Superstition aside, these sculptures made from shards of mirrors were created by artist Lilibeth Cuenca Rasmussen. If you look at the photographs carefully, in addition to the sculptures a person in a similar mirror-suit moves throughout the gallery. The gallery also projects a video for this exhibit featuring a person in this mirror-suit moving through commercial spaces in South East Asia and Denmark. It is interesting noticing the virtually universal nature of mannequins. Rasmussen brings out that they allow us to imagine the way clothes will look on us, but on a deeper level we project what we want to be on them. Similarly, these sculptures literally reflect those gazing at them. [via]
Fashion photography from the lovely Megan K Eagles.
35-year old artist Marcelo Daldoce is literally bringing a new dimension to art with his folded portraits of women. A native of Brazil now living in New York, Daldoce is a self-taught artist who began painting at 16. Daldoce’s previous work included large scale nudes incorporated with sophisticated typography, as well as portraits using wine as a medium. His early employment as an illustrator in an advertising agency left him with a distaste for the conventional and a need to make work that is expressive and innovative.
In his current work, geometric patterns conceal and reveal the women beneath, contorting their bodies into impossible shapes. He says:
“In bringing to life a flat surface, I strive to create a puzzle between what is real and what is illusion, what is painted and what is manipulated, turning paint to flesh, paper to sculpture.”
Daldoce’s primary medium is watercolor, which he has modernized through his technique and style. Color, pattern, image. It’s almost too much to process, which is where the origami-like folds come into play. The shadows cast obscure parts of the artwork, giving the eye a place to rest. “It’s mathematic, a process of folding, folding, folding,” he says. “Folding is actually the biggest job now because it takes more time. It’s more complex than just paint.”
In the portraits, the sharp edged paper is paradoxical to the soft curves and valleys of the women’s bodies, and this contrast is carried through the diverse elements of his work: hidden/exposed, abstract/figurative, flat/peaked, colorful/neutral, traditional/contemporary. The paintings leap off the wall dimensionally, but the bold display doesn’t overshadow the beauty of Daldoce’s captured women. (via Hi-Fructose)
When Brussels, Belgium based street artist Oli-B isn’t busy creating his fluid abstractions on the walls of europe he is working in the studio on a variety of personal and commercial collaborations. Starting as a traditional graffiti artist that dealt with the manipulation of typography, Oli-B has gradually transitioned from lettering to characters and finally to the present where the characters have evolved into amorphous shapes and colors that only hint at the presence of a figure with the occasional eye or mouth. (via)
I had to take a double take the first time I looked at Nicole Tran Ba Vang’s photos and installations. Gives a new meaning to the expression “second skin.” Intense!
The subject of Miljohn Ruperto‘s work in the recent 2014 Whitney Biennial is taken from the mysterious Voynich manuscript. Dating back to the 15th century, the book contains indecipherable text, whose authorship, has been credited throughout history to aliens, ancient Mayans, and long forgotten tribes. It repeatedly stumps the brightest scholars and laymen making it one of the greatest and most misunderstood academic mysteries of all time. The only clues to its origins lie in 126 unidentified botanical studies accompanying the text. The illustrations of plants and figures, drawn in a weirdly fantastical style, tell a story which seem to mirror life’s age old mysteries. The project involving Ruperto and his collaborator, Ulrik Heltoft began by making 3D models of the plants, which were then photographed and transferred onto black and white analog film.
The end result, is a series of creepy snap shots recalling old hollywood publicity stills. Creakily formed branches and stems appear as strange appendages, as the plants take on otherworldly shapes illuminated by sinister shadows. The staging of Voynich’s botany not only becomes haunting and striking but everlasting, offering the viewer a mostly cinematic experience. An ongoing project, it will continue with the duo creating new photos of the specimens accompanied by large paintings of an enigmatic planet known as 55 canri e. 55 cancri e is part of the cancri planetary system which revolves around our sun. Astrophysicists have suggested it might be composed entirely out of diamonds. This came to light after studies found when the planet passed in front of the sun, it absorbed an enormous amount of energy. However, much like the Voynich and due to its enormous distance from earth shall probably only remain escapist fodder for our intellectual pursuits.
Ugo Gattoni’s ambitious Ultra Copains drawing is over 32 feet long and 3 feet high. Ugo has managed to create a dense microcosm where buildings, figures, and explosive scenes weave in and out of one another and morph into one. With the scale of the figures being at roughly .32 inches (yes just a bit over a quarter of an inch) this massive illustration should go down in the history books. To see a detailed view of Ugo’s world check out the detail photos after the jump or visit the Ultra Copains site for a to scale interactive experience.
Berlin based Illustrator Katrin Hagen has a healthy sense of humor & she shares that with us through her illustrations. Uncluttered, witty, honest, and a few simply brilliant!