Ryan Swanson digitally manipulates images to create neon-techno-funky-retro-futuristic collages. If you enjoy juxtaposition, take a look at his work.
Michael Murphy is a Brooklyn-based artist known for his perception-challenging sculptural installations. Featured here is a new work titled “Branded,” commissioned by the Manhattan creative consultancy Lippincott. In an exploration of the term “brand identity,” Murphy used 100 laser-cut images of graphic logos to create a human face—more specifically, the face of his daughter, Iris Isadora. Portions of her photo where printed across each logo. From a distance, the image appears complete; move closer, however, and the portions break apart into distinct logos—Starbucks, Instagram, and KFC among them. Watch the video above and see how the installation changes form depending on one’s vantage point.
Lippincott believes that a company’s brand represents not only an identity, but a possibility; “it is who you are and who you aspire to be” (Source). By constructing a human face out of logos, Murphy’s work intends to represent how brands themselves can function similar to living entities, changing and growing along with the cultural trends. The fact that perspective changes the form and cohesion of the installation suggests that one’s own experience of a brand can function within a subjective framework.
In addition to Lippincott, Murphy’s other clientele have included TIME Magazine, Washington Life, and Art for Obama. For the past two years he has been collaborating with Michael Jordan and Nike in the creation of retail centerpieces for the Jordan Brand. View Murphy’s website to learn more. Isadora is a musician whose work can be heard here.
Carol Inez Charney is a photographer based in San Francisco. Her newest body of work is a series of images that resemble colorful abstractions. In reality the photographs are close-ups of water on windows as well as the colors that surround them. In her own words: “My current photographic series, Interior Landscape, uses natural distortions present in our everyday world—namely, moisture on windows—to evoke a painterly image that recontextualizes our everyday architectural landscape. While focusing on the minute details of these natural distortions, we enter a space of quiet contemplation, which simultaneously inspires a new kind of internal and external vision. After several years of combining painting and photography with mixed results, one very cold day in Minnesota I looked through a window completely covered in condensation out to the frosty distant landscape. I realized I could use the camera to reinterpret the world around me into a form akin to that of painting.” (via)
Photographer Cheuk Lun Lo‘s series of hair in media rinse is stylish and playful. The hair is teased into tangles and swirls, white shampoo tinting the curves like seafoam. Some of the spikier specimens begin looking like sea creatures if you stare at them too long; another is reminiscent of a hedgehog. One photo, an unassuming, almost shy curl of hair, looks like something you might find in a shower drain — a big cowlick, basically.
According to My Modern Met, Lo’s photo series first appeared in the Chinese magazine Numero Magazine. The photo series in a way defies conventional standards of beauty: the meticulous grooming, the impeccably ironed clothes, the put-together and perfectly powdered face. Instead, Lo’s photos show that the unusual can be captivating; pinned to a dark background, these half-washed yet fully conceived hair styles are mysterious and lovely in a way that perhaps wouldn’t be possible for a finished product with a shiny veneer. (via My Modern Met)
Celebrity photography is usually quite dull focusing on the popularity and power of the star. So it’s a breath of fresh air to pull up the portfolio of London based photographer Levon Biss and discover images of celebrities that are full of humor, quirky narrative, and unique sets.
Superheroes and toys, clever photography and computer magic, familiar figures and surreal scenes—Ottowa photographer Daniel Picard may have found the perfect recipe in his series “Figure Fantasy.” Using items from Hot Toys and Sideshow Collectibles, he sets up scenarios on location and shoots them, making the 6” to 12″ tall toys look like they are full-size.
“Seeing Superman stop a train in danger is quite common, but making him take a selfie while doing it is something new and quite silly and that’s how I try to approach my photos: I take these characters from different books and movies and mix them up and make them do things that we’ve never seen them do before because that’s the freedom I have in using these awesome poseable figures and they’ve truly become the perfect ‘actors’ for my scenes.”
The photos feel like a very well executed glimpse behind the scenes. It turns out that when the cameras are off, even Darth Vader has to pee. Batman is a snitch, the Joker is building his own LEGO Gotham, and the IG-88 Assassin Droid practices yoga on the beach. Picard’s childhood interest in comic books serves him well here. From the very first, impromptu, photo of a robot in a field holding a blue balloon, the images have been funny, sometimes scary, sometimes wistful, and always cool.
“I see places and think of photos, scenes and angles in my head, then [I] come home and sketch things out while looking at my collection to see who could be cool to use and how to pose them.” (Source)
Picard has recently teamed up with Sideshow Collectibles for some as-of-now unannounced projects, using their 12” figures as well as their statues. Follow him on Twitter and Facebook for updates and new photos!
Recently, while doing some top-secret research for Beautiful/Decay, I ran across Suzanne Treister’s new series entitled “Alchemy”. They’re ink drawings transcribing the front page of daily newspapers into Alchemical style manuscripts.
Capturing monumental beauty in the little things in life, artist Pyanek photographs captivating images of everyday objects up close and personal. In his series Amazing Worlds Within Our Worlds, he photographs ordinary objects like cornflakes, book pages, and soap foam. However, these seemingly mundane objects do not look so ordinary when they are taken in Pyanek’s close-up photography style. What was once a familiar object has now become unrecognizable through the artist’s lens. The images are zoomed up close, and dramatically cropped to the point of abstraction, with Pyanek referring to this technique as macro photography.
The incredible detail shown in this series goes beyond what the naked human eye can see. We are shown tiny worlds where a grain of white sugar appears to be a diamond and a kitchen sponge looks like a strand of DNA. These stunning photos reveal every texture and color in the commonplace objects that we overlook everyday. We are able to examine every fiber of the stalk of an apple or the page of a book. Pyanek reminds us to stop and notice the small things in this remarkably beautiful series. If you are hungry for an even more dramatic, striking photographs of ordinary objects magnified, than you are sure to love the video compilation of the series Amazing Worlds Within Our Worlds, which was edited and scored by the artist himself.