Scott Jarvie is an artist and designer whose works are unique in material and in concept. Jarvie runs a multi-disciplinary design consultancy, and most of the projects presented on his website involve furniture design with special attention paid to materials. The piece above, entitled ‘Clutch’, is a chair made from 10,000 drinking straws, a research piece commenting on our disposable culture. Jarvie’s work is fantastic, make sure you check him out.
James Kirkups is a 21 year old graphic designer, and he already has a portfolio bursting with great works. Kirkups’ geometric designs work so well because he’s great with simple colors. His posters are clean and effective, I find them to be striking in their simplicity. I can’t wait to see what else comes out of this young prodigy.
Dutch photographer Bas Princen is interested in capturing desolate landscapes throughout the world. Shooting in China, the US, and elsewhere, Princen seeks out areas where man has attempted (and usually failed) to shape a stark and harsh natural environment into a more livable space.
I was perusing the Beautiful/Decay Creative Pic Flickr Pool this morning and came across Meyoko’s densely delicate ink drawings. Half Arcimboldo’s grotesque fruit heads, half seething with creatures from the garden of Hieronymous Bosch‘s earthly delights, Meyoko’s works flit, tangle, weave, drip, and feather their way into strange specters. I realized I’ve seen her work before, somewhere, though I can’t recall exactly, so when it popped up on our Flickr page like a repeat-dream I was strangely enchanted- fitting I suppose! More works after the jump. I can’t seem to find any other information about her aside from her Flickr page. So, Meyoko, if you want to tell us who you are (or anyone knows the whereabouts of this mysterious ink-chanteuse) let me know!
Mauro Perucchetti’s amazing work is bright, fun, and socially accurate. Perucchetti’s work unites Pop aesthetics with social comment, addressing some of the most pressing and difficult issues in today’s society in a way that is subtle and accessible, without being trite, shocking or obscure. Mauro is above all an artist who is connected; he sees the bigger picture and world affairs and has his finger on the pulse of contemporary society. Well played Mauro.
Currently showing at our favorite nearby art gallery/Japanese-maid-themed-cafe/store, Royal T in Culver City, CA, is “I Can’t Feel My Face,” curated by New York artist KAWS. As the website says, “I Can’t Feel My Face shares its title with a painting by KAWS and is a centerpiece of the exhibition, which explores the theme of contemporary portraiture as a vehicle of inherent emotive expression.” The show features work from over 25 artists, including Carol Dunham, Misaki Kawai, Hideaki Kawashima, Ted Mineo, and Takashi Murakami.
Icelandic designer Sveinn Davidsson has garnered some much deserved attention as of late, mostly for his work with demolished cars. Although most of his press has stemmed from the signage and promotional work in the ‘Cargate’ project for the ’07 Iceland Academy of the Arts graduation exhibition, I find his typographic work to be the most impressive. Davidsson’s typographic designs and logo designs are all so clean and polished, but not that sterile type of design that lacks the human touch, he adds illustrations to his type showcasing his capabilities with a pen and a mouse.
Japanese designer and all around nice guy Susumu Fukuzaki just sent us a cool little book of us work that he calls his “new anthology” on his blog. Some fairly unusual work…I’m sort of at a loss as for any possible references to describe it. It sort of reminds me the kind of stuff the Church of the Subgenius or Negativland did in the 1990s.