Took me a while to figure out what was going on in this image (well actually, they’re almost all videos) but it’s an awesome visual trick. The rest of Michael Guidetti’s work is along the same vein. Kind of 2D into 3D…so 2.5D?
Ryan Schude is an advertising, editorial, and fine-art photographer from Los Angeles. According to the artist, his current hobbies appear to revolve around arbitrary vacations, stand-up comedy, dining out, and Future Islands. What Schude neglects to mention is that he has also been making spectacular photographic tableau images for years. Similar to a movie still, each photo is full of vivid characters, humor, action, and story.
This is a bizarre yet interesting project by Russian photographer Igor Starkov. Here is a description of the project in the photographers own words:
Vladivostok amateur photographers often go to the countryside for photo sessions. Anyone can be a model but in general they are young girls and photographers are men of different ages.
The larger and more expensive the camera and the longer the lens, the bigger the chance to find a girl for a photo session.
I was photographing what they have created. Postures, looks, everything was as it would be on amateur photographs with the only difference that I was using film and medium format and perhaps was composing my frames more professionally.
And photographers are eager to touch young girls with their hands, put down a bretelle and may be get to know her closer. There is even a certain competition between the photographers – who managed to take pictures of more beautiful girls, and whose pictures are sexier. To persuade her to pose naked requires mastery not everyone has.
Another day spent working on the next season of the B/D Apparel Line. We’ll be releasing our fall line in less than two weeks and will follow up in November with our Holiday line. As you can see we make a list and check it twice. Here are some highlights from today…
Artist Dan Witz seamlessly combines traditional, academic realism with rebellious vibes of the underground punk scene to create his massive paintings of mosh pits. His impeccable technical skill allows him to paint photorealistic scenes that embody the pulse and energy of the punk music scene. Each painting is an energetic force to be reckoned that demands a serious presence. The amount of people crammed into each piece accurately captures the chaos and action involved in mosh pits in real life. Dan Witz’s work is packed full of incredible movement and human energy that can be felt in the viewer. Because in almost all of these paintings the image is completely devoid of an environment or setting, they have a deeply psychological affect. An excitement and anxiety is created as you see the range of expressions on each person’s face in the sea of bodies. As Witz fills each frame from right to left with herds of people, an unmistakable flow of powerful strength is formed.
Based in Brooklyn, Witz is a painter as well as a street artist. Spending time in punk clubs and playing in bands when he was younger influenced the subject in which he paints. However, we can also see the influence of classical painters due to his more traditional painting style. This type of hyper-real approach is often associated with a more academic way of thinking within the establishment. He is able to take this conventional method of painting and use it to rebel and revolt. Dan Witz’s Mosh Pits series has recently been featured in this past month’s issue of Juxtapoz. This quote from the interview explains the influence and effect punk rock has had on Dan Witz.
“Punk rock had opened my eyes enough for me to understand that art could be about more than providing expensive wall candy for rich people. I could actually speak truth to power…”
Everyone love a cute photo of a dog but London based Tim Flach’s dog photographs show mans best friend in a completely new light. Bringing the viewer into close-up proximity with their animal subjects, painstakingly lit, carefully cropped for maximum graphic impact and animated by telling gestures, these photographs place us in an intimate relationship with their protagonists. They are far removed from wildlife photography’s documentary images of animals observed in their natural habitat. In fact, the treatment accorded to these particular creatures is not dissimilar from close encounters with individuals that are the stuff of human portraiture.
There’s a new fashion craze that’s happening along Eastern China’s seaside city, Qingdao. Publicly-dubbed “Facekinis,” are protective head masks that are being worn by many beachgoers (mostly women). Photographer Peng Yangjun has documented them in a series of portraits that are set against the backdrop of the beach.
The colorful style is no doubt a strange one, and it’s reminiscent of luchadore and ski masks. This bizarre fashion trend has a more practical purpose, however, and that’s to protect swimmers from the sun, in addition to repelling insects and jellyfish. It’s often paired with long-sleeve bodysuits that help people maintain their natural complexion because bronze skin is often associated with those who perform physical labor in many Asian countries.
We’re often used to seeing swimmers wearing next to nothing or going completely nude. This style takes modesty to the next level, completely covering people up rather than stripping them down. It’s a surreal sight to see someone posed with bare arms and legs but a completely covered face; the photographs showcase an individual style but are devoid of the feeling and emotion we read from the face. (Via Flavorwire)
Snaggs lives and works in Seattle. Inspired by stuffed Nauga Monsters from the 1960′s, she uses vinyl and felt to create pop culture monuments. Her Star Wars heads immortalize a time when action figures dominated and large character cases were made to organize a collection. She also frequently produces large Atari cartridge works that are ripe with nostalgia. In this increasingly digital age we are moving away from the days when packaging meant everything and a physical object was needed to entertain. By increasing the size of these cartridges she allows the viewer to perceive imagery from the 70’s and 80’s in a whole new way.