Young-Deok Seo uses the human figure as the core of his work, though material is an ever present, and surprisingly inventive, concern. Using bought and discarded bicycle chains, the young South Korean artist spends months constructing and welding his pieces, with larger pieces taking even longer. Although the majority of his intricate constructions are manifested through the human form, there is an ever-present emotional quality present, oftentimes that of hurt and loss. While some figures physiques are the pinnacle of human perfection, others are faceless, in positions of mourning, or shattered upon the gallery floor. The viewer can easily make the assumption that the links Seo uses go past material and into metaphor, connecting chains to our manufactured, and fractured, world.
The artist explains, “We get to deal with lots of relationships in our fiercely competitive society. And from those relationships, we get desire for materials.To portray the mankind as a being which are bound to many things around them, I use the material that is also bound and also connected to each other….material restrict and choke each other.Modern people’s addiction to the material can be stood up as a main theme, in this way.” (via myampgoesto11)
Mike Calway-Fagan’s collage work mixes dissimilar photography with a sense of urgency. The artist asserts that his works hopes to ‘critique complacency and aestheticise catastrophe’ by creating dis-ordered imagery that evoke disaster. See more after the jump.
This video reminded me of my 5th grade teacher who told my mom that If I kept listening to Metallica and Anthrax, and continued to skateboard that I would turn into a devil worshipping drug addict. Her nut job predictions didn’t come true since I became an atheist drug free vegan. Go figure. Watch the full video after the jump.
André Tempel‘s alien sculptures look like they belong in the lair of an evil mastermind bent on destroying the planet. His works look like colorful WWII underwater mines, or rotors fitted with revolving saw blades. I feel like Frankenstein’s creature is about to emerge from this orange capsule.
Using homegrown bacteria, photographer Seung-Hwan Oh warps and manipulates his photographs, surrendering his art to a higher ecological order. Oh, who also goes by the name Tonio Oh, explains that his intention is to “explore the impermanence of matter as well as the material limitations of photography.” It brings the artist’s studio into the laboratory, marvelously blending the organic and the artificial.
Oh’s website describes the process:
“As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.”
It’s an interesting approach to photography that takes a normally still medium and adds a dimension of something active, live, and dynamic. When you view Oh’s photographs, the question is no longer the significance of what is depicted; instead, what catches your eye is the tension between what is shown and what is already lost. Though art is naturally created to be consumed, in this case, the art itself is the act of consumption, the parts of the photographs that have been literally eaten away by a relentless force of nature. The result, in Oh’s word, can be witnessed as something that is “entangled creation and destruction that inevitably is ephemeral”.
Javier Pérez’s video, En Puntos, features a ballerina who puts on a pair of pointe shoes that are extended by a pair of sharp kitchen knives. Once she has the shoes on, she begins to balance herself on top of a grand piano, the tips of the knives scratching, scraping, and cutting the surface of the piano. At times, she finds herself on the edge of the piano, and she yelps as she struggles to keep her balance and maintain her strength. At the end of the video, the curtains close on her “performance” in an empty theater. Meant to resonate with the idea of a music box, Pérez’s video captures the fragility and discipline embodied in ballet, while also demonstrating the vulnerability and despair brought to stage performance in general. Also apparent is a delicate violence that makes you wince as the ballerina traverses the piano’s surface.
“Through this work, Javier Perez investigates and reflects once again upon the human condition. Using a strongly metaphorical language rich in powerful symbolism, he reveals the weaknesses that become the boundaries between seemingly irreconcilable concepts such as: beauty and cruelty, fragility and violence, culture and nature or life and death.” (via)
Roshan Adhihetty regularly takes off his clothes and photographs other people without theirs on either. Despite what that sounds like, the series he has put together is a tasteful, candid look at a popular past time. Die Nacktwanderer, or The Nude Hikers captures groups of hikers reconnecting with nature and immersing their bodies into their surroundings. Growing up in Lausanne, an area which is quite accustomed to nudity, Adhihetty is no stranger to seeing the human body without clothes on. But after visiting his first nudist beach in Corsica, he decided to take a closer look at the culture of nudity, and in particular, the modern trend of naked hiking. He says:
Nudity and Nature have always been big subjects in art. Inspired by the romantic paintings I was hunting for photographs which feature this tension between romantic nature and disturbing contemporary elements – an opposition between nature and culture. (Source)
His photographs are a brazen look at a subject not often talked about, and sometimes even sneered at. But Adhihetty portrays his subjects with respect and grace, after he had to put himself in their shoes, so to speak. After tracking down a group of willing participants through Craigslist, the photographer had to join them in the buff to be allowed his camera on the hikes. Along with his other observations, Adhihetty realized that many of his subjects were male, and women only make up about a fifth of the hiking population. He notes that this is most likely linked to the social pressures and judgements our current society places on the female figure.
Hopefully with projects like this photographic series, we will stop seeing the naked body as only a sexual thing, but also as a very natural way to exist in the world around us. (Via Feature Shoot)