Born from a complicated mixture of graffiti, typographic abstraction and installation art, the work of Italian street artist Teo “Moneyless” Pirisi differs slightly from what you would expect to find in an outdoor space. His mathematical, geometric sketches are quiet, contemplative—an appropriate precursor to his finished installations. What started as lettering on walls steadily shifted toward pure abstraction, where Pirisi says “my efforts then dropped the symbolic meaning of the letter.”
Pirisi ditched the paint, the letters and the walls for a series of carefully choreographed suspended rope installations. He has traveled the world creating multiple iterations of these works, which are often found suspended in wild or forgotten spaces. Pirisi’s attention to perspective and material are seamless, and his placement is usually quite surprising—providing moments of wonder for curious passerby.
From the artist: “My shapes are reduced to the minimum, at the same time they carry some kind of an intense tension, an invisible movement; most of my patterns hide multiple visions and different perspectives. I think my art now speaks through geometry.”
Elvira ‘t Hart is a fashion designer who creates garments directly from the preliminary process of the sketch. Using a laser cutter she allows the intricacies of a simple line sketch to be realized in a physical garment. In her own words, “A lot of details contained within the first sketches are lost during the process of designing and executing clothing. By literally creating clothing patterns from the lines of sketches or sketching the patterns of clothing and cutting this out by laser, new shapes or suggestions of shapes are created. The clothing takes characteristics from the sketches: outlying lines, lines that trail off into nowhere and empty or unfinished areas. An image is reduced to lines, planes and areas which do not have to be fully formed or finished in order to portray ther ultimate meaning…” (via)
Portland, Oregon based artist Storm Tharp’s fluid figurative paintings mix ornate patterning with a delicate “happy accidents” style of brush work that make his striking figures seem to be in motion yet completely still. This playfulness of medium creates an unsettling state in the work making each piece psychological portraits of figures who could be real or completely out of the artists imagination.
We’re absolutely loving these clever and graphic billboard alterations by Parisian street artist OX. Not only do they cover up the ugly advertising that we are bombarded with on a daily basis but they also interact with their surroundings in witty visual plays that construct and deconstruct space, depth and optical illusion. (via)
Kentucky-based designer and illustrator Ben Sears knows how to showcase his work. With a portfolio jumping from commercial work, process screencaps, and sketchbook doodles, one can’t help
but admire his work ethic. His sketchbook work has unlimited appeal- work that’s both clever and perfectly rendered never goes out of style. Plus, who can frown at Yoshi and ferrets?
Alberto Guedea Zamora is a multi-disciplinary artist from Toronto, Canada. Abstract in every sense of the definition, his presence lacks a concrete existence in his own work- often posing with his face covered by a tangle of hair or his body colored by some bright paper. He become a ghost, keeps distance and remains impersonal. You can see a longer in depth interview with him and the full text I’ve paraphrased at Things of Desire (“Canada’s Alternative Art Weekly”).
Born in 1985, Mike Brodie began photographing when he was given a Polaroid camera in 2004. Working under the moniker ‘The Polaroid Kidd,’ Brodie spent the next four years circumambulating the United States, amassing an archive of photographs that make up one of the few, true collections of American travel photography. Brodie made work in the tradition of photographers like Robert Frank, William Eggleston and Stephen Shore, but due to never having undergone any formal training he always remained untethered to the pressures and expectations of the art market.
Brodie compulsively documented his exploration of the tumultuous world of transient subcultures without regard to how the photographs would exist beyond him. After feeling as though he documented all that he could of his subject, his insatiable wanderlust found a new passion, and as quickly as he began making photographs, he has left the medium to continue in his constant pursuit of new adventures.