For his series Evolution of Type, the artist and graphic designer Andreas Scheiger creates living, breathing fonts; his ABC’s might be dissected like a human limb, revealing boney spines and straining ligaments. With surgical precision, the flesh of his curvy S is pulled back in a manner that is both grotesque and sensuous. In this strange marriage of art, language, and science, the artist is inspired in part by Victorian sentiments and the emergence of Charles Darwin’s On The Origin of Species and the theory of evolution, which spurred medical debate and disillusioned many a spiritualist.
Scheiger’s work is profoundly influenced by seminal Vicorian text The Alphabet and Elements of Lettering, written by Frederic W. Goudy, the designer behind famous typefaces like Copperplate Gothic and Goudy Old Style. Schneiger imagines the literal manifestations of Goudy’s analogies, which compared lettering to animated organisms; like creatures extinct and in existence, language too has a history, bringing with it the ability to record and preserve human thoughts and discoveries.
Within Schneiger’s imaginative font, E’s are skinned to reveal a muscular-skeletal system; deeper still, is a network of red and blue veins and capillaries that transport oxygen to some unknown organ. Much like actual bodies, these letters are capable of deterioration and decay; a G appears lifeless, mounted like dinosaur bones. Similarly, a P gets trapped and preserved in amber, and a prehistoric J is fossilized in stone. The terms “the life of language” or “the body of text” become spell-binding realities in this whimsical and thoughtful series. Take a look. (via KoiKoiKoi)
This series of images from photography duo Fesetti is aptly titled Disappear. Typically photographers succeed in capturing their subject. However, Fesetti intentionally and inventively keep their subjects visually out of reach. Hidden by everyday objects re-purposed as a witty camouflage, the models are nearly entirely concealed save for a stray hand or pair of feet. The series seems intended to be read as a how-to on disappearing or concealing oneself – a commodity itself in a hyper-connected social networking world usually fueled by photographs.
Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.
This Sunday Beautiful/Decay will be taking part in the first annual Cal Arts Print Fair. Students from the Cal Arts art & design departments will be showing off and selling their zines, posters, and other limited edition products and a series of lectures and workshops will be taking place all day long. This event is completely free and open to the public so head up to the valley and visit one of LA’s best art schools for some Sunday zine & Print fun.
Featured guest speakers:
Ed Fella, artist and CalArts Graphic Design faculty member Amir H. Fallah, founder of Beautiful/Decay magazine (That’s me!) Dylan Lathrop, senior editorial designer of GOOD magazine and media.
CalArts: Print Fair
California Institute of the Arts, Main Gallery
Sunday, April 15 | 11 am-5 pm |Free admission
24700 McBean Pkwy, Valencia, CA 91355
Henrietta Harris is an Auckland-based artist and illustrator working with watercolour, biro and gouache. Although her work uses traditional techniques, her beautiful portraits retain a modern subject matter and style, and have been used by numerous publications and companies worldwide.
Artist Lisa Park‘s performance titled Euonia – a Greek word that can be translated as “beautiful thinking”. The title is apt as Park’s thought’s are central the beauty of her performance. She makes use of an EEG headset which monitors various brainwaves and eye movement. The resulting information is translated into sound directed to one of five speakers. A shallow pan of water sits on each speaker, vibrating and shimmering with each of Park’s various thoughts. Park associated each of the five speakers with a different emotion and would recall various memories of people important to her in order to manipulate the speakers. She had hoped to develop the ability, through practice, to end her performance in silence but could not – an outcome perhaps more interesting than she had intended. It may be the brain is much more difficult to quiet than it seems. Be sure to check out the video to see Lisa Park’s brain in action. [via]