I’m loving this scanographic imagery by Portland based artist, Brandon F. Wilson. While Wilson does not explain his specific process on his website, I like to imagine the artist running through vast landscapes in Oregon, with a large scanner, to create these distorted images. More after the jump!
Gestural fluid abstraction and geometric patterns usually don’t well together but Kent Michael Smith has figured out a way to make them live harmoniously on the same surface. By using resin inbetween layers of paint he manages to combine these two disparate forms of mark making that reference Nascar color schematics, hunting gear, camouflage, and graffiti.