Rarely do we encounter things in our daily life that sincerely challenge our sense of self. A close friend showed this to me the other day, and I think its appropriate NO my responsibility to share this with you. Its called Garfield minus Garfield.
Artist Sam Songailo uses bright colors, straight lines, and bold, graphic shapes in his outdoor and indoor installations. Geometric repeating patterns span span floors, ceilings, and walls. Lighting plays a role in his work as it enhances color and gives the work a sense of space and a depth of field. Once the viewer is immersed in the space, all of the elements of Songailo’s work transports them to another place.
Outdoor installations, like the ones on a city street, work with the existing landscape. Songailo’s patterns fill and conform to every inch of the given space like a mutating organism. The high-contrast colors and intricate trellis-like shapes create a disorienting effect. Not so much when viewing it as a whole from above, but walking through it leaves little indication of direction.
Before he started large-scale installations, Songailo was a graphic designer. This is evident in the execution of his work, especially in one of his few indoor installations, Zen Garden (directly above). The piece mimics the lines of sand, with a few “rocks” that are spread throughout the gallery floor. Songailo is able to have full control over the space, and uses principles of design to make it not only attractive, but to effectively transport the viewer to a minimalist, geometric zen garden.
Through Cleon Peterson’s paintings, we encounter a world riddled with anxiety, corruption and savage ferocity, where deviance and violence equal the usual state of affairs. Peterson describes his bedlam as “a gray world where law breakers and law enforcers are one in the same; a world where ethics have been abandoned in favor of personal entitlement.”
Peterson depicts life as war between displaced individuals in a dystopian world. Acts of brutality, abuse and perversion serve as rituals of power, revealing narcissistic indulgences in violence, sex, religion and drugs. In exploring the tension between the individual consciousness and unconscious psyche, Peterson’s paintings bring to light the resulting possibilities when varying moral schemes are personified. When faced with the dilemma of fight or flight, it’s fight. We observe an ongoing struggle in the thick of a contemporary world, where the instinctual desire to survive through primitive actions takes reign.
See the above works and more currently on view in San Francisco at Guerrero Gallery. On view until April 7th, 2012
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.
In my recent Arcimboldo post, one of our readers mentioned his work reminded him of Sarah Illenberger. Well, I checked out her portfolio and was pleasantly surprised by her silly, girly, playful constructions, designed & created primarily for magazine/book editorial! Including, but not limited to a candy-construction that looks like a monster face and cacti that ahem, look like……..cacti.
Greg Eason of Norfolk, UK, has a hand for drawing very realistic pencil illustrations, to fantastic patterns and sketches that stretch and bend across his sketchbook page. There’s something very comforting in his illustrations, their lifelike feeling, and the vacant page that inhabits the characters of his pieces.
My current work explores the era Anthropocene, working primarily in pencil, and the focus of my current work is driven by the desire to push the physical limitations of scale. I am also interested in the unpredictable nature of pattern; my interest lies in the production of organic linear structures and the suggestion of fluidity through repeated marks.
Swedish design studio Tomorrow Machine experiments with unusual materials to create revolutionary food packaging concepts. Pursuing the modernist principle of form follows function, Tomorrow Machine unites visual appeal with highly innovative and operational technologies to create both aesthetic and pragmatic design.
Their project This Too Shall Pass addresses the increasing issue of environmental pollution and recycling. Using biodegradable materials, studio has created food packaging that shares the symbiotic life span with the food housed inside. Vividly colored and minimalist in shape, these concept containers for oils, dry foods and liquids disintegrate when the contents they store are used.
“Is it reasonable that it takes several years for a milk carton to decompose naturally, when the milk goes sour after a week? “This Too Shall Pass” is a series of food packaging were the packaging has the same short life-span as the foods they contain. The package and its content is working in symbiosis.”
Besides their environmentally friendly attempts, Tomorrow Machine creates interactive product packaging to shape the innovations of tomorrow. Collaborating with Swedish research company Innventia, designers created self-opening and self-expanding packages based on the use of the 100% biodegradable material they developed together. According to Tomorrow Machine, “this is the new generation of sustainable package design, using materials that are both smart and environmentally friendly”. (via Packaging | Uqam)
Star rain is a metasigil, a materialized digital wish, a artistic virus that wants to change the operating system of our reality. It is a creation myth that tries to exemplify that all come from the same source from the 5th dimension outside the barrier of space and time, where anything that can be imagined exists. By Charles Glaubitz.