Manipulating glass to the limits of its expandability, Graham Caldwell creates surfaces marked by crumpled and stretched distortions. These agglomerations simultaneously recall stainless steel and shriveled skin, quite an unfamiliar pairing. The spectrum of forms and structures embodies an otherworldliness found in microorganisms or evolutionarily complex sea creatures.
Teetering between playful and sinister, much of Caldwell’s work hinges on the importance of viewer interaction. In one work the convergence of angles toys with the viewer’s understanding of perspective. One’s own image is contorted as if by multiple funhouse mirrors. In another work, planes of iridescent glass are interlocked in an organic, geodesic structure. Seemingly less concerned with the viewer’s presence, this work plays a mise en abyme within its own brightly hued peaks and valleys.
A photo of Motoi Yamamoto on all fours, creating these masterpieces, is all you really need to see to figure it all out. Even for those of us who haven’t listened to the mind of our inner child so consistently, it’s obvious that Motoi focuses, and creates. In the video we included above of Yamamoto creating these incredible installations, the painstaking scope of the work is put into perspective, making the clear connection between meditation, clarity of mind, and ability to create. This is to say, aside from these installations, we doubt he has any need to meditate. The targeted concentration he employs while creating is a function of total dedication to a vision. Much like we all did when the first building blocks or Lego’s were tossed at our feet. The mode is white wall, but for us, the process of creating the art is what makes this so exceptional. With a CV that looks like a yellow book, we’re clearly not the first to have latched on to the captivating works of this incredible Japanese artist. (via i paint my mind)
I’ve always been a fan of sneaking around in the dark, exploring tunnels, and generally causing mischief in places I shouldn’t go to. Long before the documentary Dark Days came out I was spending days exploring and occasionally painting the Freedom Tunnels in NY. Now that I’m on the west coast I don’t spend as much time as I’d like in train tunnels with a flashlight. It may be that I’m a bit older and just a tad more lazy these days but LA just doesn’t have as many dark and damp train tunnels like most of the major harbor cities on the east coast.
One day while spending too much time on Facebook, longtime friend and artists Logan Hicks made a post about Beneath The Neon. After reading three sentences in I knew that I needed a copy stat. After all I had feverishly read The Mole People cover to cover 10 years prior so I knew that Beneath The Neon would be right up my alley. After a few google searches I tracked down author Matthew O’Brien who was kind enough to shoot over a copy for a review.
Brooklyn-based photographer Marco Scozzaro creates Mirror Neurons, a straight- forwards series of photographs that capture the bodies of men and women wearing nude tights. You might be thinking that this project is kind of pointless, but in actuality it isn’t. Scozzaro’s clever ways of conceptualizing his pieces challenge the viewer to think outside the box and ultimately reach various conclusions at once.
Scozzaro began his project by photographing a series of nudes in front of a neutral background and had the models wear a pair of skin color tights as a metaphor for conformism. As the project developed (and gave it a name), Scozzaro started thinking about the motives behind his artistic choices.
Mirrors Neurons a family of neural cells considered to be the neurological base of imitation. I used this scientific element as a starting point to reflect on how different people follow the same way of thinking. It’s a projection on personal feelings such as solitude, detachment, shyness and the urge to connect with others.—Marco Scozzaro
Like in most of his projects, Scozzaro’s subtle but powerful and beautiful images allow for different layers of interpretation. In this specific case, we can take the nude tights as a symbol that simultaneously represents ideas of oppression and vulnerability. His interesting way of transferring concepts into these carefully arranged portraits extends its topic to a broader range of issues including identity, gender, and relationships. (via Feature Shoot)
These beautiful marbles from Portland based glass artist Mike Gong shows us he hasn’t lost his marbles at all – he has definitely still got them and, in fact, wants us to buy them. The talented man hand crafts colorful, intricate marbles filled with psychedelic swirls, bubbles, swooshes, and flecks. Ranging from about 13mm to 50mm, his marbles, which he calls ‘Acid Eaters’ are incredibly detailed and contain amazing miniature worlds within.
Gong’s marbles are full of abstract colors and forms, and he really exploits the materiality of the glass. Only with this particular material – and Gong’s patience and skill – can he achieve the depth, transparency and luminescence we see. You can purchase them here to look at them up close and in depth yourself. (Via Juxtapoz)
Adrienne Allebe’s exquisite drawings are a visual manifestation of the events happing in our enviornment. Renderings of microscopic organisms morph, blend, and sit atop imagery of man-made objects. Endangered and threatened animals and environments are drawn and painted so that they appear to transform, disappear and reappear in order to reinforce the tenuous condition of their existence. And forms appear to float in and out of focus, sometimes peacefully, sometimes violently, evoking the uneasy merging of human industry and technology with natural ecosystems.