“X marks the spot” is an ongoing series, which is about looking for the hidden possibilities that are related to form and function and the game between the reality and my fantasy. My inspiration is my house and my environment (it’s a kind of a kitchen chemistry), that becomes a playground. I like to work with common objects and discover their possibilities, give a new function for them. I try to play with the borders of the nonsense; something that looks foolish at the first place can always find its right place at the end. But like in every game and story it is impossible to tell what will happen and how the end is going to be. The whole project can become a tea party or a toy story. It doesn’t really matter how we call it, because eventually it is just a game, which is about the fact that you can enter to an other world.
Japanese artist Kohei Nawa created an amazing foam installation that took over the entire room of a gallery in Japan. The perfect finishing touch, tiny specks of light like a night’s sky, added a dash of poetry to the ambiance.
Titled Foam, Nawa experimented with various combinations of glycerin, detergent, and water until he had realized the ideal, perfect, pliable foam, one that would not be affected by gravity or lose shape. The installation, which was being altered continuously by eight different pumps in the room, had an eternally shifting presence which made the clouds even more realistic. Looking at it scientifically, he said:
“Small cells bubble up ceaselessly with the slight oscillations of a liquid. The cells gather together, totally covering the liquid as they spontaneously form a foam, an organically structured conglomeration of cells. The risen volumes of foam link together and reach saturation, but continue to swell, occasionally losing vitality and spreading out over the ground.” (Excerpt from Source)
Diane Meyer distorts sections of personal photos resulting in compositions that comment on memory. In her own words: “This series is based on photographs taken at various points in my life and arranged by location. Sections of the images have been obscured through a layer of embroidered pixels sewn directly into the photograph. The embroidery deteriorates sections of the original photograph forming a new pixelated layer of the original scene. The project refers to the failures of photography in preserving experience and personal history as well as the means by which photographs become nostalgic objects that obscure objective understandings of the past.” (via)
London based Stewart Gough’s high-tech sculptures look like a mixture between NASA space explorers, mad scientist chemistry labs, and futuristic war machines. However they are all built out of everyday materials such as plastic plates, pipe fittings, tape, nylon strings and other everyday materials you could get at your neighborhood hardware store. (via theeyestheysee)
Artist Serra Victoria Bothwell Fels converts reclaimed wood into unimaginable installations that will leave you lost in their endless, repeating triangles. She builds these spaces in settings as diverse as a convent, an abandoned secret society hall, and the Palais de Tokyo in Paris. The reclaimed wood used to build these impressively complex structures, mostly lath wood, is from unused building materials that Fels finds behind old plaster walls. This Brooklyn based artist says she has always been interested in building mechanics and how things work, which explains why her process exemplifies this curiosity as she takes pieces of the whole to create an entirely new and intricate structure.
Her process starts by creating a blueprint of the future piece, which is an artwork in itself. She then begins to use the found wood to create structures that contain abstracted patterns. Using mostly triangles, each of Fels’s pyramid shaped installations are both organic and geometric. The receding triangles and repetitive lines pull you in and demand your attention. Each triangle in her installations seems to build off of itself, as it spreads and grows across each wall like moss. The structures beautifully transform and morph its surroundings into an entirely different environment that the viewer can often enter. The artist develops her inspiration from vast landscape and cathedral ceilings, both of which are apparent as her immense artwork adds a dramatic vastness to the space it inhabits. These cave-like installations are a wonderful way to make stunning use of salvaged material!
Are you always in search of the perfect color palette? Well, Pantone Café has not only given you just that, but their brilliant hues are available now on a platter. Finally, food that is worth snapping a picture of! Now, the food you eat can match your mood or even your outfit. Each serving tray, cup, napkin, slushy, and food item has been matched with its Pantone color equivalent. Even the espresso machines hold incredible, eye-catching colors that are impossible to ignore. The menu at the Pantone Café is a masterpiece in itself, with the food and beverage choices being grouped in palettes that are to die for.
This minimalistic café provides an incredibly modern, aesthetically pleasing atmosphere down to the last napkin. Each colorful edible has its appropriate Pantone color name, with delicious hues such as pistachio green, canal blue, strawberry pink, and dazzling blue. Each meal contains such amazing color that it is almost too beautiful to eat. The café is a perfect little Pantone universe where color and design meets culinary beauty. This is a place where you can truly taste color and create delicious palettes for your own palate. This pop-up restaurant is located at the Grimaldi Forum and will be open only until September 9th. (via The Creators Project)
DIAcussion, a group show that engages in dialogue and discussion through form and subject, opens tonight at envoy enterprises, 87 Rivington St. (6-8 PM). The exhibition seems to approach its concept very directly; a lot of the interplay between the work is very pronounced, sort of in your face. This is far from a problem, as the overall quality of the show looks to be pretty high. The focus on figurative elements opens up a direct, personal vein through which we are able to consider the implications of the vastly different ways in which we approach the same goals. You can keep your questions at face value (medium vs. medium, subject vs. subject). And you can take in the decaying face of Gerald Collings’ The Hollow (above) and go all out dust-to-dust; considering the myriad ways you might choose to live your life in the face of the possibility that we all end up in the same lame, dead position eventually, that we all think we know the best way out of the maze but none of us actually find the exit in time.
All images courtesy of the artist and envoy enterprises, New York.
Nick Albertson lives and works in Chicago, IL. He meticulously organizes mundane household items such as straws, napkins, rubber bands, and coat hangers until they form a textural tapestry. He then photographs these geometric abstractions and presents them as elaborate patterns. His work reminds the viewer that everything is part of a bigger whole and that beauty can be found in all things.