Jesse McManus is pure speed. His skills are frightening. His beautiful line work captures demented children, gremlins, goblins, cats, and very often knives, or just pointy tools in general, with an incredibly demented precision. Listen to his interview on Inkstuds, read some comics, tumble alongside him, and/or tweet at him.
Michigan based artist Christina Mrozik’s sculptures and drawings focus on stories of migration, self awareness, shelter, and mating.
Kevin Champeny creates mosaics using individually cast urethane figures and random objects like hot wheels cars (above). Using small, colored fish, candy, flowers, etc., He’s done everything from self-portraits, to skulls, to roses. Looks painstaking as hell but the results are definitely worth it. It’d be cool to see some of these before they were assembled- just a pile of plastic. Click through to see more. (via)
Catherine Jacobi takes everyday materials such as bike tire tubing (pictured above), discarded newspapers, roof shingles and other debris and creates sculptures that use the histories of the materials they are built with as a conceptual and narrative starting point.
The subjects of the painter Ryohei Hase’s work are, in his view, sadness and gloom; with his mythical paintings, he builds his own bestiary of wolf-man hybrids and skull-faced monsters, weaving tragic narratives in shimmering grays and black-blues. Like religious triptychs, his paneled images seem to narrate a darkly imaginative story of innocence, violence, love, and redemption.
Hase’s use of baby animals is anything but cute; tiny, effeminate rabbit heads are used to convey a sorrowful isolation that centers around the assumed innocence of the young. In contrast to the animal-headed figures who tear at each other’s throats, a young, downy rabbit head sits atop the body of a young woman as she delicately peers at the ground, her breasts barely poking out of a white brassiere; again, we see her as she lays in her lonesomeness, naked on the ground.
As the narrative progresses, these human beasts fall from innocence into experience, now wolf-headed and like hysterical ancient Greek maenads, women lock bodies with one another in battle, breasts jangling and nipples erect. An antlered man claws at the bloodied head of a wolf; a clan of pig-headed humans gaze at a roasted pig, their cannibalism and cruelty seen in their glistening sweaty brows, their gleaming red eyes. As these animalistic men fall into anarchy, they descend into an evermore hellish landscape.
Through the epic series are notes of love and redemption within a fallen world; a gentle wolf head welcomes a collapsed women into his realm, lovingly bracing her fully-human body. Men die, their skulls ripped from the back of their heads, and yet they keep running, peacefully and determinedly looking into the future. In fallenness, there’s color and seduction; a rainbow-encased lioness wears only a pair of barely-there panties, and a dead fish man drifts to the bottom of the ocean, leaving a magnetic fiery glow in his wake. (via Juxtapoz)
Today, I got an email from Jimmy Joe Roche that read: “Every once in a while I feel like I can bend reality by focusing on a white dot of energy in the center of my chest or middle abdomen.” Looks like Mr. JJR got a new haircut, new magic powers, and a new video. Careful, kiddies, it has graphic language. (But hey, it’s art, right?) While his older works played with mysticism from a kitsch aesthetic (embroidered Peruvian ponchos paired with cheap vid effects, like stock image howling wolves), these new videos verge on dead-faced psycho internet 2012 stoner-conspiracy theory. I don’t know whether to laugh or run.
Childrens’ Pop Culture icons and S&M…who wouldn’t want to see that twisted combination come to life?
Playing with this juicy idea, Richard Ankrom juxtaposes the familiar and the innocent with the unlikely and devilish by creating the figurines you see here. From a masked Tinkerbell and Cinderella, to a naughty bust of Gone in the Wind’s leads, Ankrom captures conflicting, yet hysterical imagery by combining iconic visuals of our childhood idols and S&M gadgetry.
These sculptures were exhibited at the Aqua Art Miami this year, and while we missed it on our trip to Miami, we gathered a couple of sentences from the artist’s statement on this work:
‘The contempt for effusive sentimental goods, that pander to nostalgic consumers led me to take these objects and disable them. In this process mass produced figurines become individual and surreal. These ideas are in conjunction with Duchamp’s ready-mades, Rauschenberg’s erased de Kooning, Paul McCarthy and Jeff Koons.’
Ankrom also explains that the ‘objects are selected by their character, cleaned, masked, dipped or poured several times with synthetic rubber. Zippers are tucked in with dental tools and sealed with rubber, and some zippers are painted gold.’
(via Lost At E Minor)
Lots of cool stuff coming from Blake E. Marquis, a do-anything artist making his way out in NYC. Especially awesome typography, along with killer logo and typeface treatments. Throw in some eye-popping patterns, a super-sick silkscreen, a t-shirt, some posters for good measure, and we’re only beginning to touch the tip of the iceberg – this guy does a little bit of everything, and does it all really well.