In 1951, surrealist artist Salvador Dali teamed up with photographer Philippe Halsman to create In Voluptas Mors or Voluptuous Death. A black and white photograph, this image is simultaneously strange, complex, and alluring. It features a giant “skull,” a living picture that is made up of seven nude female models that took three hours to arrange and photograph. The final product has the artist standing next to the skull, looking like the ring leader of a circus. And, in many ways, he is.
Additional photos have recently surfaced that reveal some behind-the-scenes moments of In Voluptas Mors. Not only do we see the apparatuses needed to hold the models, but we see how the skull was constructed with bodies. From the looks of it, there was a process of getting one section of the skull situated and balanced. This would repeat until the structure was stable enough to be captured on film.
In Voluptas Mors was not the first time that Dali and Halsman collaborated, nor was it the last. They originally met in 1941 and worked together over the course of 30 years. All of their efforts were eventually published in a 1954 compendium titled Dali’s Mustache, an homage to the artist’s facial hair. Check out the upcoming exhibition at The Musée de l’Elysée, which runs from January 29 until May 11, 2014 to see these images in person.
Some people just have a knack for color and Toronto based Liz Wolfe is one of those people. Here bold still life and photographs radiate with electric colors in every corner and her juxtaposition of gorgeous floral motifs with dead chickens, maggots, and flies is the perfect mix of the sweet and the grotesque. (via feature shoot)
The artist Amelia Harnas creates dazzling portraits from spilled wine, using embroidery thread to trace and refine her crimson-faced subjects. Like delicate watercolor, the wine has an ethereal texture; the artist admits a certain unpredictability and instability in her unique process. Using wax resist on soft white cotton fabrics to set the images, she cannot determine how long the delicate images will last, and the transient images float like ghosts across the page while thread guides the eye.
Art historically, wine is associated with the god Bacchus, the god of drink and sexuality who inspired mortals to drink to the point of confusion, a state where the lines of identity and gender are blurred. Here, the spilled wine soaks the fabric in such a way that only the slightest mark provides a hint into the distinctive temperament of the subject. It is the thread that defines personhood, outlining the divisions between eye and flesh, hair and scalp. Without the meticulous embroidery, men and women become murky, drunken figures.
The miraculous tension between accident and purpose heightens the drama of each face. The cotton foundation is seemingly drenched in reds and pinks, the colors chaotically spreading throughout the image and creating serendipitous halos around the portraits; in stark contrast, the embroidery is distinctly rational and deliberate, forming complex geometric shapes like concentric circles, squares and triangles.
As the volatility of wine stains collides with the reason and order of human craft, Harnas presents a startlingly complex vision of the human condition. As illustrated in this work, art, like man, is governed by both passion and sound intellect, doled out in equal measure. Take a look. (via Colossal and Oddity Central)
Jake and Dinos Chapman have been some of my favorite artists to emerge from the YBA’s. With each show they seem to step up the level of gore, shock, and grotesque imagery mixed in with historical and cultural themes. For the past year, Jake and Dinos have been working in separate studios to produce a series of works in isolation from each other. Only in the staging of their current show at Whitecube will each become aware of what the other has done. Unlike Gilbert & George, for whom Jake and Dinos worked at times as studio assistants, their practice is not one of ‘singular duality’. They have always discussed, debated, argued and on occasion fought over creative and cultural ideas, but in this exhibition they will scrutinise and confront the whole idea of creative collaboration. Hear the brothers discuss the process for creating this show, get a walk through of the show, and hear them talk smack about fellow YBA artist Tracy Emin after the jump.