Shaun Berke is one of the most skilled artists I’ve ever met. And when I saw a Rembrandt master-copy he created for a group show, I instinctively knew that he must have had some really insane pieces hiding out in his studio. So, I took the trip out to his place, where he pulled out one amazing print after another. He had woodcuts that were as masterful as anything by Albert Dürer as well as an entire book he made for his thesis project at Art Center that was full of pop culture references you wouldn’t realize he was initially inspired by. The fact that he can execute everything from a classical painting to graphic design work is kind of unheard of. There are those who can do one or the other, but very rarely anyone who can do it all, and do it all remarkably well. In particular though, I really wish Shaun continues to make some more woodcuts, since I haven’t seen an artist do anything close to what he’s doing with the medium due to his level of detail and depth of narrative. I mean, some of his pieces have entire books that go along with them featuring mythologies he’s created based upon heavy research.
“The Fat-Fat Club” is a hysterically childish new book by designer Aude Debout, who has a certain knack for combining images to create something ridiculous. This book imagines how the most gluttonous people see the world; people’s heads are hot dogs, buildings turn into overflowing desserts. In addition to the surreal content of this book, Debout definitely has an eye for the grid lines in compositions; knowing exactly where and how to combine these photographs. The layout of the book also shows Debout’s understanding of the medium she’s working with, as two separate, unrelated pages come together to form one cohesive new image.
Discovering Stephanie Calvert’s artwork is entering her world of shame. To break free from the memories left from her childhood, the feeling of discomfort due to her parent’s hoarding and her denial through all these years; she has come up with large sculptures on which she accumulates the symbols of her heavy past.
Stephanie Calvert was raised in a school house in the middle of a prairie in Colorado. With no electricity or hot water, she grew up feeling embarrassed of her living situation. Her parents were hoarders, piling up junk in every corner of the house. After she, her siblings and parents left their home town to pursue their life, the school house was left abandoned, in the middle of the prairie.
The artist eventually moved back for a while to explore the house ruins and the deep hole it had created inside of her. White taking care of her mother who had encountered a severe bike accident, Stephanie Calvert decided she needed to rekindle with her family, therefore her past. This process meant that she would have to dig into herself and face the feelings she had avoided during all these years. She went back to the school house and lived there, back to her childhood lifestyle. She then started to create, paint, collage and carve; letting out harsh feelings on the canvas. The sculptures are the expression of her past, shame and hope. They imitate the hoards she witnessed, although this time they represent the future, a message of promise and optimism to the ones that can relate to her story.
In a black & white Paris, little creatures with paintbrush decide to brighten up the city…
Reulf is student project from University of Paris VIII directed by Quentin Carnicelli, Charles Klipfel & Jean-François Jégo as part of our graduate program in Arts and Technologies de l’Image. Music composed by Robert le magnifique & Olivier Mellano.
Designer Mandy Roos injects psychedelic playfulness into her series, “Invasion of the Foot Carrier.” Calling upon the specters of miniature foam spaceships, Shatneresque choreography, and gold lamé, Roos’s conceptual line of footwear is a Technicolor tumble into the days of past future.
In some of her designs, Roos plays with gelatinous gloop and gel; in others, she draws inspiration of extraterrestrial explorers and their iconic caterpillar treads. Though the whole collection could be described as whimsical, there’s also a sense of optimism: Roos describes the project as “an inspirational vision meant for the footwear industry.” Her designs are imbued the kind of lighthearted curiosity that defined the years when people still thought the World of Tomorrow was a light on the horizon.
With names like “Aurora Glow,” “Stargazer,” and “Moon Crawler,” Roos embraces the neon cheesiness of retro sci-fi glory. Her designs might not be realistic, but they’re not meant to be. And after so many dystopian futures, both imagined and predicted, it’s refreshing to see such bold cheerfulness. (via Flavorwire)
Portlander/Swede, Edward Jeffrey Kriksciun staged a wonderful show featuring paper cutouts at Portland’s tremendous space, Nationale, in 2009. In November of last year, he came back to Nationale to exhibit drawings and collage that give us an idea of what Saul Steinberg’s work might look like if he were still around.
Los Angeles based painter and all around good guy Leo Eguiarte recently updated his site full of hyper colored paintings that will have you feeling like you just took 50 hits of acid. Nice work Leo, keep them coming!
We posted about Jamie a few years back, but four years have passed since then and she’s only gotten better. Her images about gross, awkward, uncomfortable, and funny moments that would be really easy to make poorly, and a lot of people do. What sets her apart from the herd, though, is her smart, tight framing; focusing us in on exactly what makes this country great–mystery meat, batman, butts, and birthday cake. She even photographs middle America (Jamie’s based out of Kansas City) with the American style that ranges from family to paparazzi photos–bright, garish flash. More Americana after the jump! ( via )