Hailing grom London, artist Neil Morley creates his multi-layered works using college techniques. Morley is influenced by artists like Sigmar Polke, and uses reproductions of nineteenth century reportage etchings from the London Illustrated News and satirical magazines such as Punch. His work is a reflection on his research on travel, tourism, colonialism, and post-colonialism. The paintings create parallels between nineteenth century colonialism and twenty-first century tourism: “Tourism is one of the largest industries in the world and has arguably had the most influence on First World perceptions of utopia such as white, sandy beaches, clear blue sea, simplicity and adventure couched in luxury. Tourism has the propensity to mask realities such as poverty, poor infrastructure, and dictatorship. The all–inclusive resort and the heavily structured guided tour itineraries cherry pick and conceal these realities.” Packing a very heavy/important message makes his work that much more interesting.
Kime Buzzelli, born in Ohio, is currently located in Los Angeles. Her work derives inspiration from music, voyeurism, magazines, story telling, and fashion. She paints a colorful, mystical world filled with beautiful ladies. Buzzelli as well explores 4 dimensional art as a costume designer and an installation artist, which showcase her love for clothes and printed fabric. Love her work? You can visit her gallery/boutique Show Pony and/or wear her fresh kicks, commissioned by vans for their 2009 fall women collection.
All you cool cats out there who have already snagged an iPad take note: PADFACE wants you to put it to use!! That’s right, this little gem lets you to harness the power of all your electronic goodies and use them in a harmonious melange to create a truly memorable portrait. It is super easy to do and completely open to the masses… even yours truly ended up getting in on the action. (You do, however, need to have an iPad, but I’m sure you already figured that out.) What are you waiting for, go check it out!!!
Is that an amazing relief print I spy? I do believe it is!! Dennis McNett puts his impressive carving ability to work, making striking woodblock prints that tend to include mythical animal imagery. McNett, who teaches printmaking at the Pratt Institute in New York, has also designed killer graphics for Vans, Anti-Hero skateboards, Volcom and Adidas, so you could say that he’s got the serious skills to pay the bills.
Cris Bruch’s work might be found on a more tasteful version of planet Pandora. His shapes have this mysterious, organic quality that I imagine existing on an alien planet populated by giant blue people who are really into saving the environment and stuff. His exhibition at Elizabeth Leach Gallery, Gather and Wait, from July 1st – August 28th explores the artist’s creative process through a series of drawings, photographs of works in progress, and completed sculptures.
Carlos de los Rios, a Columbian artist represented by Stephanie Bender Gallery in Munich, produces an amazing variety of pieces by working in series, this one titled 32 Memoiren. The media and subject matter may alter, but de los Rios’ work maintains a fragmented attachment to the figure, like a futuristic Rorschach Test in need of translation–I see a bird.
Vellas & Laga are a dangerous duo of animation and art direction that make motion work for many clients. There work is has a friendly appeal, with crisp, clean, and colorful details abounding. They seem to have a flair for understanding what works commercially for a client, while applying their own sensitivities to make it pop.
Lara Schnitger’s show, Damned Woman, at Modern Art in London (July 9th to August 7th) seems to hail from another time has it explores the idea of women from every angle. Schnitger uses methods and media associated with the domestic realm–textiles and stitching–to further explore the female role.