Jesse Kanda has earned his stripes as a digital artist, creating album artwork for the edgy pop artist FKA Twigs and working closely with producer Arca (who has produced for Kanye). His figures move in an oddly distorted way, sexual but also mildly disturbing. They’re coloured either in deep bruise-like hues, or glowing and shining whites and blacks. Although they are perturbing in their deformity and colouring, the figures are ethereal and set in tantalizing positions.
One image, made for Arca’s cover for Thievery, shows a woman with large hands running up her thighs chased by a deep black shadow. The lighting illuminates the rest of her body in blinding white so she appears like some kind of porcelain. For the same song, Kanda also created a music video of a woman with green, purple, and white skin slowly and sensually twerking. It’s kind of mesmerizing to watch.
Kanda interviewed for Fader magazine, and spoke about his process:
When you work with a computer, every frame has to be created and calculated, so it’s prone to mechanical results. I try my best to set up my working environment so that accidents can happen. A good [method] is working really quickly. Like making large brush strokes to start with and then adding/subtracting details later.
This is another advantage I have working with computer graphics: the control I have over lights. I have complete freedom over how many lights I have in a scene, where to put them, even whether to automate them. Sometimes they can have a life of their own, like the light itself is a character. (Via Fader)
Fountain is a sculpture made by Letha Wilson using drywall and wood reclaimed from art gallery walls, and an artist’s studio walls. In this piece the form of a classical water fountain is invoked, typically present in a garden or entryway as a symbol of the utopian ideal. Walls and building materials previously used to house artworks, complete with paint stains and remnants of their past life, are re-newed into this functional water fountain. The drywall materials will gradually deteriorate away over the course of the exhibition as the paper and rock-based materials are worn down by constantly moving water.
Culinary artist Annabel de Vetten creates, bakes, and sculpts incredible, artistic edibles that tend to be on the dark side. She makes sinister sweets that look exactly like bird skulls, animal insides, and the exposed organs of a cadaver. All of her detailed work would be impressive as a sculpture, but to make it with chocolate, cake, and icing takes a very unique set of skills. Her morbid, graphic style of cake making grew from a background of fine art and, not surprisingly, taxidermy. During this practice, Vetten became very familiar with the site of guts and bones, which is why the inside of her human and animal corpses appear so real, even though they are actually desserts.
You may wonder who would want to eat something that looks so horrifying, but Vetten’s business is booming! Her business, clever named Conjurer’s Kitchen, is wildly successful and only continues to grow. This means that her cooking not only looks amazing, but it must taste great as well. In order to accurately construct each bone and blood vessel, Vetten must only use the finest ingredients. For her chocolate sculptures, she must use high quality Belgian chocolate, so that the features won’t melt away. For the coloring, she invents deliciously creative ways to integrate food that naturally has the hue she desires, making both her technique and her subject matter equally innovative and unique. Vetten’s sickening sweets may display a deathly subject matter, but more importantly display unbelievable artistic skill. (via Munchies.Vice.com)
It’s Monday! Can’t waste anymore time sitting in front of the boob tube rotting your brain away watching Jersey Shore reruns! But before you kick it into high gear watch this investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off”. Sometimes the only way to get something done is to do two dozen other things first.
Italian street artist Paopao views the world in a different way than you and me. When we see an electric box he see’s Sponge Bob. When we see circular cement blocks in the streets he see’s an eight ball, and when we see a plain old bush he see’s an ostrich. See these and more street alterations after the jump.
Nedda Afsari (aka, Muted Fawn) is a LA-based photographer who infuses fashion photography and portraiture with elements of the eerie, erotic, and strange. Influenced by a combination of music, art horror films, the supernatural, and her own lucid dreams, her images stir the imagination as powerful, semi-surreal visions. Women in strappy, edgy lingerie pose sedately with their faces hidden in washing machines and behind walls; a masked matron symbolically opens an empty birdcage; another sits up on a desert road, her body swathed in plastic wrap. In every image, her figures exude a stunning sense of otherworldly calm, beauty, and confidence.
When I asked Afsari what impressions and feelings she hopes her viewers will take from her images, she expressed the desire to connect and empower:
“[M]y main hope is that the viewer is able to feel an emotion from my photographs and formulate their own meaning. I enjoy photographing women that have a strong feminine presence and love to capture that seductive power and alluring mystique. I tend to be pretty shy, so in a sense I feel like I’m sometimes vicariously living through some of these ladies I photograph and it’s helped me open up a little more personally.”
Afsari explores femininity in a way that crosses the decades of fashion photography, seamlessly blending vintage pin-up-style portraiture with a more contemporary latex-occult fetishism. Feminine power is not rooted in conventional notions of sexuality, exploring women as ethereal and dominant presences. She regularly collaborates with artists who share a similar aestheticism, such as the alternative designers Hopeless Lingerie and Creepyyeha.
As for upcoming projects, Afsari is currently working on collaborations with photographer Kristin Cofer. She is also putting together a gallery show in LA and Miami and aims to create more video projects in the near future. Check out her website, Facebook, and Instagram to follow her inspiring work.
At last a preview sample of our highly anticipated Future Perfect book has arrived! B/D teamed up with Toyota Prius Projects for Bool:6 to bring you a month long competition to find the best up and coming artists in the US. After receiving 300+ entries we narrowed it down to just 100 lucky creatives whose works will appear in book. We can’t release any official photos of the book just yet but I thought it might be fun to tease you all with a few phone pics. Remember that all B/D books are limited edition and sell out (Want proof? Check out the banner on the right of the screen. Book: 5 sold out in just over a week!). Make sure to Subscribe to reserve your copy of Beautiful/Decay Book: 6 today!