Artist Peregrine Church creates a special brand of street art. Instead of wild colors and sprawling compositions, you can only see his handiwork when the ground is wet. Otherwise, his clever paintings are invisible. Church calls these pieces Rainworks, and it’s part of an ongoing series of over 25.
A quick demonstration shows just how inconspicuous Church’s works are. A dry sidewalk reveals nothing, but as soon as a bucket of water is poured on it – magic. The secret is hydrophilic chemicals. Once they’re activated, the clandestine designs reveal uplifting messages, hopscotch, and funny sayings. They last anywhere from four months to a year. (Via The Creator’s Project)
Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson (via gaks)
A myriad of cut-out patterns invading a newspaper layout. Myriam Dion creates intricate motifs using a scalpel and newspapers she chooses according to their images. This French-Canadian talented student has already been acclaimed for her work. The art pieces she designs are airy reconstructed poems.
Myriam Dion picks front covers from the Herald Tribune, Le Devoir, Cape Cod Times or FT Weekend and selects images which speaks to her. She then creates negative space by hand cutting minuscule patterns. The entire page is cut-out. Generating a halo of waves and starbursts. The ornaments she designs at the edges and around the original shape of the newspaper mimic Arabic patterns and add fantasy to the layout.
The artist has invented her own organic way of transforming a simple medium into an art piece. By cutting and perforating the thin and fragile papers, Myriam Dion is making the rendering even more delicate than it originally was. The colors, thanks to the placement of the cut-outs, twirl and whirl sporadically on the surface. The pieces, placed on a white background and revealing the negative spaces are treasures meant to be contemplated and used as a mean for evasion. (Via The Jealous Curator)
Louis Jacinto‘s series “Floating Away” is at once alien and familiar, like Norman Rockwell from space. His photographs are of the most mundane objects we see every day in our lives: signs, usually connected to buildings and rooftops, drifting away. One photograph features a water tower, suspended in mid-air like a Midwestern siren call. Unmoored from their surroundings, the objects seem to contain some kind of portent, like a surreal rapture of modern design.
Jacinto’s photographs of big company logos are particularly evocative; devoid of branding, advertisements and the adoring gaze of consumers, they seem almost lonely. There’s a nostalgia to Jacinto’s photographs. They’re haunted by ghosts of icons from the past.
According to a statement by the artist,
“I expected so much growing up in the 1960s. My home always included discussions of the day’s events and politics. I saw how people struggled, fought and died for what was right. I thought by the time I was grown, the world was going to be beautiful and wonderful. I see we are still getting it backwards. I do everything I can so that my own ideals don’t float away.”
Italian street artist Agostino Iacurci is one prolific muralist. His signature style has popped up around the globe in unique locations. The first image, one of the largest murals I’ve ever seen, dominates the side of a skyscraper in Taiwan. Consider the second set of photographs which can be found inside the walls of a maximum security prison near Rome. The third set is over 985 feet long and on a school in the Western Sahara. Iacurci’s singular narrative-like style has seen exhibitions and walls both small and large is a story told globally.
“In my artwork I always use printed matter – discarded books, magazines, and computer printouts; the cultural debris of our information society. The sculptures I create reference Eastern and Western icons and intellectual figures, thereby exploring cultural meanings and concepts. I always use text in my work and the content of the texts are relevant to my sculptures. My finished sculptures often seem to be wood or marble, though they consist of paper. They are constructed in such a way that the various parts fit together in a seamless manner.” – Chen Long-Bin, from Volta NY
Ukrainian illustrator Vasya Kolotusha has a great eye for pattern, texture and color. Taking inspiration from fashion blogs and models, she captures a playful essence in her sketches and animations. With a clean aesthetic, and a slight 80s twist, her images are cool, stylish, classic and quietly humorous. Illustrating for magazines, bands, and posters, Kolotusha’s lux style is a popular one.
Her latest experiments with adding neon light tube details to her sketches are a good match. They are reminiscent of 80s hairdressing signs, a piece of art from a time when sign writing was champion. She has a very simple yet effective technique of isolating her subjects and placing them inside a very graphic background. Her drawing style is so detailed and rich, they succeed in being intriguing, and translate well into animations.
Experimenting with the GIF format, Kolotusha is exploring the process of sketching – making visible to us viewers the preliminarily lines, the building up of color. We can almost see her hand adding background detail and extra flair and then continue on to edit everything we have seen her create. By exposing the whole drawing exercise, she captures our attention, rather than boring us with fussy detail.
Following on from her previous series of people wearing helmets, this series of illuminated girl portraits are a promising sign of things to come. This illustrator is one to watch!