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CherylKelley

See those reflections shining in the chrome? Cheryl Kelley is a lady who strictly paints super awesome cars. California dreamin’!

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The Manual Cut And Paste World Of Jesse Draxler

cut and paste

cut and paste

cut and paste

It comes as no surprise to anyone who idles away hours at a computer screen looking at design and art sites that the cut and paste collage medium is seeing a resurgence in importance. Sharing the internet’s tendencies of immediacy, appropriation and a denial of visual ownership, collage combines anything and everything to create a natural response and reflection of our age.

The collage work of Jesse Draxler similarly combines these strengths and tendencies, though with hand-crafted technique. His mixed-media fusion of found images, typography and design sensibilities thrives in information-overload times, both in drawing inspiration as well as being viewed instantaneously. By finding source material from anything, Draxler is able to ‘remix’ fashion spreads as easily as referencing art movements, crafting a new 2-dimensional language that has an immediate accessibility. This intentional referencing of constant stimulus, which is manipulated first and considering after, is essentially a kind of hyper-consumption of images that might be the descendant of William Burroughs’ cut-up technique. Draxler has no contention with this, saying, “Going through my Tumblr feed is like gathering ammunition which I will use myself, in my own way. I am able to see trends emerge in real-time, and I think about how I can fit those aesthetics into what I do, or even wrap what I do around those aesthetics.” Essentially everything, regardless of theme, origin, niche or intent, has the potential to become inspiration.

Recently featured in Gestalten’s The Age of Collage, a survey of the foremost collage artists working in the world today, Draxler’s ability to draw inspiration from anything fully portrays the strength of the visual remix medium.

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Nicola Samorì Corrupts Art History

Nicola Samorì makes seductive, profound paintings by layering and fusing images on canvas, wood or copper and then obliterating them by scratching, erasing, fingering and painting over the surfaces multiple times. By violating the golden rule of all museums (“Please do not touch the artwork.”) Samorìis making art history by corrupting his own work and imposing a new Samorì on top. The resulting layers of paint create a new skin that bears the bruises and permanent marks of all prior creative efforts.
Selecting portraits and still life’s from classical paintings but also sourcing random faces and images from the Web, Samorì is engaged in a project about time and corrosion.

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Challenging Architectural Installation from the Festival Des Architectures Vives

 

The Festival Des Architectures Vives, of Montpellier in Southern France, is an annual exhibition showcasing new talent in architectural installation. The Festival is currently in its 7th year. Here are a few images of some of the stuff that’s gone down. Repetition seems to be a popular theme this year, as many of the installations involved in the event feature identical or similar elements multiplied a few times over. The small alcove spaces that contain each piece work really well. They restrict the work just enough to create a slight amount of tension, but don’t distract from or impede any of the installations. See more from the show after the jump. (via)

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Marco Ugolini Showcases The Power Of Package Design On The Consumer’s Decision To Buy Excessively

Marco_Ugolini_beautiful_decay_01 Marco_Ugolini_beautiful_decay_02 Marco_Ugolini_beautiful_decay_03

While on his residency at JACA in Belo Horizonte, Brazil, photographer Marco Ugolini, in collaboration with Pedro Motta, created the series ‘Per Color’. The striking photographs, taken at a local supermarket near JACA, capture the merchandise by category of color: yellow, red, blue, black and white. With success, Ugolini showcases the lack of diversity in colored packages, perhaps revealing that the corporations that distribute the many products shown here are specifically using the same colors palettes because of an underlying psychological reason- the consumer will buy in excess if the color is vibrant and attractive enough. By visually displaying the ubiquitous packing format and color choices, he also aims to reveal that the supermarket serves as a space of manipulation. “My attempt in this action”, Ugolini says, “is to subvert this structure of power.” (via Ignant)

