Last night I finally went to the Hollywood Forever Cemetery Screenings, a true experiential landmark of living in Los Angeles, and saw a collection of Kenneth Anger (satanic moving-picture majesty) films that he worked on from 1954-1979. The most memorable one was Lucifer Rising (1973) not only for its hauntingly beautiful footage (scenes shot in Egypt with amazing amazing costumes, rituals, strange/awesome editing techniques…), but also for its backstory. The amazing psych-fuzz-rock soundtrack was composed in prison by musician and actor Bobby Beausoleil: Charles Manson Family associate and murderer currently serving life…how much more intense could it get?? Check out the video after the jump.
Through his series, “The Birth of Feminism,” Daniel Almeroth shows the symbolic events that occurred before and after this political movement. In each piece he is trying to portray the way women were controlled by men through many different aspects of society and the path women of this time took to gain equality among men. I really enjoy his use of colors for this subject matter. The color palette is unexpected and I feel he could have taken a much different approach to such a serious political movement in our history, but I love the path he chose to take for this series.
New York sculptor Thomas Doyle works in miniature, creating detailed scenes capturing specific moments in his tiny people’s lives. Some of these moments are rather mundane, while others are epically dramatic. What all these sculptures share however, is best put in Doyle’s words:
The pieces’ radically reduced scales evoke feelings of omnipotence—as well as the visceral sensation of unbidden memory recall. Hovering above the glass, the viewer approaches these worlds as an all-seeing eye, looking down upon landscapes that dwarf and threaten the figures within.
Conversely, the private intensity of moments rendered in such a small scale draws the viewer in, allowing for the intimacy one might feel peering into a museum display case or dollhouse. Though surrounded by chaos, hazard, and longing, the figures’ faces betray little emotion, inviting viewers to lose themselves in these crucibles—and in the jumble of feelings and memories they elicit.
Have you ever wished that your favorite brand of black pens came in different sizes? Or that paint wasn’t so expensive? Or that spray paint came in a wider variety of colors? Beautiful/Decay would like to share a survey that offers the creative community a chance to change the way art materials are packaged, sold and priced. And, there are perks for your time and wisdom! 500 artists will be randomly selected to receive a free sketchbook, and, ALL participants will receive an exclusive discount offer of 15% their next purchase from Jerry’s Artarama art supplies.
Please click on the below link to participate in a short survey:
I just saw this documentary yesterday and it blew me away. I already knew many of the things covered in the film but it’s always great to brush up on the truth about how we get our food. After watching this you’ll make a quick dash to the closest farmers market to detox all the garbage you’ve been feeding yourself for years!
In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation’s food industry, exposing the highly mechanized underbelly that has been hidden from the American consumer with the consent of our government’s regulatory agencies, USDA and FDA. Our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won’t go bad, but we also have new strains of E. coli—the harmful bacteria that causes illness for an estimated 73,000 Americans annually. We are riddled with widespread obesity, particularly among children, and an epidemic level of diabetes among adults.
Valero Doval takes found images and transforms them into either hilarious or downright creepy collages. The images from “Circus Pets” and “Ghosts” serve as evidence for such a contrast.
While this is just a sampling of his personal work, Doval’s commercial clients have included The New York Times, Timberland, and Panasonic.
Ethan Garton paints and draws scenes of addiction, loneliness, and corruption in an almost endearing manner. He utilizes a variety of both traditional and non-traditional media, such as pastel, blood, ink, ash, coffee, watercolor, and wine. I’m particularly intrigued by Garton’s line work–from uber intricate and orgy-like to simple and incredibly light-hearted.
It seems like Robert G. Bartholot has done a little bit of everything–fashion, art direction, graphic design, illustration. I especially like his “Fragile” and “Anuk” series (both in collaboration with Álvaro Villarrubia) and “Freakshow” (in collaboration with Patrick Mettraux). All three target the bizarre in some way–through the depiction of unearthly figures, through extreme camera angles to capture distortion, or simply through illustrating modern mythical creatures/ humanimals.