After being a commerical photographer for the past 20 years, Christian Chaize came to discover a specific stretch of coast in Portugal that both revolutionized his life and his subject of photography. He has been photographing this same stretch obsessively since he found it on vacation in 2004. His series is haunting and lovely, each piece beautifully treated and composed- focused on time and space.
Finding its forms in a combination of drawing, object-making and installation, the work of artist Maggie Haas investigates the lives of unfinished and discarded objects, with a particular interest in construction materials. She was recently awarded a residency at The Lab, in San Francisco, CA—where she has been working primarily with materials she has found at the space. Working with what she is given, Haas uses her transformational powers to great effect: expanding upon everyday materials with her acute sense of color and composition.
Since beginning her residency, Haas has been creating work both from and in the gallery, she has created a series of ever-shifting structures. Using the gallery as both a medium and a platform to create, Haas has used her most recent body of work to explore flux, transition and our relationship to the idea of impermanence. Hovering between blueprint-style drawing and abstraction, her drawings of imagined structures and patterns explore the materiality of paper and ink—while her propped-up structures and object-based art elegantly underline the thesis that everything is in flux, everything can be moved, shifted, collapsed and/or carried away.
Philadelphia-based artist Mike Tanis produces intricate paper sculptures using a combination of origami and kirigami techniques. If you’re not familiar with what those are, they’re Japanese art forms that fold and cut paper in complex ways without the help of glue. Here, Tanis has used these methods to create abstract structures that appear soft and wavy as well as splintered and fractured. Sometimes, it’s hard to tell that they’re made of paper.
Tanis tells Quanta Magazine that he uses a scalpel to make any cuts and doesn’t use directions or crease patterns. “I start with a folding technique or principle and improvise once I start to feel the 3d form developing,” he explains. The results are dramatic forms that are reminiscent of architecture and nature. His taller, cut-paper structure mimic skyscrapers while his completely-folded pieces conjure images of the beach or a mountainscape.
María Aparicio Puentes’ collaborates with a wide variety of photographers to create her interesting mixed media pieces. Armed with thread and a sharp needle, María stabs into the photos repeatedly to create geometric patterns and shapes that even Buckminster fuller would be proud of. (via faith is torment)
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Uk based designer and illustrator Drew Turner’s illustrations look into our evolution through time and space. They depict the psychological differences found between ourselves and present day organisms. With a shroud of mystery over other lifeforms, they are a visual reflection of our greater ability to imagine and argue a question of thought towards an animal as a conscious being.