Michael Beitz kicks of our first Design Month, in which we will be exploring all the best stuff the design world has to offer.
Michael Beitz’ Picnic Table was commissioned by the Bemis Center for Contemporary Arts, in Omaha, Nebraska, as a permanent installation on its front loading dock, in conjunction with the Bemis Gardens exhibition and design laboratory.
….the art & fashion of getting caught in a dangle, featuring works by Kime Buzelli and designers Show Pony. I love Kime’s girly-sketch watercolor drawings, they look like magnified classroom love note doodles. Opening this Friday at Gallery Space. Should be fun!
A Common Name is a Los Angeles based graphic designer and artist whose decidedly different take on street art is anything but common. In contrast to traditional 2-D street art materials like wheat paste and spray paint, she takes to the streets with bright geometric forms reminiscent of geodes, comprised completely of paper. Seeming to grow out of cracks and crevices in the eroded urban landscape, these pieces are suprisingly subtle and fragile treasures likely to be overlooked by those caught up in the constant hustle of city life. Treasure hunters and urban explorers can track down these tiny gems and peek into the painstaking process with which they’re made by checking out A Common Blog.
I saw Jacob (one part of the trio? I think who makes up Paper Rad, and half of hip-hop-mashing/electro/idkwhat Extreme Animals) Tuesday night at Wildness and yesterday night at the Family bookstore, two stops on his “2 Blessed 2 B Stressed” tour.
I made a list of the things he “live blogged” about: how he was a fan of the Christian band Paramour’s positive messages, the Eddie Murphy and MJ duet “What’s Up With You“. I also grabbed one of the attitude bracelets that he’s so into right now. David of Extreme Animals also showed a synchronized guitar riff + head banging video piece during the Family show which was painful yet ecstatic everlasting repetition.
In the sculptural works of Jessica Lichtenstein, the idealized female form is presented in a highly, sexually, charged way. Appropriated from Japanese porno anime known as “Manga”, she reverses the original intent and renders a suggestive study of freedom and empowerment. In lighthearted narratives, her perfect muses flutter amongst a pile of designer bags, sip Starbucks, or work au naturel in the painting studio. These happy go lucky motifs were actually an escape for Lichtenstein’s own depression. Even though trained as an artist, she worked as a lawyer for many years. The daily grind got her down and she would escape through art projects. After creating her first successful exhibit featuring the girls, she listened to her inner voice, and quit law for good to pursue art full time. Not wanting to repeat herself, she decided to pursue another direction for her follow up. Instead of using dolls, she created pictorial likenesses of the girls which were scanned onto three dimensional word sculptures. These solid pieces constructed on aluminum and acrylic, depict scenes ranging from a war on words to sexual liberation. Technically hung on a wall, the different base materials give the pieces depth and become a solid looking glass into a host of childlike indulgences. Seasons, came next and stepped her into more introspective territory. The different times of year are portrayed through seasonal trees whose leaves are entirely composed of Manga figures. Its optical illusion triggers a highly emotional response from the viewer stemming from the clever placement of the artist’s nubile subjects.
Photographer Ines Kozic captures modern fairy tales decorated with bone and hair. The mood is contemplative, with a subtler flavor of body horror as her fair-haired women spin their hair into thick braids and pose with ruby-red lips and a court of insects. There’s also a sense of playfulness: a woman painting with her hair in an Escheresque exercise of physics; a man’s beard woven into a basket.
According to her artist’s statement, Kozic’s work is “a reflection on the body’s ornamentation, post-mortem photography and fairy tales’s world.” Her inspiration from photography of the recently deceased in repose is especially clear in the photos where her subjects wear garlands of delicate bone.
The ever-present sense of solitude in her photography make it seem as though everyone is frozen in time. The result is an unsettling mix of beauty and the kind of disquieting daydreams that one might find in a languishing surburbia. Her subjects perform everyday chores — sewing, weaving — but with surreal objects, bedecking themselves with beetles instead of jewels.
If, as Kozic says, she’s searching for “macabre poetry,” then she’s certainly found it. (via Yatzer)