Jonty Hurwitz’s Sculptures Are So Small They Can’t Be Seen By The Human Eye

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Size matters. Anamophic artist Jonty Hurwitz’s new sculpture series recreates the smallest human form ever at 20x80x100 microns, or roughly the scale of a human sperm. According to Hurwitz’s website, the size of these sculptures approximately equals the amount your fingernails grow every 5 or 6 hours. These tiny art works are too small to be seen by the naked eye!

We’ve previously covered Hurwitz’s warped sculptures on beautiful/decay, which also used physics to challenge human perception. These new nano sculptures, “Trust”, “Cupid and Psyche: The First Kiss”, and “Intensity”, explore the idea of science vs. legend, myth vs. reality. Created with a ground-breaking 3D printing technology, the work is ultimately created using two photon absorption—art made with Quantum Physics.

“As technology starts to evolve faster than our human perception is able to handle, the line between science and myth becomes blurred.

We live in an era where the impossible has finally come to pass. We have, in our own little way we have become demigods of creation in our physical world…. The nano works that I present to you here represent more that just a feat of science though. They represent the moment in history that we ourselves are able to create a full human form at the same scale as the sperm that creates us in order to facilitate the creation.”

Despite their microscopic size, these are detailed sculptures, with individual feathers in Cupid’s wings and tiny fingers, belly-buttons, and ears. It’s almost impossible to imagine that these realistic, emotive human figures are much smaller than an ant’s eye.

“The absolute fact is this: the human eye is unable to see these sculptures. In your hand all you see is a small mirror with … nothing on it. The only way to perceive these works is on the screen of powerful scanning electron microscope. Can you be sure of its existence if your basic senses are telling you that nothing is there?”

These sculptures were created in collaboration with The Karlsruhe Institute of Technology and the Weitzmann Institute of Science and involved over 10 people as a working team over several months.

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Wei Li Makes Dangerous Popsicles In The Shape Of HIV And Other Viruses

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San Francisco-based artist and designer Wei Li is making tasty treats with unpalatable connotations. Would you lick a cactus? Suck on a virus? Would just the idea of it change your experience of a dessert? In “Dangerous Popscicle” Li makes desserts in the shape of cacti, MRSA, influenza, chicken pox, escherichia coli and HIV from just water, sugar and coloring. To make the popsicles, Li created a series of one and two part silicone molds modeled in Rhino and printed on an Objet 3d printer. She writes on her website bold or italic:

“What will happen when we put these dangerous things on one of our most sensitive organs, our tongues? Does pain really bring pleasure? Is there beauty in user-unfriendly things?

Dangerous Popsicles create a unique sensory experience. Before tasting with your tongue, you first taste with your eyes and mind. The popsicles are nothing but water and sugar, but ideas of deadly viruses and the spikiness of cacti are enough to stimulate your senses, even before your first taste.”

There are inherent contradictions in this project—the colors of the items look delicious, but the subject is unappetizing, but the surface is pleasingly tactile, but the structure is painful.

Aside from making the molds and freezing the pops, Li is also interested in the social interaction this project fosters. How do people react to the frozen unsavories? Try it yourself—find directions on how to make this project at Instructables. (via The Creator’s Project)

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Invasive Jewelry That Harvests Energy From Human Body

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Blinker. Placed on the bridge of the nose and across the eyelids, it harvests energy from eye-blinking.

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Blinker. Placed on the bridge of the nose and across the eyelids, it harvests energy from eye-blinking.

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Blood Bridge. Each spike is inserted into a vein; blood stream spins the wheel and creates movement likely to be turned into electricity.

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Blood Bridge. Each spike is inserted into a vein; blood stream spins the wheel and creates movement likely to be turned into electricity.

