Constance Mallinson‘s large-scale paintings merge the man-made world and nature literally by constructing figures from images of leaves, twigs, and decaying organic material. They are grotesque meditations on both the mortality of humans and the world in which they live. Her full-figured “nature people” reference both the works of Giuseppe Arcimboldo, the 16th-century Italian known for paintings in which still life objects are used to form surreal portraits, and famous paintings, such as Edouard Manet’s 1863 seminal painting “Olympia.”
In examining her recent paintings created from decaying matter, L.A. Times critic Christopher Knight wrote that “after painting savvy landscapes for more than twenty five years”… the current “imagery suggests the way in which we project ourselves on conceptions of nature, creating the natural world even as we go about assuring its destruction.”
The pen, ink and gouache works of Minneapolis-based artist Nick Howard are a visually startling exercise in repetition, form and mass-psychology. By carefully rendering similar figures gathered together in masses, each drawing creates formations and shapes that echo the power of a collected focus, or the terror of mob mentality. Using a style that is precise yet simple, individual figures blend into one another despite their unique features, masks, several mouths and monochrome capes. Enhancing the eerie and silent quality of the works is the monuments that occasionally appear, built by the nameless and faceless, or simply serving as a symbolic, yet arbitrary, gathering point.
Says Howard in a statement of his work, “I am fascinated with people, relationships and mass psychology. In particular, I am interested in how the mind works and how the feelings, thoughts, ideas, and perceptions we have create our world both personally and collectively. I find inspiration for my work by both looking outwards and inwards.”
This simultaneous outward and inward focus is particularly fascinating, as it illuminates the allure of the collective – whereas one figure alone might not illicit an emotional or aesthetic response, hundreds or thousands of them, carefully drawn and carefully placed, create a sum that is greater than its parts. Similarly, the drawings tap into the simultaneous feeling of empowerment within a large group, as well as the loss of individual and personal control.
We have just put the finishing touches on the re-launched online portfolio for Something in The Universe, replete with features as sleek as the side of an interstellar alien space capsule. We’ve added a ton of new projects to the roster, including designing a tour website for legendary grunge-rockers Alice in Chains, the Deftones & Mastodon, beer-flavored ice cream (and full service marketing and design) for Colt 45, logo, design & coding for Velvet Hammer, and a ton more.
Be sure to stop by- we guarantee you’ll be seeing stars. Drop us a comment and let us know what you think!
And, if you want SITU to work for you, be sure to email us and get in touch! We are currently available to turn youridea into…. Something. Whether it’s a simple business card design, or the entire re-branding of your website, no job is too big or too little for us!
Brooklyn-based photographer Rob MacInnis captures candid portraits of farm animals in his aptly titled Farm Series. The desaturated, vintage-looking photos provide a nostalgic and straightforward view of cows, horses, goats, and more. Staring completely calm at the camera, they pose for family photos in barns and in the wilderness. Sometimes, MacInnis will also highlight a single animal in up-close and personal portraiture. It showcases their wild, textured hair and kind eyes.
There’s something that’s delightfully ordinary about these photos. They aren’t flashy or bursting with color. Instead, they depict a simpler life that’s unfettered by technology and dense cityscapes. It’s as if by looking at these images, we’re reminded of old family portraits – ones where we’re younger and things didn’t seem so complicated. (Via I need a guide)
So we got an email from Mr. Matt Manos of B/D internship fame, regarding UCLA’s Design Media Arts Undergrad show on Jan 14th. In his words: “what is funny is that me, Kate Slovin, and Corinna Loo are the ones curating it. Also what is funny is that I designed the poster for it and Greg Ruben took the photo for the poster. Also, Cameron Charles will be in attendance. So the show is basically reigned upon by B/D alumni.” Well yay, B/D alumni! More official text after the jump….
Through his series, “The Birth of Feminism,” Daniel Almeroth shows the symbolic events that occurred before and after this political movement. In each piece he is trying to portray the way women were controlled by men through many different aspects of society and the path women of this time took to gain equality among men. I really enjoy his use of colors for this subject matter. The color palette is unexpected and I feel he could have taken a much different approach to such a serious political movement in our history, but I love the path he chose to take for this series.
Lindsay Bottos, a student at the Maryland Institute College of Art, has created “Anonymous,” a series of webcam selfies overlain with anonymous messages she’s received via her Tumblr page. The messages Bottos uses criticize her appearance, body-shaming and slut-shaming the selfies she’s posted to her Tumblr page. “I get tons of anonymous messages like this every day and while this isn’t unique to women, the content of the messages and the frequency in which I get them are definitely related to my gender. I almost exclusively get them after I post selfies. The authority people feel they have to share their opinion on my appearance is something myself and many other girls online deal with daily.”
The timing of Bottos’ project coincides with a recent article published by Pacific Standard that makes the case for online harassment, especially of women, as the next issue facing women’s civil rights. Even through a medium like the internet, a platform perceived as a level playing field of expression, women receive a disproportionate amount of threats and abuse related to their gender and appearance. Bottos asserts, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on and a society that profits off of the insecurities that it perpetuates. Selfies are like a ‘fuck you’ to all of that, they declare that ‘hey I look awesome today and I want to share that with everyone’ and that’s pretty revolutionary.”
Bottos’ other projects also heavily feature text, written or embroidered, onto various surfaces. For “Get Over It,” Bottos embroidered thoughts about her sexual assault onto a tear- and mascara-stained pillowcase; for “The Morning After,” she wrote thoughts in permanent marker in places touched by a hook-up; and for “I Don’t Really Miss You,” Bottos embroidered thoughts about a relationship onto images, clothing, and mementos. Whichever medium she uses, Bottos conveys her vulnerability though language and form, rendering an honest and engaging perspective. (via buzzfeed)