Branden Koch’s paintings are mysterious narratives that take place in lushly painted worlds full of dark secrets, hibernating bats, dark secrets, and exotic plants.
Khalil Chishtee constructs life-size sculptures out of plastic bags. Much of his figurative work is evocative of movement and fluidity, and indeed, some of his work is sculpted in such a way as to be constantly moving. Admittedly charmed by the vastness of the plastic bag medium, Chishtee enjoys the way it respectfully responds to his deepest emotions.
“We live in the age of plastic, and plastic bags are the most ordinary form of this material. It goes back to the Sufi approach of my upbringing where worth does not depend on what you inherit, it depends on who you are. Anything made out of bronze, wood, stone or painted on a canvas carries the appearance of being worth looking at, because of its history, but if one can change the impact of that history, one is an artist.”
Originally from Pakistan, Chishtee now resides in New York. (via combustus)
Brendan Cass has been busy turning out awesome new paintings since his studio visit in April. Nailing the beautiful, effulgent color he’s known for, Cass is pushing into some new terrain with night-scapes. It’s all headed to Paris for Brendan’s upcoming show, Infrared Scene, which opens September 4th at Galerie Zurcher.
Capturing monumental beauty in the little things in life, artist Pyanek photographs captivating images of everyday objects up close and personal. In his series Amazing Worlds Within Our Worlds, he photographs ordinary objects like cornflakes, book pages, and soap foam. However, these seemingly mundane objects do not look so ordinary when they are taken in Pyanek’s close-up photography style. What was once a familiar object has now become unrecognizable through the artist’s lens. The images are zoomed up close, and dramatically cropped to the point of abstraction, with Pyanek referring to this technique as macro photography.
The incredible detail shown in this series goes beyond what the naked human eye can see. We are shown tiny worlds where a grain of white sugar appears to be a diamond and a kitchen sponge looks like a strand of DNA. These stunning photos reveal every texture and color in the commonplace objects that we overlook everyday. We are able to examine every fiber of the stalk of an apple or the page of a book. Pyanek reminds us to stop and notice the small things in this remarkably beautiful series. If you are hungry for an even more dramatic, striking photographs of ordinary objects magnified, than you are sure to love the video compilation of the series Amazing Worlds Within Our Worlds, which was edited and scored by the artist himself.
Sølve Sundsbø is a London-based (Norway-born) photographer whose highly stylized shoots bring an experimental edge into the world of high fashion. This particular series — called Points a la Ligne — was shot for Numéro magazine’s May 2008 issue. The concept is simple, yet powerful; patterned shadows of stripes and circles are cast across the body of a nude model (Edita Vilkeviciute). Between the model’s painted-white skin and the pitch-black shadows surrounding and traversing her, the photos are strongly contrasted. Her lipstick — in varying bright shades — is the only source of color that punctuates the series, attracting the eye to her mouth.
The result of Sundsbø’s experiments with light and shadow is a photo series that lends a sensual geometry to the body. In some images, the shadows — which appear painted on, initially — give her body a feline appearance, and in others, almost a pop-art/film noir aspect, or even more abstractly, the way sunlight reflects off of sand dunes. The interpretations are varied, but the illusory effect on her form is beautiful.
Sundsbø has shot for a number of fashion publications and beauty brands, including Vogue, NYTimes, Chanel, Dolce & Gabbana, and H&M. You can explore the rest of his imaginative, sensual, and highly polished work on his website. (Via Art Fucks Me)
Grace Miceli is an artist based over at Burlington, Vermont. I am really enjoying her portfolio of collage, and photographs. Her collages in particular are pretty interesting as they range from satirical to full of humor.
What’s behind the door of a therapist’s office? Psychiatrist and photographer Sebastian Zimmermann provides a look into these spaces with his new book titled Fifty Shrinks. It features 50 portraits of New York City therapists in offices that are normally only seen by their patients.
“In contrast to other medical specialists’ offices with their practical equipment of examining tables and rolling tools, the therapist’s work space has few obvious demands beyond seating for clinician and patient,” Zimmermann writes in the introduction. It’s fascinating to see how these offices vary, each with their own idiosyncrasies that meant to support those they’re trying to treat. An essay for the book, by architect Elizabeth Danze, explains that the spaces are “floating vessels, places of sanctuary and protection, healing, and reconciliation,” and goes on to say, “a patient reflects on the trajectory of his or her therapy, an indelible part of that recollection involves the space in which it took place.”
Depending on your personal preference, some offices are more appealing than others. The colors, textures, and choice of seating are all different and no doubt unique to their own philosophies. Zimmermann had the idea for this project about 13 years ago, when he was starting his own practice, and became “aware of the paradox that I spent most of my time interacting with many people yet feeling that I worked in isolation.” (via Hyperallergic)
Phrased very well by BLDGBLOG as a possible scenario and usage of Sebastien Wierinck’s public furniture: “After a long day at work, then, you would walk into your house – which has no permanent furniture – and you’d see a shimmering mass of black tubes swaying in a slight evening breeze above your head…You’d push several buttons, and the system would begin to move, drooping down in long loops and turning back and forth in tight corners and curves, all laying out the forms of temporary furniture – bed, table – as you get ready for a quiet night at home.” I love the photo documentation- each set of furniture seems to have its own mood.