Jerusalem-based industrial designer Naomi Kizhner created a series of sci-fi jewelry than harvest kinetic energy from a human’s body and turns it into electricity. Titled “Energy Addicts”, Kizhner’s graduation project addresses world’s forthcoming energy crisis. Her jewelry is an attempt for an existing renewable energy source that hasn’t been tested yet.

“It interested me to imagine what would the world be like once it has experienced a steep decline in energy resources and how we will feed our energy addiction. There are lots of developments of renewable energy resources, but the human body is a natural resource for energy that is constantly renewed, as long as we are alive.”

The jewelry is made from gold and 3D-printed biopolymer. Each piece contains sharp stings that neatly pierce the skin and serve as bio energy harvesting devices. The energy is generated from the body’s subconscious movements, such as blood flow or blinks of an eye. Kizhner created several designs to be worn on different body parts and to draw energy from specific physiological functions.

According to the designer, technology is not too far from turning these ideas into reality. However, she argues that the important part lies in human psychology: “<…> Will we be willing to sacrifice our bodies in order to produce more energy?” asks Kizhner. With her project, artist yearns to provoke people and spark the discussion on our possible future. (via Dezeen)

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Sophie Kahn Uses 3D Scanners To Capture And Cast Fragmented Women

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Sculptor Sophie Kahn has merged new technology with old to haunting effect in her sculptures of incomplete women. Kahn initially worked as a photographer but became frustrated with working in two-dimensions. Modern 3d scanners initiate these sculptures, but the fragmentation of the figures is achieved by using the scanners in a way for which they were not designed. Kahn says:

“When confronted with a moving body, it receives conflicting spatial coordinates, generating fragmented results: a 3d ‘motion blur’. From these scans, I create videos or 3d printed molds for metal or clay sculptures. The resulting objects bear the artifacts of all the digital processes they have been though.”

The absences in these figures is what makes them so arresting. The elements that are represented are death-like in their pallor and stillness. There’s no sense of motion, instead the women look like they were captured post-mortem. Their peaceful body language and impassive faces contrast with their layers and patches. Like the juxtaposition of new and ancient techniques Kahn uses to create these works, the figures are both enduring and fragile.

“These scans, realized as life-size 3d printed statues and installed in darkened rooms as a damaged ancient artifact might be, serve as a incomplete memorials to the body as it moves through time and space.” (Source)

The imperfect sculptures reveal flaws, empty spaces, and altered textures. It speaks of the inability to ever really know a person, as if these pieces of the mapped and printed bodies are all that could be gathered.

“This concern with the instability of memory and representation is the common thread that weaves together the ancient and futuristic aspects of my work.”

Kahn’s fragmented women give form to the futility of capturing the essence of a life.

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Monika Horčicová’s Cyclical 3D-Printed Skeletal Sculptures Pair Mortality And Infinity

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There is an undeniable sense of morbidity that pervades Czech artist Monika Horčicová’s meticulous replicas of skeletal parts, but to call them simply morbid is to take away from their staggering beauty. Fused together and crafted through cutting edge 3D-printing technology and polyester resin casts, Horčicová merges bones into everything from running wheel-like statues to kaleidoscopic patchworks, each piece rooted in a mesmerizingly acute understanding of our complex skeletal system. Originally from Prague, Horčicová now lives in Brno where she attends the Faculty of Fine Arts at Brno University of Technology. The mathematical arrangements in Horčicová’s pieces, where hip bones can merge perfectly into an open fan of legs and ribcages fit snugly within one another, serve as surreal reminders of the deeply complicated framework that makes up each of our bodies.

Some of Horčicová’s pieces also stand as signifiers of mortality, such as Relikviář, in which 3D-printed pelvises, skulls and more are packed into neat boxes within a black metal display case. Here, they assume a more medical, typified presence, as most bones do when under examination and study, as Horčicová makes clear in her exquisite reproduction. The mutated forms Horčicová’s skeletal constructions take on are mesmerizing and vivid reminders of our own mortality, presented brilliantly within a cycle of infinite possibility.

