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Aaron Noble, Interviewed!


Beautiful/Decay + By Osmosis TV Presents Interview with Aaron Noble from Beautiful/Decay Magazine on Vimeo.

Beautiful/Decay teamed up with By Osmosis TV to profile piece on painter Aaron Noble in this new video. Aaron is a longtime friend of B/D. You can find his work on B/D’s Caliph shirt among other places.

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Beautiful/Decay: Pool Tradeshow Post Game Wrap-up

Thanks again to everyone who came out to check out our booth at Pool. We were pleasantly surprised to see a number of buyers reppin’ the B/D gear! More shots of our booth and the lovely people who stopped by after the jump!

 

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Amy Friend Pierces Vintage Photographs With Hundreds Of Illuminated Holes

Amy Friend  - photograph Amy Friend  - photograph Amy Friend  - photograph Amy Friend  - photograph

Photographer Amy Friend‘s series Dare Alle Luce is a visual interpretation of the Italian saying – ‘to bring to the light’ (in reference to birth). She has birthed new light (literally) into something old. Sourcing vintage photographs from markets and online, she has pierced them with hundreds of holes, tracing around silhouettes and filling shapes with delicate perforations, flooded by light. Initially starting the project by embroidering the images, she found the effect of hundreds of little needle holes more interesting and decided to pursue that technique instead. Instilling new life into these images from the past, Friend has created hauntingly mysterious objects that exist in between historical and contemporary worlds. She says of her motivation:

I aim to comment on the fragile quality of the photographic object but also to the equal fragility of our lives, our history. All are lost so easily. By playing with the tools of photography, I “re-use” light by allowing it to shine through the holes in the images. In a somewhat playful and yet literal manner, I return the subject of the photographs back to the light, while simultaneously bringing them forward. (Source)

She goes on to say:

In my work I gravitate towards ideas relating to time, memory, impermanence, and the fluctuations of life…. In my practice I tend to work within the medium of photography, however, I am not concerned with capturing a “concrete” reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible. (Source)

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Jason Rhoades Amazingly Intricate Neon Installations

Jason Rhoades - installation

Jason Rhoades - installation

Jason Rhoades - installation

Jason Rhoades, who lived and worked in Los Angeles up until his death in 2006, created amazing, over-the-top, often overwhelming, generally disorienting installations.  Using neon, plastic buckets, power tools, snaking wires, figurines, sound and other odds and ends Rhoades created work that is engaging, witty and visually spectacular.

Known as “scatter art,” Rhoades’ environments combine a multiplicity of ideas.  In works like The Creation Myth, originally installed in 1998, and now re-created for his retrospective at the ICA in Philadelphia, Rhoades created sculptural forms representing how humanity processes information, forms memories and produces things like art.  The work often contains biographical, sexual and sometimes outright vulgar elements that require a viewer’s patience and open-mindedness.  Seemingly arbitrary, each artifact has its purpose within Rhoades’ installations.

Overloading a viewer with information and visual content replete with metaphors and symbols, Rhoades purposefully creates his installations to avoid finite conclusions.  In many ways Rhoades’ works mirror human thought—they layer information and content in seemingly incoherent ways forming multiple, usually incomplete notions and assumptions.

Rhoades’ retrospective will be on view at the Philadelphia ICA through December 29.

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Above

6a00d834cad15053ef013480028618970c-800wi Above is an international street artist who is widely known for his social and political stencils, wooden “arrow mobile” installations, and witty word play paintings. His work has been seen all over Europe and the US.

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Melanie Daniel’s Apocalyptic Dreamscapes

 

Melanie Daniel explodes forms, objects, patterns, and color to make her paintings and the results are joyfully apocalyptic dreams. She gives us some recognizable forms–an arch, a fench, a tower, fish?– forms which make us turn much of the painting into a Rorschach test– Are those rectangle strokes cars? Are those squares buildings? Are those black lines woods that have overrun an industrial town? Or maybe they’re all just rectangles, squares, and lines, there to overwhelm us in this dreamscape. Whatever the case, her paintings are optical quick sand, making it difficult to stop looking and thinking about the worlds in front of you. Her show at the Asya Geisberg Gallery ends on the 20th, so try to stop by while you still can!

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Rooms Become Massive Balloons in the Installations of Penique Productions

Stitched Panorama Stitched Panorama

The Spanish collective Penique Productions creates massive installations that at the same feel nearly weightless.  Using fans and colored plastic the collective entirely covers a selected space in a bright hue.  Though the concept is relatively simple, the space feels totally transformed.  The space and its furnishings are stripped of all their details and reduced to a set of shapes.  Penique’s Productions create an interesting way to investigate familiar places.  Interestingly the collective says regarding the installations:

“It works the relationship between fullness and emptiness, creating a dialogue with the space it temporarily inhabits.”

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Steve Seeley’s Heavy Metal Animals

We have featured the work of Chicago based Steve Seeley (here) in the past. He continues to combine pop culture elements (super-heroes, celebrities, and wrestlers) with classical depictions of nature and animals. His exploration of disruption and serenity have led him to a series of Heavy Metal animal paintings. We see the famous logos of Danzig, Motörhead, and Slayer spliced with animals to form new beasts. Another piece features a wolf and monkey with “corpse paint” commonly seen on Norweigan Black Metal musicians. The paintings comment on the “darker” side of nature as well as our cultural impact on the natural world.

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