Inspired by the futuristic animation of Katsuhiro Otomo‘s 1988 film, Akira, Gianmarco Magnani’s latest prints bring a third dimension to an otherwise flat medium. His two part series, “Silence Television”, draws from the linear style of traditional Japanese anime, and maintains a simliar graphic appeal. In his first set of four illustrations, entitled “Riders and Villains”, Magnani hoped to create a tension between good and bad in his riders. (As he pointed out, good without evil is just uninteresting). His second set, “The Forgotten Monarchy” marries a modern aesthetic with vestiges of the styles of 16th century European monarchies.
Melissa Murray is an artist from Brooklyn, NY. The themes in her paintings revolve aroud “images from past experiences or dreams.” Much of her work includes the metaphorical use of animals, which symbolize “sincerity in life, a seemingly degenerative trait in our current human consciousness. These creatures represent purity, and personify my dreams and fears for our collective future.”
Small Victories, the latest project by Booooooom, opens Thursday May 20th at Hong Kong’s Above Second gallery. This collaborative experiment came together by requesting 4×6 photographic prints from numerous participants, and aims to be “a photographic celebration of the quietly beautiful, unintentionally funny, people and things all around us. It is these little moments that make life worth living.” If you can’t make it to Hong Kong, Booooooom.com will be posting the submissions.
May 20th at Above Second gallery, 31 Eastern Street Hong Kong.
Nelson Balaban is an illustrator/designer working in Sao Paulo. At 20 years of age, he has worked with some impressive clients including Adidas, Diesel, Coca-Cola, and Oakley. He is now the art director working for Cisma @ Paranoid BR. For a bigger list of his clients and more of his work check out his site or follow him on the Behance network.
Michael Shapcott is an emerging artist from Connecticut. His paintings and illustrations take traditional portraiture and add elements of folklore and dream imagery, his main source of inspiration. His work is nothing less than powerful, inspiring, and emotional.
Jessica Ward has a brilliantly dark mind. The majority of her work is black and white, which really helps to maintain her macabre aesthetic. The nature of her drawings feel sexual and violent, while tempting and frightening the viewer. She has an interesting series of drawings that depicts deities of various eating disorders. According to her bio, Jessica has struggled with eating disorders herself, so the diety series comes from a very personal place.