Luca Sage has a powerful portfolio of photographs taken in Africa’s Republic of Malawi.
John Vincent Aranda updates his website with a new series about immigration, sourcing imagery from comics from the Philippines and visually influenced by Pop artists like Roy Litchenstein.
Mira Thomsen’s collages look quite natural from afar, nothing too crazy about crystalline structures and topiaries, right? WRONG. I like that the oddness of her images doesn’t jump off the page and try to strangle you, it just sort of sits back in its chaise, takes a sip of its mint julep, and says “That’s right, I’m looking at you.” It’s the subtlety that makes it all the more intriguing.
Aldis Ozolins is a maker of zines, posters, and experimental illustrations that represent memories from the place he was born: Riga, Latvia. While Aldis’ current professional direction and focus is on graphic design and interactive experiences (both of which he is damn good at), we chose to feature his illustrative work and side-projects due to the strong emotional qualities embedded so clearly within each of the pieces. It’s easy to get lost in the figures and environments his images bring to life… enjoy a selection after the jump.
We just moved to our new amazing office and unfortunately our internet isn’t set up so excuse the lag in blog posts.We’ll try to post as much as we can during breaks from unpacking millions of boxes but in the meantime enjoy some fun animations by Pellet! We’ll be back up and posting in a day or two!
Max Boufathal’s gorgeous sculptures. The Fighting Solar Bros pictured above.
Don’t have a green thumb? That’s alright. Japanese artist Yuto Yamasaki hand-carved these wooden flora that look like real potted house plants. To construct this impressive collection, he chiseled away at large logs and formed them into succulents, palms, and bonsais. A coat of paint was applied to the wood afterwards and further extends the illusion. From far away, they might trick you into watering them.
The artist uses wood because it’s easily available to him, and he places a great importance on the physicality of art making as a way of exploring subjectivity. “The issue is not what I make; there is no meaning to be found in my pieces beyond a confirmation of the existence of the artist and his experience of making the work.”
Yamasaki’s attitude is reminiscent of when people describe why they enjoy knitting. The repetitive motion is a calming activity, where your mind can safely wander and while you’re doing something that’s active. “Making art objects with my own hands, void of conscious thought, is a therapeutic and meditative experience,” he says. “The challenge is to put myself in a state where the materials make my hands move automatically.” (Via Spoon + Tamago)