Jed Heuer, a Graphic Designer, typographer and illustrator from New York sent us a really awesome portfolio in the form of a newspaper. This newspaper contains his most recent studio design work. I find his designs very intuitive and his typographic work very dynamic. Check out his website for more details on his studio projects.
Our massive 50% off sale is still going strong. We had so many people lovin’ the savings we decided to keep it going especially for the Cult of Decay! Shop Now! Check out 10 of our top picks from the B/D Shop after the jump! Oh and if that’s not enough Here is an additional 25% off code (BD25W7U) for a total of 75% off!!!! The sale is ending Monday so drop what you’re doing and shop, shop, shop!
Rebecca Steele’s photographs use a sort-of-handmade-but-still-slick type of light and color to make everything objects, like knickknack figurines and trees, feel new. It’s like you’ve just landed on Earth, and the spotlight on your spacecraft is pointing wildly into the night sky in Washington State hitting two red and green lifeforms, this is the first Earth tree you’ve seen. Punk meets philosophy, and the wiser punk echoes your grandparents: stop and smell the roses.
Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
Khalil Chishtee constructs life-size sculptures out of plastic bags. Much of his figurative work is evocative of movement and fluidity, and indeed, some of his work is sculpted in such a way as to be constantly moving. Admittedly charmed by the vastness of the plastic bag medium, Chishtee enjoys the way it respectfully responds to his deepest emotions.
“We live in the age of plastic, and plastic bags are the most ordinary form of this material. It goes back to the Sufi approach of my upbringing where worth does not depend on what you inherit, it depends on who you are. Anything made out of bronze, wood, stone or painted on a canvas carries the appearance of being worth looking at, because of its history, but if one can change the impact of that history, one is an artist.”
Originally from Pakistan, Chishtee now resides in New York. (via combustus)
Matthew Coleman is an artist in many senses of the word. He’s a writer, a photographer, a painter and, apparently, quite a prolific paper crane folder. “I create from the inside out. To direct the intensity of feeling outside of me, to release them in great bursts,” explains the artist. With such a passionate artist’s statement, it’s no wonder Coleman’s creativity has driven him down so many diverse avenues of discovery.
Artists Mariana Fantich from Ukraine and Dominic Young from The UK have teamed up to create a collaboration known as Fantich & Young. Their latest project, Darwinian Voodoo, aims to merge two seemingly opposing bodies of thought, Darwin’s theory of evolution and the ceremonial ritual aspects associated with Voodoo, allowing them to indulge in a super-natural exploration. Through reappropriating and mimicking the aesthetic of ceremonial dress and placing it within the context of an evolutionary-based system, Fantich & Young allow themselves to create something that is no longer real nor super real, but entirely its own entity. They have manipulated the notion of a theological super-natural by shaping it to fit an aesthetic discourse of scientific truth, provoking a sort of mythical, yet superior lifestyle. The work is created from “symbolic ready-made materials…address[ing] parallels between social evolution and evolution in the natural world: Nature as model or nature as threat.” The work seems to simultaneously address that humans are, in fact, at the hands of nature, and that humans do, in fact, have the power to manipulate their own genetic fate. Perhaps aspects of contemporary life we do not associate with the “natural” world, i.e. social media and fashion, are actually a part of a modern day survival of the fittest.
They are branding their project as “a new pedigree lifestyle,” the collection itself being titled Apex Predator. The collection “features male and female ceremonial attire customised with human hair, bones and eyes. Collection includes shoes, accessories and perfume laden with thousands of dentures.” (Via designboom)