The Electronic Installations of Alberto Tadiello

The work of Italian artist Alberto Tadiello peeks into the vagaries of technology, nature, and their relationships.  For example, the first five photos of this post depict the installation EPROM (an acronym for Erasable Programmable Read Only Memory).  The installation mounted on the wall consists of music boxes connected to small electric motors, which are in turn connected to transformers.  While the tinny notes of the music boxes may conjure  memories of childhood at first, the motors and music boxes are soon spinning faster than the mechanisms can withstand.  Eventually the motors wear out reducing the ‘music’ to a hardly noticeable noise.  Of this event, the gallery statement says:

“Once the pawls wear out the noise slowly becomes less noticeable and even indistinguishable. The high-speed movement is associated with a sort of cathartic event, which relieves the music box interface from bearing nostalgic feelings.” [via]

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Alberto Tadiello’s Kenetic Sculptures

Alberto Tadiello’s works explore the possible forms of autonomous function associated with different objects and mechanisms as they undergo a parossistic conceptualization of their own functional logic. This logic is altered and tampered in order to start reflecting upon those deeper and psychological aspects which connect people to things and technologies.

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