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Jean Jullien’s Cheeky Illustrations Capture the Beach’s Minimalism

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jean Jullien

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Multidisciplinary artist Jean Jullien, previously featured for his large bird-shaped bar creation, is currently showing his newest collection of work, La Plage, at London’s Beach Gallery until September 29. This collection of images represents Jullien’s conceptual perspective of beach life. The images are simple, with clean shapes and lines, but are telling of a cheeky narrative. These humorous summertime illustrations indicate the sense of unrealized desire, frustration, and absurdity that can occur when you’re seaside. The prints began as illustrations using a brush and paper before Jullien digitally processed them to enhance the colors. An important part of this work for Jullien is his deliberate reduction of black outlines. Jullien explains that the figures he has lined in black tell a story or gag, while the ones without lines indicate something a bit more subtle.

Of the series, Jullien tells Cool Hunting, “I love the beach for how minimal it is; sand, sea, sky and skin. It’s very soft and yet very colorful, so it was important for me to try to explore that graphically…When you think about it, it’s a pretty odd environment in terms of social boundaries,” he observes. “Yet everyone is as free as a bird…I draw a lot on the beach, I love how naked it all gets,”

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Mark Benson

Sculptor and all around funny guy Mark Benson uses the readymade  to make us think about success, failure, and what it means to encounter both.

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Jae-Hyo Lee’s Exquisitely Smooth Wooden Sculpltures Give Tree Trunks A Second Life

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Jae-Hyo Lee’s latest work is a true work of perfect imperfection. He works with the imperfect forms and patterns of wood and reworks them in order to produce smooth, polished, and functional works of art. The combination of the wood’s natural shapes and the work he puts into the wood himself make for a series of pieces that are a perfect balance of nature and the presence and interference of man in nature. He creates a sort of hyper perfection which relates our relationship with beauty to our relationship with nature.

The process of Lee’s work is equally interesting to note: he spends time assembling an assortment of bits and pieces of wood, which he then spends time polishing and burning. This process allows him to rework the structure of the wood and create the meticulous shapes that can be seen in the final product.

Lee’s work is however not only a process of creation: he expresses the way in which he works very much with the natural structure of the wood, He says that he likes to “ make the most out of the material’s inherent feeling”, which underlines the fusion of nature and the man made. His project is full of a positive energy that brings a new perspective on the roles of wood its presence in our everyday lives. The fact that his series includes both sculpture and furniture adds to its beauty and complexity.

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Kelsey Dake

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I tend to be drawn towards imagery that confuses me; where I can’t quite tell what is going on. I find I ask myself that very question with many of illustrator Kelsey Dake’s drawings. But more than that, I am digging on the concentrated, black lines that feel as though gravity is getting the best of the ink… there’s a nice mix of humor in the work as well.

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Sisilia Piring Doesn’t Do Digital

Sisilia Piring apparently doesn’t do digital but does take beautiful photos of beautiful ladies.

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Misty Groenendijk’s Gone Ape!

Monkeys and apes parody humanity in sculptures by Amsterdam based artist Misty Groendijk.

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JOEL TETTAMANTI’s Snow World

Swiss photographer Joel Tettamanti documents every corner of the world from Vietnam to Rome. However I find his 2009 series of images from Greenland called  Aasiaat completely mesmerizing. perhaps it’s how the snow covers every inch of the ground or the brightly colored buildings but there is just something magical about this series that makes me want to book the next plane to Greenland to start the worlds biggest snow fight. (via holyghost)

 

 

 

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Fiona Rae’s Layered Abstractions

Fiona Rae has developed a complex, powerful and highly individual body of work. Employing a battery of painterly marks, graphic signs and symbols, her paintings explore the profusion of our visual and material culture and take us on an exhilarating ride through the possibilities of paint. In recent work the mood is ambiguous – flowers, hearts and cartoon characters might imply a sweet, almost cloying world, yet Rae’s dark and brooding palette, combined with virtuoso washes and veils of paint, evoke dissolution and decay. The paintings seem to suggest the seductions, contradictions and disappointments of contemporary life and culture.

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