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Someone Made A Living Replica Of Vincent Van Gogh’s Severed Ear

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We all know the story of Vincent van Gogh’s ear, an organ that the artist is rumored to have severed from his own head in a fit of lovesick madness. For her project Sugababe, the artist Diemut Strebe has recreated the living ear of the legendary Post-Impressionist. Teaming up with scientists and using an advanced 3D printing technique, Strebe constructed the true-to-life organ from a sample of the late artist’s DNA found in an envelope that he had licked in 1883 and live cartilage from the ear of Lieuwe van Gogh, a grandson of the painter’s brother. The replicated ear, now on view at The Center for Art and Media in Karlshruhe in Germany, is kept alive by being suspended in a solution laced with nutrients.

Strebe’s installation includes a microphone into which viewers can speak. The sound is then carried to the ear, which hears speech as a crackling noise that is projected through speakers for all to listen. For the artist, Sugababe is a physical manifestation of Theseus’ paradox, wherein the ancient Greek hero was asked if a ship would remain the same if all its individual parts were replaced with new ones. Here, Strebe asks if this clone of an ear might in fact be considered the same ear worn by van Gogh. Tragically unable to respond the viewers who speak to it, the organ seems startlingly alien. Though it is composed of the same elements as the original ear, it lacks the humanity and the romance we ascribe the artist whose molecular biology it shares.

Given the tragic history of the artist, Strebe’s work carries with it a sense of loss and poignancy. Where the living van Gogh was unappreciated— reviled, even—in his time, here even his tiny organ is preserved with the utmost care, his body transformed into a valuable work of art in and of itself. (via Design Boom and The Daily Beast)

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Peiqi Su’s Dancing Penis Wall

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If you read about “The Great Wall of Vagina,” you know that walls made of modeled human genitals are nothing new, but student artist Peiqi Su’s 3D printed “Penis Wall” raises the bar. This interactive installation is composed of 81 interactive phalluses, which go erect and flaccid according to the viewer’s presence and gestures, each of which is registered with ultrasonic sensors. These little guys can be linked to stock market and translate data visually, or they can be programmed to play along with “Dance of the Sugar Plum Fairy” from Tchaikovsky’s The Nutcracker.

Inspired by the widespread notion that “everyone on Wall Street is a dick,” Su satirizes the male sexual organ. But she also treats it with the utmost reverence, referring to it as “one of the oldest and probably the most attractive thing that humans can interact with.” The wall is a very literal manifestation of male desire; the viewer is in total command of the erections, which rise like small columns of vertebrae, giving new meaning to the term “boner.” (via Animal New York, Lost at E Minor, and Huffington Post)

Dancing along to Tchaikovsky’s recognizable composition, the phalluses look delicate and agile as a prima ballerina; instead of the deliberate, immaculate movements of the female form, we see a surprising representation of male sexual impulse. These penises seem not like organs governed by erotic urges but rather like whole creatures with minds of their own, capable of executing the most complex choreography. Like ocean tides, their careful movements speak to a strange and unexpected unity and harmony between the self and the community. Here, the genitals aren’t base and vulgar but intelligent and thoughtful. What do you think?

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World’s Smallest 3D Pen Lets You Write And Draw In The Air

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The latest in handheld 3D printing, Lix is the smallest 3D printing pen in the world. This device allows you to write and draw in the air, without using paper. Lightweight (around 1.5 ounces) and easy to use, the pen fits the hand more comfortably than other, larger handheld 3D printers, allowing for more intricate details and designs. Even better, the tool can be powered by a wall charger or a USB port. The biggest challenge for the designers has been the reduction of the mechanical parts to fit into the 12mm diameter aluminum tube.

Though it was exceeded the amount of requested funding, Lix still has a Kickstarter campaign in the works, and you can check out even more information on their website. The pen is currently available for $155, including 5 bags of mixed colored plastic. (via colossal)

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