London based artist and designer Guo Cheng’s “Mouth Factory” is a series of functional machines specifically designed to be operated by the mouth of the user, Which includes Chewing drill, teeth lathe, tongue extruder, blowing rotomolding machine and vacuum form machines.
The project explores the capabilities and versatility of this wondrous organ and correlating facial expressions, re-contextualised within the realm of production. As a comment on human enhancement, the project aims to explore the aesthetic of production through a series of performative devices. By focusing on the mouth, the production devices acquire a fantastic quality that amplifies and render visible the reciprocal relationship and effects between our body and our tools. (via)
The trendiest bananas are far from looking yellow. Dan Cretu doesn’t let them stay that way. He gets them ready to strike a pose by handcarving and handpainting each one of them with geometric patterns, textures and vivid colors. No second degree, no political message; just the brilliant idea of admiring creative and colorful images.
Strangely enough they leave a taste in the mouth, the one of bananas of course, but with a twist of positivity and spontaneity. So many ideas to embellish a fruit, as we scroll down the “Bananametric Series” we can imagine that if the fruit was genetically modified by the artist we could end up with a large pallet of banana varieties.
Dan Cretu masters his art: by blending food sculpture with photography he offers the world a new idea of conceptual design. In his previous work he put together orange and lemon peels to make a camera. Due to its fragile nature, this process has to be done quickly as the fruits deteriorate. The peels, arranged in an unexpected environment rather than in a kitchen let’s say, generates in this case an eco-art visual identity.
That’s the purpose of Dan Cretu: “all objects and things around us daily are possible subjects for me. The challenge is to transform a common object that we don’t notice anymore into something unusual, alive, and appealing.”
Design partners M/M (Paris) put their spin on the alphabet for a collaboration with Prada, creating architectural black and white type where each letter is related to the others. They will release 5 collectible shirts with different letters on the front and the Prada-M logo on the back. Wear a different one each day and see what you can spell!
Now who will be first to make this into a font? More alphabet fun after the cut.
Artist Filippo Minelli uses the ethereal smoke bomb to paint atmosphere in vibrant colors in his striking series Silence/Shapes. This title refers to Minelli’s intention of giving the concept of silence a physical form. His clouds of color give off the impression of a demanding presence, taking over the incredibly picturesque surroundings that it inhabits. The photographer’s smoke bombs always take place in breathtaking environments, like deep in the mountains are on the surface of a serene lake. The boldness of the colored smoke is a harsh contrast to the calmness of its environment. However, the smoke can be as unpredictable and wild as the wilderness it is in, as it swirls and explodes with color into the misty air of forests and meadows. Even further, some of the most incredible views of Filippo Minelli’s compositions are of his smoke bombs wafting through the air of abandoned buildings. The organic shapes that the clouds take on create an amazing juxtaposition against the manmade structures that enclose around it.
When exploring this aesthetically genius series of Minelli’s, you realize that there is a complete absence of human form. No people are ever present. It is almost as if the colored clouds are a life of their own, standing in for human life. In one of Filippo MInelli’s photographs, it even appears that a bright, orange cloud is resting on a bench outside. The smoke begins to take on personality and substance, traveling to different natural environments and absorbing their majesty. Filippo Minelli explains the inspiration behind the series.
“The idea came to his mind when looking at political demonstrations footage, when he noticed that when the smoke was coming into the scene people stopped screaming and the scene was visually silenced too, so he thought of the smoke as the shape of silence taking over.”
Martin Eder is a German artist based in Berlin, whose nightmarish and perverse paintings abound with contradicting romantic cliches and infantile desires; his work displays lolitas in pornographic poses that are montaged with skycaps, warm bedroom interiors, and saccharine, girly kitsch that includes oversized crying kittens, giant candy, songbirds, fluffy poodles, puffy clouds, and cuddly white bunnies. Eder works exclusively from photographic references, making full use of high contrast and flat shadows and edging subjects with cyan and magenta. His paintings look imperfect and rushed in places, as if he works on his paintings only until they seem convincingly realistic enough. This slightly unpolished quality facilitates the paintings’ exploitative, creepy aesthetic and especially affects his female subjects, making them feel nondescript; the consequences of this purposeful lack of care in turn references the faceless and aggregative nature of pornography.A recurrent aura of seediness and the slightly distorted proportions of Eder’s subjects are reminiscent of the work of German Expressionist Otto Dix, although the anonymity of Eder’s subjects is a theme not reflected in those of Dix.
In his beautiful retro/modern gaming systems, Swedish designer and craftsman Love Hultén combines technology with classical artisan techniques. His wood encased computers and classic arcade games are both lovely and functional. Hand-crafted and refined, the technique, ornamentation and finish are traditionally Swedish.
“Hultén wants to resuscitate a fading culture and create curiosity towards the origin of video gaming, pushing gaming into a new context, making the arcade an artistic equivalent to the painting on your wall.
By working with materials that, without regular maintenance and daily care, grows a unique patina, the expiry date of a product is extended. The product will breathe through time, rather than get suffocated by it.”
For the gaming units, vintage arcade favorites such as Pac Man and Asteroids are encased in solid wood. Joystick pads and controllers are made from walnut, and custom leather bags are available for some portable units. Hultén’s works were recently shown in his first US show at the Holy Circuit exhibit at Austere in Los Angeles, California.
“Goodbye London” is the new music video from Luke Jackson, directed and animated by London-based animator Murray John. It combines stop motion photography of London with some nice hand-drawn animation added with After Effects. “I set out to capture the bitter sweetness of London life, using urban sketchy drawings on walls,” says Mr. John.