Australian artist Meredith Woolnough uses embroidery to create her delicate and intricate depictions of different plants. With some thread and a sewing machine, she forms different complex patterns found in nature, such as the veins of a leaf, patterns found in coral, and even lines and shapes found in red cabbage. Each fragile piece displays the small beauty found in the fine details of nature. What would be small, fragile beauty that the average person may overlook, Woolnough finds inspiration. Patterns from shells, petals, and lily pads are given new life in each breathtaking piece. The artist treats her artwork like specimens, as she carefully pins them under glass in shadow boxes for display.
Using vibrant colored thread, she builds up a density of embroidered patterns that become almost three-dimensional. In some cases, like in her embroidered bowls, the work really does have volume as it holds the shape of a bowl. Because of the method in which the artist creates her work, it demands an intense patience that can be seen as meditative. The repetitive patterns and natural quality of Woolnough’s work is like that of a Mandala, holding sacred qualities.
The work maps the frameworks of the various veining systems found in nature to create work that explores the balance, harmony and connectivity of life on Earth. Inspired by the patterns, structures and shapes found in plants, coral, cells and shells Meredith’s embroideries represent both the robust beauty and elegant fragility of life.
Inspired by the beautiful wildlife around her, artist Marine Coutroutsios cuts and constructs intricate, abstract birds out of colorful paper. Relocating from Paris to Sydney Australia, where she currently lives and works, Coutroutsios’s work is heavily influences by her environment. This series of hers titled Australian Birds contains patterns and colors that are found in the Australia native species she sees in her everyday life. With names like Yellow Tailed Black Cockatoo and Pale Headed Rosella, it is no doubt that the artist has named them after the individual bird species that each piece aims to resemble. It is interesting that although these pieces do not resemble the shape of a bird, nor do they possess a beak or even a head, we can still see that they are unmistakably birds. Resembling a target shape, it is almost as if the bird has been flattened into a nearly symmetrical circle.
Throughout childhood, Coutroutsios was always creating something, whether it is through embroidery or origami, which accounts for her incredible skill in paper cutting. Always feeling a connecting with nature, she also creates her own environments with her paper installations full of brilliant colors and shapes. She does not only pull inspiration from nature in the sky, but also nature in the water. Make sure to check out her Ocean Series where she takes her circular shaped method of sculpture and applies it to swirls of cut paper, creating whirlpools of color. (via BOOOOM)
“Through my travels I’ve realized how much I feel connected with my environment. It keeps me grounded and humble regarding our place in this world. With my work I’d like to inspire and engage you to reconsider the value of your surroundings. I think beauty is everywhere and it’s a powerful source of energy.”
Montreal-based artist Francois Chartier creates still-life paintings with a photorealistic quality. He often pairs the still-life object with an image of crumpled tissue paper that is dramatically shaped around each object, creating an overall presentation of the still-life object. The juxtaposition of these textures – matte and crumpled with the bright and shiny – demonstrates Chartier’s level of skill as a realistic painter. Surprisingly, Chartier hasn’t always been a painter. After 30 years in advertising as a commercial artist, he entered the fine art world full-time at the age of 50.
Chartier applies the acrylic paint with an airbrush onto a smooth gesso base. He explains, “Although my paintings are realistic, my goal is to create through the layering of mediums and the play of the brush, the illusion of depth and sense of presence beyond what is found in photographs. . . I am drawn to painting large scale works where my subjects, always painted bigger then life size, are given room to seize the viewer and where life’s smaller details are revealed in their beauty and simplicity.” (via juxtapoz)
Katherine Newbegin creates rare beauty in photographs of old cinematic houses. Traveling throughout India she sought out these forgotten places and transformed them into celluloid dream sites. Her quest led her to the more rural areas. These out of the way places provided a history and character needed to create an interesting narrative. Behind a sensitive lens, depictions of these magnificent structures transports one back in time to a place of make believe and desire.
Each of her pictures exude a ‘if only walls could talk’ sensibility.The cracked and peeling surfaces mimic the colors seen on sari’s worn by women in that part of the world. Perhaps the same women who once sat in the now empty seats engrossed in another’s story with dreams of their own. Instead of just focusing on the actual auditorium, Newbegin also photographed the staircases and projection rooms. In some instances, these anonymous spaces are turned into brilliant frames of abstract color. In others, film canisters and tea mugs become painterly still life subjects.
India ranks as the largest producer of films in the world and is known for its Bollywood stars. Newbegin’s quiet, intimate photographs project another side of that industry, one that appropriately preserves an important part of India’s social history.
Though born without the ability to perceive color, artist and activist Neil Harbisson’s work, career, and life are anything but monochromatic. Recognized as the world’s first cyborg, Harbisson boasts an unusual aesthetic aid: an antenna implanted into his skull that enables him to “hear” colors.
“I am not using technology, or wearing technology.
I am technology.”
Extending from the back of his head forward, the appendage is comprised of a rod, a chip, and light sensor. Located at the tip of the antenna, the sensor picks up the frequencies of colors before him, and then sends them to the chip in the back of his head. The chip then transposes the frequencies into vibrations, which translate into sounds in his ears.
Through this process, Harbisson is able to create works of art—namely, his Sound Portraits. To create a portrait, Harbisson simply stands before an individual and aims his antenna toward his or her facial features. Each color found on the face creates a specific note, which he writes down on manuscript paper. Thus, the end result–unique microtone chords–become individual “portraits.”
With portraits of prominent figures ranging from Prince Charles to Woody Allen, it is clear that, through his unique practice, Harbisson has his art down to a science. (Via BBC News)
David Catá describes his ongoing series, “A Flor De Piel” as an autobiographical diary of which his skin is the canvas. Catá embroiders portraits of people who have influenced or marked his life – family, friends, teachers, lovers, partners – by physically marking his palm with these images. This embroidered flesh corporally represents relationships we have with each other – love and union and the pain and loss felt through separation, as well as the residual imprint of the relationship. Catá documents this action with photography and videography, imprinting his life story into various surfaces. You can check out more body-as-canvas work on his website. (via design boom)
Yugoslavian Bernharda Xilko‘s illustrations are stark nightmares packed with active nudes and foreboding giants exploring unfolding landscapes and black-eyed lovers. Xilko’s sexually charged figures climb scaffolding, push open folding screens, and confront over-sized replicas in barren mountain ranges where platforms unstably rest. There always seems to be a sense of teamwork, but it is teamwork that is either ignorant of the task’s ultimate result or work that feels intentionally ominous. When clothing is adorned it often feels as if it is from the decades of black and white television which provides a conceptual link for the lack of color, and the garbs warn feel blue-collar and commonplace, making these figure’s lives and mission feel almost ant-like in its diligence and insignificance. The work shares the vibe that the Twilight Zone often evokes but in a more grotesque and explicit manner.
Bernharda is also a co-founder of NOVO DOBA, an annual Belgrade comix and underground culture festival that shares his aesthetic of dark worlds. You can also see more of his work here.