Drew Beckmeyer creates quirky paintings that fuse visuals from different times and spaces, often pairing unexpected scenes with seemingly personal and historical references. They are both charming and mysterious works that teeter between whimsical and ominous. Beautiul/Decay recently interviewed Drew regarding his process, and even took a sneak peak at his studio behind the scenes.
“Goodbye London” is the new music video from Luke Jackson, directed and animated by London-based animator Murray John. It combines stop motion photography of London with some nice hand-drawn animation added with After Effects. “I set out to capture the bitter sweetness of London life, using urban sketchy drawings on walls,” says Mr. John.
This series, entitled Babel Tales, is a recent work of Danish photographer Peter Funch. To create each photograph, he sat at an NYC street corner with a tripod and snapped away, eventually finding common elements amongst all the pictures and compositing those elements into one shot. The result is something familiar yet very artificial – feeling almost as if each photo is staged.
Gordon Magnin, an artist currently residing in Los Angeles, California, works with found images to turn high fashion magazine layouts into bizarre portraits. I like the way he cuts up the found images and pieces them back together to create something completely new, each having their own personality.
Daniel Everett embodies the current technological zeitgeist shared by post dot-com kids, the kids of the dot-com kids, and the relationship we have to our interconnectivity (the internet). His work is jaded, earnest, and self mocking at the same time.
Phrased very well by BLDGBLOG as a possible scenario and usage of Sebastien Wierinck’s public furniture: “After a long day at work, then, you would walk into your house – which has no permanent furniture – and you’d see a shimmering mass of black tubes swaying in a slight evening breeze above your head…You’d push several buttons, and the system would begin to move, drooping down in long loops and turning back and forth in tight corners and curves, all laying out the forms of temporary furniture – bed, table – as you get ready for a quiet night at home.” I love the photo documentation- each set of furniture seems to have its own mood.
Opening July 11th (6-8 PM) and concluding on August 29th, the group show spotlights 14 Los Angeles-based women who all share a certain maverick outlook and ballsy attitude that distinguish them at a time when their male counterparts continue to receive the lion’s share of the artworld’s attention.
Harma Heikens produces these utterly amazing sculptures of children. Delving into the playfulness of popular culture and the tempting powers of advertising, Heikens “calls forth visions of a befouled world terrorized by economic and sexual exploitation.” What she delivers is pornographic and cynical, and simultaneously comforting in their reference to saints and martyrdom. These children communicate a grim, post-apocalyptic reality, one in which “the world has deteriorated or one in which we, the viewers, have lost our innocence.”