In 2009, Random International was commissioned by the Philips Lumiblade team to create an interactive light installation. “You Fade To Light” captures the unique qualities inherent to their revolutionary new OLEDs.
Hawaiian artist Sally Lundburg is greatly influenced by her native land’s “history of ecological and social invasions and it’s shifting cultural landscape, as well as personal experiences of self-reliance, independence, isolation, and exposure to spirituality and faith.” She is a multi faceted artist, as she works with sculpture, photography, film and video to explore notions of identity and social dynamics.
On her recent stunning body of work, Epiphytes and Invasives (totem series), Lundberg creates sculptural objects that serve as a medium to further investigate and literally envision the social history of post-contact Hawaii and the diverse family lineages that make up Hawaii today.
These ‘sculptures’ are nothing more that milled longs and branches that have been “punctured with commercial pine woodworking plugs, rusty fencing stakes, upholstery pins, rope, and dried ma’o hau hele flowers”. However, it is the archival portraits that Lundburg imprints on them that, together with the organic elements, make this series a remarkable artistic endeavor.
Her works look simple, however there are reasons for each and every detail that she ads on her sculptural objects. It is important to appreciate and put further thought upon the juxtapositions of organic and inorganic materials, as well as her emphasis of trying to mesh these two opposites together. On her description of this series, Lundburg explains that Epiphytes are plants that grow on other plants, and in rainforests [known for its tropical conditions, something that is an outright connection to Hawaii) just about any plant can grow epiphytically. Her usage of organic tropical flowers, plants and Koa logs together with the archival portraits work symbiotically to represent the social history of post-contact Hawaii and its diverse yet close-knitted family lineages that make up Hawaii today.
Artist and filmmaker Philip Haas has taken 16th century paintings and brought them into modern day in the form of larger than life sculptures. Haas has created four busts of the paintings titled The Four Seasons by Renaissance painter Giuseppe Arcimboldo. The original paintings portray four busts cleverly formed from fruits, vegetables, and flora that represent each of the four seasons. The piece Autumn appropriately displays lush fruit making up the person’s plump cheeks, while Winter is revealed through bare twigs for hair and lumpy roots for the face. Haas’s sculptures are enormous and spectacular replicas of these paintings, down to every last plant that makes up the face of each character. The paintings as well as the sculptures portray and compare the never-ending cycle of life and unavoidable aging of humans in a beautiful and fascinating way.
What is absolutely amazing about the work being re-imagined and recreated as sculptures is that each of the works are fifteen feet high. Each intricate face completely engulfs the viewer in its interesting details, allowing you to examine every leaf, vegetable, and vine protruding from their facial features. Haas has given us a monumental series of works that shine a new light on the original masterpieces from the 1500’s. Haas’s sculptures have been shown all around the United States in a variety of unique venues including the Desert Botanical Garden in Phoenix, the Atlanta Botanical Garden, and the Nelson-Atkins Museum of Art.
How does an artist contribute his own personal story in the face of prevailing historical narratives? In this film, Rashid Johnson discusses the fluid nature of black identity in America and its escapist tendencies, from the Afrocentric politics of Marcus Garvey to the cosmic philosophy of Sun Ra. Johnson’s invented secret society—”The New Negro Escapist Social and Athletic Club”—is a framework through which the artist humorously upends, through repetition and juxtaposition, conventional expectations of historical influence and legacy. Inspired by a story by the artist Lawrence Weiner in which one character says to another that “a table is something to put something on,” Johnson creates sculptures of shelf-like structures from materials such as black wax, mirror, tile, and branded wood. Each structure is filled with culturally resonant objects—such as Miles Davis and Ramsey Lewis jazz records, books by comedians Dick Gregory and Bill Cosby, and treatises by scholars such as W.E.B. Du Bois and Debra J. Dickerson—as well as the artist’s own photographs and hand-made objects. Watch the full documentary after the jump.
Check out the smoky, goth-tinged new video by Los Angeles’ own Cold Showers that premiered earlier this week on Noisey. “BC” directed by Brian Davila is “an homage to films such as The Hunger, Society, and Night Of The Comet”. Their debut LP Love and Regret is out now on Dais Records and they’ll be heading out on the road with Veronica Falls starting in March of next year. You can also catch them in Los Angeles with Black Marble at the Echo for Part Time Punks on Feb. 24th, 2013.
The Eiffel Tower was built in 1889 and by the very next year it had several admirers in neighbors across the channel. Some saw the potential of a similar tower, a “Great Tower for London”. These illustrations are part of a catalog of competitive designs for the proposed tower released the following year. Some are hilariously derivative of the still brand new tower. Others, on the other hand, seem to belong to some sort of Victorian space-age. Regardless, in a strange way all of the designs seem to point to the importance and uniqueness of the original Eiffel tower, even at this very early age.
Hey guys- we haven’t run a contest in a while because we were holding out for something that would really benefit our readers! Well, here’s a contest that will put cold, hard cash in your pockets as well as further your creative careers. We’re offering the opportunity to win $1000.45, as well as be featured in a month-long exhibition at Synchronicity Gallery here in Los Angeles. The event will be curated and promoted by yours truly and the directors there. Synchronicity is quickly becoming a go-to gallery for discovering & breaking emerging artists! We thought this would be a great opportunity to give some recognition to our readers… See below for full rules and how to enter, and good luck!
Dietmar Busse is a German photographer who lives and works in New York City. It’s rare to encounter a body of work as wholly original as his extraordinary series, Fauna and Flora. An amalgamation of photography and painting, the pieces in the series manifest a beauty that occasionally veers into dark, dreamlike realms. Busse began painting (with photographic developer) on his prints. The resulting images so artfully meld the otherwise quite distinct media that they appear to coalesce — creating, in a sense, a new medium.
“I did not set out to [focus on those concepts]. These were just the images I found myself making — and it made sense, for fauna and flora are what I grew up with, and what I relate to.” (via)