Since the internet, the never-ending evolution of words and phrases changes like the blink of an eye. These neon signs were created from the messy scrawl of Seattle-based artist Dylan Neuwirth. Plucking from modern day “web speak,” Dylan has made a collection of glowing emblems that mark our point in history, almost to the second. There’s nothing more attention grabbing than a neon sign, and this installation illuminates the oddities of modern day speech in a playful way. The universal appeal of this work is enhanced by the statelessness of it; words and phrases not directly from any one region or culture, but drifting out from the collective voice of the internet.
Neuwirth describes where he fits into it: “I see myself not as a regional artist or attached to any one place… I want to be everywhere. Make work that looks like it could be anywhere. To be singular and be synonymous at the same time. Like a totally underground electronic artist who infiltrates the top charts only to return to the murky depths again.”
You can’t help but think: what slang will we be using five years from now, one year from now, or even a month from now?
Artist Lauren Gallaspy creates unique and dynamic ceramic sculptures that play with notions of fantasy and duality. Her work, beautiful, adventurous, and full of a sense of wonder, invokes magical moments of nonsensical, yet somehow perfected, chaos. Her intention lies in finding balance in seemingly irrational binaries. She explains, “the things that I love and the things that I fear refuse to balance out. They scrap like cats, cloak and conceal like kudzu, terrify and delight, like a large, shaky lake or a dog swimming hard towards a floating ball.” The artist uses this tension to create creative and inventive ceramic sculptures, which are not only experimental by nature, but break boundaries of traditionalist methods of pottery. Experiencing Gallaspy’s work is like an investigation. Each color, each angle, each new treatment of material is expressive and fascinating. Her work screams out for a quiet attention, being open ended yet intimate. Her work emphasizes the complexity of humanity, the ups and downs of just simply being. She explains;
“My work is about that imbalance: the vulnerability of living things and the sometimes violent, sometimes pleasurable, almost always complex consequences that occur when bodies and objects in the world come into contact with one another. I use ornamentation, obsessive mark-making, and decorative imagery as a kind of devotional or transformational act, a way to render interior spaces and intense psychological experiences physically.”
Crystal Barbre, a Seattle painter, has created an alternate universe where women call the shots, their raw glory shining prominently through the head of an animal. These hungry scenes, at first glance, just look like a skillfully painted playground of lust: voluptuous animal-headed women in the throes of passion, yet there is much more at work here. The mysterious and enigmatic quality of rawness within the animal expression offers more to interpret than just sex. Barbre is giving these animals a power they may not otherwise have; with an animal head the women are operating on an instinctual basis; one not vulnerable to the persuasive effect of emotions.Their strength lies in the fact that they cannot be conned, by themselves or others. They are eternally present, and they engage with their sexuality while remaining a powerful, wild, and even threatening figure. Theriocephaly, or, the condition of having the head of an animal, dates back to Greek mythology and is often used in art and storytelling as a symbolic element. Barbre has used this subject matter to explore dealing with sexual abuse, as a way of allotting power where, for many women, there sometimes isn’t any.
Ever wondered what your breakfast would look like, naked? Stripped of all its Emporer’s Clothes of cups, pans, saucers, toast racks, and then forced to levitate? Well, look no further- photographer Oliver Schwarzwald has answered your prayers. He’s done just that to a selection of breakfasts from around the world. It’s been 4 years now since I’ve been to England, but ah, seeing the above sure makes me miss a good cup of Grandma’s tea, fried egg, bangers & baked beans…good ol’ fashioned fry-up. Can you tell what countries the other breakfasts belong to?
Stefan G. Bucher is a graphic designer, illustrator, author, creator of monsters, and pursuer of obsessions. The (sole) creative force behind 344, his clients have included art galleries, film directors, magazines, record companies, Saks Fifth Avenue and the Blue Man Group. If you’ve seen the Yeti themed Saks Christmas windows, you’ve seen Stefan’s work. The Daily Monster is his, too. The cover of The Matrix soundtrack; typography for Mirror, Mirror; Blue Man Theater. All Stefan G. Bucher.
Aside from his amazing and prodigious creative skills, Stefan is an astute observer of culture and a consistently funny writer. He agreed to be interviewed for Beautiful/Decay.
B/D: Thanks for talking with me, Stefan—I’m just going to jump right in. What’s the most interesting thing you’re working on right now?
Stefan Bucher: It’s my pleasure. The most interesting project I’m working on right now is the pitch for an animated show surrounding the Daily Monsters. It’s a long process of uncertain outcome, but it involves a lot of things I love—illustration, working with a brilliant writer and a genius animation producer, thinking about music and character design. It’s great! I’m also working on a solo gallery show for the spring. That’s just a big beast breathing down my neck. I don’t know how much of it will be retrospective and how much will be new work. I just want it to be a fun trip for the audience.
Erin Hanson’sReminders series captures everyday thoughts and places these reminder-thoughts near an appropriate domestic location. These colorful reminder text designs inject daily mundane tasks, like washing dishes, brushing teeth, reading, and watching television with fun, humor, and whimsy. Hanson’s appropriately titled blog, Recovering Lazyholic, began as an attempt to combat laziness and mainly feature two things she loves: photography and graphic design, both of which comprise this particular series. These multi-colored letters remind me of the colorful alphabet magnets commonly found on refrigerators, and my first encounters with them as a child. Whatever the task at hand, Hanson’s designs and photography remind us that we need to accomplish these tasks, but also to live these tasks a little more colorfully and playfully. Hanson lives and works in Austin, Texas.
Photographer Juuke Schoorl‘s collection is called “Rek,” which means “stretch” in Dutch. It’s a fitting name for both the act observed as well as that demanded of viewers as they are asked to consider all manner of textures both natural and unnatural. In her artist’s statement, Schoorl says that she “[explores] aesthetic possibilities of the human skin through a mixture of image capturing techniques.”
Using nylon fishing rope and cello tape, she creates temporary perforations and artificial patterns on what she calls “this curious stretchable material.” Some of her experiments look natural, almost like scarification. Others approach alien, such as one that tugs the side of a woman’s neck into what look similar to gills or another kind of grittier protrusion.
Interestingly, Schoorl’s subjects all look composed, serene even as viewers might flinch back on instinct. Perhaps that is the point; Schoorl invites viewers to be curious, to wonder at these new patterns and human landscapes. She wants us to consider our “biological upholstery that aside from it’s [sic] protective capabilities could also serve as a medium for aesthetic expression.” (via Juxtapoz)
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