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Nik Daum

The Inventor of Cross Dressing & MODE V

The Inventor of Cross Dressing & MODE V

The figure on the left is a product of Nik Daum‘s imagination, and I feel like that’s exactly where it takes you, into some imaginary world. Cool colors, awkward angles, this piece is definitely a reflection of his own personal aesthetic, best summed up by himself in his bio on his website – which I highly recommend you read! And if you’re up for some stalking, he’s got 5 webcams in different parts of his house, tracking his every move. Daum’s also done quite a bit of commercial work; you’re bound to be familiar with several of the campaigns he’s been involved with, like Target, Jamba Juice, and Nike. He’s got a whole lot going on, take a few minutes and just check it out! Everything is laced with his humor, and though it says you’ll be disappointed on his homepage, trust me, you won’t.

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Tony Orrico’s Drawings Test The Limits Of Physical Movement

tony orrico performancetony orrico performancetony orrico performanceTony-Orrico performance

Since 2009, Tony Orrico has performed his Penwald drawings. Combining elements found in dance, theater and performance art, it explores repetitive movement for long periods of time, bringing drawing’s motion into peril with human physicality. The idea originates in finding a point when an act becomes more than just motor skills and crosses over into the creative process. In Tony’s case, this leaves an aesthetic mark on physical existence in the form of an abstract drawing.

After graduating with an MFA in Choreography from the University of Iowa, Tony joined Shen Wei and Trisha Brown Dance companies. As a principle, he performed in major cities around the globe, including Sydney Opera House. Both troupes known for an avant garde approach ensured that he was never far away from a serious art practice. When he was ready, this enabled him to use the experience he learned as a dancer and combine it with his passion for drawing. One of his first Penwald performances at Postmasters Gallery, NY in 2009, would set the stage for everything that followed. From there, he received an opportunity to perform at The National Academy Of Sciences in Washington DC, and  was soon taking his “Penwald” series to venues worldwide. He was one of the few selected to reappropriate performances from Marina Ambramovic’s retrospective, “The Artist is present” at New York’s Museum Of Modern Art, an experience he was honored to have.

His newest project, CARBON, further investigates the relationship between material, body and movement.  Again, testing the limits of physical, mental and creative capacity, Tony sleeps in a box of graphite broken off throughout the course of a day, from Mexican pottery bowls. The material is used as a metaphor for life and death. A few recent highlights include performances at The Metz-Pompidou, New Museum, BAM, and solo Exhibits at PPOW Gallery NY, MUAC Mexico and Shoshanna Wayne Gallery Los Angeles.

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BigBang- Pola Esther Takes Us Behind The Scenes Of A Music Video For The Biggest K-Pop Group

Pola Esther - Digital Photography

Pola Esther - Digital Photography

Pola Esther - Digital Photography

Polish photographer Pola Esther takes us behind the scenes of the concert film of the K-Pop world’s hottest band, Big Bang. Although the South Korean band’s five infamous members star in this film, Esther has turned an eye onto the bad girls that steal the show. The unforgettable women in the film include Gia Genevieve, Stephanie Shiu, TK, and Briana Michelle, and cameo appearance of James Goldstein. The photographer gives us a glimpse behind the scenes us of the powerhouse characters on set.

The creators of the film, Dikayl Rimmasch and Ed Burke, have had their hand in cinematic music videos before. They also collaborated on Jay-Z and Beyonce’s film “Bang Bang” featured during “On the Run” tour which has a similar film noir feel as the Big Bang’s film. The film’s unmistakable style pulls inspiration from American mythology. This incredibly dramatic film portrays the group in high-speed car chases, like that of the Fast and the Furious, and Tarantino-like scenes similar to Reservoir Dogs that are full of high tension. Esther, now based in New York City, has a photographic style that fits together perfectly with the seductive qualities of the film directors’ approach. Her work takes us one step deeper, showing us a little of whom these bad girls are in the film. Each photograph holds a sense of classic mystery, with the flair of old Hollywood. Make sure to check out more of Esther’s captivating and sensual photographs on her website.

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