Self-taught photographer Zeren Badar explores photography, painting, design, and collage work in his “Accident Series” project. For this project, Badar combines images and objects in a curious juxtaposition of form and content. His incorporation of prints of old paintings, food, accessories, decorations, and other objects results in peculiar and richly textured 3D collages that evoke a Dadaist aesthetic. Badar compares his work to Duchamp’s readymades, explaining, “By using unexpected juxtapositions of objects, I try to create ambiguity and pull viewers attention deeper to my photographs.In many ways, I examine new type of way still life.” Originally from Turkey, Badar now lives and works in New York City. You can keep up with this project’s progress by following his personal Tumblr page.
Fall down the rabbit hole and take a walk on the wild side in Olafur Eliasson’s world of psychaledic prisms and dreams. An “Alice in Wonderland” fantasized-like experience of kaleiscope and colorful imagination, testing all your senses. A magical sight of both light and darkness.
His carefully constructed umbrella of mirrors resemble a mysterious and complicated visual spider’s web. A beautiful complexity hard to resist visiting and walking through. Face forward and step. Look up, look down, to your sides and digest the vivid dream that surrounds you. Relax your eyes and allow light to enter your pupils. The tunnels he creates are made out of various pieces and sizes of glass. Walking through must be something like sitting on a rainbow.
Turning around sends you back into the depths of black, as the glass pieces lose their color—showcasing another dimension…. onyx city. His work encourages you to walk through to the other side. Standing dead center might feel like a cross road. A contemplation. A decision. Should I stay? Should I go? Should I continue forward? Should I go back? A moment of mindful reflection stirring up emotion.
“After Effects” is a “series of architectural scale models” by Italian artist/designer Daniel DelNero. The models are “constructed with black paper covered with flour and a layer of mold to create the effect of old abandoned buildings.”
My purpose is to talk about the sense of time and destiny of the planet after the human species through the sense of restlessness which abandoned buildings are able to communicate.
First of all, I’m seeing at least four different colors of mold going on with these. That variety alone is impressive. And his positioning and construction of the work is right where it needs to be. See more miniature, decayed urban scenery after the jump. (via)
I recently met David O’Brien through a mutual friend while checking out various openings in the Culver City gallery district of Los Angeles. This type of event draws a specific demographic, and the likelihood that you will end up discussing various aspects of art/the art world is exactly one hundred percent. Often times these discussions involve an exchange of websites, and an eventual glance into the practice of your recently met acquaintance. I would be lying if I said that I am generally impressed by the endeavors of my newly made friends, but this time was a pleasant surprise. Not only is David O’Brien a genuinely funny and nice human being – his work is just as engaging to be around.
In his ongoing series Human Entropy O’Brien continues to build a collection of mass portraits using a series of hyper-collage diagrams that investigate personal relationships in a truly unique way. Much in the same way a painter (in the romantic sense of the word) may have many colors on their palette – O’Brien continues to photograph and amass an array of different people/poses as a personal visual vernacular for composing dynamic large-scale photographs. O’Brien begins establishing the structure of each piece by placing one figure down at a time, and then repeating this process until the work reaches a level of depth and space that serves his aesthetic and conceptual needs. Patterns begin to organically emerge from these localized interactions between individual forces to create some very compelling images.
Japanese artist Kohei Nawa created an amazing foam installation that took over the entire room of a gallery in Japan. The perfect finishing touch, tiny specks of light like a night’s sky, added a dash of poetry to the ambiance.
Titled Foam, Nawa experimented with various combinations of glycerin, detergent, and water until he had realized the ideal, perfect, pliable foam, one that would not be affected by gravity or lose shape. The installation, which was being altered continuously by eight different pumps in the room, had an eternally shifting presence which made the clouds even more realistic. Looking at it scientifically, he said:
“Small cells bubble up ceaselessly with the slight oscillations of a liquid. The cells gather together, totally covering the liquid as they spontaneously form a foam, an organically structured conglomeration of cells. The risen volumes of foam link together and reach saturation, but continue to swell, occasionally losing vitality and spreading out over the ground.” (Excerpt from Source)
Adrianne Techasith’s work brings on a smile! This Los Angeles based photographer combines the small with the big, the real with the pretend, to prompt narratives that only an imagination could tell… or re-tell.
Rich Pellegrino has a fantastic way of splattering paint and pigment all over the place in order to create vivid portraits of famous people and myths. He’s a fan favorite at galleries who have pop culture themed group shows, like Spoke Art in SF and Gallery1988 in LA. In fact, it just wouldn’t feel right to go to an exhibit based on any kind of film, comedian, or obscurely famous what-have-you without one of Pellegrino’s pieces in the space. His style is recognizable from across the room and he’s one of the few illustrators I’ve seen who employs a use of texture in his work that makes it pop up a little bit from the page even when it’s in the usual purchasing form of a print.