Yes this is a tad cheesy but I have a soft spot for anything LEGO related, especially if it’s a life size, actually working cello!
Premiere website builder Made With Color and Beautiful/Decay have teamed up yet again to bring you exclusive artist features. Each week we bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Website builder Made With Color doesn’t just help artists create minimal and mobile/tablet responsive websites but allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the work hilarious and offbeat illustrations of Kyle Stewart.
Canadian illustrator Kyle stewart is currently working on his Illustration degree at Ontario College of Art and Design University (OCAD). When Stewart isn’t busy hitting the books at OCAD he is churning out his pop culture laced mixed media illustrations, in watercolor, collage, and number two pencil. Influenced by everything from 80’s and 90’s sitcoms (Alf!) and action movies (Robocop!) to his early years of skateboarding, Stewart’s strong sense of line and bold color comes through in all his works making us laugh with him at his subtle alterations to the pop icons that we all know and love.
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ piece on photographer Clay Lipsky.
“I was raised during the height of the Cold War, when the threat of nuclear war loomed between two superpowers. The dramatized depictions in TV and film of such an apocalyptic demise both intrigued and scared me as a child. Yet the actual historical record of the atomic age was full of antiquated, black and white images that seemed dated and a world away.
This series, Atomic Overlook, recontextualizes a legacy of atomic tests in order to keep the reality of our post-atomic era fresh and omnipresent. It also speaks to the current state of the world and the voyeuristic culture we live in.
Imagine if the advent of the atomic era occurred during today’s information age. Tourists would gather to view bomb tests, at the “safe” distances used in the 1950’s, and share the resulting cell phone photos online. Broadcast media would regurgitate such visual fodder ad nauseum, bringing new levels of desensitization.
The threat of atomic weapons is as great as ever, but it is a hidden specter. Nuclear proliferation has gained even more obscurity through the “rogue” factions that can now possess them. Meanwhile America’s stockpile of weapons continues to be modernized and will probably never cease to exist. I can only hope that mankind will never again suffer the wrath of such a destructive force, but it is clear that the world would not hesitate to watch.”
Clay Lipsky is a fine art photographer & graphic designer based in Los Angeles. His photos have been exhibited in various group shows, including those at the Annenberg Space for Photography, MOPLA, Pink Art Fair Seoul, PhotoPlace and Impossible Project NYC.
Working with thick dark outlines, Eko Nugroho‘s graphic technique and imagery reflect Indonesia’s media-rich and politically charged environment. The artist cites Malaysian cartoonist Lat, TV series from the 1980s such as Megaloman and wayang kulit (shadow puppets) as early influences. His part man-part machine characters are often accompanied by bizarre and ironic statements in speech bubbles or t-shirt slogans. At times, they can be menacing, displaying the potential for violence – wielding sharp objects in their hands, or with weapons as limbs. In others, they come across as scientific experiments gone wrong –a la B-grade films – where humans mutate into alien-like creatures, sprouting plastic flowers from their orifices, crouching on all fours with test tubes and strange objects growing from different parts of their bodies. Imbued with macabre humour and satire, Nugroho’s comic inspired work may come across as seemingly straightforward – often a central figure standing against a simple background, presented as a series of simple scenes from a larger narrative – while the artist’s inimitable pating tlecek style of fusing and juxtaposing a wide range of visual elements (and languages), lends his work a certain layer of absurdity.
Javier Perez is a commercial artist and designer who has been having a blast on Instagram creating quick and simple sketches that combine the 2D world with our own 3D reality. Perez obviously has a lot of fun playing around with different ways to combine the two visual effects and create a hybrid in the photograph, which makes it equally a joy to view. He uses his fingers, or objects like food, matches, toothpicks, and the like as the props for his drawings.
His bio on his website states:
My work is very simple and minimal. I want that the person can take a break of the saturation of the photos in general. I never imagine that the people of the world will love my illustrations. It’s amazing the thousands of messages and fanarts I receive.
“Create every day. No matter your skills.”
He brings up a really great point about saturation. We truly are bombarded with so much imagery, especially through the Internet, and so a great deal of the appeal of Perez’s work comes from its simplicity. It allows the viewer to breath and rest peacefully on the image. Each one is enjoyable and easily understood; there is no ambiguity or doubt as to what is going on. (Via Faith is Torment)