A clever animation by Sola Bapiste inspired by the work of Josef Albers.
Description of Robert William Overweg’s “Documenting Current Spaces” series:
I have been photographing virtual environments since the end of 2007.
I felt a need to document these worlds because I see them as the new public spaces. I was grasped by their perfect beauty, most of the time copying our own real world. But with constant highlights of beauty. These documentary photographs evolved into a journey of research and questioning.
Is there a difference between a photograph of a simulated object and a photograph of the object taken in real life. Another interesting question, when does popular culture leave the copyright protected arena and become public domain? Aren’t captured experiences instantly the property of the viewer/capturer?
Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME’s (coronal mass ejections) heading towards Earth. Data courtesy of courtesy of the Heliospheric Imager on the NASA STEREO mission.
Working with STEREO scientists, Semiconductor collected all the HI image data to date, revealing the journey of the satellites from their initial orientation, to their current tracing of the Earth’s orbit around the Sun. Solar wind, CME’s, passing planets and comets orbiting the sun can be seen as background stars and the milky way pass by.
As in Semiconductors previous work ‘Brilliant Noise‘ which looked into the sun, they work with raw scientific satellite data which has not yet been cleaned and processed for public consumption. By embracing the artefacts, calibration and phenomena of the capturing process we are reminded of the presence of the human observer who endeavors to extend our perceptions and knowledge through technological innovation.
Gabriela Herman’s photography portfolio features a wide array of self portraits and photos from various travels.
Barcelona based Hey Studio makes really graphically strong work that is both socially and aesthetically aware. Check our their work after the jump, especially their branding project for Intermón Oxfam. The aim was to renew the image of Oxfam and create an emotional link between the association and its young target. To create a more visual language, the letters are converted into illustrations, which increases the signification of words and create a own graphical personality, direct and reinvidicative. Titles are reduced to one single word to communicate quicker and more directly. The all identity is based on one single black colour printed on different colour papers, to facilitate the production and lower costs.
As an animal lover I’ve always been sensitive to animal rights issues. However even the biggest steak loving, McDonalds eating, “I Love Hunting” carnivores will be touched by the amazing and shocking documentary!
In a sleepy lagoon off the coast of Japan lies a shocking secret that a few desperate men will stop at nothing to keep hidden from the world. At last, the truth of THE COVE comes to the fore in an act of covert filmmaking that turns a documentary into a gripping action-adventure thriller . . . and a heart-pounding call for help from the worlds oceans.
Reed + Radar’s photography is both beautiful and haunting. I don’t know too much about this duo, but I do know that they’ve managed to give me the chills with all of these animated clown faces. Check them out, I’m pretty sure we’ll be seeing a lot more of them in the future.