I’m loving photographer Paul Phung’s Black Magic series. He also has some great fashion photography in his portfolio that’s worth a look.
Fanny Bostrom is a Swedish painter and illustrator currently working and residing in New York. I love her literature-appreciating kittens and the rough strokes she uses to paint.
Michael Ward’s hyperrealistic paintings remind me of the type of photographs I take when I travel to new cities. I am always drawn to graphic elements and the juxtapositions of buildings, signs, and their locations. And, indeed, most of Ward’s paintings are based off of photographs he’s taken over the years, primarily of Southern California. Though his work was not intended to address the nostalgia of these places, most of the images’ places he’s recreated have been altered or have entirely disappeared, his work becoming an archive of transitional places. Ward’s influences include Edward Hopper, Charles Scheeler, RIchard Estes, and Vermeer. A self-taught painter, Ward began his artistic career drawing pen and ink renditions of historical architecture, before experimenting first in gouache, then in acrylics. Of his work, Ward says,”I am most interested in depicting what Alan Watts called the mystery of the ordinary; the workaday world we live in without seeing until we are forced to focus upon it, as in a painting.”
Phyliss Lutjeans, a museum educator and curator observes,“Although Michael Ward may be called a neo-realist painter his work can ultimately be described as abstract realism. The picture image is photographically realistic, but within the context of the painting his compositions are complex and almost abstract. Deciphering the work section by section one sees how a multitiude of individual complete compositions are put together to form the entire work. For me the viewer is confronted by a realistic image that puzzles us and clearly tells the story simultaneously.” (via the paris review)
At last a preview sample of our highly anticipated Future Perfect book has arrived! B/D teamed up with Toyota Prius Projects for Bool:6 to bring you a month long competition to find the best up and coming artists in the US. After receiving 300+ entries we narrowed it down to just 100 lucky creatives whose works will appear in book. We can’t release any official photos of the book just yet but I thought it might be fun to tease you all with a few phone pics. Remember that all B/D books are limited edition and sell out (Want proof? Check out the banner on the right of the screen. Book: 5 sold out in just over a week!). Make sure to Subscribe to reserve your copy of Beautiful/Decay Book: 6 today!
Jeremy Little is a graphic designer based out of Los Angeles, His poster designs dwell in the realm of the mystic. Themes such as totality and modernity are examined and radiated through his cosmic visual style.
Described as a “photographic painter” or “character portraitist”, Franz Szony transcends traditional photography in order to open windows into a lush, seductive, and intricately detailed world of fantasy and dreams where his seductive imagery fuses the classical with the modern, and depicts baroque aesthetics with a bizarre twist.
Szony’s work explores the intention and meaning behind beauty, evoking a mythical, archetypical atmosphere that has the potential to summon a meditative, imaginative, and even transcendental state of mind. Many of the photographs find their direct inspiration from Szony’s dreams, which he keeps meticulously logged in a dream diary. “The worlds and characters I’ve dreamt have inspired both minute details, as well as entire works of art, both aesthetically and emotionally. ”
Franz explains that, while most people consider themselves unconscious while sleeping, many philosophies teach that we are, in fact, more conscious while asleep than while awake… “If so, I can’t help but think our dreams to be more real and truthful than the physical world.”
See Szony’s solo show at Project One in San Francisco from July 11th-August 4th, 2012.
Like how a lot of things “aren’t they way they used to be” these days, rave culture and visual cues that go along with it, aren’t the way they used to be (there’s a flyer from a more recent event after the jump). A one sentence summary of rave history: In the late 1980s, the word ‘rave’ was adopted to describe the subculture that grew out of the acid house movement. Activities were related to the party atmosphere of Ibiza, a Mediterranean island frequented by British and German youth on vacation.
What I think is awesome is that there are so many varieties of design approaches in these flyers- heavily illustrated, minimal typography, photographical. You can’t even tell that all these served the same purpose, whereas rave flyers today basically all look the same and probably use the same 10 steps in a Photoshop actions bundle (any readers have one?).Because they are minimal, they would have translated well to posters, banners, or even tees. I think the watering down of this scene could be comparable to the punk scene- degraded and chessified in both sound and visual design. I don’t know, this topic is definitely open to discussion- feel free to comment!
Jim Gaylord will be exhibiting new work at Gregory Lind gallery, opening Sat. Feb 5th and running til March 14th. Building on his past work as a filmmaker, Gaylord’s work cultivates and abstracts imagery from special effects and action sequences in the movies. With titles like “Study (Braveheart + Jackass: the Movie + Cloverfield + Last of the Mohicans + Home Alone 2), 2009,” Gaylord reveals the humor behind popular culture through the lens of movies.