Barry Underwood’s images are documentations of full-scale installations that are built on-site in the landscape. Using illusion, imagination, and narrative, his photographs explore the potential of the ordinary. Approaching his photographs with a theatrical sensibility, much like a cinematographer or set designer would. By reading the landscape and altering the vista through lights and photographic effects, he transform everyday scenes into unique images. Light and color alter the perception of space, while defamiliarizing common objects. Space collapses, while the lights that he installs appear as intrusions and interventions. This combination renders the forms in the landscape abstract. Inspired by cinema, land art, and contemporary painting, the resulting photographs are both surreal and familiar. They suggest a larger narrative, and yet that narrative remains elusive and mystifying.
New video by Jon Clark and Spencer Longo for Los Angeles band LA Vampires’ (in collab with Matrix Metals) catchy number “So Unreal” combines all the things I love most about 80s/90s video aesthetics: head wraps, odd mystic paraphernalia, soft glows, and of course a healthy helping of neon. Jon and Spencer sacrificed their living room to set up this dark lair for a whole month! Spencer Longo currently has an installation up at the Pacific Design Center as a part of MAN, SUCH AS WE KNOW HIM, IS A COMPUTER. Jon is currently working on completing a 30 minute short called ‘Spectrum Hunter’. Watch the full video after the jump.
According to a famous anecdote, three pioneers of modern art Constantin Brancusi, Marcel Duchamp, and Fernand Leger are said to have visited the 1912 Paris Air Show. Observing a propeller, Brancusi said, “Now that is what I call sculpture!” A hundred years later, Paola Pivi’s How I Roll suggests that the modernist romance with industrial design lives on.
Pivi’s sculpture (made possible by the Public Art Fund) incorporates an entire six-seat plane that has been specially modified, enabling it to rotate through 360 degrees while held aloft on its wing tips. The artist’s transformation allows this Piper Seneca to be seen in an entirely new way. Airborne but flightless, its steady circular movement is mesmerizing. The shift of context from airport runway to New York City plaza is equally dramatic. It creates the striking and surreal experience of a familiar object seen in an unexpected place doing a very unfamiliar thing. Like a child’s dream come to life, How I Roll is typical of the artist’s bold and playful imagination. Watch a video of the sculpture in action after the jump. (via)
Like most people, when I was a kid I loved playing with a kaleidoscope. Pointing it at different light sources and twisting the chamber caused a morphing geometric mandala to take shape before my eyes, magically shifting sunshine and the colored bits inside into a series of hypnotizing designs. The same part of me that was enamored with a kaleidoscope is the same part of me that loves juicy colored highly geometric contemporary art.
As the highly influential artist and color theorist of the Bauhaus, Josef Albers, says so succinctly in his classic book Interaction of Color, “As with tones in music, so with color- dissonance is as desirable as its opposite, consonance.” The dance of tension and fluidity in an ever changing kaleidoscopic pattern is a rhythm of light and hue, which there is an abundance of in contemporary art. There are so many artists out there these days who use these components in their visual art, however the five artists included here emerge with unique strength, vision and technical ability that is worth noting. Artists include: Dalek (James Marshall), Maya Hayuk, Richard Colman, Amanda Airs and Jeff Depner
Artist Kat O’Sullivan spent a large amount of time dazzling up her home in upstate New York to be the psychedelic retreat she had always dreamed of. This run-down 1840s residence that she recently purchased is no longer a run of the mill home! O’Sullivan, who specializes in adding a dash of color to nearly everything she encounters, lit her home up like a rainbow. Working with her partner Mason Brown, they added oddly shaped windows and a unique color scheme. The interior, which is not finished yet, will surely prove to be something entirely unique. The house looks like a candy colored structure out of a fairy tale. As O’Sullivan said on her website:
“This is our crazy home, Calico, the House That Sweaters Built! It’s been quite a renovation journey to get it to its psychedelic rainbow state. This is just the first coat. It will only get weirder.”
That is bound to be an understatement. We can’t wait to see what you do with it! (Excerpt from Site)
Bizarre and surreal animal manipulations are artist Sarah Deremer’s specialty. In her series titled Balloon Zoo, she transforms colorful balloon animals into the real life animals they represent. At first glance, you may think that the balloons have been painted to look hyper real. However, once you see the animal eye looking back at you, it is unmistakable that something is different about these balloon animals. Each creature is still in the shape of a balloon animal, but appears to have characteristics and features of its living counterpart. Their bright colors and fun shapes contrast against the visible textures of fur, shell, and skin. Both cute and a little odd, her quirky critters will have you staring, trying to decipher what is real and what is not.
After receiving her bachelor’s in photography, she took her work to the next level through digital manipulation. It is truly amazing how the details of the real animal bend and form around each part of the balloon version. Animal manipulation is a common theme in Deremer’s work, as she has other work titled Animal Food and Big Mouth Birds that will change your perception of what could be possible in the animal kingdom.
“Balloon Zoo is a photo-manipulation project showing the realistic rendition of children’s balloon animals. The balloons are all re-imagined with realistic elements, made by combining photos of balloons with photos of the animals they represent.”