First saw this video with a couple other shorts at the Redcat in Los Angeles in an event dedicated to new Japanese video art (though the title escapes me). I thought all his work would be similar but it was kind of shocking to see that the rest of them were really different…
Illustrator and film lover Andrew DeGraff crafted a series of maps to help us navigate some of our favorite films. In long, epic journeys like Star Wars, Indiana Jones and the Temple of Doom, and even goofy comedies Wet Hot American Summer, it’s easy to forget where we’ve travelled over the course of the story. DeGraff highlights some key events, like Luke Skywalker’s trek in The Empire Strikes Back. If you are big fan of any of the movies that he’s illustrated, then the painstaking details will delight you.
Using gouache, the illustrator carefully draws spaceships, architecture, and foreign lands. While they are clearly maps without being the conventional road map, DeGraff’s limited color palette offers the most important information in vibrant colors, while the secondary (but still interesting) details remain less conspicuous. (Via Flavorwire)
Miya Ando is a metal-finishing artist who creates layered finishes on steel with a process she invented, utilizing fire, acid and automotive lacquer. Can you say badass? She will be showing large-scale steel works for the first time, the show is entitled Shinobu [perserverance] on October 7 at de Castellane Gallery. Her show will be comprised of large scale steel wall works and her series of hot-rolled steel skateboards, monotypes created by skateboarding on liquid graphite-coated paper. Saying this chick is hardcore would be an understatement.
Miya Ando Solos Exhibition Shinobu [perserverance] will be presented from October 7th – 29th, 2010. Opening October 7th, 2010, 6-9pm. Free to public. The de Castellane Gallery is located at 525 Atlantic Avenue, Brooklyn, New York. Sponsored by Milgo Bufkin Steel/Fabrication, Diatom Winery, Element.
Love these bizarre sculptures by Chinese artist Hu Ke.I couldn’t find much about what they are about or how they are made online but maybe one of you smart Cult Of Decay members will put on your investigator cap on and report back to cult headquarters with your findings.
Ariana Page has discovered the skin’s reaction induced welts – light scraping, scratching, drawing with needles, etc and decided to turn it into art. A similar approach would be to fall into a very heavy and abyss-like sleep with your arm under your pillow the whole night and wake up with crop circles embossed into your skin.
MOMO is a street artist working internationally. His pieces can range in size from relatively small to the size of city blocks. It is his style, though that is peculiar. His murals forgo text or figuration in favor of an abstract form. His work often has a deceptively simple composition. MOMO’s technique resembles simple print aesthetics while even referencing mid-century abstract painters.
From 1977 through 1985, Photographer Jim Goldberg took documentary-style pictures of transients in the Mission District and well-off San Franciscans in their homes and had the subjects write on their portraits. The combination of text and image is still incredibly intimate, even in this age of Instagram and Facebook. The dichotomy between the affluent and the destitute is obvious, yet the universality of the emotions the writers share is striking: pain, loneliness, disappointment, joy, security, contentment.
“I think my outrage about the desperation of the poor — and the dissatisfaction of the rich — stemmed in part from my belief that they represented a derogation from that path, a veering off course that had to be rooted out and documented.”
The combination of image and text is what makes this series so arresting and raw, but at the time of its initial publication in 1985 it was a radical decision, derided in a New York Times review as “a sad lack of trust on Mr. Goldberg’s part in both the power of his photographs to speak for themselves and in his viewers to understand them without comment.” Contemporary artists such as Brandon Stanton from Humans of New York, have taken this format and breathed new life into it through its immediate dissemination on the Internet.
Out of print since 1985, Jim Goldberg’s Rich and Poor has been completely re-designed and expanded by the artist for Steidl. Available for the first time in hardcover, Rich and Poor builds upon the classic combination of photographs and handwriting and adds a surplus of vintage material and contemporary photographs that have never been published or exhibited. (Source)
What comes across in these images is the shocking discrepancy of material goods and environments. The writings expose an expanded truth, though. There is obvious inequality in education and writing ability, leading to the impression that the poor suffer more than the rich. And that may be true in some ways — lack of opportunities, healthcare, and hope are all devastating. Pain is pain, though, and suffering is universal, as is love and gratitude. These portraits—touching, tender, hopeless, and sad—speak to our commonalities, as relevant in 2014 as in 1985.
KHUAN+KTRON is a three person design studio based in Belgium, though its members come from all over – Japan, Russia, and, uh, Belgium. Their varying backgrounds is clearly a boon to their work, which shows a lot of influences. Actually, KHUAN+KTRON have helpfully listed some of these influences on their site, so we don’t have to guess at what they are – medieval torture techniques, people with monstrous sideburns (not counting women), and free jazz are just a few. Check out the full list on their site!