Flickr user Harvezt imagines what the reverse side of iconic album covers would look like in their illustrative series, The Dark Side of the Covers. Taking famous works by Nirvana, David Bowie, The Beatles and more, the artist not only fills in the other half of well-known characters, but creates entire worlds with a sinister-esque twist.
Harvezt’s additions to these albums make them more well-rounded and conceptually rich. Our new, second viewpoint enhances the story. On Dio’s cover for Dream Evil, we see the original image has a demon making the devil horn with his hands as he peers into a sleeping child’s bedroom. Harvezt’s reverse illustration reveals the the demon being cheered on by a crowd of supporters sporting their own horns.
With all of the thoughtful details that the artist put into these works, they pay homage to these influential covers. Today’s digital downloads don’t always place an emphasis on album artwork, and makes Harvezt’s series a tribute to a time when people purchased physical copies of their music. (Via Metal Injection)
Before he was the Prince of Pop Art and arguably the biggest art star on the planet, Andy Warhol was one of the most sought-after graphic illustrators in Manhattan. Years before he designed two of Rock and Roll’s most iconic album covers, Warhol was responsible for a series of recently recovered Jazz record covers for Count Bassie, Thelonious Monk and Moondog.
Rendered in his then-trademark ‘blotted line’ style (a technique Warhol mastered before screenprinting, where a single line of heavy, beaded ink was drawn on one sheet of paper, and then pressed against another which created a blotted monoprint), these whimsical and funky covers graced some of the best jazz albums of the 1950’s. The quality of Warhol’s highly trained freehand drawings separated him from other commercial illustrators of the day, but one of his many secret weapons was his mother’s gorgeous script writing, seen heavily in the looping, colorful script featured on The Story of Moon Dog (above). Warhol employed his mother’s lovely writing to essentially double his work-load, a precursor to his loose-authorship creative policy that would become commonplace later in his Factory days. (via dangerous minds)
I just recently discovered Neil Krug‘s website but I’ve been seeing his work all over the place for years. Neil’s photos and videos combine a perfect mix of vintage, psychedelic, and sex. If I ever start a band this guys getting a phone call.