Beau Chamberlain employs acrylic on panel to produce utterly amazing atmospheres, blurring the line between fantasy and reality. Fragments of flora and fauna seem to mingle, burst, and soar in these imagined ecosystems.
Chamberlain lives and works in Brooklyn, New York.
Double Meat Head, cast aluminum, cast bronze, urethane, paint, 2009, all images courtesy Tony Matelli
Tony Matelli’s hyper-real sculptures of meat and vegetable portraits, sprouting weeds, stacked cards, sleepwalking humans and malicious chimpanzees captures your attention with immediacy, a visual poignancy that would make it hard not to react with curiosity and amusement. This initial response opens the door to a slightly somber and disturbing environment where each series tackle concepts of death, resurrection, failure, pessimism, loss and reinvention. Matelli’s own personal concerns are projected onto these works buliding a relationship between object and artist that is further extended to the public.
If you didn’t make it out to Erik Yahnker’s show at Seattle’s Ambach&Rice gallery make sure to visit the galleries site for some images from the show. Erik’s latest body of work does not disappoint mixing his trademark mastery of drawing with his hilarious and gruesome sense of humor. My favorite piece has to be Helen Keller Joke #4. More images after the jump.
This animation by Michael Lomon is sick in the best of ways. Michael describes it as “A ‘slice of life’ drama piece based on my time as ‘chef’ at a certain Nottingham rock pub.Hand painted backgrounds. Other elements hand drawn, scanned and coloured in Flash.”
Chris Gray is a UK based designer and illustrator currently working in the studio at Love Creative working with clients like BBC, Christian Aid, Playstation, Bollocks to Poverty, Absolut and Dr Martens. His whimsical, iconic aesthetic reduces complex thought systems to catchy graphics that evidence a strong sense of color and play. Chris Gray recently designed Beautiful/Decay’s smash hit “Sex” (pictured above, for purchase here) and “Casual Apple” shirts. Read his full interview after the jump!
David Herbert has such a strange and beautiful way of playing with material, form and imagery within his works. They reveal a kind of innocently childish love for the imagery of a boyish youth–star trek maquettes, space ships, odd automobiles, and copious “Disneyland” references– as well as an adult understanding of the architecture and connotations behind them.
Photographer Richard Mosse was recently featured BLDGBLOG, one of my favorite architecture blogs run by Geoff Manaugh. The pictures show the extravagance of Saddam Hussein’s imperial palaces converted to plywood built forts resembling college dorms with all its amenities of “weight sets, flags, partition walls, sofas, basketball hoops, and even posters of bikini’d women have been imported to fill Saddam’s spatial residuum. The effect is oddly decorative, as if someone has simply moved in for a long weekend, unpacking an assortment of mundane possessions. The effect is like an ironic form of camouflage, making the perilously foreign seem all the more familiar and habitable—a kind of military twist on postmodern interior design.” See more of what Mosse has to say about his project after the jump.