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Interview: Eric Yahnker

  

Eric Yahnker creates works that are too clever for their own good. He welcomes all sectors of popular culture, personal narrative, religion, icon and beyond into his studio as “fair game” for his visual fodder. At times, the works playfully traverse into taboo subjects and ideologies, like a naughty child sticking their finger into the socket or cookie jar, at once turning them on their head once again to reveal their inherent paradoxes and inconsistencies.  

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Diane Han Illustrates Friendly Fish Taco, Unicorn Flies And Other Funny Creatures

Diane Han

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Diane Han is an illustrator and graphic designer originally from Korea, but now living and working in Los Angeles. While diverse, a common thread through Diane’s work is a play on words. Working largely with acrylic on paper, Diane plays with different means of representing animals in order to tell a story that is often critically and socially driven, while still managing to be so approachable and pleasant. I personally love the skunk piece after the jump, talk about a problem-solver.

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Wyatt Grant’s elusive narratives

 

I have been a close friend of Chicago-based artist Wyatt Grant since we studied together at the School of the Art Institute of Chicago, where he blew me away with his 20+ layer screen prints on fabric. He graduated this past May with me, having worked fluidly between sculpture, print media, and painting. His works fuse a personal alphabet with a warm, dedicated aesthetic that is consistent throughout all of his work, both abstract and representational. The works have a rose-tinted magical realism to them, a narrative that is both specific and achingly mysterious. Wyatt is also a musician, producing shoegaze-y acoustic tunes studded with electronic loops under the name Pool Holograph.  More after the jump.

 

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Air Sing Sang Sung Video

Paris based Mathematic SAS is a well established motion design studio working with clients all over the world. The above Air video is their latest masterpiece. Enjoy!

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New Year 30% Off Sale Ends Monday!

This Sale Ends Monday so get to it before everything is full price again!

2011 is going to be one hell of a year, so to start things off on the right foot we’re giving you 30% off the entire b/d shop for one week. Get that new b/d shirt, the missing copies of back issues to complete your Beautiful/Decay magazine collection, or perhaps even a grayscale beanie to keep your head warm. Just use discount code: new30year during checkout and you’re all set!

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Brion Nuda Rosch

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Brion Nuda Rosch creates what I can best describe as collage-interventions that complicate the “reading” of every day photographs, paint, found objects and magazine spreads. Through the simplest of gestures, Rosch construes new layers and meanings within the context of his images. Above, an elegant blue dot over the face of a dog renders the portrait surreal and anonymous, the blob of paint simultaneously transforming to some kind of bizarre mask or humorous joke-shop clown nose. Rosch currently has some works in the Baer Ridgway exhibition “Hot & Cold” which is up for few more days if you happen to be in SF.

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Flavio Melchiorre’s Hypnotic Art

Italian illustrator Flavio Melchiorre uses abstract patterns to create dense hypnotic images full of detail!

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Kirsten Lepore’s New Stop-Motion Animation Has A Handcrafted Feel That Has Been Long Lost In Animation

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Move Mountain from Kirsten Lepore on Vimeo.

Move Mountain is the latest stop-motion animation by Kirsten Lepore, a Los Angeles based director and animator. We’ve featured films by her before, and Lepore’s newest work does not disappoint. She describes the short film as “A girl journeys through a vibrant, pulsing, macrocosmic landscape, but a precipitous incident compels her to venture up a mountain in an attempt to save herself.” The story itself is a surreal tale, and at one point oscillates between dreams and reality. It also shows us that  at any given time, we are at the mercy of our environment.

The film is Lepore’s Master’s thesis from California Institute of the Arts and took her two and half years to produce. The use of handcrafted characters and fully modeled sets is really impressive. With the current trend being slick-looking techniques, it’s nice to see evidence of the hand in this film. (Watch the behind the scenes video after the jump.)

In addition to Lepore’s own character designs, she’s enlisted the help of animator friends, including the likes of Julia Pott, Lizzy Klein, Ethan Clarke, and more. They make one of my favorite scenes in the film, which is an unexpected but welcome surprise.

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