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Paul Hazelton

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Paul Hazelton creates ephemeral, fragile sculptures from the cast-off tiny death material of household dust. All we are, is dust in the wind dude, as Bill and Ted so eloquently quoted once.

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ARTIST INTERVIEW: ROBERT FONTENOT’s Bread Dough Sculptures

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Robert Fontenot’s sculptures, made out of bread dough, present the viewer with extremely humorous, yet severely violent worlds. He’s the author and designer of three books. Two of which are about the histories of ancient mythologies and the other of which is an illustrated history of performance art – that is, in my opinion, far more entertaining than Roselee Goldberg’s classic Performance Art: From Futurism to the Present. However, skillfully sculpting the human form’s most revealing gestures is not Robert Fontenot’s only mastered practice. He also has an ongoing series, where he embroiders textiles, as well as another project entitled Recycle LACMA – in which he buys deaccessioned items from the museum at auction and then turns them into items of use. For example, he transformed a Brocade evening dress into a fully functional fanny pack. If you have your wits about you, then it won’t take long to recognize the awesomeness of Robert Fontenot’s work.

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London-Based Electronic Musician/Producer, Jon Hopkins Returns with Immunity

Jon hopkins Photo by Steve Gullick

Photo by Steve Gullick

Jon Hopkins released his fourth full length solo album earlier this year, Immunity on Domino Records. “The first sound on Immunity is that of a key turning, unlocking the door into Jon Hopkins’ East London studio. It’s followed by the noise of the door slamming, then footsteps, and then finally the crisp, clipping rhythms and pulsating bass of ‘We Disappear’ emerge, signposting the most club-friendly music Hopkins’ has made to date.”

I was able to catch Jon open up for Purity Ring the other night at the Fonda Theatre in Hollywood and while it took the crowd a few songs to warm up to him, by the end of his set everyone was dancing along to his hypnotic beats. Jon recently remixed Purity Ring’s “Amenamy” and Megan from Purity Ring added vocals to his track, “Breathe This Air”, it would have been a great opportunity for them to perform together on stage, but that never materialized. They did however give out a very limited 12″ vinyl that had both tracks on it if you were one of the first 150 in the door.

Jon will be performing this coming Saturday, August 31st at MOMA PS1’s Warm Up in New York and will also be appearing later that night at the Cameo Gallery in Brooklyn. He’ll then head back to Europe for a string of festival shows. Check out the beautiful new version of, “Breathe This Air”, featuring Megan of Purity Ring and be sure to catch him at one of his upcoming shows.

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Hardland/Heartland (redux)

 

 

I wanted to issue an apology for committing the ultimate blogging sin: mixing up two artists’ works (!!). So here is my attempt to correct my error.. the HARMLAND/CHARMGLAND post I made was actually composed of two Flickr accounts’ works: Hardland/Heartland and Portrait Painters. This post is about HL/HL, and the next will be Portrait Painters. Damn, the internet is a tricky business.

 

This description is taken straight from the horse’s mouth:

 

“Hardland/Heartland is an amorphous cluster of artists working to create an ongoing visual investigation of our own personal histories, cultural interactions and possible futures. Using intuition and collaboration, we have embraced multiple mediums and methods that allow us to present our findings, not as definite statements, but instead as a more pragmatic communication of ideas that can be built upon and developed over time. These results are pieced together to form a lexicon of personal symbolism that serves as an authentic record of our creative endeavors and interaction.”

 

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Artistic Duo Challenge Body Politics Through Remarkable Images Made With Menstrual Blood

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Menstrual Designer Jen Lewis and Photographer Rob Lewis are redefining body politics in their series Beauty in Blood. Together, they create breathtaking images with an unlikely, and, more often than not, taboo material; menstrual blood. The idea of using her own bodily fluid as a medium came to Jen Lewis after deciding to use a different kind of feminine care product; reusable collecting cup that she would use and then dump its substance into a toilet. She explains that seeing such a bright, red liquid swirl around stark, white porcelain was absolutely stunning. Believing that menstruation is a beautiful, natural part of life that is all too often avoided, the artist decided to capture it in remarkable photographs to open up a dialogue and shed some much needed light on the subject. Jen Lewis explains that this series is not meant to be shocking or vulgar, but exactly the opposite. Her and her partner Rob create each striking image through a process of design, care, and selection.

This series is a celebration of femininity, a look into a healthy part of every woman’s life that we are often taught to be ashamed or embarrassed of. This dynamic duo aims to change the social norm of menstruation being hidden or taboo in society by allowing the viewer to get up close and personal with a natural part of life, not to mention part of the cycle that creates life. Each image claims the true and honest beauty that this significant and momentous part of life deserves. The aesthetic appeal and allure this series holds breaks down the politics of women’s bodies that contemporary society tends to control. Jen Lewis elaborates on this subject. (via FeatureShoot)

“In my experience, women and men are hungry for an authentic dialogue about menstruation and all that encompasses. It is clear the time is now to stand up and speak out on behalf of menstruation. It is a natural, messy but beautiful part of life.”

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Nona Faustine’s Powerful Nude Photographs Expose NYC Locations Connected To The Slave Trade

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Nona Faustine’s powerful imagery looks back to a time of slavery that exposes locations around NYC where humans were once bought and sold in the slave trade.  Entitled “White Shoes”, Faustine photographed herself completely nude except for a pair of white shoes in areas where much of this illicit activity took place. On Manhattan island, this includes a busy street on Wall Street and the steps of City Hall. In the photographs, Faustine stood atop a box on the Financial Street, as if she were back in a slave market and then walked up the steps of City Hall built over an African burial ground. Her visuals speak volumes to the viewer as we can only envision someone like her in that detestable situation.
Some of the more powerful shots of “White Shoes” find the artist passed out in the water near rocks on a beach and atop three gravestones in Brooklyn. Her courage to use herself rather than a model is exemplary in that it shows her genuine interest in having a direct connection with the narrative. Along with the photographs, she uses quotes which mimic passages from the Declaration of Independence and other human rights documents. Slave trading was legal in New York for almost 200 years. It began in 1626 with the Dutch West India Company and ended in 1827 with the help of slave advocacy group the New York Manumission Society.
Nona Faustine is a 2013 MFA graduate of Bard college. Her work delves into gender politics, folklore and how the past affects the present and future. (via blackgirllonghair)

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Paul Cowan

I’ve been quite impressed by the most recent endeavors of young Chicago artist Paul Cowan. After seeing presentations from Cowan at the Green Gallery East, Devening Projects, and most recently, Alderman Exhibitions, something seems really fresh about the work. Quick, gestural paintings paired with a sort of “dry humor” install techniques utilizing pedestals, chairs and balloons amongst other things in unconventional fashions. Check out photos from “Breaking the Law“, ” Three Card Monte“, and ” Causality Without Cause” after the jump.

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Michael Bussell

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Michael Bussell, a student at the Maryland Institute College of Art, is already creating some beautiful photography. His most recent series “Shrines” is a study of habitual human practices and how they relate to religious iconography. Maybe cleanliness really is next to Godliness.

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