emily Silver seeks to examine the space between the celebratory and tragic moments that simultaneously exist in the life of an event. As subject matter Silver look to funerals, parties, parades, and carnivals, in their finite nature, for the work to be actively a part of these sensual celebratory spaces. The materials hold a metaphor of the ephemeral and the cherished creating objects and videos that play with what is monumental or decorative, comic or tragic, and beg the viewer to reconsider their relationship to these ideas.
Many of the sculptures that she creates become part of short humorous animations that shift our perception of what is real, what is desired, and what is anticipated. This work mashes the individual and group, the celebratory and discarded, the monumental and diminutive. Though these pieces seem overtly playful, there is an under current of the tragic, absurd and unexpected invading these spaces. About her work Silver states:
“I spent many years working doing floral arrangements for major events, and for a time I worked in a mortuary doing only large funeral arrangements, where I found myself spending a lot of time in the cemetery (maybe too much time). I have always had a fascination with the celebratory in relation to death, and the things that we don’t talk about at the/an actual party/event. That is a large influence in the making and research of the work.”
See more of Silver’s work as well as her animations after the jump.
In a powerful series by artist and curator Rachel Graves, she interprets the catcalls and street harassment that’s thrown at her and her friends when in public places. Menagerie is a collection of self portraits that liken this lewd and unwanted treatment to the way that animals are prey.
“The project came about as a way for me to take control of what was happening and find a way to answer back and gain ownership over myself again,” Graves explained to The Huffington Post. “For me it was important to do more than simply dress up and paint my face to represent some of the names and insults being thrown at me. I didn’t want to just turn myself into the object that the harassers saw me as. I wanted to find a way to get my sense of self back, to be able to throw the words away and take back control.”
“Bird,” “fox,” and “bitch,” are all references to animals (and ones that women are called) that dehumanize people, and are all costumes that Graves wears. She paints ghoulish-looking makeup and fashions snouts that reflect the identity of what she is to her taunters. Afterwards, she washes herself of these oppressive masks.
“Being a woman in a public space can be a scary thing. Some men perceive women’s bodies as being public property, and act in ways that are intimidating and sexually aggressive. When I experience street harassment, my autonomy and control over my own body is taken away from me,” Graves says, again to The Huffington Post. “A similar thing can be seen in the industrialization of farming practices. Animals and women are objectified in similar ways: seen merely as pieces of meat for public consumption.”
By washing away the paint and taking off the noses, Graves regains her own identity. (via The Huffington Post)
In thinking about time and the passage of it for the upcoming new year, I stumbled upon a really cool blog, Wachismo, that’s dedicated entirely to timekeeping pieces (clocks and the like.) He has a full section for memento moris clocks, a personal fascination of mine. The title translates literally to “Remember you must die,” and remind us of the iminence and swiftness of impending death. Yay! Some beautiful/strange/haunting clocks below.
Here are some pictures that I took from the Synch Space opening two Saturdays ago to cobble together a follow up post albeit, ahem, very tardy (the show closed this past Saturday). It was really hilarious and awesome to see so many different interpretations of Kate Bush’s image and persona. Though, to tell you the truth, I don’t know too much about her and read up only about her the day before the opening (yikes!). I hope you won’t judge me on that admission tooo much.