Jorge Rodriguez Gerada and the people from the Delta del Ebro region in Spain have joined to form a giant representation of a girl named Gal·la. This installation is meant to bring attention to how future generations will have to pay the price for our inability to act on climate change now.
This piece is one of several major public art installations in over a dozen locations across the planet that will be photographed by satellites 400 miles above the Earth’s surface this November 20-27 as part of a planetary scale art project, 350 EARTH, led by author Bill McKibben and international climate campaign 350.org.
AIDS-3D is a collaboration between two American artists, Daniel Keller and Nik Kosmas, both of whom were born in 1986. Their work, and the documentation of it, is about as cryptic and brash as their mysterious name. Their influences are clear – low brow 1990s cyber-culture, space mysticism, aliens, etc, etc – but the work revolving around said themes can be quite clever and subversive.
I’m absolutely loving the 3D illustrations of Chris Labrooy with their dynamic sense of color, composition, and playful humor. If that’s not enough Labrooy also has a brilliant eye for typography, creating custom typefaces out of everything from people to architecture. (via)
Michael Kelly and Johnny Kelly are two brothers from Dublin, Ireland who work separately and sometimes together also. Michael lives and works in Tralee, Ireland, while Johnny is based out of London, UK. Micheal’s photographs are beautifully saturated images, that posses a feeling of nostalgia and modernity. Johnny is an illustrator, with a love for the paper arts, his piece “Don’t Panic”, as shown above, is a great example of his amazing use of color and shape.
Joey Piziali’s work takes on abstraction full force with geometric order mixed with a bit of painterly chaos. See Joey’s work in San Francisco this Saturday in a group show at Guerrero Gallery. See more of Joey’s work after the jump.
Photographer Florencia Durante’s series uses light to wrap her seated subject in a brilliant spectacle of energy. It appears as fractured, gestural drawings that dances on the floor, up the bald man’s (named Ruso) legs and sometimes around his head or out the door. The white-yellow spirit is erratic and is chaotic.
In addition to having a drawn quality to them, these photographs are sculptural. Durante builds up form and by layering line upon line, taking into consideration the contour of the knees and the head. She creates a halo and a veil around her subject.
The light seems simultaneously helpful and terrifying. Ruso sometimes sits idly as it moves around and throughout him. Other times, he has his head in his hands waiting for impending doom.