From illustrator and photographer Matt Lee, here are some photos of film posters around South India. It’s interesting how foreign film industries so close follow American trends. I expected to see posters that are more in the style of traditional 70s Bollywood posters (basically nicely illustrated montages of multiple characters, each in an action pose, and a cool look treatment of the title), but it seems that just as Hollywood has moved on since its days of ornately illustrated movie posters, so has India. So instead of illustrations we have Photoshop jobs.
Tonight, FFDG in San Francisco opens Sylvia Ji‘s first solo show with the gallery, “Interwoven” (reception 7-10). Some of these new acrylic paintings on wood seem to expand on the more pattern-based elements of her previous work, inspired by Mexican textiles. The artist’s haunting female figures are present as well and look great as Ji continues to push her brushwork to new levels. These paintings deserve to be seen in person, so get over to Mission St. if you can tonight, where Ji will also be releasing a new print.
Django Django‘s crazy new video for “WOR” features India’s Wall of Death Riders in Allahabad. Our friends at Noisey shot the video in a documentary style standing right in the middle of all the action.
I was able to catch the Django’s last show of their US tour at the Fonda Theatre in Hollywood last month. “Hello citizens of Los Angeles”, yelled out singer Vincent Neff before they jammed into “Hail Bop”. The band was a lot of fun to watch since they barely came up for air during their hour long set except when they went acoustic for their song, “Hand of Man”.
20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)
Sometimes I wish I was a monkey who traveled to exotic places like space. Until that happens I can just watch this video created as a collaboration between World Wildlife Fund (WWF), Ben Lee and Leo Burnett, “Space Monkey” carries a message about our planet, and features Ben Lee’s track, “Song for the Divine Mother of the Universe”.
Jason Bard Yarmosky’sElder Kinder pays homage to the idea that age is not a deterrent to living fully, but rather a springboard for exploration. His paintings examine the relationship between the limitations of social norms and the freedom to explore, particularly the juxtaposition between the young and old. The carefree nature that is associated with youth often gives way to borders and boundaries placed on adult behavior. As we transition from adult to elderly, these raw freedoms often reemerge. As a child you learn to walk; later in life we learn to unwalk, literally and metaphorically. However, the dreams of the young, often sublimated by the years, never really disappear.
“I choose to explore this theme with two people very close to me, my eighty-four year old grandparents. The process of aging has always intrigued me. The lack of permanence in life and the inevitability of aging has always been on my mind growing up. I am also interested in how people, in both mind and body, respond to the passage of time. As Madeleine L’Engle said, “The great thing about getting older is that you don’t lose all the other ages you’ve been.”
The resulting paintings capture the intersection of the battered body and the vibrant soul. The images in this series can be seen as either humiliating or empowering. The pessimist sees the images through the lens of shame and vulnerability, weighed down by social convention. The optimist sees a sense of liberation, where an adolescent’s playfulness and the freedom to dream complement the wisdom of old age.”