Mike Perry is of the artist/illustrator/designer/art director/teacher/typographer/zine-maker breed who have put all their energy into making a living off of creativity. Taking inspiration from Steven Harrington (an LA contemporary), cartoons, and mid century ad copy, Perry’s work is all about enjoying life and encouraging others to live more creatively à la Sister Corita. He has a show up right now until November 20 in Brooklyn called Wandering Around Wondering. I use the term “show” loosely, Because keeping in the spirit of 100% outward-directed positivity, it’s equal parts original work, workshops, and open community events, all of which are free. His press release describes it pretty well:
“Wandering Around Wondering is a free three-month community exhibition and series of events that will coincide with the launch of my monograph, published by Rizzoli. The event space will host workshops, screenings, gatherings, open discussions, and much more — conducted by me and a select group of design and illustration professionals. The space will become a dynamic environment for continuous creation, where visitors will be able to explore freely and create their own unique experiences.”
Cory Arcangel’s recently published book – which originally exists on twitter as @wrknonmynovel – is a compilation of people who have tweeted “working on my novel”. The tweets come in all kinds: humorous, pathetic, emphatic, delusional. Seeing the phrase over and over again kind of makes your mind numb. I imagine these people probably NOT writing and then Arcangel completing a work of their impotent attempts. It’s the post-modern cyclical concept: I make a novel of you not making a novel, but the novel isn’t really a novel, it’s just your tweets about (not) making a novel. Maybe this is too cynical, though, as another way to look at it is that, now at least, these authors are published! In any case, the tweets themselves can be entertaining, if not sometimes painful, and from what I can tell each of the aspiring authors will receive a copy of the book from Arcangel.
Arcangel is a bit of an enfant terrible; a computer programmer, composer, and artist, his work spans a large range of media and he has received wide approval from institutions such as MoMA, Tate, and Smithsonian. What’s often interesting in work like Arcangel’s is its very serious reception from these highly respected art authorities. It presents a sort of ‘Emperor wears no clothes’ situation, where its unclear how seriously Arcangel takes himself, but painfully obvious how easy it is to buy his wares. The best way to enjoy him is to find entertainment in his projects and remember to be wary of the orbiting bullshit. (Via The Fader)
This is for all fans of graffiti who have always wondered what boxer Mike Tyson thought about writing your name all over city walls. Some of you will surely be amazed by Tyson’s eloquent musings on the subject matter…”I’m Surely was.”
It’s about that time again and Beautiful/Decay is looking to Hire a new crop of creatives for Beautiful/Decay’s LA office.
Do you stay awake at night dreaming of the day when you can interact with artists and designers from around the world? Do you get a warm & fuzzy feeling every time you walk by a bookstore or magazine stand? Have you always wanted to work side by side with the an elite group of creative minds who only use the finest office supplies such as golden staples? Do you enjoy nothing more than resizing and cropping a pile of photographs as tall as a 3 story building? If you answered yes to any of these (or none of these questions) then this just may be the internship for you!
Now that you feel excited about our internship opening read the fine detail after the jump!
French photographer Pascal Pierrou takes interest in creating the ultimate ‘modern girl’ photo catalogue. Pierrou, a fashion photographer, is interested in showcasing alternative ‘feminine beauty’, the type that we are not really used to seeing in popular television or mass-produced advertisements. He primarily focuses on girls with short hair/no hair, tattoos, and piercings. While these women’s looks are not uncommon per se, Pierrou is looking to create a fashion-like photoshoot that shows off these women in a way that is uncommon and unexpected. For instance, his way of pairing a naked woman with a sword tells us that he is looking to show off a double-sided profile, one that shows off a rough edge, and another that features the soft lines of a slender and feminine naked body.
This idea of rough and soft lines is somewhat of a pattern amongst the photos on this series. These characteristics are indicative of what Pierrou thinks about today’s modern girl- often times, a woman that carries a powerful and tough, but ultimately soft appearance and character.
His inspiration for the series was Andy Warhols ‘Factory’ which was popular in the 60s in New York. Pierrou imagined people of a new factory, free women, feminists, artists that would exhibit their skin, hair, tattoos and words without being ashamed.
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
Mikael Aldo is an Indonesian photographer who creates ambitious scenes that are both intimate and epic. In each image, the subjects appear to be engaged in moments of intensity and transition, whether it be ascending towards the heavens, transforming into a tree, or standing before a burning doorway. There often seems to be an atmosphere of darkness, or an allusion to death; one person, submerged in water, covers their face with an animal skull, and in another they lie quietly as birds pass overhead. Such scenes, however, are more serene and beautiful than they are grim. As viewers, we are never certain of what is going on (or what is about to happen), but this is Aldo’s intention: to connect with us via interpretations deriving from our own personal memories and emotions. As he wrote to Beautiful/Decay: “I hope that people feel something towards my photographs — a sense of connection between them and what I try to convey.”
Aldo’s creative process is its own dynamic transformation, arising from experiences and reflections and merging into conceptual scenes. When asked how he develops his ideas, Aldo explained: “I imagine them moving. Alive. That is how I connect one element to the others. Oftentimes I also make sketches, and write specific details on how I want something to be.” The result of this living, holistic process is a set of images that transport us on a creative journey through inner, symbolic worlds. Here, on the edge of something transformative, the photographic subjects demonstrate how to let go while embracing change.